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Marc Bolan / T. Rex (September 21, 1972) – “200 Admitted Free To Avoid Trouble” - St. Petersburg Times

Writer: 1972
1972
Sep 20, 1972
2 min read

This newspaper report covers events surrounding a T. Rex concert at the Bayfront Center in St. Petersburg, Florida. According to the article, concert promoters allowed approximately 200 people free admission in an effort to prevent potential disruption from individuals gathered outside the venue, while police activity during the evening resulted in several arrests.




Publication: St. Petersburg Times

Date: September 21, 1972

Country: United States


The article reports on security and crowd-control measures taken during a T. Rex concert at the Bayfront Center. Promoters of the event, featuring Marc Bolan's English rock group, reportedly faced concerns about a large number of potential "gate crashers" congregating around the venue after the concert had begun.

To avoid possible trouble, the organisers decided to waive the $5.50 admission charge for approximately 200 individuals who were gathered in the lobby area.

The report states that increased police security was deployed around the hall during the evening.

Plainclothes officers and private police personnel were present at the event, and several arrests were made before the night concluded.

The newspaper details a number of charges brought against individuals, including allegations relating to vehicle break-ins, possession of narcotics paraphernalia, possession of marijuana and the carrying of a prohibited knife.

In addition to those arrested at the venue, the article notes that three people under the age of seventeen were taken to the Juvenile Detention Center. The story presents the concert as an event that required significant law-enforcement attention due to incidents occurring both inside and around the Bayfront Center during the performance.


CONTEXT AND NOTES

Rather than reviewing the concert itself, this clipping focuses entirely on crowd management and security issues connected with the appearance of T. Rex in Florida.

The article provides a snapshot of the logistical challenges that could accompany major rock concerts during the early 1970s, particularly when popular touring acts attracted large groups of young fans.

The report demonstrates the level of public interest surrounding T. Rex during the group's American tour period.

The newspaper's emphasis is placed on venue operations, police activity and public safety rather than the music, making the clipping a useful record of the wider circumstances surrounding a Marc Bolan concert appearance in the United States.

FEATURE HIGHLIGHTS

Event: Crowd-control measures and police activity during a T. Rex concert at Bayfront Center

Era: 1972 American touring period

Tone: Factual and news-oriented

Photography: No concert photography visible within the clipping provided


WHAT THE CLIPPING SHOWS

• Report that approximately 200 people were admitted free to the concert to avoid possible disturbances

• Reference to T. Rex as Marc Bolan's English rock group performing at the Bayfront Center

• Details of arrests and police activity associated with the event

All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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The Bolan Timeline:

The Bolan Timeline:

  • 1971 The Warrior's Reign The arrival of T. Rextasy. Chart success, cultural influence, and the breakthrough.

  • 1972: The Height Of T. Rextasy The phenomenon reaches its peak. Hit records, sold-out concerts, television appearances.

  • 1973: Beyond The Revolution Moving beyond the peak years, Marc continued to evolve creatively while remaining one of Britain's most visible and influential performers.

  • 1974: Zinc Alloy's Dream A year of experimentation, reinvention, and ambitious new directions as Marc sought fresh creative horizons.

  • 1975: Zip Gun Boogie Defined by the release of Bolan's Zip Gun, this period documented Marc's continuing creativity.

  • 1976: The Dragon Takes Flight The Futuristic Dragon era. New ideas, renewed momentum, and the foundations of a remarkable comeback.

  • 1977: The Dandy's Return The celebrated comeback year. New music, television .

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