Released on 11 September 1981, this Cherry Red 7" single presents Marc Bolan’s posthumous track You Scare Me To Death, drawn from 1966 demos later enhanced with newly recorded backing instrumentals. Issued four years after Bolan’s passing, the single formed part of Cherry Red’s album project of the same name, compiling early outtakes and songwriting experiments from Bolan’s pre‑Tyrannosaurus Rex period. The single reached number 51 on the UK chart and early pressings included an interview flexidisc. Both tracks originate from Bolan’s 1966 demo recordings. In 1981, producer Simon Napier‑Bell added new instrumentation and arrangements to Bolan’s original vocals and acoustic guitar. The B‑side, The Perfumed Garden Of Gulliver Smith, also stems from these early sessions. STYLE & THEMES The A‑side blends Bolan’s youthful, quirky vocal delivery with a newly constructed 1981 backing track. The B‑side retains the same era’s lyrical eccentricity and acoustic roots, expanded with added production. TRACK‑BY‑TRACK NOTES • You Scare Me To Death — A 1966 demo rebuilt with 1981 instrumentation, showcasing Bolan’s early songwriting tone. • The Perfumed Garden Of Gulliver Smith — Another 1966 composition, later enhanced with new production for Cherry Red’s posthumous release. Initial pressings included an interview flexidisc. The single reached number 51 on the UK chart. Issued as part of the You Scare Me To Death posthumous album campaign. PERSONNEL Marc Bolan — vocals, acoustic guitar Simon Napier‑Bell — production, arrangement Artist: Marc Bolan Title: You Scare Me To Death Label: Cherry Red Country: United Kingdom Catalogue: CHERRY 29 Date: September 11, 1981 Format: 7" Single Tracklist (7"): A — You Scare Me To Death B — The Perfumed Garden Of Gulliver Smith Notes: Initial pressing included interview flexidisc. Posthumous release based on 1966 demos with 1981 overdubs. RECORDS LTD 53, KENSINGTON GARDENS SQUARE, LONDON W2 4BA. Tel: 01229 8854/5.. MARO POLANA NEW SINGLE, ALBUM AND BIOGRAPHY There was never anyone more sure of himself or directly to the point than Mare Bolan. In 1966 he got hold of my home number and called me up. "I'm a singer and I'm going to be the biggest British rockstar ever, so I need a good manager to make all the arrangements." I told him to send a tape to the office, but he said he just happened to be near where I lived. Could he drop it in? Ten minutes later he rang the bell and walked through the door with a guitar around his neck. He said, "To tell the truth, I don't have a tape, but I could sing for you right now." He was dressed in Dickensian street-urchin clothes, about five-foot-two with a mop of black curly hair, and unlike most mall people he was delighted with his sise. He played down to it. To further diminish himself he chose the biggest armchair and sat in it cross-legged. He put a capo on the neck of his guitar and said, "I don't play guitar too well but the songs are fantastic. You're going to love them." He wasn't boasting or being immodest. To him the songs really were amazing and exciting. The fact that he'd found them inside himself rather than lying around lost in the street was no reason to lessen the praise he gave them. He didn't think of them as specifically his. He just happened to have come across them and he wanted to share them with everyone. But he never did Because, one way or another, although I did become his manager and recorded all those early songs just as he'd played them to me, they never got properly finished, and they spent the next fifteen years in a cellar full of mildewing tapes. Then, ten weeks ago, I suddenly decided to make the album with Maro that I'd always wanted to make, so I searched out the tape of those original songs and went off to the recording studios. I tried to imagine myself in exactly the creative state of mind that Maro would be in if he were still alive today. He'd be contemporary. He'd be a perfectionist, but he'd still want that rough edge of vitality in everything. He'd know recording techniques from the past and would want to make use of them, but not to the detriment of natural atmosphere and spontaneity During the time I was making this new album, I listened a lot to his other albums, and by the time I'd finished, there was so much Bolan swirling around in my head that I decided I should finish off the project by coupling the record with a book. So I got together with music-business journalist Chris Welch, and together we are producing a definitive biography. Not one of those quickly knocked-out sulogies of top-ten stars, but a properly researched story of Marc's life, both private and public, and an appraisal of his importance in the history of popular music. SIMON NAPIER-BELL, August 1981 The single "You Soare Me To Death" is now released on Cherry Red Records (Cherry 29), and the first 20,000 copies come with a limited edition flexi-disc featuring Marc talking about famous people. The album and book will follow together as a package in October P.R. by Connie Filippello, Connie Filippello Ltd. 45/53 Sinclair Rd. London W14 Director: Lain McNay SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on 8 September 1972, Children of the Revolution marked a pivotal moment in T. Rex’s chart history. Written by Marc Bolan and produced by Tony Visconti, the single reached No. 2 on the UK Singles Chart, breaking the band’s run of four consecutive official No. 1 hits. It nevertheless topped both the Melody Maker and New Musical Express charts, becoming the last T. Rex single to do so. The release did not appear on a regular studio album but became one of the band’s most iconic stand‑alone singles RECORDING A twelve‑minute rehearsal jam was first recorded on 31 March 1972 at Rosenberg Studios, Copenhagen, during sessions for The Slider. A second version was filmed at Apple Studios on 6 April 1972 for Born to Boogie, featuring Elton John on piano and Ringo Starr on drums. The single version was completed in August 1972 during early Tanx sessions and mixed at AIR Studios before release. Backing vocals on the rehearsal version were provided by Flo & Eddie. STYLE & THEMES The A‑side delivers Bolan’s signature glam‑rock swagger with heavier instrumentation than previous singles. The B‑sides, Jitterbug Love and Sunken Rags, expand the single into a three‑track maxi format, blending romantic imagery and electric energy typical of Bolan’s 1972 sound. TRACK‑BY‑TRACK NOTES • Children of the Revolution — A driving glam‑rock anthem recorded during Tanx sessions, featuring Bolan’s confident vocal and Visconti’s layered production. • Jitterbug Love — Initially tracked at Château d’Hérouville on 2 August 1972; final instrumentation added at AIR Studios on 11 August. • Sunken Rags — Recorded at Rosenberg Studios in March 1972; an earlier acoustic demo appeared on the Glastonbury Fayre compilation. RELEASE HISTORY Released 8 September 1972 in the UK as a 7" vinyl single on T. Rex / EMI. Catalogue number MARC 2. Reached No. 2 on the UK Singles Chart. Topped Melody Maker and NME charts. Issued internationally across multiple territories. CHARTS & CERTIFICATIONS • UK Singles Chart — Peak 2 • Ireland — Peak 1 • Germany — Peak 4 • Austria — Peak 7 • Australia — Peak 11 (Go‑Set) / 13 (Kent Report) • Spain — Peak 14 • France — Peak 34 Japan - T. Rex - 1972 Artist: T. Rex Title: Children of the Revolution Label: T. Rex / EMI Country: United Kingdom Catalogue: MARC 2 Date: September 8, 1972 Format: 7" Single  Tracklist (7"): A1 — Children of the Revolution B1 — Jitterbug Love B2 — Sunken Rags Notes: A stripped‑down demo of Sunken Rags appeared earlier on Glastonbury Fayre (1972). Norway - T. Rex - 1972 Linked Releases • Children of the Revolution — Australia 7" — T. Rex — 1972 • Children of the Revolution — Belgium 7" — T. Rex — 1972 • Children of the Revolution — Brazil 7" — T. Rex — 1972 • Children of the Revolution — Denmark 7" — T. Rex — 1972 • Children of the Revolution — Finland 7" — T. Rex — 1972 • Children of the Revolution — Greece 7" — T. Rex — 1972 Belgium - T. Rex - 1972 • Children of the Revolution — India 7" — Stateside — 1972 • Children of the Revolution — Ireland 7" — T. Rex — 1972 • Children of the Revolution — Israel 7" — T. Rex — 1972 • Children of the Revolution — Italy 7" — T. Rex — 1972 • Children of the Revolution — Japan 7" — T. Rex — 1972 • Children of the Revolution — Mexico 7" — Capitol — 1972 • Children of the Revolution — New Zealand 7" — T. Rex — 1972 • Children of the Revolution — Norway 7" — T. Rex — 1972 SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This New Musical Express issue from September 24 1977 commemorates Marc Bolan following his death, with a front‑page dedication and a full‑page tribute titled “Rock and Roll Heart.” The coverage honors Bolan’s life, artistry, and influence as one of Britain’s most charismatic and original rock stars. Publication: New Musical Express Date: September 24, 1977 Country: United Kingdom The front cover features a black diagonal memorial box reading “Marc Bolan 1947–1977,” marking his passing. Inside, the tribute article “Rock and Roll Heart” by Roy Carr reflects on Bolan’s career from his early days with Tyrannosaurus Rex to his transformation into the glittering frontman of T. Rex. A large monochrome photograph shows Bolan seated cross‑legged on a sofa, exuding his trademark confidence and style. The accompanying text describes his musical evolution, his pioneering role in glam rock, and his enduring charm. A smaller inset section by Paul Morley recounts the circumstances of his death and celebrates his legacy. The issue also includes a full‑page memorial advertisement from EMI, spotlighting Bolan’s name under a symbolic beam of light with the words: “For ten years Marc was one of the  original stars of the rock scene.  He rode the charts with humour and style.” FEATURE HIGHLIGHTS Event: Memorial issue following Marc  Bolan’s  death Era: 1977 – Posthumous Tribute / Glam Rock Legacy Tone: Respectful, reflective, and heartfelt Photography: Black‑and‑white portraits of Bolan, including a seated studio shot and career montage WHAT THE CLIPPING SHOWS NME front cover with Marc Bolan memorial banner Full‑page tribute article “Rock and Roll Heart” by Roy Carr EMI spotlight memorial page honoring Bolan’s contribution to rock CONTEXT AND NOTES Published just days after Bolan’s fatal car crash, this NME edition stands as one of the most significant early tributes to his memory. It captures the shock and admiration felt across the music world, recognizing Bolan’s wit, flamboyance, and innovation. The minimalist EMI spotlight page serves as a poignant visual farewell to a performer who defined an era. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Issued on September 6, 2019, this limited‑edition red vinyl single presents two alternative versions from the Electric Warrior era. Released as part of Easy Action Records’ ongoing T. Rex archival programme, the single highlights previously unavailable mixes that offer a deeper look into Marc Bolan’s creative process. With only 500 copies pressed, it stands as a highly collectible item for fans and completists. RECORDING Both tracks originate from the Electric Warrior sessions, presented here in alternative versions that reveal different production choices and performance nuances. These mixes provide insight into Bolan’s studio experimentation during one of his most influential periods. STYLE & THEMES The A‑side revisits Get It On with an alternate arrangement that emphasises the raw, evolving texture of the track. The B‑side, Rip Off, appears in an alternative form that showcases the heavier, more chaotic edge of Bolan’s glam‑rock sound. TRACK‑BY‑TRACK NOTES • Get It On (Alternative Version) — An archival alternate mix offering a fresh perspective on one of Bolan’s most iconic tracks. • Rip Off (Alternative Version) — A different take on the Electric Warrior album closer, highlighting the track’s raw energy. RELEASE HISTORY Released September 6, 2019 in the UK as a limited edition red 7" vinyl single. Catalogue number EA45043. Limited to 500 copies. Part of Easy Action Records’ T. Rex archival series. Artist: T. Rex Title: Get It On (Alternative Version) Label: Easy Action Records Country: United Kingdom Catalogue: EA45043 Date: September 6, 2019 Format: 7" Single (Limited Edition Red Vinyl) Tracklist (7"): A — Get It On (Alternative Version) B — Rip Off (Alternative Version) Notes: A limited edition red vinyl pressing of 500 copies. Part of Easy Action Records’ T. Rex archival programme. SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A warm, in-depth profile in The Mail (September 6, 1977) featuring Marc Bolan discussing his upcoming role as Rudolph Valentino in Ken Russell’s film, his life story, rise to fame with T. Rex, and reflections on his journey from childhood to superstardom. Publication: The Mail (Millom and South Copeland edition) Date: September 6, 1977 Country: United Kingdom Section: Entertainment / TV Personality Feature The article presents Marc Bolan as a natural star, covering his early life as Mark Feld, his path to fame with T. Rex, and his excitement about playing Valentino in Ken Russell’s film. Bolan reflects on his mother’s influence, his chameleon-like career, and his confidence in his own destiny. Published on September 6, 1977 — this feature captures him at a reflective and optimistic moment, discussing his acting ambitions and enduring star quality. It serves as one of the final major profiles of Bolan during his lifetime. FEATURE HIGHLIGHTS Event: In-depth career & film role interview Era: 1977 (Late T. Rex / film ambitions period) Tone: Admiring, personal, forward-looking Photography: Striking portrait of Marc Bolan WHAT THE CLIPPING SHOWS Bold headline “ALWAYS KNEW HE'D BE A STAR” with a prominent photo of Marc Bolan. Detailed interview text by Miriam Maisel exploring his background, film role, and personality. Classic 1977 local newspaper entertainment layout. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Daily News article from September 1972 announces the reopening of New York’s Academy of Music as a major concert venue, with T. Rex headlining the inaugural show on September 14 alongside Argent and the Doobie Brothers. The piece highlights the revival of the city’s live‑music scene following the closure of the Fillmore East. Publication: Daily News Date: September 5 1972 Country: United States The article explains that since the Fillmore East closed, New York’s pop‑music scene had been searching for a new home. Promoter Howard Stein, known for his work across the tri‑state area, announced plans to base his operations at the Academy of Music on East 14th Street — formerly the home of the Metropolitan Opera before its move uptown. Stein’s renovated 3,400‑seat venue was set to host a series of concerts throughout the autumn, with T. Rex, Argent, and The Doobie Brothers opening the season on Thursday, September 14. The article notes that Stein had repainted and recarpeted the interior, added ramps leading from the stage to the audience, and installed footlights along the center ramp to enhance the theatrical atmosphere. The announcement positions T. Rex as the star attraction for the venue’s relaunch, reflecting their growing popularity in the U.S. following the success of The Slider and their earlier hit Bang a Gong (Get It On). CONTEXT AND NOTES By late 1972, T. Rex were at the height of their American fame, touring in support of The Slider. Their appearance at the Academy of Music marked a significant moment in New York’s concert history, as the venue became a new hub for rock performances after the Fillmore’s closure. The article captures the transition of the city’s live‑music landscape — from the psychedelic era of the late ’60s to the glam‑rock energy of the early ’70s — with Bolan’s theatrical style perfectly suited to the refurbished opera house setting. FEATURE HIGHLIGHTS Event: Opening concert at the Academy of Music featuring T. Rex, Argent, and The Doobie Brothers Era: 1972 – The Slider Tour / U.S. Glam Rock Peak Tone: Informative, anticipatory, and cultural Photography: None included; text‑only venue announcement WHAT THE CLIPPING SHOWS Announcement of the Academy of Music’s reopening as a concert venue T. Rex headlining the opening show on September 14 1972 Details of venue renovations and upcoming concert series All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Melody Maker clipping from September 4 1971 features a striking monochrome photograph of Marc Bolan performing live, captured in the midst of his early‑1970s T. Rex era. The image, printed in halftone style, highlights Bolan’s distinctive curls and his close connection with the guitar — a defining symbol of his glam‑rock transformation. Publication: Melody Maker Date: 4 September 1971 Country: United Kingdom The photograph shows Bolan in a moment of concentration, his face partially shadowed as he plays a white electric guitar. The textured print evokes the raw energy of live performance, emphasizing the intimacy between artist and instrument. His attire — patterned shirt beneath a dark jacket — reflects the transitional period between his folk‑rock beginnings and the glittering flamboyance that would soon define Electric Warrior. Appearing on page 22 of Melody Maker, the image likely accompanied coverage of T. Rex’s growing success following their chart‑topping singles Hot Love and Get It On. The publication’s choice to feature Bolan in such a focused portrait underscores his rising status as Britain’s new rock idol. CONTEXT AND NOTES By September 1971, Bolan had fully embraced electric glam, steering T. Rex from psychedelic folk into mainstream stardom. Melody Maker was among the first major outlets to chronicle this metamorphosis, capturing Bolan’s charisma and musical precision. The minimalist composition of the photo — spotlight, curls, and guitar — mirrors the simplicity and power of his new sound. This image stands as a visual prelude to the Electric Warrior era, marking Bolan’s ascent as both musician and cultural icon. FEATURE HIGHLIGHTS Event: Melody Maker live performance portrait of Marc Bolan Era: 1971 – Early T. Rex / Electric Warrior Era Tone: Intimate, focused, and transitional Photography: Halftone monochrome image emphasizing Bolan’s silhouette and guitar WHAT THE CLIPPING SHOWS Monochrome photograph of Marc Bolan performing live Printed halftone texture typical of early‑1970s music press Page 22 header confirming Melody Maker, September 4 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A detailed newspaper profile from the Evening Sentinel dated 30 September 1967, capturing John Peel at the pivotal moment of his transition from pirate radio to the BBC. John Peel – Evening Sentinel feature on Perfumed Garden and BBC Radio 1 transition, 30 September 1967. SOURCE DETAILS Publication: Evening Sentinel Date: 30 September 1967 Country: United Kingdom Section / Pages: Page 4 / Music Feature Title: John Peel’s Garden May Bloom Once More Author: Alan Jones THE STORY This Evening Sentinel feature profiles Liverpool-born DJ John Peel as he moves from his cult pirate-radio show The Perfumed Garden to BBC Radio 1. The article follows his announcement as co-host of the new Sunday afternoon programme Top Gear with Pete Drummond, portraying Peel as a thoughtful, self-deprecating figure deeply respected for championing underground and progressive music. CONTEXT AND NOTES In late 1967, the BBC had just launched Radio 1 to compete with the pirate stations. John Peel, already a hero of the underground scene through his free-form late-night broadcasts, was one of the key figures brought in to lend credibility and freshness to the new station. The piece reflects the cultural shift as pirate-era innovation began influencing mainstream British broadcasting. FEATURE HIGHLIGHTS Event: John Peel profile on his BBC Radio 1 debut Era: 1967 – Pirate radio to BBC transition Tone: Reflective, personal and insightful Photography: Portrait of John Peel seated in jacket and tie, plus a small adjacent photo of Dick Van Dyke Audience: General newspaper readers and music fans in the Midlands and beyond WHAT THE CLIPPING SHOWS A full-page feature with a large headline “JOHN PEEL’S GARDEN MAY BLOOM ONCE MORE”, a prominent photograph of Peel, and extensive text detailing his career and views. The layout also includes “This Week’s Top Ten” chart (featuring Engelbert Humperdinck, The Move, Small Faces etc.) and typical 1960s newspaper columns, perfectly illustrating the era when underground music was entering mainstream media. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A Japan-only limited edition vinyl reissue of T. Rex’s landmark 1971 album Electric Warrior. SOURCE DETAILS Publication: CDJapan / Universal Music Release Date: August 26, 2026 Country: Japan Format: Vinyl (LP) Limited Edition THE STORY This special edition is a Japanese-pressed LP cut at the legendary Abbey Road Studios. It faithfully recreates the original Japanese LP obi design and includes liner notes with lyrics and Japanese translations. The album is widely regarded as the definitive glam rock statement, featuring classic tracks such as “Get It On (Bang a Gong)”, “Jeepster”, and “Cosmic Dancer” CONTEXT AND NOTES Electric Warrior was T. Rex’s breakthrough album that launched T. Rextasy worldwide in 1971. This 2026 limited edition celebrates the album’s enduring legacy with premium pressing and authentic Japanese packaging, aimed at collectors and fans of classic glam rock. FEATURE HIGHLIGHTS Event: Limited Edition reissue of Electric Warrior Era: Original 1971 / 2026 reissue Format: 1LP (Japanese pressing, cut at Abbey Road) Special Features: Replica obi, liner notes, lyrics with Japanese translations Availability: Pre-order now – ships shortly after release TRACKLISTING Side A Mambo Sun Cosmic Dancer Jeepster Monolith Lean Woman Blues Side B Get It On Planet Queen Girl Motivator Life’s a Gas Rip Off RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Artist: Tyrannosaurus Rex Title: One Inch Rock Label: Regal Zonophone Country: UK Catalogue: RZ 3011 Date: 23 August, 1968 Format: 7" Vinyl Single Tracklist (7"): A — One Inch Rock B — Salamanda Palaganda Released on 23 August 1968, One Inch Rock marked an important early milestone for Tyrannosaurus Rex as they continued shaping their distinctive acoustic, poetic folk‑rock identity. Marc Bolan’s whimsical lyricism and gentle guitar work defined the duo’s sound during this period, supported by Steve Peregrin Took’s percussion and vocal textures. The single paired One Inch Rock with Salamanda Palaganda on the B‑side, both written by Bolan and produced by Tony Visconti. Issued on Regal Zonophone, the release became the group’s first significant chart success, entering the UK Singles Chart on 31 August 1968 and eventually peaking at number 28. Across a seven‑week chart run, the single climbed steadily, giving Tyrannosaurus Rex their only Top 30 hit of the acoustic era and helping establish Bolan’s growing presence in the British underground folk scene. TRACK‑BY‑TRACK NOTES • One Inch Rock — Written by Marc Bolan; a rhythmic, whimsical acoustic track showcasing early Tyrannosaurus Rex wordplay. • Salamanda Palaganda — Written by Marc Bolan; mystical, percussive B‑side characteristic of the duo’s 1968 sound. Front of the promotional picture sleeve RELEASE HISTORY Released 23 August 1968 in the UK. Entered the UK Singles Chart on 31 August 1968. Chart run lasted seven weeks. Peaked at number 28. Issued on Regal Zonophone (RZ 3011). Released in multiple overseas variations across Europe, Asia, and Africa. CHARTS UK Chart Run (7 Weeks): 48 — 10/09/1968 41 — 17/09/1968 30 — 24/09/1968 28 — 01/10/1968 (Peak) 31 — 08/10/1968 36 — 15/10/1968 48 — 22/10/1968 Peak Position: 28 Weeks on Chart: 7 PERSONNEL Back of the promotional picture sleeve Marc Bolan — vocals, guitar Steve Peregrin Took — bongos, vocals Tony Visconti — producer PRODUCTION Produced by Marc Bolan & Tony Visconti Label: Regal Zonophone Catalogue numbers: • RZ 3011 UK Commercial and promotional (in picture sleeve) RZ 3011 UK Handwritten labels by Marc RZ 3011 UK Handwritten labels by Marc OVERSEAS VARIANTS Country: France Catalogue: FSS 601 Country: Netherlands Catalogue: HSS 1298 Country: Germany Catalogue: 59 236 Country: Japan Catalogue: DP-1617 Contemporary Press Archive South Norfolk News, Diss Mercury and Journal Norwich, Norfolk, England · Friday, September 13, 1968 Herald Express Torquay, Devon, England · Friday, August 23, 1968 Worcester News Evening News Worcester, Hereford and Worcester, England · Friday, August 23, 1968 Bucks Examiner Chesham, Buckinghamshire, England · Friday, August 30, 1968 Lowestoft Journal and Mercury Lowestoft, Suffolk, England · Friday, November 01, 1968 Country Label Year France Stateside 1968 Germany Polydor 1968 Ireland Regal Zonophone 1968 Netherlands Stateside 1968 Norway Polydor 1968 Singapore Regal Zonophone 1968 South Africa Continental 1968 Japan Polydor 1969 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Evening Sentinel article from August 1971 captures the electrifying atmosphere of T. Rex’s concert at Trentham Gardens, where 2,500 fans danced, clapped, and cheered as Marc Bolan and his band delivered a high‑energy performance that confirmed their dominance of the British rock scene. Publication: Evening Sentinel Date: August 23 1971 Country: United Kingdom The report describes how T. Rex “exploded into rock numbers” at Trentham Gardens, thrilling a packed ballroom with hits like Ride A White Swan, Hot Love, and Get It On. Marc Bolan’s charisma and musicianship are praised, particularly his acoustic solo that brought the hall to silence before erupting into applause. The article highlights Bolan’s command of both acoustic and electric guitar, supported by Mickey Finn on bongos, Steve Currie on bass, and Bill Legend on drums. Their dynamic set demonstrated why T. Rex had “rocketed to the top of English and international charts.” Backstage, Bolan dismissed claims that the band had “gone commercial,” insisting, “We grew musically, but we never changed. We got played more, and people took to our sound.” The piece also mentions Gentle Giant, who shared the bill, and notes that T. Rex’s new album Electric Warrior was due for release within two weeks. CONTEXT AND NOTES By August 1971, T. Rex were at the height of their glam‑rock fame, bridging pop accessibility with rock sophistication. The Trentham Gardens show exemplified Bolan’s ability to transform a local venue into a national event, drawing thousands of fans and press coverage across the Midlands. The article’s tone reflects the excitement of Britain’s early 1970s rock boom, when T. Rex’s glitter‑charged performances redefined youth culture and live music spectacle. FEATURE HIGHLIGHTS Event: T. Rex live at Trentham Gardens,  Staffordshire Era: 1971 – Electric Warrior / Glam Rock Peak Era Tone: Energetic, celebratory, and  reportorial Photography: Text‑only column layout  with no images, focused on performance details WHAT THE CLIPPING SHOWS Coverage of T. Rex’s Trentham Gardens concert with 2,500 fans in  attendance Quotes from Marc Bolan defending  the band’s musical growth Mention of upcoming album Electric  Warrior and support act Gentle Giant All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The German edition of T. Rex’s 1970 album, retitled Ride A White Swan and featuring alternate artwork, marking an early international release of the band’s transitional material. RELEASE / PUBLICATION DETAILS Artist: T. Rex Title: Ride A White Swan Date: June 1, 1972 Label: Ariola Format / Type: LP Vinyl Album (Gatefold) Country: Germany Catalogue: 85 070 IT TRACK LIST Side A The Children Of Rarn Jewel The Visit Childe Diamond Meadows Root Of Star Beltane Walk Ride A White Swan Side B Is It Love? One Inch Rock Summer Deep Seagull Woman Suneye The Wizard The Children Of Rarn THE STORY This German pressing of the album originally known as T. Rex was retitled Ride A White Swan for the market and features a different cover. It includes the hit single “Ride A White Swan” and marks an early European release as the band transitioned to electric glam rock. CONTEXT & NOTES Released on June 1, 1972 in Germany on Ariola, this edition replaces “The Time Of Love Is Now” with “Ride A White Swan.” The gatefold sleeve includes photos and lyrics. It reflects the growing international popularity of T. Rex following their UK success. PERSONNEL Marc Bolan – vocals, guitar, organ Mickey Finn – drums, bass, vocals, pixiephone Tony Visconti – producer, string arrangements Howard Kaylan & Mark Volman – backing vocals (on select tracks) PRODUCTION Produced by: Tony Visconti Engineered by: Roy T. Baker PACKAGING / ARTWORK HIGHLIGHTS Gatefold sleeve with photo and lyrics Distinctive German cover artwork WHAT THE SLEEVE SHOWS The front cover features a black background with the title “Ride A White Swan” and band imagery. The gatefold includes additional photos and full lyrics. The label is Ariola with standard 1970s design. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Ariola Records All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A swaggering, riff-driven glam-rock stomper, “Truck On (Tyke)” captures Marc Bolan in full late-’73 mode — funky, loose, and leaning into the heavier, groove-based direction that defined T. Rex’s post-peak evolution. RELEASE DETAILS Artist: T. Rex Label: T. Rex (distributed by CBS) Date: November 16, 1973 Catalogue: MARC 6 Catalogue: REX 1948 Format: 7" Vinyl Single Country: UK A-Side: “Truck On (Tyke)” Written by: Marc Bolan Produced by: Marc Bolan B-Side: “Sitting Here” Written by: Marc Bolan Produced by: Marc Bolan TRACK LIST UK 7" Commercial Single (MARC 6) A. Truck On (Tyke) B. Sitting Here LINKED RELEASES / VARIANTS Main Commercial – MARC 6 (Stereo) PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Steve Currie — bass Bill Legend — drums Released on November 16, 1973 as a standalone single following “The Groover,” “Truck On (Tyke)” / “Sitting Here” marked another step in Marc Bolan’s shift toward a funkier, groove-oriented sound. The A-side delivers a gritty, swaggering glam-funk rocker with a muscular riff, while the B-side offers a more reflective contrast. The single entered the UK chart in late November, peaking at No.13 and spending 7 weeks on the chart. CONTEXT & NOTES This transitional single bridged the high-glam era with the denser, funk-leaning textures of the Tanx / Zinc Alloy period. UK variants include both push-out centre and solid centre pressings, usually housed in a standard T. Rex company sleeve. It remains a strong fan favourite from Bolan’s mid-1970s output. International Issues Limited international details available beyond strong European distribution typical of the era. RELATED MATERIAL T. Rex (1973) The Groover (Single) T. Rex (1973) Tanx (Album) T. Rex (1974) Teenage Dream (Single) SOURCES Discogs, 45worlds, Official Charts, Wikipedia. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Cambridge Evening News article from August 1971 celebrates T. Rex’s meteoric rise to the top of the UK charts with their hit single Get It On. The piece highlights Marc Bolan’s transformation from whimsical folk poet to electrifying rock star, marking the band’s breakthrough into mainstream success. Publication: Cambridge Evening News Date: August 18 1971 Country: United Kingdom Under the headline “T. Rex Leap to the Top Spot,” the article notes that Bolan and his band are “just about the most unlikely pop stars” to achieve consecutive number‑one hits. It contrasts their earlier days as Tyrannosaurus Rex, known for acoustic songs about pixies and fantasy, with their new electric sound — “sheer rock and roll, a chunky number with Bolan growling the suggestive lyrics.” The writer situates T. Rex’s success within the broader evolution of rock, observing how trends from Beatlemania to psychedelia have come and gone, yet Bolan’s music remains rooted in the enduring spirit of rock. The piece concludes that, despite experimentation, true stars “never strayed too far from it.” CONTEXT AND NOTES Released in July 1971, Get It On (retitled Bang a Gong (Get It On) in the U.S.) became one of T. Rex’s defining hits, cementing their role as pioneers of glam rock. The single’s success followed Hot Love and propelled Bolan into pop superstardom, blending swagger, sensuality, and simplicity into a new sound that shaped the decade. This Cambridge Evening News feature captures the excitement of that moment — the shift from underground cult act to chart‑topping phenomenon — and reflects Britain’s fascination with Bolan’s glittering reinvention. FEATURE HIGHLIGHTS Event: T. Rex reach No. 1 with Get It On Era: 1971 – Early Glam Rock Breakthrough Tone: Celebratory, analytical, and nostalgic Photography: None included; text‑only column under The Pop Scene heading All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Plain Dealer column from August 1972 reviews T. Rex’s album The Slider alongside other summer releases, praising Marc Bolan’s infectious rock rhythm and lyrical flair. The piece situates Bolan’s work within the broader pop landscape of the early ’70s, highlighting his growing influence in both the UK and the US. Publication: The Plain Dealer Date: August 18 1972 Country: United States Under the heading “Discotakes,” the writer names The Slider as the “surprise album of the month,” describing Bolan’s music as “hypnotic” and “infectious.” The review notes that T. Rex had recently toured England and the United States, performing at venues such as Carnegie Hall and the Yorktown Theatre in Parma. The article highlights standout tracks including Ballroom of Mars, Baby Strange, Telegram Sam, and Main Man, observing that Bolan’s lyrics are rich with allegory and surreal imagery. The writer compares Bolan’s lyrical style to American Pie, remarking that “Freud would have had a hard time with T. Rex.” The review concludes by praising Bolan’s ability to combine rhythm and poetry, calling The Slider “strange, hypnotic, infectious,” and noting that its timing and energy make it one of the season’s most enjoyable releases. CONTEXT AND NOTES Released in July 1972, The Slider marked T. Rex’s creative peak, following the success of Electric Warrior. The album’s blend of glam‑rock swagger and introspective lyricism solidified Bolan’s reputation as a leading figure in the movement. This Plain Dealer review reflects the growing American fascination with Bolan’s style — a mix of mysticism, sexuality, and pop accessibility — and captures the excitement surrounding his transatlantic success. FEATURE HIGHLIGHTS Event: Release of The Slider album Era: 1972 – Glam Rock Peak / T. Rextasy Era Tone: Enthusiastic, poetic, and reflective Photography: None included; text‑only column within the newspaper’s music section All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A deep archival dive into 1975 featuring rare radio broadcasts, studio outtakes, jingles, TV performances, and home demos. The Gilded Cage We Call ’75 showcases Marc Bolan & T. Rex during a highly creative and transitional year, with guest appearances from Gloria Jones and Flo & Eddie. RELEASE / PUBLICATION DETAILS Artist: T. Rex Title: The Gilded Cage We Call ’75 Date: August 1, 2025 Label: Solid Gold Records Format / Type: 2CD Compilation Country: UK Catalogue: SG005CD TRACK LIST Disc 1 Deep Beneath An Ancient Shadow (#I) Funky London Childhood London Boys Introduction Capital Radio 20th Century Boy Interview New York City Interview You Damaged The Soul Of My Suit Interview Get It On Capital (Radio Jingle) Dawn Storm (Diff Lyrics, Feb ’75 Mix) Savage Beethoven Brain Police Billy Super Duper Flo & Eddie King Of The Mountain Cometh (Acoustic Home Demo) Depth Charge (#I&II, Piano/Vocal) Swahili Boogie Woogie Piccadilly (Radio Jingle) New York City 20th Century Boy Teen Riot Structure (1975 Home Demo) King Of The Rumbling Spires (1975 Home Demo) Universe (Let's Face The Music And Dance) Futuristic Dragon Deep Beneath An Ancient Shadow (#II) THE STORY Compiled from 1975 radio sessions (Capital Radio, Piccadilly), unreleased studio recordings, TV appearances, and intimate home demos, this 2CD set paints a vivid picture of Marc Bolan’s creative output during a pivotal year. CONTEXT & NOTES All royalties go to the Light Of Love Foundation for the Marc Bolan School of Music & Film. A 4-panel gatefold digisleeve with 12-page booklet featuring rare images and notes. PERSONNEL Marc Bolan – Vocals, Guitar Gloria Jones – Vocals Flo & Eddie – Vocals Classic T. Rex members and session musicians of the period PRODUCTION Compiled from 1975 broadcasts and recordings. Artwork by Les Clark & Carlton. PACKAGING / ARTWORK HIGHLIGHTS 4-panel gatefold digisleeve 12-page booklet with photos and liner notes Striking cover image of Marc Bolan with guitar WHAT THE SLEEVE SHOWS Front cover: Iconic live photo of Marc Bolan holding a guitar under stage lights with “T.REX” title and “The Gilded Cage We Call ’75” subtitle. RELATED MATERIAL Bolan Boogie – The Best of T. Rex (2024) Bolan B-Sides (2025) Studio Albums 1970–1977 (2025) SOURCES Solid Gold Records, Discogs, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The July 29, 1974 edition of the Norwich Evening News reviews the album Beginning of Doves, a collection of early Marc Bolan tracks from his pre-T. Rex days. Publication: Norwich Evening News Date: July 29, 1974 Country: United Kingdom Location: Norwich Section: Music Review THE STORY Reviewer Colin Cross praises the album, noting that while most people now know Marc Bolan as the leader of T. Rex, this LP showcases his earlier work when he was much better than he is now. He highlights tracks such as “Jasper C. Debussy”, “Hippy Gumbo”, “One Inch Rock”, “Cat Black”, and “Sarah Crazy Child”, describing Bolan as a “mystical wandering minstrel” on many of the recordings. CONTEXT AND NOTES This review appeared as T. Rex’s commercial peak had passed. The compilation Beginning of Doves gave fans a chance to rediscover Bolan’s underground psychedelic folk roots from the Tyrannosaurus Rex era, including first takes and between-song comments. FEATURE HIGHLIGHTS Event: Album review Era: 1974 (Retrospective) Tone: Appreciative, nostalgic Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Bold headline “Bolan L.P.” Positive review by Colin Cross Track highlights from Bolan’s early career Reflection on his transition from underground artist to glam superstar All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The July 26, 1969 edition features an interview with Marc Bolan of Tyrannosaurus Rex discussing underground music, exposure, and the band’s philosophy. Publication: Music Magazine / Press Date: July 26, 1969 Country: United Kingdom Location: UK Section: Interview / Feature THE STORY Marc Bolan talks about the challenges underground groups face in getting exposure, the band’s transformation, and their approach to music. He emphasizes staying true to their artistic vision rather than chasing commercial success. CONTEXT AND NOTES T his interview captures Tyrannosaurus Rex in their late acoustic/psychedelic phase, just before their shift to electric glam as T. Rex. Bolan’s comments reflect the underground scene’s frustrations with mainstream media. FEATURE HIGHLIGHTS Event: Artist interview Era: 1969 (Late acoustic era) Tone: Thoughtful, artistic Photography: Photo of Marc Bolan and Steve Peregrin Took WHAT THE CLIPPING SHOWS Bold headline “Underground groups are those which don’t get exposure” Interview with Marc Bolan Discussion of the music industry and the band’s identity Typical late-1960s music press layout RELATED MATERIAL July 26, 1969 review of “King Of The Rumbling Spires” For other relevant posts, see the tags at the foot of the page. SOURCES Music Press, July 26, 1969 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

“Memories of Beatlemania were brought back to me on the Pier on Friday last week when about seven young girls were carried, half‑fainting, across the stage at Marc Bolan’s appearance with T. Rex.” — Jenni Inness, Hastings & St Leonards Observer, July 26 1975 Event: Marc Bolan and T. Rex perform at the Hastings Pier Ballroom, Friday July 25 1975, 8 p.m. – 11.45 p.m. Part of the short UK coastal tour following the Isle of Man and Great Yarmouth dates. Supported by Stallion, with vocalist John Wilde. Licensed bar and buffet available. Setlist: • Jeepster • 20th Century Boy • Teenage Dream • Zip Gun Boogie • New York City • The Soul of My Suit • Hot Love • Get It On Photographs: Marc Bolan performing live on stage in a vivid geometric shirt, playing a Fender Stratocaster under red stage lighting photos by Joe Bowieaddick Chronicle Note: The Hastings Pier Ballroom concert captured Bolan’s enduring magnetism amid changing musical tides. Press coverage likened the crowd’s fervour to Beatlemania, underscoring his continued hold on fans even as T. Rex entered its mid‑70s phase. Advert / Ephemera: Ticket: Pink paper, numbered 1267 — £1.25 in advance / £1.50 at door. Newspaper Advert: Hastings & St Leonards Observer, July 19 1975 — “First Time in the South – Marc Bolan plus T. Rex – Licensed Bar 8.0 – 11.45 pm • Buffet • Tickets £1.25 in  advance.” Review: Marc’s Fans Stay True by Jenni Inness — describes intense fan reaction, comparisons to Beatlemania, and Stallion’s support set. Surrounding Dates: • July 12, 1975 – Palace Lido, Douglas, Isle of Man • July 23, 1975 – Tiffany’s Nightclub, Great Yarmouth • July 26, 1975 –  Leas Cliff Hall, Folkestone SOURCES 'There Was A Time - Marc Bolan a Chronology' Cliff McLenehan, ninebattles . com All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

“A tight, high‑energy mid‑summer appearance, mixing classic T. Rex hits with Bolan’s evolving mid‑70s sound. Event: Marc Bolan & T. Rex perform at Tiffany’s Nightclub, Great Yarmouth, as part of a short UK run during summer 1975. The refreshed line‑up delivers a compact, high‑impact set blending early glam staples with newer mid‑70s material. Setlist: • Jeepster • 20th Century Boy • Teenage Dream • Zip Gun Boogie • New York City • The Soul of My Suit • Hot Love • Get It On Advert: Black‑and‑white newspaper listing published July 18, 1975, announcing the concert at Tiffany’s, Great Yarmouth — “Tickets now available from Tiffanys.” Venue telephone number 57018 appears in the header, confirming local booking details. Chronicle Note: The Great Yarmouth concert stands as the defining moment of this brief 1975 circuit — a confident showcase of Bolan’s renewed stage presence and the evolving sound of T. Rex during this transitional period. Surrounding Dates: • July 12, 1975 – Palace Lido, Douglas, Isle of Man • July 25, 1975 – Hastings Pier Ballroom, Hastings • July 26, 1975 – Leas Cliff Hall, Folkestone SOURCES 'There Was A Time - Marc Bolan a Chronology' Cliff McLenehan, All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.