This Hammersmith and Shepherds Bush Gazette review from August 1974 examines Marc Bolan’s compilation album The Beginning of Doves, reflecting on his early recordings and distinctive vocal style. The critic questions Bolan’s fading myth while praising the simplicity and charm of these formative tracks. Publication: Hammersmith and Shepherds Bush Gazette / Hammersmith Post Date: August 22 1974 Country: United Kingdom The review opens by asking whether “the myth of Marc Bolan

This Diana magazine issue from September 8 1973 spotlights Marc Bolan on its cover with the headline “Super Size Marc Pin‑Up Today.” The edition combines pop culture, beauty, and fashion, presenting Bolan as a glamorous icon of early‑1970s style and music. The cover photograph shows him in a garden setting beside a classical statue, dressed in flared jeans and a red‑and‑black ensemble — a perfect reflection of his bohemian charm. Publication: Diana Magazine Date: September 

This Mobile Register column from August 19 1973 features an extended interview with Marc Bolan, conducted backstage after T. Rex’s appearance as the opening act for Three Dog Night. Written by Lee Moore, the piece captures Bolan’s wit, charm, and reflections on fame, music, and his evolving career during the height of the glam‑rock era. Publication: The Mobile Register Date: 19 August 1973 Country: United States Moore’s column opens with a lively description of Bolan’s ener

This Runcorn Guardian review from August 1973 briefly assesses Marc Bolan’s project Big Carrot and its single Blackjack / Squint Eye Mangle. The piece highlights Bolan’s shift in focus, praising his guitar work while noting the prominence of his female backing singers. Publication: The Runcorn Guardian Date: August 17 1973 Country: United Kingdom The review opens by noting that Bolan “leaves the spotlight to his girl back‑up singers,” allowing them to “warble the seductive

This Daily Breeze article from August 1973, written by Joseph Bensoua, chronicles Marc Bolan’s transformation from poetic folk idol to full‑fledged hard rocker. Covering his recent U.S. performances, the piece captures Bolan’s shift toward electric boogie and theatrical showmanship, marking a new phase in his evolution as the leader of T. Rex. Publication: Daily Breeze  (South Bay Daily Breeze) Date: August 14 1973 Country: United States Under the headline “Poetic Marc Bolan 

This Democrat and Chronicle review from 27 August 1972 critiques T. Rex and Marc Bolan’s album The Slider, comparing Bolan’s glam‑rock persona to Mick Jagger’s swagger. Written by Mark Starr, the piece dismisses claims that Bolan could succeed Jagger as England’s next rock icon, describing The Slider as “almost a parody of top 40 rock.” Publication: Democrat and Chronicle Date: 27 August 1972 Country: United States The review opens by noting the wave of publicity surroundin

This Charlotte Observer clipping from August 1972 reports on Marc Bolan’s visit to New York, where the T. Rex frontman was “trying to find out why he’s not a star in America.” The short piece contrasts Bolan’s immense fame in Britain with his more modest recognition across the Atlantic. Publication: The Charlotte Observer Date: August 20 1972 Country: United States Written by Mike Jahn, the article describes Bolan’s curiosity about his limited American success despite his s

This Romeo magazine issue from August 1972 features Marc Bolan on the cover with the headline “Inside – The Marc Bolan Story.” The multi‑page feature, titled “I Was Born to Boogie,” begins a serialized profile of Bolan’s life and rise to fame, blending biography, illustration, and pop‑art design in true early‑’70s style. Publication: Romeo Magazine Date: August 12 1972 Country: United Kingdom The cover presents a smiling portrait of Marc Bolan framed in a circular border ag

This Melody Maker competition notice from July  29, 1972 invites fans to win a special Marc Bolan badge celebrating the release of The Slider. The promotion captures the height of T. Rex mania, offering readers a chance to own a collectible featuring Bolan’s image and the imprint of his latest album. Publication: Melody Maker Date: July 29 1972 Country: United Kingdom THE STORY The short feature announces a Melody Maker contest for Marc Bolan fans, with 250 badges awarded

This South Wales Argus article from August 1971, written by Peter Jones, highlights Marc Bolan’s growing enthusiasm for hard rock as he evolves his sound with T. Rex. The piece captures Bolan’s creative restlessness and his determination to push beyond commercial expectations. Publication: South Wales Argus Date: August 21 1971 Country: United Kingdom Under the headline “Marc Goes for the Hard Rock,” Jones reports that Bolan’s next album will feature “violins, crashing gre