This rare Decca advance test recording acetate documents an early stage in Marc Bolan's recording career during 1965. Produced by Jim Economides and recorded at Decca Studios in West Hampstead, the acetate survives as one of the earliest known professionally recorded releases to carry the Marc Bolan name on the label itself. The surviving disc exists as a double-sided 10-inch Decca acetate featuring "Beyond The Risin' Sun" and "San Francisco Poem (Poet)". Produced as a Decca advance test recording rather than a commercial release, it provides an important snapshot of Bolan's development before the formation of Tyrannosaurus Rex and the later success of T. Rex. The recordings were made at Decca Studios, Broadhurst Gardens, West Hampstead, London. Production duties were handled by Jim Economides. The recordings were cut as Decca advance test recordings on September 14, 1965. The supplied acetate labels clearly identify the artist as Marc Bolan and credit Economides as producer. STYLE & THEMES These recordings belong to Marc Bolan's formative years and illustrate the musical direction he was exploring during the mid-1960s. The material predates both Tyrannosaurus Rex and T. Rex, capturing Bolan during a period when he was developing his songwriting and recording style. The recordings are significant primarily because of their rarity and their position within the earliest documented stages of his professional career. TRACK-BY-TRACK NOTES Side One • Beyond The Risin' Sun – Early Marc Bolan recording preserved on the surviving double-sided acetate. Side Two • San Francisco Poem (Poet) – Companion recording featured on the reverse side of the acetate and identified on surviving Decca advance test recording labels. RELEASE HISTORY The acetate was created on September 14, 1965 as a Decca advance test recording. No commercial release has been supplied within the source material. The surviving 10-inch acetate later appeared at auction, becoming a sought-after collector's item due to its rarity and historical significance. CHARTS Not applicable. CHART RUN Not applicable. CERTIFICATIONS Not supplied. AWARDS Not supplied. PERSONNEL Marc Bolan — vocals, songwriter Jim Economides — producer PRODUCTION Marc Bolan recordings produced by Jim Economides at Decca Studios, Broadhurst Gardens, West Hampstead, London. NOTES • Recorded on September 14, 1965. • Produced by Jim Economides. • Recorded at Decca Studios, Broadhurst Gardens, West Hampstead, London. • Issued as a Decca Group Advance Test Recording. • Exists as a 10-inch double-sided acetate. • The supplied labels identify the artist as Marc Bolan. • Side One contains "Beyond The Risin' Sun". • Side Two contains "San Francisco Poem (Poet)". • The surviving labels include handwritten artist and title information. • One label notes a running time of 1'45" for "San Francisco Poem". • The acetate predates the formation of Tyrannosaurus Rex. • The acetate predates the commercial success of T. Rex by several years. • The 10-inch double-sided acetate sold at auction on July 25, 2011 for £452. • Surviving examples are exceptionally rare. • These recordings represent some of the earliest known professional recordings to carry the Marc Bolan name on the label. RELATED RELEASES • The Wizard • That's The Bag I'm In • Early Decca Acetates • Early Marc Bolan Recordings RELEASE VARIANTS TABLE UK VARIANTS Country Label Catalogue Number Format Notes UK Decca Group Unknown 10" Double-Sided Acetate Beyond The Risin' Sun / San Francisco Poem (Poet) UK Decca Group Unknown Single-Sided Acetate San Francisco Poem TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 10" Double-Sided Acetate Unknown Side One • Beyond The Risin' Sun Side Two • San Francisco Poem (Poet) Single-Sided Acetate Unknown Side One • San Francisco Poem RUN-OUT ETCHINGS No run-out information supplied. SPECIAL PRESSINGS & VARIANTS Variant Notes 10" Double-Sided Acetate Sold at auction on July 25, 2011 Single-Sided Acetate Features San Francisco Poem only Decca Advance Test Recording Contemporary studio acetate from September 1965 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided EMIDISC acetate represents one of the earliest known recordings associated with Marc Bolan's professional career. Produced by Jim Economides and recorded at Decca Studios in West Hampstead, the disc survives as an important artefact from Bolan's pre-Tyrannosaurus Rex period. Unlike the Decca advance test recordings from the same period, this example was cut on an EMIDISC recording blank and contains a single recording of "The Wizard". The handwritten label identifies the artist as Marc Bolan and includes a noted release date of October 29. The acetate provides further evidence of Bolan's early recording activities during 1965 as he worked to establish himself as a songwriter and performer. The recording was made at Decca Studios, Broadhurst Gardens, West Hampstead, London. Production duties were handled by Jim Economides. The acetate dates from September 1965 and was cut onto a single-sided EMIDISC recording blank. The handwritten label identifies the recording as "The Wizard" and credits Marc Bolan as the artist. STYLE & THEMES "The Wizard" belongs to Marc Bolan's earliest surviving professional recordings and captures the future T. Rex leader during the formative stages of his career. The recording predates the psychedelic folk period of Tyrannosaurus Rex and the glam-rock success of T. Rex, documenting an important stage in Bolan's artistic development. TRACK-BY-TRACK NOTES SIDE ONE • The Wizard – Early Marc Bolan recording preserved on a rare single-sided EMIDISC acetate. RELEASE HISTORY The acetate originates from September 1965 recording sessions at Decca Studios. The supplied label includes a handwritten date of October 29, which may represent an intended release date or a significant production date connected to the recording. No commercial acetate release has been supplied within the source material. PERSONNEL Marc Bolan — vocals, songwriter Jim Economides — producer PRODUCTION Marc Bolan recording produced by Jim Economides at Decca Studios, Broadhurst Gardens, West Hampstead, London. NOTES • Recorded during September 1965. • Produced by Jim Economides. • Recorded at Decca Studios, Broadhurst Gardens, West Hampstead, London. • Exists as a single-sided EMIDISC acetate. • Contains "The Wizard" only. • The supplied label identifies the artist as Marc Bolan. • The handwritten label includes the notation "29th October". • The acetate may provide evidence that the intended release date for "The Wizard" was October 29 rather than October 9. • The source notes the possibility that a previously documented date may have been misread, with a handwritten "2" potentially interpreted as a dash. • The handwriting on the acetate is noted as matching that found on the Hippy Gumbo and Jasper C. Debussy SPOT acetates from August 1967. • The disc was created as a studio acetate rather than a commercial pressing. • Surviving examples are extremely rare. • The recording belongs to Marc Bolan's earliest documented professional studio period. RELATED RELEASES • The Wizard • Beyond The Risin' Sun • San Francisco Poet • Early Marc Bolan Acetates RELEASE VARIANTS TABLE UK VARIANTS Country Label Catalogue Number Format Notes UK EMIDISC Unknown Single-Sided Acetate The Wizard TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting Single-Sided EMIDISC Acetate Unknown Side One • The Wizard SPECIAL PRESSINGS & VARIANTS Variant Notes Single-Sided EMIDISC Acetate Contains The Wizard only Handwritten Label Variant Includes handwritten October 29 notation Studio Acetate Recorded from the 1965 Decca sessions SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

An original Pye Records advanced promotion acetate for the unreleased Marc Bolan album Hard On Love. The acetate is handwritten with the title Hard On Love and Marc Bolan's name, with catalogue references 2406 101 A and 2406 101 B appearing on the respective labels. The lot also includes original legal documentation relating to proceedings between Marc Bolan and Track Records Ltd. The accompanying paperwork consists of copies of affidavits associated with the dispute, adding significant historical interest and provenance to the acetate. According to the auction description, the record was presented in excellent condition with only a few light surface marks visible on both sides. NOTES Unreleased Marc Bolan acetates rank among the most desirable pieces of T. Rex-related record memorabilia. This example is further enhanced by the inclusion of period legal documentation connected to Marc Bolan and Track Records Ltd., providing additional context to the era in which the acetate was created. The combination of an unreleased album acetate and original legal paperwork makes this a particularly unusual archive piece, bringing together both recording history and music industry documentation in a single collection. This represents Marc Bolan’s unreleased 1972 album Hard On Love. Bolan placed an injunction preventing its release at the time, feeling the material did not represent him at the time (1972). The material was later issued in 1974 as The Beginning Of Doves. ITEM DETAILS FIELD DETAILS Artist Marc Bolan Title Hard On Love Format Advanced Promotion Acetate Record Company Pye Records Ltd. Type Unreleased LP Acetate Catalogue Reference 2406 101 A / 2406 101 B Speed 33⅓ rpm Additional Material Original Legal Affidavits Related Parties Marc Bolan and Track Records Ltd. Condition Excellent, light surface marks Sold Date July 29, 2025 Source Omega Auctions All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

An original 7-inch acetate pressing of the 1969 T. Rex single Pewter Suitor. The acetate features London Disc-Cutting labels with the track title written in blue biro and personal handwritten notes in red felt pen attributed to Marc Bolan. The inscription was written for broadcaster John Peel, with the acetate being one of a number of records reportedly sent to him with personal messages from Marc Bolan during the late 1960s. The handwritten annotations provide a rare surviving example of the correspondence and working relationship between Bolan and Peel during the formative Tyrannosaurus Rex era. ITEM DETAILS FIELD DETAILS Artist T. Rex Title Pewter Suitor Format 7-Inch Acetate Studio London Disc-Cutting Year 1969 Label Notes Handwritten by Marc Bolan Track Title Written in blue biro Personal Message Written in red felt pen Intended Recipient John Peel Condition Excellent, a couple of light hairline and paper marks Sold Date July 29, 2025 Source Omega Auctions NOTES This acetate is notable not only for its rarity as an early T. Rex pressing, but also for the personal annotations written on the label. Records sent directly to John Peel with handwritten notes from Marc Bolan seldom appear on the market and provide an unusual glimpse into their professional and personal association. The acetate was described as having bright, clean labels and an excellent lacquer playing surface. As one of several known examples sent to Peel, it represents an important piece of T. Rex archive history from the late 1960s. Released on January 17, 1969, Pewter Suitor was the fourth UK single by Tyrannosaurus Rex and followed the group's growing success on Regal Zonophone. Issued during the prolific period between the release of the band's first two albums, the single showcased Marc Bolan's continuing development as a songwriter and lyricist. Although the record did not enter the UK Singles Chart, it remains a key release from the duo's early period and is regarded as one of the more distinctive non-album singles from the Tyrannosaurus Rex catalogue. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both the A-side and B-side were issued in mono. The recordings reflect the continuing creative partnership between Marc Bolan, Steve Peregrin Took and Tony Visconti during the group's most productive early period. STYLE & THEMES "Pewter Suitor" combines the whimsical imagery, acoustic instrumentation and mystical atmosphere that had become Tyrannosaurus Rex trademarks by early 1969. The B-side, "War Lord Of The Royal Crocodiles", continues Bolan's fascination with fantasy, mythology and surreal storytelling, themes that featured prominently throughout the group's early recordings. Together, the two songs capture the unique blend of folk, poetry and imagination that separated Tyrannosaurus Rex from their contemporaries. T REX - PEWTER SUITOR 7" ACETATE (HAND WRITTEN LABEL BY MARC BOLAN). An incredible to see 7" acetate pressing of T Rex's 1969 single Pewter Suitor, labels feature hand-written notes about the release for John Peel written by Marc Bolan (London Disc-Cutting labels are bright and clean. Track names written in blue biro. Notes by Marc Bolan for John written in red felt pen. Lacquer playing surface is Ex, displays a couple of hairline/ wispy paper marks). One of a number of records sent to John Peel with personal handwritten messages from Marc Bolan on the label TRACK-BY-TRACK NOTES SIDE ONE • Pewter Suitor (3:09) – A melodic Tyrannosaurus Rex composition featuring Bolan's distinctive lyrical imagery and acoustic style. SIDE TWO • War Lord Of The Royal Crocodiles – A fantasy-inspired recording reflecting the whimsical storytelling that characterised the group's early work. RELEASE HISTORY The single was released by Regal Zonophone on January 17, 1969 under catalogue number RZ 3016. Commercial copies were issued with Regal Zonophone's standard red centre labels. Despite failing to chart, the release became a favourite among collectors and remains an important part of the duo's recorded legacy. The single also received releases in additional territories including France and the Netherlands. PERSONNEL Marc Bolan — vocals, guitar Steve Peregrin Took — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Mono Catalogue Number: RZ 3016 Publisher: Essex International / Lupus Music Ltd. NOTES • Released on January 17, 1969. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in mono. • Commercial copies featured Regal Zonophone's standard red centre labels. • The single failed to chart in the UK. • The promotional issue used the title "Warlord Of The Royal Crocodiles" as a single word. Dorset Echo Dorset Evening Echo Weymouth, Dorset, England · Tuesday, January 21, 1969 • Standard commercial copies used the title "War Lord Of The Royal Crocodiles" as two words. • The release is one of the last Tyrannosaurus Rex singles before the group's sound began evolving towards later developments. • No authentic picture sleeve was issued with the original UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The fan-club sleeve is not an original 1969 issue. RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 17, 1969 7" Single RZ 3016 UK 1969 7" Promo Single RZ 3016 INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1969 Stateside 2C 006 90026 Netherlands 1969 Stateside HSS 1339 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3016 Side One • Pewter Suitor (3:09) Side Two • War Lord Of The Royal Crocodiles RUN-OUT ETCHINGS Side Matrix / Runout Side One 7XCAR 6956-2 / 1 KT A Side Two 7XCAR 6957-2 / 1 KT A SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy B-side listed as "Warlord Of The Royal Crocodiles" Commercial Issue B-side listed as "War Lord Of The Royal Crocodiles" Standard Red Label Issue Original UK commercial pressing 1990s Fan Club Sleeve Unofficial commemorative sleeve produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The July 27, 1974 edition of the Evening Despatch reviews Marc Bolan’s The Beginning of Doves, looking back at the early Tyrannosaurus Rex period. Publication: Evening Despatch Date: July 27, 1974 Country: United Kingdom The review notes that the album brings back happy memories of the days when Tyrannosaurus Rex were a small cult band. It praises Marc’s trembling, almost unintelligible vocals backed by acoustic guitar and Steve Peregrine Took on percussion and flutes. The lyrics are described as good Tolkien-like entertainment, especially on numbers such as “One Inch Rock.” The tracks date from before Tony Blackburn refused to play their singles because he could not say Tyrannosaurus Rex. Most of the numbers were not on any albums except for a few listed titles, with 20 tracks in total. CONTEXT AND NOTES The piece presents the album as a reminder of Marc Bolan’s pre-T. Rex cult period, highlighting the acoustic sound and the contrast with his later commercial success. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This short review assesses Marc Bolan and T. Rex: The Ultimate Collection, a newly issued compilation bringing together many of T. Rex's best-known recordings. While the reviewer is unimpressed by the packaging, the contents are praised as a reminder of Bolan's exceptional talent for creating memorable hit singles. Publication: The Independent Date: September 29, 1991 Country: United Kingdom The review focuses on Marc Bolan and T. Rex: The Ultimate Collection (Telstar TCD2539), describing it as a compilation that the world may not necessarily need but one that listeners would nevertheless enjoy. The writer immediately criticises the cover artwork, commenting that its use of stills from a television commercial is irritating. Attention quickly turns to the music itself, where the tone becomes considerably more positive. The reviewer argues that Bolan understood the craft of the three-minute single as well as any songwriter before or since. To illustrate the point, the piece quotes lyrics from the 1971 hit "Hot Love", highlighting the playful imagination and instantly recognisable style that defined Bolan's songwriting. The review also notes the inclusion of "Plateau Skull", described as a previously unreleased recording intended for fan-club members only. The writer characterises the track as an acid blues piece and presents it as an added attraction for collectors and long-time fans. CONTEXT AND NOTES Published fourteen years after Marc Bolan's death, the review reflects the continuing demand for T. Rex compilations and retrospective releases. Rather than reassessing Bolan's place in music history, the article assumes his importance and focuses on the enduring appeal of the songs themselves. The review's strongest observation is that Bolan's gift lay in transforming unusual ideas and imagery into highly effective pop singles. Although critical of the presentation, the writer ultimately regards the compilation as an enjoyable reminder of the qualities that made T. Rex one of the defining acts of the glam rock era. FEATURE HIGHLIGHTS Event: Review of Marc Bolan and T. Rex: The Ultimate Collection Era: 1991 compilation release era Tone: Appreciative with mild criticism of the packaging Photography: No photography discussed beyond criticism of the compilation cover artwork WHAT THE CLIPPING SHOWS • Review of Marc Bolan and T. Rex: The Ultimate Collection (Telstar TCD2539) • Praise for Marc Bolan's mastery of the three-minute pop single • Reference to the inclusion of the previously unreleased track "Plateau Skull" All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A five-page retrospective feature devoted to Marc Bolan and T. Rex, tracing Bolan's career from the Tyrannosaurus Rex years through the rise of T. Rextasy and his enduring legacy nearly two decades after his passing. Publication: Jukebox Magazine Date: November 1, 1995 Country: France This extensive five-page feature places Marc Bolan and T. Rex in the spotlight with a striking cover image of Bolan holding a guitar beneath the headline "Marc Bolan & T. Rex". The article examines his musical development from the late 1960s through the group's commercial breakthrough and the phenomenon of T. Rextasy. The feature includes career analysis, photographs from different periods of Bolan's life, discussion of key records and coverage of the band's success in Britain and internationally. The article presents Bolan as one of the most important figures of the glam rock era and explores the continuing popularity of his music many years after his passing. CONTEXT AND NOTES Published in 1995, the feature appeared eighteen years after Marc Bolan's death in September 1977. The article reflects the continuing interest in Bolan's catalogue during the 1990s and forms part of a wider reassessment of his contribution to popular music. The feature covers both the Tyrannosaurus Rex and T. Rex periods of his career and treats Bolan as one of the defining artists of the early 1970s. The substantial length of the article allowed the magazine to provide a broad overview of his recording career and lasting influence. FEATURE HIGHLIGHTS Event: Five-page Marc Bolan & T. Rex career retrospective Era: 1960s-1970s Bolan and T. Rex career overview Tone: Celebratory and retrospective Photography: Career-spanning photographs including a cover image of Marc Bolan holding a guitar WHAT THE CLIPPING SHOWS • Full-page "Marc Bolan & T. Rex" cover feature • Coverage of Bolan's career from Tyrannosaurus Rex through T. Rex • Multiple photographs and retrospective career analysis All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Runcorn Guardian review from August 1973 briefly assesses Marc Bolan’s project Big Carrot and its single Blackjack / Squint Eye Mangle. The piece highlights Bolan’s shift in focus, praising his guitar work while noting the prominence of his female backing singers. Publication: The Runcorn Guardian Date: August 17 1973 Country: United Kingdom The review opens by noting that Bolan “leaves the spotlight to his girl back‑up singers,” allowing them to “warble the seductive lyrics” while he concentrates on “some mighty fine guitar.” The writer suggests that Bolan’s decision to step back from the vocal forefront gives the track a distinctive character, emphasizing the interplay between his musicianship and the female harmonies. The commentary closes with a reflection on the broader music scene: “Girl groups seem to have a hard time making it in England. This could well soon change.” This observation situates Big Carrot within a moment of transition, hinting at Bolan’s interest in expanding his sound and supporting female performers in a male‑dominated industry. CONTEXT AND NOTES Big Carrot was a short‑lived side project led by Marc Bolan in 1973, created to explore funk and soul influences outside the main T. Rex framework. The single Blackjack / Squint Eye Mangle was released on EMI 2047 and featured Bolan’s characteristic guitar style alongside female backing vocals. This review captures the curiosity surrounding Bolan’s experimentation during the post‑Tanx period, when he was diversifying his sound and image beyond glam‑rock conventions. FEATURE HIGHLIGHTS Event: Release of Big Carrot – Blackjack / Squint Eye Mangle single Era: 1973 – Post‑Tanx / Funk‑Influenced Phase Tone: Brief, observational, and mildly optimistic Photography: None included; text‑only review WHAT THE CLIPPING SHOWS Review of Marc Bolan’s Big Carrot single Focus on female backing singers and Bolan’s guitar work Commentary on the prospects of girl groups in England All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on March 24, 1972 by Fly Records as catalogue number ECHO 102, Debora was issued as part of the Fly Records "Echo" EP series. The release revisited material from the Tyrannosaurus Rex era at a time when Marc Bolan and T. Rex were enjoying enormous commercial success following Electric Warrior and the emergence of T. Rextasy. The EP was the second of four releases issued simultaneously by Fly Records. Each title was packaged in a matching sleeve design and featured a different artist from the label's catalogue. Alongside Tyrannosaurus Rex, the series also included releases by Procol Harum, Joe Cocker and The Move. Featuring "Debora", "One Inch Rock", "The Woodland Bop" and "The Seal Of Seasons", the EP provided a compact survey of Marc Bolan's earlier psychedelic folk recordings and introduced many newer fans to material recorded before the emergence of T. Rex. RECORDING The tracks featured on the EP were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti. All songs were written by Marc Bolan. The recordings came from the Tyrannosaurus Rex period and showcased the acoustic, mystical and highly imaginative style that characterised Bolan's work before the commercial breakthrough of T. Rex. STYLE & THEMES The EP presents a concise introduction to the Tyrannosaurus Rex sound. Drawing on folk rock and psychedelic rock influences, the recordings combine acoustic instrumentation, poetic imagery and fantasy-driven lyrics. The material contrasts sharply with the electric boogie style that would later make T. Rex international stars. Together, the four tracks provide a snapshot of Marc Bolan's songwriting during his late-1960s creative period, highlighting the blend of whimsy, mythology and acoustic experimentation that defined the group's early recordings. TRACK-BY-TRACK NOTES • Debora (3:10) – The EP's lead track and one of the best-known recordings from the Tyrannosaurus Rex era. • One Inch Rock (1:40) – A concise example of Bolan's acoustic songwriting style. • The Woodland Bop (1:32) – Short psychedelic folk recording selected for the EP's three-track B-side. • The Seal Of Seasons (1:43) – Closing track on the EP and one of the more atmospheric recordings included in the package. RELEASE HISTORY The EP was released by Fly Records on March 24, 1972. It formed part of the four-title Echo series: Catalogue Artist Title ECHO 101 Procol Harum A Whiter Shade Of Pale EP ECHO 102 Tyrannosaurus Rex Debora EP ECHO 103 Joe Cocker With A Little Help From My Friends EP ECHO 104 The Move Fire Brigade EP All four releases shared identical sleeve concepts and were issued simultaneously. The standard sleeve featured a collage design incorporating photographs of Procol Harum, Joe Cocker, The Move and Tyrannosaurus Rex. Promotional copies were issued with a darker brown sleeve variation and were distributed to radio and music industry contacts by Fly Records promotion and publicity officer David Ruffell. PERSONNEL Marc Bolan — songwriter Tony Visconti — producer PRODUCTION Producer: Tony Visconti Studio: Trident Studios, St. Anne's Court, Soho, London Label: Fly Records Series: Echo Series Catalogue Number: ECHO 102 Release Date: March 24, 1972 NOTES • Released as part of Fly Records' four-title Echo EP series. • Issued during the height of T. Rex's commercial success. • Focused on earlier Tyrannosaurus Rex material. • Featured a distinctive picture sleeve shared with the other Echo titles. • Promotional copies used a noticeably darker sleeve design. • DJ promotional packages included black-and-white photographs and artist biographies. • The release introduced many newer T. Rex fans to Marc Bolan's earlier acoustic recordings. • A test pressing featuring "Throat Of Winter" in place of "The Seal Of Seasons" was produced but ultimately rejected. • The EP was later represented on the compilation album Fantastic Original Hits (Cube-Contour catalogue 2870-195). • Multiple centre variations are known, including solid-centre, push-out and jukebox editions. • The release remains one of the most distinctive archival Tyrannosaurus Rex EP packages issued during the glam-rock era. RELATED RELEASES • A Whiter Shade Of Pale EP (ECHO 101) • With A Little Help From My Friends EP (ECHO 103) • Fire Brigade EP (ECHO 104) • Fantastic Original Hits (1972) RELEASE VARIANTS TABLE Country Label Catalogue Number Format UK Fly Records ECHO 102 7" EP, Solid Centre UK Fly Records ECHO 102 7" EP, Four-Prong Knockout Centre Australia Polydor 2016 012 7" EP Belgium Polydor / Cube Records 2016 009 7" Single, Mono Brazil Cube Records 2016 009 7", 33⅓ RPM Single France Cube Records 2016 009 7", 45 RPM Germany Cube Records 2016 009 7" Single Japan Cube Records DW 1058 7", 45 RPM Single, Mono Netherlands Cube Records 2016 012 7", 45 RPM Maxi-Single New Zealand Cube Records 2016 012 7" EP Spain Polydor 20 16 009 7" Single UK Old Gold OG 9234 7" Reissue (1982) TRACKLIST TABLE Format Catalogue Tracklisting Fly EP ECHO 102 Side 1 • Debora (3:10) Side 2 • One Inch Rock (1:40) • The Woodland Bop (1:32) • The Seal Of Seasons (1:43) Cube / Polydor International Editions Various Debora / One Inch Rock / The Woodland Bop / The Seal Of Seasons Old Gold Reissue OG 9234 Debora / One Inch Rock RUN-OUT DETAILS Side Run-Out Side 1 ECHO 102 A-1U / 1 KT AM / J S Side 2 ECHO 102 B-2U / 1 KT AL All markings were stamped except "J S", which was etched. SPECIAL PRESSINGS & PROMOTIONAL ISSUES Variant Notes Promotional Fly Package Distributed to DJs with biographies, photographs and promotional material Brown Sleeve Promo Darker sleeve shade with altered artwork colouring Test Pressing Included an alternative B-side ending with "Throat Of Winter" Rejected Single-Sided Test Pressing Produced prior to final track selection Undinked Copy Known example missed the dinking process Possible Irish Centre Variant Known unusual centre-hole variation Procol Harum Hybrid Pressing Known copy carrying the Tyrannosaurus Rex B-side configuration Test Pressing with "Throat Of Winter" Rejected before commercial release SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Rockfiles, Official Marc Bolan archives, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A BBC radio listing highlights a special Radio 1 programme dedicated to Marc Bolan, featuring archive BBC performances and interviews marking the continuing legacy of the T. Rex frontman sixteen years after his passing. Publication: Huddersfield Daily Examiner Date: Friday, October 8, 1993 Country: United Kingdom This television and radio listings feature promotes a special BBC Radio 1 programme dedicated to Marc Bolan, scheduled for broadcast at 2.00pm. The listing announces “In Session”, described as a selection of tracks recorded for the BBC by Marc Bolan, alongside archive interviews featuring some of the singer's closest friends. A photograph of Bolan accompanies the listing under the caption: “Rocker Marc Bolan, who died in 1977, is remembered on Radio 1 at 2.00pm.” The programme forms part of Radio 1’s Saturday afternoon schedule, which also includes shows presented by Gary Davies, Claire Sturgess, Adrian Juste, and later Johnnie Walker. CONTEXT AND NOTES The listing demonstrates the enduring popularity of Marc Bolan and T. Rex in the United Kingdom during the 1990s. More than fifteen years after his passing, Radio 1 continued to celebrate Bolan’s contribution to British popular music through archive broadcasts and retrospective programming. The use of BBC session recordings and interview material provided listeners with a chance to revisit both Bolan’s music and his personality. FEATURE HIGHLIGHTS Event: BBC Radio 1 Marc Bolan retrospective broadcast Era: 1993 – Retrospective appreciation period Tone: Commemorative, informative Photography: Black‑and‑white promotional portrait of Marc Bolan WHAT THE CLIPPING SHOWS BBC Radio 1 listing for a Marc Bolan special at 2.00pm Archive BBC performances by Marc Bolan Interviews featuring some of Bolan’s closest friends Photograph and caption commemorating Bolan’s legacy apbook, Huddersfield Daily Examiner, 1993, BBC Sessions, T. Rex, Legacy Era All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Sounds reports on criticism aimed at the rising cost of major rock concerts, with Atomic Rooster leader Vincent Crane publicly attacking ticket prices charged for Christmas appearances by T. Rex and Led Zeppelin. The issue also includes news of a proposed T. Rex animated television series and advertisements for the band's Christmas Sundown concerts. Publication: Sounds Publication Date: December 23, 1972 Country: United Kingdom Event Date: December 22–23, 1972 (T. Rex Christmas Sundown Concerts) This edition of Sounds places T. Rex at the centre of a debate about concert ticket prices during the Christmas concert season. Under the headline “Rooster's Crane Slams Zep & Rex”, Atomic Rooster keyboard player Vincent Crane criticises the cost of tickets being charged for major festive rock shows. The article specifically references T. Rex's Christmas Sundown performances, arguing that ticket prices had risen significantly compared with the band's earlier policy of keeping admission costs low. A reader's comment elsewhere on the page echoes the complaint, asking what had happened to Marc Bolan's previous commitment to affordable ticket prices. Alongside the news story are several advertisements promoting T. Rex's Christmas concerts: Sundown Edmonton – Friday, December 22, 1972 Sundown Brixton – Saturday, December 23, 1972 Performances scheduled at 5:00 pm and 8:30 pm The page also contains a separate report revealing plans for a proposed T. Rex animated cartoon series. According to the article, Marc Bolan was developing an animated television project featuring the group. The series would utilise story concepts and creative ideas already developed by Bolan, with the intention of producing the project independently before offering it to television companies both in Britain and abroad. CONTEXT AND NOTES Published during the final week before Christmas 1972, this page captures T. Rex at the height of Bolanmania. The Christmas Sundown concerts were among the most anticipated events of the festive season and attracted considerable attention from fans and the music press alike. The proposed cartoon project is particularly interesting, showing Bolan exploring creative opportunities beyond music, film and publishing. Had it progressed, it would have represented one of the earliest British attempts to build an animated television series around a contemporary rock group. The page also reflects growing discussion within the music industry about rising concert prices as major bands began performing increasingly large and expensive live productions FEATURE HIGHLIGHTS Event: T. Rex Christmas Sundown concerts and animated series announcement Era: 1972 – Peak Bolanmania period Tone: News-based, promotional and controversial Photography: News photograph of Vincent Crane together with multiple T. Rex concert advertisements WHAT THE CLIPPING SHOWS Headline: “Rooster's Crane Slams Zep & Rex” Debate over rising concert ticket prices Advertisements for T. Rex Christmas Sundown concerts Edmonton Sundown performance on December 22, 1972 Brixton Sundown performances on December 23, 1972 Report on a planned T. Rex animated cartoon series Reader correspondence discussing Marc Bolan's ticket pricing policy All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Sound Track Of The Motion Picture Born To Boogie was released in 1991 by Marc On Wax as a soundtrack album connected to the film Born To Boogie. Issued as a double album, the release compiled music associated with the motion picture and combined live performances, film material and soundtrack recordings connected to Marc Bolan and T. Rex. RECORDING The album was issued as a 2 × LP soundtrack release and later appeared in several additional formats including CD and cassette editions. The material was presented as the official soundtrack to the motion picture Born To Boogie. STYLE & THEMES The release combines rock, stage and screen material, glam rock and soundtrack recordings. The track selection focuses on key T. Rex recordings including "Jeepster", "Baby Strange", "Cosmic Dancer", "Telegram Sam", "Hot Love", "Get It On" and "Children Of The Revolution". RELEASE HISTORY Released in the United Kingdom during 1991 by Marc On Wax, the soundtrack was issued under catalogue number MARC LP 514 as a double LP set. The release was later issued on CD, cassette, VHS and Laserdisc formats in various territories. ALBUM DETAILS Released: 1991 Country: UK Label: Marc On Wax Catalogue Number: MARC LP 514 South Wales EchoCardiff, South Glamorgan, Wales · Monday, March 11, 1991 NOTES Issued with a 12" × 12" booklet. The soundtrack was released as a double album and accompanied the motion picture Born To Boogie. RELATED RELEASES Born To Boogie (Film) Jeepster Baby Strange Cosmic Dancer Telegram Sam Hot Love Get It On Chariot Choogle RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax UK MARC LP 514 1991 2 × LP, Album Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax UK MARC CD 514 1991 CD, Album Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax UK MARC MC 514 1991 Cassette, Album Marc Bolan & T. Rex Born To Boogie The Movie Picture Music International Europe MVN 99 1267 3 1991 VHS, PAL Marc Bolan & T. Rex Born To Boogie - The Movie Vap Japan VPLR-70161 1991 Laserdisc Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax Japan TECX-25024 1992 CD, Album Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax / EastWest Europe 9031-75796-2 1992 CD, Album, Remastered Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax Japan TECX-25024 1992 CD, Album, Promo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 2LP MARC LP 514 LP1 – Side A A1. Jeepster A2. Baby Strange A3. Spaceball Ricochet A4. Cosmic Dancer 2LP MARC LP 514 LP1 – Side B B1. Telegram Sam B2. Hot Love B3. Get It On 2LP MARC LP 514 LP2 – Side C C1. The Tea Party 2LP MARC LP 514 LP2 – Side D D1. Runway D2. I Looked To The Left D3. Some People Like To Rock D4. Chariot Choogle D5. Some People Like To Roll D6. Children Of The Revolution (Strings) All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This single-sided acetate features the Marc Bolan composition "The Lilac Hand Of Menthol Dan". Dating from June–July 1967, the recording was produced by Simon Napier-Bell and was prepared as an acetate rather than a commercial release. The supplied information notes that John's Children served as the backing band for the session, linking the recording to Bolan's time working with the group during 1967. Produced by Simon Napier-Bell. Recorded at Advision Studios, Gosfield Street, London. John's Children provided the backing performance on the recording. TRACK-BY-TRACK NOTES • The Lilac Hand Of Menthol Dan — Recorded during the June–July 1967 sessions at Advision Studios. Produced by Simon Napier-Bell, the track features John's Children as the accompanying backing band and survives as a single-sided acetate recording. RELEASE HISTORY Created during June–July 1967, "The Lilac Hand Of Menthol Dan" was prepared as a single-sided acetate. The recording was produced by Simon Napier-Bell and recorded at Advision Studios in Gosfield Street, London. Unlike a conventional commercial single, the track was issued only as an acetate and featured backing from John's Children. PERSONNEL Marc Bolan — Vocals John's Children — Backing Band PRODUCTION Produced by Simon Napier-Bell Label: Advision NOTES Exact recording date unknown. The supplied acetate label identifies the recording as an Advision acetate. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format Marc Bolan The Lilac Hand Of Menthol Dan Advision UK June–July 1967 Single-Sided Acetate TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting Single-Sided Acetate Side 1. The Lilac Hand Of Menthol Dan SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare Tyrannosaurus Rex acetate documents an early stage in the group's recording history during 1968. The surviving double-sided EMIDISC acetate contains "Debora(h)" on one side and "Child Star" on the other, preserving fascinating handwritten annotations and illustrations created by Marc Bolan and June Child. The acetate is particularly significant because it provides a personal glimpse into the creative world surrounding Tyrannosaurus Rex at the time. The handwritten notes, spelling variations and original artwork transform the disc from a simple studio reference recording into a unique historical artefact. The supplied source identifies the recording as a 1968 double-sided acetate. The surviving acetate contains recordings of "Debora(h)" and "Child Star". The label artwork was customised by Marc Bolan and June Child using handwritten titles, illustrations and decorative elements. A separate single-sided white-label test pressing is also known to exist. STYLE & THEMES The recordings belong to the formative Tyrannosaurus Rex period and reflect the imaginative and poetic style that distinguished Marc Bolan's work from contemporary pop music. The surviving acetate is notable not only for its recordings but also for the visual creativity displayed on the label itself, with illustrations, handwritten titles and artwork contributing to its historical significance. TRACK-BY-TRACK NOTES SIDE ONE • Debora(h) – Appears on the acetate with the title spelled "Deborah", providing one of several spelling variations associated with the song. SIDE TWO • Child Star – Featured on the reverse side of the acetate and handwritten on the label. RELEASE HISTORY The supplied source identifies the recording as a 1968 double-sided acetate. In addition to the acetate, a single-sided white-label test pressing is known to survive. The test pressing carries personal inscriptions from Marc Bolan and demonstrates multiple alternate spellings of the title "Debora". PERSONNEL Marc Bolan — vocals, songwriter, illustrations, handwritten annotations June Child — handwritten annotations, decorative artwork PRODUCTION Label: EMIDISC Country: UK Format: Double-Sided Acetate Year: 1968 NOTES • Dates from 1968. • Survives as a double-sided EMIDISC acetate. • Contains "Debora(h)" and "Child Star". • Marc Bolan and June Child both wrote on and decorated the acetate. • According to the supplied source, "Deborah", "Child Star" and "Tyr Rex" on the labels appear to have been written by June Child. • The remaining writing and illustrations are believed to have been created by Marc Bolan. • The acetate contains the spelling "Deborah" with a final "h". • A single-sided white-label test pressing is also known. • The test pressing was signed by Marc to Kate (Palmer), Ben and Jo. • The test pressing contains three different spellings of the title: • Deborah • Debora • Debra • "Deborah" is attributed to June Child in the supplied source. • "Debora" is attributed to Marc Bolan in the supplied source. • "Debra" is attributed to an unknown writer in the supplied source. • The acetate remains an unusually personal surviving artefact due to its handwritten text and artwork. RELEASE VARIANTS TABLE Country Year Format Notes UK 1968 Double-Sided Acetate Debora(h) / Child Star UK 1968 Single-Sided White Label Test Pressing Signed by Marc Bolan TRACKLIST TABLE (ALL FORMATS) Format Tracklisting Double-Sided Acetate Side One • Debora(h) Side Two • Child Star Single-Sided Test Pressing Side One • Debora SPECIAL PRESSINGS & VARIANTS Variant Notes Double-Sided Acetate Hand-decorated by Marc Bolan and June Child White Label Test Pressing Personally signed by Marc Bolan Spelling Variation Acetate Uses "Deborah" spelling Test Pressing Variant Contains Deborah, Debora and Debra spellings SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided EMIDISC acetate preserves an unreleased Marc Bolan recording from the period immediately preceding the formation of Tyrannosaurus Rex. Produced by Joe Boyd and recorded at Sound Techniques Studio in Chelsea, London, the acetate survives as an important artefact from Bolan's transitional late-1960s period. The surviving disc is particularly noteworthy because the label contains handwritten annotations and illustrations created by Marc Bolan himself. A unique glimpse into Bolan's creative process and reveal evidence of an earlier working title for the song. The recording was made at Sound Techniques Studio, Chelsea, London. Production was handled by Joe Boyd. The surviving acetate is a single-sided EMIDISC recording blank dating from circa 1968. The handwritten label identifies the track as "Chateau In Virginia Waters", while also preserving evidence of an earlier title. STYLE & THEMES The recording belongs to the fertile creative period that would shortly lead to the emergence of Tyrannosaurus Rex. The surviving acetate suggests Bolan was continuing to experiment with lyrical imagery and song concepts while refining the distinctive style that would soon become a central feature of his work. TRACK-BY-TRACK NOTES SIDE ONE • Chateau In Virginia Waters – A rare acetate recording whose label preserves evidence of an earlier working title and features original artwork drawn by Marc Bolan. RELEASE HISTORY The recording survives as a single-sided EMIDISC acetate believed to date from circa 1968. The acetate appears to have been created as a studio reference disc rather than as a commercial product. Worchester News - April 19, 1968 PERSONNEL Marc Bolan — vocals, songwriter, label illustrations Joe Boyd — producer PRODUCTION Producer: Joe Boyd Studio: Sound Techniques Studio Location: Chelsea, London Format: Single-Sided EMIDISC Acetate Recording Date: Circa 1968 NOTES • Recorded at Sound Techniques Studio, Chelsea, London. • Produced by Joe Boyd. • Survives as a single-sided EMIDISC acetate. • Dates from circa 1968. • The illustrations visible on the label were drawn by Marc Bolan. • The label provides evidence that the original title may have been "Virginia Water". • The title was subsequently altered to "Chateau In Virginia Waters". • The supplied source notes that the original title was not written by Marc. • The handwritten annotations provide a rare insight into the song's development prior to any commercial release. • The acetate remains an important document from Bolan's pre-Tyrannosaurus Rex recording period. RELATED RELEASES • Early Joe Boyd Sessions • Tyrannosaurus Rex Pre-Album Recordings • Marc Bolan Acetates RELEASE VARIANTS TABLE Country Label Catalogue Number Format Notes UK EMIDISC Unknown Single-Sided Acetate Chateau In Virginia Waters TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting Single-Sided EMIDISC Acetate Unknown Side One • Chateau In Virginia Waters SPECIAL PRESSINGS & VARIANTS Variant Notes Single-Sided EMIDISC Acetate Features original Marc Bolan illustrations Working Title Variant Label shows evidence of the earlier title "Virginia Water" SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided acetate captures an early Tyrannosaurus Rex recording of "Debora(h)", one of the group's most important early compositions. The surviving disc is particularly notable because the title appears with the spelling "Deborah", preserving one of several contemporary variations associated with the song during its development. A highly desirable collector's item from the formative Tyrannosaurus Rex period and provides an important link between the group's studio recordings and eventual commercial releases. The supplied source identifies the disc as a single-sided acetate from 1968. The acetate contains a single recording of "Debora(h)" and is presented on a demonstration label. The label identifies the artist as Tyrannosaurus Rex and carries the title in its "Deborah" spelling. STYLE & THEMES "Debora(h)" became one of the defining recordings of the early Tyrannosaurus Rex era, showcasing Marc Bolan's distinctive lyrical style and melodic approach. The acetate is significant because it preserves an early stage in the song's history, documenting one of several title spellings associated with the recording. TRACK-BY-TRACK NOTES SIDE ONE • Debora(h) – Early acetate version carrying the title spelling "Deborah" on the label. RELEASE HISTORY The supplied source dates the acetate to 1968. The recording survives as a single-sided acetate rather than a commercial release. A surviving example complete with its original label later appeared at auction and achieved a notable collector price. PERSONNEL Marc Bolan — vocals, songwriter Tyrannosaurus Rex — performers PRODUCTION Artist: Tyrannosaurus Rex Title: Debora(h) Country: UK Format: Single-Sided Acetate Year: 1968 Label: Demonstration Record Speed: 45 RPM NOTES • Dates from 1968. • Exists as a single-sided acetate. • The title is written as "Deborah" on the surviving label. • The acetate was issued as a demonstration record marked "Not For Sale". • The label identifies the artist as Tyrannosaurus Rex. • The disc runs at 45 RPM. • The spelling "Deborah" represents one of several variations associated with the song during this period. • The surviving acetate includes its original demonstration label. • This 7-inch single-sided acetate sold at auction for £939 on December 1, 2019. • The recording remains a significant artefact from the earliest Tyrannosaurus Rex period. RELEASE VARIANTS TABLE Country Year Format Notes UK 1968 Single-Sided Acetate Debora(h) UK 1968 Double-Sided Acetate Debora(h) / Child Star UK 1968 White Label Test Pressing Debora spelling variations TRACKLIST TABLE (ALL FORMATS) Format Tracklisting Single-Sided Acetate Side One • Debora(h) SPECIAL PRESSINGS & VARIANTS Variant Notes Single-Sided Demonstration Acetate "Deborah" spelling on label Double-Sided Acetate Debora(h) / Child Star White Label Test Pressing Multiple title spellings present SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Issued during the final phase of John's Children's recording career, "Come And Play With Me In The Garden" and "Sarah Crazy Child" represent recordings from the group's late-1967 sessions produced by Simon Napier-Bell. Unlike commercially released copies, the surviving test pressings provide a fascinating insight into the manufacturing process before the single reached production. Several distinct preview and test-pressing variations are known, each showing different combinations of typed, handwritten and stamped information. These rare advance copies are among the most sought-after John's Children artefacts from the Marc Bolan era. One example featuring the distinctive yellow-centre format achieved £495 at auction on 13 May 2008. Sold at auction for £495 on May 13, 2008. RECORDING Both tracks were recorded at Spot Studios, South Molton Street, London. Production was handled by Simon Napier-Bell. Marc Bolan did not participate in the recording of "Come And Play With Me In The Garden", the A-side release. The recordings originated from the band's final months as an active recording unit. Sold at auction for £495 on May 13, 2008. STYLE & THEMES "Come And Play With Me In The Garden" continues the psychedelic pop approach the group had developed during 1967, while "Sarah Crazy Child" reflects the more adventurous and eccentric musical direction associated with John's Children's later recordings. The songs capture the experimental atmosphere surrounding the group during its closing chapter. TRACK-BY-TRACK NOTES • Come And Play With Me In The Garden — A-side recording produced during the band's final recording sessions. • Sarah Crazy Child — Companion B-side and one of the last releases associated with the group. RELEASE HISTORY A number of surviving preview and test pressings demonstrate that the single underwent several stages before final manufacture. The supplied examples reveal handwritten preview discs, typed test labels, Track Records-stamped variants and yellow-centre test pressings. Together they provide evidence of multiple preparation stages prior to commercial release. CHARTS & CERTIFICATIONS No chart information supplied. CERTIFICATIONS None. AWARDS None. PERSONNEL John's Children — performers Simon Napier-Bell — producer PRODUCTION Recorded at: Spot Studios, South Molton Street, London Produced by: Simon Napier-Bell Label: Track Record Format: Test Pressing / Preview Record NOTES • Recorded at Spot Studios in South Molton Street, London. • Produced by Simon Napier-Bell. • Marc Bolan did not contribute to the A-side recording. • The surviving test pressings show a number of manufacturing and label variations. • One version uses entirely handwritten titles and artist credits on both sides with "Preview Record - Not For Sale" added by hand. • Another example combines typed titles with handwritten amendments and dating notes. • One supplied example carries a handwritten date of 21st July, indicating manufacture prior to release. • Some copies feature blue TRACK RECORDS ownership stamps applied across the lower section of the labels. • Typed-label examples exist with the track titles neatly prepared but lacking later handwritten additions. • A particularly distinctive variant uses a yellow background visible through the push-out centre area. • The yellow-centre version realised £495 at auction on 13 May 2008. • Several test pressings include handwritten side designations such as "A Side" and "B Side". • All examples bear "Preview Record - Not For Sale" wording, confirming their pre-release status. • The supplied images demonstrate that no two surviving examples appear completely identical in presentation. • These differences make individual test pressings important collector variations in their own right. RELEASE VARIANTS TABLE Artist Title Label Country Date Format John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Handwritten Test Pressing John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Typed Test Pressing John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Typed Test Pressing with TRACK RECORDS Stamp John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Yellow-Centre Test Pressing John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Dated Preview Copy (21st July) TRACKLIST TABLE (ALL FORMATS) Format Tracklisting Test Pressing Side 1: Come And Play With Me In The Garden Side 2: Sarah Crazy Child This single by John's Children appeared in the United Kingdom during July 1967 on the Track Record label under catalogue number 604005. One source lists the release date as the fourteenth of that month while another places it on the twenty-first. The disc was issued in a hurry following the withdrawal of an earlier Marc Bolan-composed track titled Midsummer Nights Scene. Musically the A-side amounts to little more than a reworking of a previous John's Children B-side called Remember Thomas A'Beckett. The resulting limited commercial performance has left the single among the more difficult John's Children 45s to locate, even in standard form. Certain copies were housed in a particularly scarce picture sleeve. Marc Bolan is noted as having taken no part in the creation of the A-side. Run-out etchings on the UK pressing read 604005A▼2111 on the first side and 604005B//1121 on the second. The tracks were captured at Spot Studios, located on South Molton Street in London. TRACK‑BY‑TRACK NOTES • Come And Play With Me In The Garden This side represents a reworking of the earlier John's Children recording • Sara, Crazy Child — Songwriting credit is assigned to Bolan. RELEASE HISTORY The United Kingdom edition appeared on Track Record as catalogue 604005 in July 1967, with sources citing either the fourteenth or the twenty-first of the month. German pressings followed the same year on Polydor under catalogue 59 116, including both a standard mono single and a promotional version. An advance white-label edition was also prepared in the United Kingdom on the Snb label as catalogue 001. Some UK copies are known to have been supplied with a very rare picture sleeve. The single's hurried appearance after the withdrawal of Midsummer Nights Scene, combined with its status as a rewrite of an earlier B-side and subsequent weak sales, has made even ordinary copies comparatively scarce. PERSONNEL John's Children — performers PRODUCTION Produced by Simon Napier Bell Label: Track Record (UK); Polydor (Germany); Snb (UK advance) NOTES Some copies of the UK edition were issued in a very rare picture sleeve. The single was rushed into release after the withdrawal of the Marc Bolan-penned Midsummer Nights Scene. Its character as a rewrite of the earlier B-side Remember Thomas A'Beckett, together with poor sales, has left it one of the hardest John's Children 45s to obtain even without the picture sleeve. Run-out etchings on the Track Record pressing are Side 1: 604005A▼2111 and Side 2: 604005B//1121. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format John's Children Come And Play With Me In The Garden Track Record UK 604005 July 14, 1967 7" Single John's Children Come And Play With Me In The Garden Track Record UK 604005 July 21, 1967 7" Single John's Children Come And Play With Me In The Garden Polydor Germany 59 116 1967 7" Single, 45 RPM John's Children Come And Play With Me In The Garden Polydor Germany 59 116 1967 7", 45 RPM, Single, Mono John's Children Come And Play With Me In The Garden Snb (2) UK 001 1967 7", 45 RPM, Advance, Single, White Label John's Children Come And Play With Me In The Garden / Sara, Crazy Child Polydor Germany 59 116 1967 7", 45 RPM, Promo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 7" 604005 A. Come And Play With Me In The Garden B. Sara, Crazy Child 7" 59 116 A. Come And Play With Me In The Garden B. Sara, Crazy Child 7" 001 A. Come And Play With Me In The Garden B. Sara, Crazy Child SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare 8-inch double-sided acetate documents the brief but significant period when Marc Bolan was working with John's Children following his departure from the group as an official member. The acetate couples Hippy Gumbo with Desdemona, two recordings closely associated with Bolan's creative partnership with the band during 1967. Surviving examples are particularly important because they preserve recordings from a period that bridged Bolan's work with John's Children and his subsequent solo recordings. One example owned by Andy Ellison was later sold at auction, providing documented provenance for at least one surviving copy. RECORDING Both tracks were produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton Street, London. The acetate was manufactured as an 8-inch double-sided studio reference disc. The supplied label clearly identifies the recording as "Marc Bolan With John's Children". STYLE & THEMES Hippy Gumbo demonstrates the whimsical lyrical style that would become a hallmark of Bolan's later work, while Desdemona remains one of the most famous recordings associated with John's Children. Together the two tracks represent a fascinating transitional point between Bolan's beat-group period and the imaginative songwriting style that would soon flourish in Tyrannosaurus Rex. TRACK-BY-TRACK NOTES SIDE ONE • Hippy Gumbo – Acetate version credited to Marc Bolan with John's Children. SIDE TWO • Desdemona – One of the defining recordings associated with the Bolan and John's Children period. RELEASE HISTORY The acetate dates from 1967. Produced as a studio reference disc, it was not intended as a commercial release. A copy formerly owned by Andy Ellison and bearing the inscription "Marc Bolan With John's Children" sold at auction on January 18, 2025. PERSONNEL Marc Bolan — vocals, songwriter John's Children — performers Simon Napier Bell — producer Andy Ellison — former owner of documented acetate copy PRODUCTION Producer: Simon Napier Bell Studio: Spot Studios Location: South Molton Street, London Format: 8" Double-Sided Acetate Year: 1967 NOTES • Produced by Simon Napier Bell. • Recorded at Spot Studios, South Molton Street, London. • Issued as an 8-inch double-sided acetate. • Side One contains Hippy Gumbo. • Side Two contains Desdemona. • The supplied example is inscribed "Marc Bolan With John's Children". • Created as a studio reference acetate rather than a commercial release. • Surviving examples are extremely rare. • Andy Ellison sold his copy at auction on January 18, 2025. • According to the supplied source, the acetate realised approximately £400 at auction. • The recording documents an important transitional period in Marc Bolan's career. RELATED RELEASES • John's Children (1967) – Desdemona Single UK: 7" • Marc Bolan (November 25, 1966) – Hippy Gumbo / Misfit Single UK: 7" • Marc Bolan With John's Children Acetates RELEASE VARIANTS TABLE Country Year Format Notes UK 1967 8" Double-Sided Acetate Hippy Gumbo / Desdemona TRACKLIST TABLE (ALL FORMATS) Format Tracklisting 8" Double-Sided Acetate Side One • Hippy Gumbo Side Two • Desdemona SPECIAL PRESSINGS & VARIANTS Variant Notes Andy Ellison Copy Label inscribed "Marc Bolan With John's Children" Studio Acetate 8-inch reference pressing SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided SPOT acetate preserves Jasmine '49, recorded during Marc Bolan and Steve Peregrin Took's August 1967 recording sessions at Spot Studios, London. The acetate forms part of a remarkable group of twelve recordings completed during two sessions that helped lay the foundations for the music that would shortly emerge under the Tyrannosaurus Rex name. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton Street, London. The acetate survives with a handwritten title and artist credit on a SPOT Studios label. STYLE & THEMES Jasmine '49 belongs to one of the most important recording periods in Bolan's early career. According to the supplied source, these sessions saw the emergence of Bolan's distinctive "Baa Baa Black Sheep" vocal style that would become a key characteristic of early Tyrannosaurus Rex recordings. TRACK-BY-TRACK NOTES • Jasmine '49 • Blank. PRODUCTION Producer: Simon Napier Bell Studio: Spot Studios Location: South Molton Street, London Artist: Marc Bolan with Steve Peregrin Took Format: Single-Sided Acetate Date: August 1967 NOTES • Recorded during the August 1967 Spot Studios sessions. • Produced by Simon Napier Bell. • Recorded with Steve Peregrin Took. • Issued as a single-sided SPOT acetate. • Features handwritten title and artist information. • One of twelve songs recorded during the sessions. • Represents an important stage in Bolan's musical evolution. TRACKLIST TABLE Format Tracklisting Single-Sided Acetate Side One • Jasmine '49 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided SPOT acetate preserves Jasper C. Debussy, one of twelve recordings completed by Marc Bolan and Steve Peregrin Took during two recording sessions held at Spot Studios during August 1967. These sessions represent a key turning point in Bolan's artistic development and document the earliest stages of the musical partnership that would soon become Tyrannosaurus Rex. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton Street, London. Jasper C. Debussy was one of twelve songs recorded during the August 1967 sessions. The surviving acetate carries a handwritten title and artist identification on a yellow SPOT Studios label. STYLE & THEMES The August 1967 sessions marked a significant creative step for Marc Bolan. According to the supplied source, it was during these recordings that Bolan began developing the distinctive "Baa Baa Black Sheep" vocal style that became a defining feature of early Tyrannosaurus Rex recordings. TRACK-BY-TRACK NOTES • Jasper C. Debussy PRODUCTION Producer: Simon Napier Bell Studio: Spot Studios Location: South Molton Street, London Artist: Marc Bolan with Steve Peregrin Took Format: Single-Sided Acetate Date: August 1967 NOTES • One of twelve songs recorded during two August 1967 sessions. • Recorded with Steve Peregrin Took. • Produced by Simon Napier Bell. • Issued as a single-sided SPOT acetate. • Features handwritten title and artist information. • Represents the formative Tyrannosaurus Rex period. TRACKLIST TABLE Format Tracklisting Single-Sided Acetate Side One • Jasper C. Debussy SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.