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Marc Bolan (November 1, 1972) – “Everyone’s Trying To Dethrone Bolan — But, In Fact, There’s No Throne To Have” Feature – Melody Maker.

Writer: 1972
1972
Nov 1, 1972
2 min read

Penny Valentine interviews Marc Bolan at a crucial moment in T. Rex’s career, as the singer responds to criticism following a difficult American tour and reflects on fame, credibility, David Bowie, Slade, Michael Jackson and the future direction of his music.

Publication: Melody Maker

Date: November 1972 (unconfirmed)

Country: United Kingdom


In this substantial interview by Penny Valentine, with photographs by Mike Putland, Marc Bolan dismisses suggestions that his career is in decline despite reports surrounding a troubled American tour. He argues that reports of cancelled shows and disappointing attendance figures have been exaggerated, pointing instead to T. Rex's continued chart success and record sales.

Bolan discusses criticism from the music press and admits he has become more selective about giving interviews because comments are often taken out of context. He challenges the idea that there is a throne to lose, insisting that his position has never been about competition with other artists.


The interview also explores Bolan's thoughts on creativity and songwriting. He speaks about constantly searching for new ideas and describes his desire to continue evolving musically rather than repeating past successes. References are made to The Slider, changing musical fashions and the pressures that accompany being one of Britain's biggest pop stars.


When discussing other performers, Bolan praises David Bowie, describing him as one of the few artists whose records he regularly listens to, and speaks positively about Michael Jackson, calling attention to his talent and future potential.

He also comments on Slade and the changing landscape of British pop music.

Context and Notes

The feature appears to have been published shortly before T. Rex's Christmas 1972 concerts and during the period immediately following their American tour. It captures Bolan in a more reflective mood than many earlier interviews, presenting him not as the flamboyant face of Bolanmania but as a songwriter and musician considering how to maintain momentum in an increasingly competitive music industry.

The article is significant for its candid discussion of criticism, success and change, while also documenting Bolan's views on several major artists of the era. It provides a valuable snapshot of T. Rex at the close of another highly successful year.

Feature Highlights

Event: Major Marc Bolan interview discussing fame, criticism and musical direction

Era: 1972 – Bolanmania period

Tone: Candid, reflective and analytical

Photography: Large black-and-white portraits by Mike Putland featuring Marc Bolan seated indoors and with acoustic guitar


What the Clipping Shows

  • Marc Bolan responding to criticism following the American tour

  • Discussion of David Bowie, Slade and Michael Jackson

  • Reflections on songwriting and future musical plans

  • Interview by Penny Valentine

  • Photography by Mike Putland

  • References to The Slider and T. Rex's continuing success

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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The Bolan Timeline:

The Bolan Timeline:

  • 1971 The Warrior's Reign The arrival of T. Rextasy. Chart success, cultural influence, and the breakthrough.

  • 1972: The Height Of T. Rextasy The phenomenon reaches its peak. Hit records, sold-out concerts, television appearances.

  • 1973: Beyond The Revolution Moving beyond the peak years, Marc continued to evolve creatively while remaining one of Britain's most visible and influential performers.

  • 1974: Zinc Alloy's Dream A year of experimentation, reinvention, and ambitious new directions as Marc sought fresh creative horizons.

  • 1975: Zip Gun Boogie Defined by the release of Bolan's Zip Gun, this period documented Marc's continuing creativity.

  • 1976: The Dragon Takes Flight The Futuristic Dragon era. New ideas, renewed momentum, and the foundations of a remarkable comeback.

  • 1977: The Dandy's Return The celebrated comeback year. New music, television .

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