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T. Rex (August 29, 1973) – “Concert Critique Slanted," Letter – Press and Sun‑Bulletin / The Evening Press (Binghamton, New York)

Writer: 1973
1973
Aug 28, 1973
2 min read

This letter to the editor, published on August 29 1973 in The Evening Press (Binghamton, New York), defends T. Rex against what the writer calls an unfair concert review. The author, Boni Swingle, criticizes reporter David Bourdon for his coverage of a show featuring T. Rex and Three Dog Night, arguing that his article was biased, dismissive, and failed to capture the band’s artistry or fan enthusiasm.


Publication: Press and Sun‑Bulletin / The Evening Press  

Date: 29 August 1973 Country: United States

Swingle’s letter expresses frustration with Bourdon’s review, claiming that journalists should report objectively rather than impose personal opinions. The writer defends T. Rex’s reputation as a No. 1 group in England and suggests that American nationalism may have influenced the critic’s negative stance.


She points out that Bourdon ignored key details of Marc Bolan’s performance — his red eye makeup, powdered hair, and theatrical flair — and instead focused on superficial aspects.


Swingle argues that Bourdon should have spoken directly with Bolan to understand his artistry, describing Marc as approachable and misunderstood. The letter concludes with a call for more musically knowledgeable and neutral reporting, emphasizing that readers are capable of forming their own judgments.


CONTEXT AND NOTES

This passionate defense of T. Rex reflects the tension between American and British perceptions of glam rock in the early 1970s.


While T. Rex were adored in the UK, U.S. critics often struggled to appreciate their mix of pop glamour and rock ’n’ roll swagger.


Swingle’s letter captures the voice of devoted fans who felt alienated by dismissive press coverage.


It also highlights the growing divide between rock journalism and fandom — a moment when readers began challenging critics’ authority and demanding fairer representation of artists like Bolan, whose theatrical style was redefining rock performance.

FEATURE HIGHLIGHTS

Event: Reader’s letter responding to a concert review of T. Rex and Three Dog Night

Era: 1973 – Glam Rock / U.S. Tour Era Tone: Defensive, passionate, and articulate

Photography: Text‑only newspaper letter


WHAT THE CLIPPING SHOWS

  • Letter to the editor defending T. Rex against biased concert criticism

  • Mentions of Marc Bolan’s stage appearance and fan perspective

  • Commentary on journalistic fairness and cultural bias

All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.


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The Bolan Timeline:

  • 1971 The Warrior's Reign The arrival of T. Rextasy. Chart success, cultural influence, and the breakthrough.

  • 1972: The Height Of T. Rextasy The phenomenon reaches its peak. Hit records, sold-out concerts, television appearances.

  • 1973: Beyond The Revolution Moving beyond the peak years, Marc continued to evolve creatively while remaining one of Britain's most visible and influential performers.

  • 1974: Zinc Alloy's Dream A year of experimentation, reinvention, and ambitious new directions as Marc sought fresh creative horizons.

  • 1975: Zip Gun Boogie Defined by the release of Bolan's Zip Gun, this period documented Marc's continuing creativity.

  • 1976: The Dragon Takes Flight The Futuristic Dragon era. New ideas, renewed momentum, and the foundations of a remarkable comeback.

  • 1977: The Dandy's Return The celebrated comeback year. New music, television .

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