Marc Bolan (August 21, 1971) – “Marc Goes for the Hard Rock” Feature – South Wales Argus
This South Wales Argus article from August 1971, written by Peter Jones, highlights Marc Bolan’s growing enthusiasm for hard rock as he evolves his sound with T. Rex. The piece captures Bolan’s creative restlessness and his determination to push beyond commercial expectations.
Publication: South Wales Argus Date: August 21 1971 Country: United Kingdom
Under the headline “Marc Goes for the Hard Rock,” Jones reports that Bolan’s next album will feature “violins, crashing great slabs of electronics,” with assistance from American musicians Howard Kaylan and Mark Volman. Bolan dismisses accusations of selling out, insisting he is “merely trying to stretch [his] head in all possible directions — to see what emerges.” The article also notes Bolan’s literary pursuits, mentioning his published poetry collection Warlock of Love and his interest in writing horror and science‑fiction stories. His creative ambitions extend beyond music, reflecting a multifaceted artist eager to explore new forms of expression.
CONTEXT AND NOTES
By 1971, Marc Bolan was transitioning from the mystical folk of Tyrannosaurus Rex to the electrified glam‑rock sound that would define T. Rex’s success. This article captures that turning point — Bolan embracing heavier instrumentation and a more assertive style while maintaining his poetic sensibility.
The mention of Kaylan and Volman (formerly of The Turtles and later known as Flo & Eddie) foreshadows their collaboration on Electric Warrior, the album that would cement Bolan’s place in rock history.
FEATURE HIGHLIGHTS
Event: Marc Bolan’s stylistic shift toward hard rock
Era: 1971 – Early Glam Rock / T. Rex Transformation EraTone: Insightful, enthusiastic, and forward‑looking
Photography: Small black‑and‑white inset of Bolan performing under the Pop Scene banner
WHAT THE CLIPPING SHOWS
Marc Bolan’s comments on his evolving musical direction
Collaboration with Howard Kaylan and Mark Volman
Reference to Bolan’s literary and cinematic ambitions
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