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T. Rex (August 17 1972) – “Off the Record” Feature – Coast Dispatch

Writer: 1972
1972
Aug 16, 1972
2 min read

This Coast Dispatch column from August 1972 reviews T. Rex’s album The Slider, offering a witty and perceptive take on Marc Bolan’s glam‑rock artistry. Writer Scott Chatfield contrasts the band’s playful style with heavier rock acts, praising Bolan’s charm and musical inventiveness.


Publication: Coast Dispatch   Date: August 17 1972 Country: United States


Under the heading “Off the Record…”, Chatfield opens by noting that outsiders might mistake T. Rex for a heavy group like Led Zeppelin or Black Sabbath, when in fact Bolan’s music is “harmless, really,” and full of fun. He describes Bolan as “a British guy having fun with his voice,” likening him to “a pre‑adolescent Nilsson.”


The review highlights The Slider’s 13 tracks as “Kinkish ditties” with witty lyrics that verge on light poetry. Chatfield commends Bolan’s collaboration with Mickey Finn, Steve Currie, and Bill Legend, as well as the female chorus reminiscent of Norman Greenbaum’s Spirit in the Sky. He also notes that Ringo Starr photographed the album cover, humorously adding that “it doesn’t appear that he strained himself too much.”


A standout moment comes when Chatfield describes a track ending with a bass violin that “embarrassedly drops out,” calling it “the ultimate practical joke.” He concludes by dubbing T. Rex “the Grand Funk of Europe,” predicting that The Slider will sell millions regardless of critical opinion. His final verdict: “After all, the word ‘fun’ might be too light for T. Rex, but they are immensely enjoyable.”


CONTEXT AND NOTES  

Released in July 1972, The Slider marked T. Rex’s peak in the glam‑rock era, following the success of Electric Warrior.


The album’s mix of playful lyrics, lush production, and Bolan’s distinctive vocal style cemented his reputation as one of Britain’s most charismatic performers.


This Coast Dispatch review captures the American perspective on Bolan’s music — amused, intrigued, and ultimately appreciative of his ability to blend rock swagger with pop sophistication.

FEATURE HIGHLIGHTS  

Event: Release of The Slider album Era: 1972 – Glam Rock Peak / U.S. Breakthrough Tone: Humorous, analytical, and affectionate Photography: None included; text‑only column referencing Ringo Starr’s album cover photos


All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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The Bolan Timeline:

The Bolan Timeline:

  • 1971 The Warrior's Reign The arrival of T. Rextasy. Chart success, cultural influence, and the breakthrough.

  • 1972: The Height Of T. Rextasy The phenomenon reaches its peak. Hit records, sold-out concerts, television appearances.

  • 1973: Beyond The Revolution Moving beyond the peak years, Marc continued to evolve creatively while remaining one of Britain's most visible and influential performers.

  • 1974: Zinc Alloy's Dream A year of experimentation, reinvention, and ambitious new directions as Marc sought fresh creative horizons.

  • 1975: Zip Gun Boogie Defined by the release of Bolan's Zip Gun, this period documented Marc's continuing creativity.

  • 1976: The Dragon Takes Flight The Futuristic Dragon era. New ideas, renewed momentum, and the foundations of a remarkable comeback.

  • 1977: The Dandy's Return The celebrated comeback year. New music, television .

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