The June 3, 1972 edition of The Sacramento Bee features an in-depth article on T. Rex, examining their rapid rise, musical style, and growing popularity in America. Publication: The Sacramento Bee Date: June 3, 1972 Country: United States Location: Sacramento, California Section: Music Scene THE STORY The piece explores T. Rex’s background, Marc Bolan’s transformation from Tyrannosaurus Rex, their UK success, and their distinctive glam rock sound. It discusses upcoming releases and a potential film. CONTEXT AND NOTES This American feature was published as T. Rex were breaking through in the US with “Bang a Gong (Get It On)”. It reflects the growing international interest in British glam rock during 1972. FEATURE HIGHLIGHTS Event: Band profile Era: 1972 (Electric Warrior breakthrough) Tone: Analytical, enthusiastic Photography: Text-based article (no photo in clipping) WHAT THE CLIPPING SHOWS Bold headline “The ‘T. Rex’ Brand Of Pop” Detailed analysis of T. Rex’s music and career Discussion of their appeal to American audiences Typical newspaper music column layout RELATED MATERIAL June 17, 1972 Daily Mirror “The Secret Past of Marc Bolan” June 20, 1972 Daily Mirror “The Marc of success” For other relevant posts, see the tags at the foot of the page. SOURCES The Sacramento Bee, June 3, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Tags: T. Rex, T. Rex Scrapbook, Sacramento Bee, 1972, Music Feature

The June 17, 1972 edition of the Daily Mirror reveals Marc Bolan’s early days as “Toby Tyler”, exploring his pre-fame life as a young performer before he became a glam rock superstar. Publication: Daily Mirror Date: June 17, 1972 Country: United Kingdom Location: London Section: Entertainment News THE STORY The article uncovers Bolan’s past under the name Toby Tyler, including his time as a young model, dancer, and aspiring singer. It features quotes from old friends and photos of a clean-cut teenage Bolan. CONTEXT AND NOTES This piece was published at the height of T. Rextasy. It offers a fascinating look at Marc Bolan’s transformation from a quiet teenager to one of Britain’s biggest pop stars. FEATURE HIGHLIGHTS Event: Biographical feature Era: 1972 (Electric Warrior peak) Tone: Revelatory, nostalgic Photography: Black & white archive photos of young Marc Bolan (as Toby Tyler) WHAT THE CLIPPING SHOWS Bold headline “THE SECRET PAST OF MARC BOLAN” Photos of young Marc Bolan with guitar and in early modelling shots Text detailing his pre-fame life and name change Typical Daily Mirror tabloid style RELATED MATERIAL June 20, 1972 Daily Mirror “The Marc of success” For other relevant posts, see the tags at the foot of the page. SOURCES Daily Mirror, June 17, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 1972 edition of Pop Magazine features a glowing review of a T. Rex album (likely Electric Warrior), praising it as their best release so far and highlighting Marc Bolan’s songwriting and the band’s unique sound. Publication: Pop Magazine Date: June 1972 Country: Germany Location: Germany Section: Album Review THE STORY The review discusses the album’s 15 tracks, all written by Marc Bolan, and notes its vitality compared to previous releases. It highlights the rhythmic elements (maultrommel, tabla, congas, bongos) and Bolan’s distinctive “wacklige” (wobbly) scat-style vocals. CONTEXT AND NOTES This German review was published during the peak of T. Rextasy. It reflects the strong European reception to T. Rex’s shift from acoustic folk to electric glam rock. FEATURE HIGHLIGHTS Event: Album review Era: 1972 (Electric Warrior era) Tone: Highly positive, enthusiastic Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Detailed track information and review of the T. Rex album Praise for Marc Bolan’s songwriting and the band’s progressive yet popular sound Typical German music magazine album review layout RELATED MATERIAL June 1972 various T. Rex features For other relevant posts, see the tags at the foot of the page. SOURCES Pop Magazine, June 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. T. REX <<>>> (Ariola 85070 IT) Facts: 15 tracks, ranging from 0.35 to 8.53 minutes in length, including the duo's penultimate hit, "Ride A White Swan." All songs were composed and written by Marc Bolan, the mastermind behind the band, which formerly went by the rather unwieldy name Tyrannosaurus Rex. All lyrics are printed on the album cover. Review: The best T. Rex LP "so far," significantly more vibrant than, for example, the one before last (which was the first T. Rex LP with the <<>> lineup of Marc Bolan and Mickey Finn and was titled <<<>>>). The rhythm, created with jaw harp, tabla, congas, bongos, bass, and finger cymbal, and the peculiarly <<<>> vocals, often performed in pure scat style, continue to fascinate the listener. This is probably because T. Rex truly represent a special case in progressive pop music. While they are considered progressive, they maintain their own distinct sound still popular.

A major profile in The Houston Post (May 28, 1972) celebrating Marc Bolan and T. Rex’s rising success in America, their transition from underground favorites to chart stars, and Bolan’s charismatic personality during the height of the glam rock explosion. Publication: The Houston Post Date: May 28, 1972 Country: United States Section: Pop / Music Feature THE STORY WHAT THE CLIPPING SHOWS The article portrays Marc Bolan as a dynamic, chameleon-like figure leading T. Rex’s breakthrough in the US. It covers the band’s shift from acoustic folk to electric glam, their recent hits, upcoming tour dates, and Bolan’s unique star quality. The piece also includes a separate feature on Aretha Franklin’s “Day Dreaming.” Bold headline “Marc Bolan: Rollin' with rock” with a prominent photo of Marc Bolan. Dense, enthusiastic text columns detailing his career, image, and American success. Classic 1972 newspaper pop music feature layout. CONTEXT AND NOTES FEATURE HIGHLIGHTS Published on May 28, 1972, this feature captures T. Rex at the exact moment “Ride a White Swan” and “Hot Love” were propelling them into mainstream American consciousness. It reflects the growing excitement around glam rock in the US press and Bolan’s transformation into an international superstar. Event: Major artist profile & US breakthrough coverage Era: 1972 (T. Rex’s international breakthrough) Tone: Enthusiastic, admiring, detailed Photography: Striking portrait of Marc Bolan RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Sounds magazine promotional teaser for the second part of their in-depth T. Rex feature story, highlighting Marc Bolan during the height of T. Rextasy. Publication: Sounds Date: January 7, 1972 Country: United Kingdom Section: Preview / Feature Promotion THE STORY WHAT THE CLIPPING SHOWS Prominent teaser for the continuation of Sounds magazine’s major feature on T. Rex. The ad builds anticipation for Part Two of “The T. Rex Story” at the peak of the band’s popularity. • Bold headline: “PART TWO OF THE T. REX STORY” • Large photo of Marc Bolan performing with electric guitar • Sounds magazine masthead dated January 7, 1972 • “Music is the Message” slogan CONTEXT AND NOTES RELATED MATERIAL This January 1972 teaser appears during the absolute height of T. Rextasy. T. Rex were dominating the charts and live scene, and major music papers were running extensive features on the band’s meteoric rise. For more similar posts, check out the tags at the bottom of the page. T. Rex (March 25– 1972) "The Concerned Genius at the T. Rex Concert"- New Musical Express T. Rex (April 29, 1972) New Musical Express Cover – "T. REX – Lincoln Festival" T. Rex (March 18, 1972) Wembley Concert Advertisement FEATURE HIGHLIGHTS SOURCES Event: Magazine feature teaser Era: 1972 (Peak T. Rextasy) Tone: Anticipatory, promotional Photography: Dynamic live shot of Marc Bolan • Sounds magazine, January 7, 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

New Musical Express front page featuring T. Rex as a major addition to the Great Western Express Festival at Lincoln. Publication: New Musical Express Date: April 29, 1972 Country: United Kingdom Section: Front Page / Festival News THE STORY WHAT THE CLIPPING SHOWS T. Rex are announced as a big new addition to the mighty Great Western Express Festival to be held at Lincoln between May 26–29. The piece highlights T. Rex’s rising status and their inclusion in one of the biggest rock gatherings ever put together in Britain. • Large bold headline: “T. REX – Lincoln festival” • Prominent black-and-white photo of Marc Bolan • New Musical Express masthead dated April 29, 1972 • Festival lineup teasers including Dr. John, Dylan, Row, Slade, Jerry Lee, Purple, Zeppelin CONTEXT AND NOTES RELATED MATERIAL This front-page coverage reflects T. Rex’s explosive rise in popularity during their peak glam era. By April 1972 they were one of Britain’s biggest acts, headlining major festivals and dominating the charts. • T. Rex (March 18, 1972) Wembley Concert Advertisement • T.Rex Pop 30 (June 24, 1972) Bolan Boogie No.1 – Melody Maker • T. Rex (June 24, 1972) “Metal Guru” Performance Broadcast – Disco 72 FEATURE HIGHLIGHTS SOURCES Event: Front page newspaper feature Era: 1972 (Glam Rock peak) Tone: Celebratory / Promotional Photography: Iconic black-and-white Marc Bolan portrait • New Musical Express, April 29, 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The June 29, 1972 edition of Bravo Magazine reports on the extreme fan hysteria surrounding Marc Bolan, noting that four bodyguards and two German Shepherds were needed to help him enter and exit his London home. Publication: Bravo Magazine Date: June 29, 1972 Country: Germany Location: Germany Section: Music News / Feature THE STORY The article describes how Bolan’s residence at 31 Clarence Garden is constantly besieged by screaming fans. To move in or out, he requires police assistance and security with dogs to clear a path. It notes there is still no back exit. CONTEXT AND NOTES This German teen magazine piece captures the intense “T. Rextasy” at its absolute peak in the summer of 1972. The level of security required highlights how Bolan had become one of the biggest pop stars in Europe. FEATURE HIGHLIGHTS Event: Fan hysteria report Era: 1972 (Electric Warrior / T. Rextasy peak) Tone: Sensational, descriptive Photography: Black & white photo of Marc Bolan with guitar WHAT THE CLIPPING SHOWS Bold headline “Four Bodyguards for the T. Rex Boss” Description of fan chaos at Bolan’s home Photo of Marc Bolan holding a guitar Typical glossy magazine reporting style RELATED MATERIAL June 29, 1972 Bravo “All that glitters is gold for Marc” June 20, 1972 Daily Mirror “The Marc of success” For other relevant posts, see the tags at the foot of the page. SOURCES Bravo Magazine, June 29, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This EMI Records press release was issued to promote Tyrannosaurus Rex's new single "By The Light Of A Magical Moon". Although the document itself is undated, it accompanied the release of the single and formally introduced Mickey Finn as Marc Bolan's new musical partner following the departure of Steve Peregrin Took. Document: EMI Records Press Release Associated Release Date: January 16, 1970 Country: United Kingdom Label: Regal Zonophone Catalogue Number: RZ 3025 THE PRESS RELEASE Issued on EMI Records letterhead, the press release announces the arrival of "By The Light Of A Magical Moon" / "Find A Little Wood", describing it as the first Tyrannosaurus Rex single since the departure of Steve Took during the previous summer. The document explains that Marc Bolan had been joined by Mickey Finn, identified as a former artist whom Bolan met in a London restaurant. EMI presents Finn as the new partner in Tyrannosaurus Rex and outlines the background to the line-up change. The release recounts the group's rise through recordings including "Deborah", "One Inch Rock", "Pewter Suitor" and "King Of The Rumbling Spires", noting that the duo had also completed three successful albums and toured Britain with David Bowie. According to the text, following Marc and Steve's first American appearances during July 1969, the pair decided to go their separate ways. The release states that Marc subsequently met and rehearsed with Mickey Finn, creating the new Tyrannosaurus Rex line-up. EMI also reveals that the first album by the revised Tyrannosaurus Rex was expected during the spring of 1970. As with previous releases, both sides of the single were written by Marc Bolan and produced by Tony Visconti. The document concludes with a standard press office contact reference for journalists seeking further information. CONTEXT AND NOTES Although the press release itself carries no date, it was clearly prepared to support the release of "By The Light Of A Magical Moon", issued on January 16, 1970. The document is historically important because it constitutes one of the earliest official introductions of Mickey Finn as a member of Tyrannosaurus Rex. It also provides EMI's contemporary explanation of the transition from the Bolan/Took partnership to the Bolan/Finn era. Viewed in hindsight, the release marks the beginning of the final Tyrannosaurus Rex period before the shortening of the name to T. Rex and the commercial breakthrough that followed later in 1970. SINGLE DETAILS Field Details Artist Tyrannosaurus Rex Title By The Light Of A Magical Moon / Find A Little Wood Label Regal Zonophone Catalogue Number RZ 3025 Country UK Release Date January 16, 1970 Format 7" Single Producer Tony Visconti TRACKLIST Side Title Side 1 By The Light Of A Magical Moon Side 2 Find A Little Wood FEATURE HIGHLIGHTS Document Type: EMI promotional press release Purpose: Launch of the new Tyrannosaurus Rex single Notable Announcement: Introduction of Mickey Finn Producer: Tony Visconti Future Plans Mentioned: New Tyrannosaurus Rex album expected in Spring 1970 WHAT THE PRESS RELEASE SHOWS • First official introduction of Mickey Finn as Marc Bolan's new partner • Explanation of Steve Took's departure • Promotion of "By The Light Of A Magical Moon" • Summary of Tyrannosaurus Rex's achievements to date • Confirmation that Marc Bolan wrote both sides of the single • Announcement of a forthcoming Tyrannosaurus Rex album Tags: Tyrannosaurus Rex, Marc Bolan, Mickey Finn, By The Light Of A Magical Moon, Find A Little Wood, Regal Zonophone, Tony Visconti, EMI Records, UK Singles, 1970 COPY Released on January 16, 1970, By The Light Of A Magical Moon was the first Tyrannosaurus Rex single to feature Mickey Finn following the departure of Steve Peregrin Took. Issued on Regal Zonophone under catalogue number RZ 3025, the single marked the beginning of a new chapter in the group's history. Although the release failed to chart in the UK, it remains a significant recording in the Tyrannosaurus Rex catalogue, documenting the first officially released recordings featuring the Bolan and Finn partnership that would continue through the remainder of the Tyrannosaurus Rex era and into the early T. Rex years. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both sides were issued in stereo. An AdVision single-sided acetate of the A-side is known to exist and survives as one of the more desirable pre-release variants associated with the single. STYLE & THEMES "By The Light Of A Magical Moon" retains the fantasy imagery, mystical atmosphere and poetic lyricism associated with Tyrannosaurus Rex while hinting at the more focused songwriting that would soon emerge on later releases. "Find A Little Wood" complements the A-side with the whimsical and pastoral qualities that remained central to Marc Bolan's writing during this period. Together the two tracks capture the transitional phase between the original Tyrannosaurus Rex sound and the more streamlined direction that followed. TRACK-BY-TRACK NOTES • By The Light Of A Magical Moon – The first Tyrannosaurus Rex single featuring Mickey Finn and one of the final Regal Zonophone releases before the group's transformation into T. Rex. • Find A Little Wood – A companion piece reflecting the band's trademark blend of fantasy, folk and lyrical imagination. RELEASE HISTORY The single was released by Regal Zonophone on January 16, 1970 under catalogue number RZ 3025. Most copies were mistakenly issued with the title printed as "By The Light Of The Magical Moon" rather than the correct title "By The Light Of A Magical Moon". Correctly titled copies are considerably scarcer than the misprinted version. Commercial copies were issued with Regal Zonophone's red centre labels and were available in both push-out and solid-centre formats. CHARTS Chart Peak Position UK Singles Chart Did Not Chart PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Stereo Catalogue Number: RZ 3025 Publisher: Essex International NOTES • Released on January 16, 1970. • First Tyrannosaurus Rex single to feature Mickey Finn. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in stereo. • The single failed to chart in the UK. • The correct title is "By The Light Of A Magical Moon". • Most copies were mistakenly pressed with the title "By The Light Of The Magical Moon". • Correctly titled copies are significantly more difficult to locate than the common misprinted version. • Promotional copies were also issued bearing the incorrect title. • Both push-out and solid-centre commercial variants were manufactured. • A solid-centre version exists with the correct title. • An AdVision single-sided acetate of the A-side is known. • No original picture sleeve was issued with the UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The Paul Johnson sleeve is not an original 1970 issue. Melody Maker Jan 17, 1970 RELATED RELEASES • Tyrannosaurus Rex (July 25, 1969) – King Of The Rumbling Spires / Do You Remember Single UK: 7" • Tyrannosaurus Rex (1970) – A Beard Of Stars Album UK: LP • T. Rex (1970) – Ride A White Swan Single UK: 7" RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 16, 1970 7" Single, Push-Out Centre RZ 3025 UK January 16, 1970 7" Single, Solid Centre RZ 3025 UK 1970 Promo Single RZ 3025 UK 1970 AdVision Single-Sided Acetate Unknown INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1970 Stateside 2C 006-91133 M Germany 1970 Polydor 200 1011 / 2001 011 Germany 1970 Polydor Promo 200 1011 / 2001 011 Netherlands 1970 Stateside 5C 006-91133 M Scandinavia 1970 Polydor 200 1011 / 2001 011 Australia 1970 Festival Records FK-3521 New Zealand 1970 Festival Records FK-3521 Canada 1972 Blue Thumb Records BTA 212X USA 1972 Blue Thumb Records BTA 212 UK 2014 A&M Records Reissue 376 713-4 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3025 Side One • By The Light Of A Magical Moon Side Two • Find A Little Wood RUN-OUT ETCHINGS Side Matrix / Runout Side One 7YCAR 6975-1U / 1 I M Side Two 7YCAR 6976-1U / 1 KT P SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Usually carries incorrect title Push-Out Centre Standard UK issue Solid Centre Standard UK issue Correct Title Variant Scarcer pressing with "A Magical Moon" Misprinted Variant Uses "The Magical Moon" AdVision Acetate Single-sided acetate of the A-side 1990s Fan Club Sleeve Produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

SOURCE DETAILS Event: Aachen Open Air Pop Festival Location: Hauptstadion, Aachen, West Germany Dates: July 10–12, 1970 Attendance: 30,000–40,000 Organisers: Golo Goldschmitt, Walter Reiff, Karl‑August Hohmann Main Investor: Coca‑Cola Ticket Prices: DM 15 (single day), DM 40 (three‑day pass) FESTIVAL CONTEXT The Aachen Open Air Pop Festival — commonly known as the Soersfestival — was one of West Germany’s major early‑1970s open‑air rock gatherings. Conceived by three local students, the event faced significant resistance due to the expected influx of European hippies and freaks, yet ultimately unfolded smoothly despite a heavy police presence. Weather remained favourable throughout, and the festival became known for its strong organisation and eclectic lineup. SUNDAY LINE‑UP (July 12, 1970) • Pink Floyd • Tyrannosaurus Rex • Amon Düül II • Hardin & York • Krokodil • Raw Material • Champion Jack Dupree • Fairport Convention (advertised, did not appear) • Van der Graaf Generator (cancelled due to finishing time) ARCHIVAL NOTES Tyrannosaurus Rex’s appearance at Aachen is historically significant: It marks one of the last major European festival dates under the Tyrannosaurus Rex name. It captures Bolan and Finn at the threshold of their transformation into T. Rex, just months before Ride a White Swan reshaped their trajectory. The festival’s scale and diverse audience helped broaden their continental reach during a crucial artistic pivot TYRANNOSAURUS REX – PERFORMANCE OVERVIEW Tyrannosaurus Rex appeared on Sunday, July 12, sharing the bill with Pink Floyd, Amon Düül II, Hardin & York, Krokodil, Raw Material, Champion Jack Dupree and others. By mid‑1970, Marc Bolan and Mickey Finn were transitioning from their earlier acoustic mysticism toward a more electric, rhythmic sound — a shift that would soon culminate in the birth of T. Rex and the glam era. Their Aachen performance sits at a pivotal moment: the final months of the Tyrannosaurus Rex identity, just before Bolan’s transformation into a mainstream pop phenomenon. The duo’s set would have reflected this transitional period — still rooted in the intimate, percussive charm of their early work, yet increasingly confident, rhythmic, and audience‑focused. Aachen placed them before a large continental crowd, helping expand their European profile ahead of the seismic changes of late 1970 and 1971. SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts 'There Was A Time - Marc Bolan a Chronology' Cliff McLenehan allopach.wordpress.com All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The March 30, 1970 edition of the Greenock Telegraph reviews Tyrannosaurus Rex’s new album A Beard of Stars, noting the duo’s development and praising Marc Bolan’s guitar work alongside Mickey Finn’s percussion. Publication: Greenock Telegraph Date: March 30, 1970 Country: United Kingdom Location: Greenock, Scotland Section: Records on Release / Album Review THE STORY The short review highlights A Beard of Stars as showing “a couple of developments” for Tyrannosaurus Rex. It mentions Mickey Finn’s new bongo playing and Marc Bolan’s strong guitar, while giving a generally positive assessment of the album’s progress. CONTEXT AND NOTES This regional Scottish press review captures the final months of Tyrannosaurus Rex’s acoustic era. Released just weeks after the album, it reflects the growing interest in Bolan’s evolving sound on the cusp of the band’s transformation into electric glam rockers T. Rex. FEATURE HIGHLIGHTS Event: Album review Era: 1970 (Tyrannosaurus Rex acoustic era) Tone: Observational, mildly positive Photography: Text-based review WHAT THE CLIPPING SHOWS “Records on Release” column header Brief review of A Beard of Stars mentioning Bolan’s guitar and Finn’s bongos Context within new releases by Paul McCartney, The Cream, and others Typical regional newspaper music column layout RELATED MATERIAL March 14, 1970 Melody Maker “A Beard of Stars” album advert Early Tyrannosaurus Rex acoustic era features (1968–1970) For other relevant posts, see the tags at the foot of the page. SOURCES Greenock Telegraph, March 30, 1970 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Publication: Bucks Examiner Date: 13 March 1970 Country: United Kingdom Section / Page: Discorder / Disc Review Column Format: Regional Album Review Overview A rare and revealing regional‑press reaction to A Beard of Stars, offering an unfiltered, small‑town perspective on Marc Bolan and Mickey Finn’s final Tyrannosaurus Rex album. The Bucks Examiner’s Discorner column approaches the record with curiosity, admiration, and bewilderment — praising its lyrical beauty while questioning its musical direction. This is one of the few surviving non‑London reviews of the album, making it a valuable snapshot of how Bolan’s evolving mysticism landed outside the major music‑press ecosystem. What the Clipping Shows • Small regional‑press column titled “Discorner”, typical of early‑1970 local‑paper design. • Brief review referencing the album’s sleeve dedication — Bolan’s mythic lore invoking “Priests of Peace,” “Horse Lords,” and “the King of the Rumbling Spires.” • Mentions of Marc Bolan and Mickey Finn by name. • Description of the album as “complex,” with “very beautiful” lyrics but questionable musical execution. • Early‑1970 typography: narrow columns, justified text, minimal graphic elements. • Tone: puzzled, earnest, and unpretentious — a critic encountering Bolan’s myth‑language without the context of London’s underground scene. Related posts • T.Rex – Glam Slam Guide • A Beard of Stars – Album: Mar. 1970 • A Beard of Stars – Advert: Mar. 1970 • Additional entries listed in the scrapbook tag index Source Details Publication: Bucks Examiner Date: 13 March 1970 Format: Album Review (Discorner Column) Provenance Notes: • Based on a rare regional‑press clipping • Summary only — no copyrighted text reproduced • Contextualised from the surviving excerpt The Story Behind It In early 1970, Tyrannosaurus Rex were in a state of metamorphosis. Bolan’s writing had grown more electric, more symbolic, and more ambitious, while Mickey Finn’s presence was reshaping the duo’s sound. A Beard of Stars would become the final Tyrannosaurus Rex album before the transformation into T. Rex and the glam‑rock explosion that followed. The Bucks Examiner’s review captures this moment from outside the London bubble. The critic opens with Bolan’s sleeve dedication — a swirl of invented lore and mythic imagery — and admits confusion, suggesting that those fluent in Bolan’s symbolic language will gain more from the album than the average listener. The column describes the record as: • “A complex album” • A collection of short underground‑folk songs • Lyrically “very beautiful” • Musically lacking “strength” or “quality” This reaction is emblematic of the period. Bolan’s shift toward electric textures and mystical imagery was beginning to alienate some folk‑scene purists while attracting a new audience that would soon propel him into superstardom. The Bucks Examiner’s perspective — critical yet sincere — is historically valuable. It reminds us that even legendary albums were once heard through the ears of listeners who didn’t yet know what was coming. All original newspaper text and artwork remain the property of their respective copyright holders. This scrapbook entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

One of the major European rock festivals of 1970, the Holland Pop Festival (also known as Kralingen Music Festival or Stamping Ground) was held in the Kralingse Bos, Rotterdam. Often called the “European Woodstock,” it attracted around 100,000 people and featured an impressive line-up including Tyrannosaurus Rex, Pink Floyd, Jefferson Airplane, Santana, The Byrds, and many others. EVENT DETAILS Event: Holland Pop Festival (Kralingen Music Festival) Date: June 26–28, 1970 Location: Kralingse Bos, Rotterdam, Netherlands Organiser: Foundation "Holland Pop Festival" Tyrannosaurus Rex Performance Date: Saturday, June 27, 1970 LINE-UP Friday, June 26 It's a Beautiful Day Jefferson Airplane Stone the Crows Santana The Flock Canned Heat Hot Tuna Pentangle Quintessence East of Eden (billed but did not perform) Saturday, June 27 The Byrds Family Dr. John the Night Tripper Country Joe McDonald Tyrannosaurus Rex Renaissance (billed but did not perform) Third Ear Band Al Stewart Tata Mirando Gypsy Orchestra CCC Folk & Blues Inc. Supersister Sunday, June 28 Mungo Jerry Art Ensemble of Chicago John Surman Han Bennink Caravan Fairport Convention Fotheringay Soft Machine Pink Floyd CONTEXT & NOTES The festival took place almost a year after Woodstock and featured a strong international line-up. Tyrannosaurus Rex performed on the second day during their acoustic folk-rock period, just before their transformation into the electric glam band T. Rex. A documentary film titled Stamping Ground (also known as Love and Music) was released in 1971, and a triple LP boxset of the festival was issued in 2010. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. SOURCES Wikipedia, Festival Archives, Discogs, Official Festival Documentation All images, artwork, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Tyrannosaurus Rex’s fourth studio album A Beard of Stars marked a pivotal transition from acoustic psychedelic folk toward an emerging electric sound, featuring the arrival of Mickey Finn and Marc Bolan’s growing confidence with electric guitar. RELEASE / PUBLICATION DETAILS Artist: Tyrannosaurus Rex Title: A Beard of Stars Date: March 13, 1970 Label: Regal Zonophone Format / Type: Album Country: United Kingdom Catalogue: SLRZ 1013 THE STORY Recorded at Trident Studios with producer Tony Visconti, A Beard of Stars was the first album to feature Mickey Finn after Steve Peregrin Took’s departure. The record blends the duo’s established mystical folk sound with Bolan’s increasing use of electric guitar, marking a clear step toward the electric glam rock that would define T. Rex. CONTEXT & NOTES This album represents the final chapter of the Tyrannosaurus Rex era before the name was shortened to T. Rex. It reached #21 on the UK Albums Chart and was praised for its tasteful electric elements. The cover photography by Pete Sanders is iconic of the band’s woodland-mystic aesthetic. PERSONNEL Marc Bolan – lead vocals, acoustic & electric guitars, chord organ, bass Mickey Finn – Moroccan clay drums, tabla, finger cymbals, bass, backing vocals PRODUCTION Produced by: Tony Visconti Engineered by: Malcolm Toft Photography by: Pete Sanders CHARTS UK Albums Chart: Peak #21 Australia (Kent Music Report): Peak #27 PACKAGING / ARTWORK HIGHLIGHTS Pete Sanders photography of Bolan (front) and Finn (back) Fully laminated sleeve with lyric insert Regal Zonophone label TRACK LIST Side A Prelude A Day Laye The Woodland Bop Fist Heart Mighty Dawn Dart Pavilions Of Sun Organ Blues By The Light Of A Magical Moon Wind Cheetah Side B A Beard Of Stars Great Horse Dragon’s Ear Lofty Skies Dove Elemental Child WHAT THE SLEEVE SHOWS The front cover features a striking black-and-white photograph of Marc Bolan, while the back shows Mickey Finn. The sleeve includes a lyric insert and maintains the band’s mystical, fairy-tale imagery. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Regal Zonophone archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The March 14, 1970 edition of Melody Maker features a promotional advert for Tyrannosaurus Rex’s new album A Beard of Stars, showcasing the duo’s mystical acoustic folk-rock sound. Publication: Melody Maker Date: March 14, 1970 Country: United Kingdom Location: London Section: Album Advertisement THE STORY The advert displays striking portraits of Marc Bolan and Steve Peregrin Took, promoting their latest stereo album on Regal Zonophone. It highlights the poetic, imaginative style that defined the band’s early work. CONTEXT AND NOTES A Beard of Stars was the final album released under the Tyrannosaurus Rex name. It marked the end of their acoustic psychedelic folk period and laid the groundwork for the electric glam transformation into T. Rex later that year. FEATURE HIGHLIGHTS Event: Album promotional advertisement Era: 1970 (Tyrannosaurus Rex acoustic era) Tone: Artistic, mystical Photography: Dual atmospheric portraits of Bolan and Took WHAT THE CLIPPING SHOWS Bold “TYRANNOSAURUS REX – A BEARD OF STARS” headline Large black & white portraits of Marc Bolan and Steve Peregrin Took Album details: Regal Zonophone SLRZ 1013, stereo EMI / Essex Music credits RELATED MATERIAL Early Tyrannosaurus Rex acoustic era entries (1968–1970) For other relevant posts, see the tags at the foot of the page. SOURCES Melody Maker, March 14, 1970 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Tags: Tyrannosaurus Rex, T. Rex Scrapbook, Melody Maker, 1970, Album Advertisement

Released on October 9, 1970, Ride A White Swan became the first release issued under the name T. Rex and marked the beginning of Marc Bolan's transformation from the folk-psychedelic world of Tyrannosaurus Rex into the streamlined electric sound that would soon dominate the British charts. Issued on Fly Records as catalogue number BUG 1, the single became the breakthrough record that launched T. Rex into mainstream success. The release reached No. 2 on the UK Singles Chart and became the foundation upon which the phenomenon later known as T. Rextasy would be built. Recorded at Trident Studios in Soho, London, and produced by Tony Visconti, the single paired the now-classic "Ride A White Swan" with "Is It Love" and "Summertime Blues" on the reverse side. The single represented the first official T. Rex recording to be released following Marc Bolan's decision to shorten the group's name from Tyrannosaurus Rex. STYLE & THEMES "Ride A White Swan" introduced the stripped-down electric boogie style that would become the hallmark of T. Rex's early 1970s success. The single bridged the gap between the mystical acoustic Tyrannosaurus Rex period and the glam-rock revolution that followed, making it one of the most important transitional records in Marc Bolan's catalogue. TRACK-BY-TRACK NOTES • Ride A White Swan (2:15) — The debut T. Rex single and the record that launched the group's commercial breakthrough. • Is It Love (2:36) — Included on the flip side of the original release. • Summertime Blues (2:44) — Additional B-side track featured on the original configuration. RELEASE HISTORY Released in the United Kingdom on October 9, 1970 through Fly Records. The single subsequently received releases throughout Europe, North America, Asia, Australia, New Zealand, Africa and South America, becoming the first globally distributed T. Rex single. A numbered UK reissue appeared in 2007 through Universal Music TV and Fly Records. CHARTS United Kingdom • UK Singles Chart: No. 2 PRODUCTION Artist: T. Rex Producer: Tony Visconti Studio: Trident Studios, St. Anne's Court, Soho, London Label: Fly Records Catalogue Number: BUG 1 NOTES • First release issued under the shortened T. Rex name. • Reached No. 2 in the UK Singles Chart and became the group's first major commercial success. • Recorded at Trident Studios in Soho, London. • Produced by Tony Visconti. • The original UK issue carried catalogue number BUG 1. • Contrary to popular belief, the earliest UK pressings used mustard-coloured labels. • Fly Records later utilised lilac-coloured labels originally acquired from the defunct Immediate Records. • The switch to lilac labels occurred as sales increased and additional pressings were required. • The Irish edition was issued on the Regal Zonophone label rather than Fly Records. • Multiple UK pressing variations exist, including solid-centre and push-out-centre editions. • Run-out etchings differ between mustard-label and lilac-label pressings. • The release received more than thirty documented international variations. • The single marked the beginning of the commercial era that would soon produce Hot Love, Get It On, Telegram Sam and other major hits. • Widely regarded as the starting point of T. Rex's transition into one of the defining acts of the glam rock era. RELEASE VARIANTS TABLE Country Label Catalogue Number Format UK Fly Records BUG 1 7" Single UK Fly Records BUG 1 Mustard Label Variant UK Fly Records BUG 1 Lilac Label Variant UK Fly Records BUG 1 Solid Centre Variant UK Fly Records BUG 1 Push-Out Centre Variant UK & Ireland Fly Records BUG 1 Solid Centre Variant Ireland Regal Zonophone BUG-1 7" Single Ireland Fly Records BUG-1 UK Label Variant Australia Parlophone A-9335 7" Single Australia Parlophone A-9335 Promo Canada Reprise 0982 7" Single USA Reprise 0982 Promo Single Argentina Odeon Pops DTOA/M 5104 7" Single Denmark Stateside 6E 006-92148 7" Single Finland Stateside 5E 006-92148M 7" Single France CBS 5381 7" Single Germany Ariola 14 773 AT 7" Single Greece Columbia SCMG 478 7" Single Japan Blue Thumb HIT-1857 7" Single Japan Odeon OR-2762 7" Single Lebanon Parlophone MOL49 7" Single Netherlands Stateside 5C 006-92148 7" Single New Zealand Parlophone NZP 3392 7" Single Norway Stateside 7E 006-92148 7" Single Portugal Stateside 8E 006-92329 M 7" Single Singapore / Malaysia / Hong Kong Columbia EAC-1047 7" Single South Africa Stateside JSS 1312 7" Single Spain Ariola 14.912-AS 7" Single Sweden Stateside 4E 006-92148 M 7" Single Scandinavia Cherry Red / Planet Records CHERRY 29 7" Single Yugoslavia Various Various 7" Single UK Universal Music TV / Fly 1744372 Numbered Reissue (2007) TRACKLIST TABLE UK Format Catalogue Number Tracklisting Original UK 7" Single BUG 1 Side 1: Ride A White Swan (2:15) Side 2a: Is It Love (2:36) Side 2b: Summertime Blues (2:44) SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Rockfiles, Official Marc Bolan archives, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Melody Maker advertisement promotes Tyrannosaurus Rex's single "By The Light Of The Magical Moon". Featuring a publicity photograph of Marc Bolan and Steve Peregrin Took, the advert supported the duo's first single release following the departure of Took's predecessor from the group and continued Tyrannosaurus Rex's association with Regal Zonophone. Publication: Melody Maker Date: January 17, 1970 Country: United Kingdom This small but eye-catching advertisement promotes Tyrannosaurus Rex's single "By The Light Of The Magical Moon", released on Regal Zonophone RZ 3025. The advert features a black-and-white publicity photograph of Marc Bolan and Steve Peregrin Took, seated together with percussion equipment visible in the foreground. Above the image appears the band's name in large bold lettering, while the single title and catalogue number are displayed to the right. The design is characteristically simple, relying on the duo's image and the distinctive Tyrannosaurus Rex name rather than extensive promotional text. The advertisement reflects the band's established visual identity during their final fully acoustic period before the musical changes that would eventually lead to the emergence of T. Rex. Appearing in Melody Maker, the advert was aimed directly at the paper's music-focused readership and formed part of Regal Zonophone's promotion for the latest Tyrannosaurus Rex release. CONTEXT AND NOTES Released in early 1970, "By The Light Of The Magical Moon" followed "King Of The Rumbling Spires" and arrived during a period of transition for Marc Bolan. While the group still retained the mystical folk-psychedelic characteristics that had defined their late-1960s work, Bolan was already beginning to explore ideas that would soon lead to a more commercial direction. The advertisement captures one of the final chapters of the original Tyrannosaurus Rex era before the transformation into T. Rex later in 1970. FEATURE HIGHLIGHTS Event: Promotion of "By The Light Of The Magical Moon" Era: Final Tyrannosaurus Rex period Tone: Promotional Photography: Publicity photograph of Marc Bolan and Steve Peregrin Took WHAT THE CLIPPING SHOWS • Advertisement for "By The Light Of The Magical Moon" • Regal Zonophone catalogue number RZ 3025 • Photograph of Marc Bolan and Steve Peregrin Took • Contemporary music paper promotion • Early 1970 Tyrannosaurus Rex publicity campaign Released on January 16, 1970, By The Light Of A Magical Moon was the first Tyrannosaurus Rex single to feature Mickey Finn following the departure of Steve Peregrin Took. Issued on Regal Zonophone under catalogue number RZ 3025, the single marked the beginning of a new chapter in the group's history. Although the release failed to chart in the UK, it remains a significant recording in the Tyrannosaurus Rex catalogue, documenting the first officially released recordings featuring the Bolan and Finn partnership that would continue through the remainder of the Tyrannosaurus Rex era and into the early T. Rex years. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both sides were issued in stereo. An AdVision single-sided acetate of the A-side is known to exist and survives as one of the more desirable pre-release variants associated with the single. STYLE & THEMES "By The Light Of A Magical Moon" retains the fantasy imagery, mystical atmosphere and poetic lyricism associated with Tyrannosaurus Rex while hinting at the more focused songwriting that would soon emerge on later releases. "Find A Little Wood" complements the A-side with the whimsical and pastoral qualities that remained central to Marc Bolan's writing during this period. Together the two tracks capture the transitional phase between the original Tyrannosaurus Rex sound and the more streamlined direction that followed. TRACK-BY-TRACK NOTES • By The Light Of A Magical Moon – The first Tyrannosaurus Rex single featuring Mickey Finn and one of the final Regal Zonophone releases before the group's transformation into T. Rex. • Find A Little Wood – A companion piece reflecting the band's trademark blend of fantasy, folk and lyrical imagination. RELEASE HISTORY The single was released by Regal Zonophone on January 16, 1970 under catalogue number RZ 3025. Most copies were mistakenly issued with the title printed as "By The Light Of The Magical Moon" rather than the correct title "By The Light Of A Magical Moon". Correctly titled copies are considerably scarcer than the misprinted version. Commercial copies were issued with Regal Zonophone's red centre labels and were available in both push-out and solid-centre formats. CHARTS Chart Peak Position UK Singles Chart Did Not Chart PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Stereo Catalogue Number: RZ 3025 Publisher: Essex International NOTES • Released on January 16, 1970. • First Tyrannosaurus Rex single to feature Mickey Finn. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in stereo. • The single failed to chart in the UK. • The correct title is "By The Light Of A Magical Moon". • Most copies were mistakenly pressed with the title "By The Light Of The Magical Moon". • Correctly titled copies are significantly more difficult to locate than the common misprinted version. • Promotional copies were also issued bearing the incorrect title. • Both push-out and solid-centre commercial variants were manufactured. • A solid-centre version exists with the correct title. • An AdVision single-sided acetate of the A-side is known. • No original picture sleeve was issued with the UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The Paul Johnson sleeve is not an original 1970 issue. Melody Maker Jan 17, 1970 RELATED RELEASES • Tyrannosaurus Rex (July 25, 1969) – King Of The Rumbling Spires / Do You Remember Single UK: 7" • Tyrannosaurus Rex (1970) – A Beard Of Stars Album UK: LP • T. Rex (1970) – Ride A White Swan Single UK: 7" RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 16, 1970 7" Single, Push-Out Centre RZ 3025 UK January 16, 1970 7" Single, Solid Centre RZ 3025 UK 1970 Promo Single RZ 3025 UK 1970 AdVision Single-Sided Acetate Unknown INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1970 Stateside 2C 006-91133 M Germany 1970 Polydor 200 1011 / 2001 011 Germany 1970 Polydor Promo 200 1011 / 2001 011 Netherlands 1970 Stateside 5C 006-91133 M Scandinavia 1970 Polydor 200 1011 / 2001 011 Australia 1970 Festival Records FK-3521 New Zealand 1970 Festival Records FK-3521 Canada 1972 Blue Thumb Records BTA 212X USA 1972 Blue Thumb Records BTA 212 UK 2014 A&M Records Reissue 376 713-4 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3025 Side One • By The Light Of A Magical Moon Side Two • Find A Little Wood RUN-OUT ETCHINGS Side Matrix / Runout Side One 7YCAR 6975-1U / 1 I M Side Two 7YCAR 6976-1U / 1 KT P SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Usually carries incorrect title Push-Out Centre Standard UK issue Solid Centre Standard UK issue Correct Title Variant Scarcer pressing with "A Magical Moon" Misprinted Variant Uses "The Magical Moon" AdVision Acetate Single-sided acetate of the A-side 1990s Fan Club Sleeve Produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Western Daily Press article featuring an early review and interview snippet with Marc Bolan of Tyrannosaurus Rex following their performance at Weston-super-Mare. Publication: Western Daily Press Date: March 5, 1970 Country: United Kingdom Section: Entertainment / Music News THE STORY WHAT THE CLIPPING SHOWS The article reports on Tyrannosaurus Rex’s performance at the Winter Gardens Pavilion in Weston-super-Mare. It mentions their new sound equipment, a brand-new song “Jewel” written by Marc Bolan only two days earlier, and includes comments from Bolan about his upcoming American tour and his thoughts on the film Easy Rider. • Headline referencing an amusing poster advertising Tyrannosaurus Rex (Tyran, Nosau, Rus and Rex) • Hand-drawn cartoon illustration of a face with glasses • Detailed review and quotes from correspondent Mark Ashley CONTEXT AND NOTES RELATED MATERIAL This early 1970 piece captures Tyrannosaurus Rex during their transition from psychedelic folk to electric rock, just before their major breakthrough as T. Rex. It shows Marc Bolan’s growing confidence and his candid views on touring and culture. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Newspaper review & interview Era: 1970 (Pre-glam / Electric transition) Tone: Amused, observational Photography: Hand-drawn cartoon illustration • Western Daily Press, March 5, 1970 • Contribution by Mark Ashley All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The March 28, 1970 edition of New Musical Express features an in-depth interview/profile with Tyrannosaurus Rex titled “Really We’re Just Pop,” in which Marc Bolan and Steve Peregrin Took discuss their music, image, and artistic philosophy. Publication: New Musical Express (NME) Date: March 28, 1970 Country: United Kingdom Location: London Section: Major Feature / Interview THE STORY The article explores the duo’s unique sound and identity, with Bolan and Took addressing perceptions of their work, their roots in the underground scene, and their desire to be seen simply as pop musicians despite their experimental and poetic style. It includes several photographs of the band. CONTEXT AND NOTES This NME feature comes during the promotion of the album A Beard of Stars, marking the final phase of Tyrannosaurus Rex before the shift to electric glam rock as T. Rex. It captures the band reflecting on their identity at a pivotal career moment. FEATURE HIGHLIGHTS Event: Major band interview and profile Era: 1970 (Late Tyrannosaurus Rex / Transition to Glam) Tone: Reflective, candid, engaging Photography: Multiple black & white images of Marc Bolan and Steve Peregrin Took WHAT THE CLIPPING SHOWS Bold headline “TYRANNOSAURUS REX: ‘Really We’re Just Pop’” In-depth text discussing the band’s music, audience, and philosophy Several atmospheric photos of Marc Bolan and Steve Peregrin Took Quotes addressing their image and artistic direction RELATED MATERIAL This March 28, 1970 NME feature on Tyrannosaurus Rex connects directly with the March 14, 1970 Disc and Music Echo advertisement for A Beard of Stars and shows the band’s evolving identity in early 1970. For other relevant posts, see the tags at the foot of the page. SOURCES New Musical Express, March 28, 1970 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

"Oh Baby" was released on September 4, 1970 under the name Dib Cochran And The Earwigs, one of several pseudonyms used by Marc Bolan during the transitional period between his Tyrannosaurus Rex years and the emergence of T. Rex as a major chart act. Issued by Bell Records in the United Kingdom, the single appeared only days before T. Rex began their meteoric rise to commercial success. Although it failed to chart, the record has since become an important collector's item due to its connection with Bolan and its place within the development of his songwriting after the release of "Ride A White Swan". The release showcased Bolan experimenting with a different identity while continuing to refine the blend of pop melody and eccentric lyrical style that would soon make him one of Britain's biggest stars. Both songs were written by Marc Bolan under the Dib Cochran pseudonym. Production was credited to Dib Cochran, making this one of the few releases from the period to carry Bolan's alternate identity throughout the credits. The accompanying Earwigs project was another of Bolan's short-lived studio concepts, issued alongside several obscure recordings from the same era. STYLE & THEMES "Oh Baby" combines bright early-1970s pop with elements of the whimsical songwriting style that characterised Bolan's late Tyrannosaurus Rex recordings. "Universal Love" continues the psychedelic and romantic themes present throughout much of Bolan's work during the period. Both tracks offer a fascinating glimpse into the creative bridge between Tyrannosaurus Rex and the chart-dominating T. Rex years. TRACK-BY-TRACK NOTES • Oh Baby — The sole A-side issued under the Dib Cochran And The Earwigs name. • Universal Love — Exclusive B-side credited solely to The Earwigs. RELEASE HISTORY The single was released in the United Kingdom on September 4, 1970 by Bell Records under catalogue number BLL 1121. Despite receiving an official commercial release, the record did not chart and remained relatively obscure for many years. With Marc Bolan's later success, the single became highly sought after by collectors interested in his pre-fame and pseudonymous recordings. CHARTS & CERTIFICATIONS UNITED KINGDOM No chart entry recorded. CERTIFICATIONS No certifications recorded. AWARDS No awards recorded. PERSONNEL Marc Bolan (as Dib Cochran) — writer, producer, performer PRODUCTION Produced by Dib Cochran Label: Bell Records Catalogue Number: BLL 1121 Country: United Kingdom NOTES • Released under the pseudonym Dib Cochran And The Earwigs rather than Marc Bolan's own name. • Issued during a crucial transitional period in Bolan's career as T. Rex was beginning to evolve from the earlier Tyrannosaurus Rex project. • Both sides of the single were written by Marc Bolan. • Production was also credited to Dib Cochran, continuing the pseudonymous concept throughout the release. • The record appeared on Bell Records shortly before T. Rex achieved major commercial success with "Ride A White Swan" and the beginning of the glam-rock era. • Unlike later T. Rex singles, the release failed to chart and remained little known outside dedicated fan circles. • Over time the single became one of the more collectible Marc Bolan-related releases because of its rarity and unusual artist credit. • "Universal Love" was credited to The Earwigs alone, creating an unusual distinction between the two sides of the disc. • The release is frequently cited as one of the most notable examples of Bolan's experimentation with alternate identities and side projects. • Its historical importance lies less in chart success and more in documenting Bolan's artistic development immediately before his breakthrough years. RELEASE TABLE Artist Title Label Country Catalogue Date Format Dib Cochran And The Earwigs Oh Baby Bell Records UK BLL 1121 September 4, 1970 7" Single TRACKLIST TABLE Format Catalogue Tracklisting 7" Single BLL 1121 A. Oh Baby B. Universal Love SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A half-page advertisement from the December 1970 issue of Beat Instrumental magazine promoting VAMP Power amplifiers, featuring Marc Bolan of T. Rex “riding a white swan” with the band’s equipment. RELEASE / PUBLICATION DETAILS Artist: T. Rex / Marc Bolan Title: Marc Bolan Rides A White Swan (VAMP Power Ad) Date: December 1970 Label: VAMP International Ltd. Format / Type: Magazine Advertisement Country: United Kingdom THE STORY This advertisement highlights Marc Bolan and T. Rex using VAMP Power amplifiers and speaker cabinets. The striking visual of Bolan “riding a white swan” ties into the band’s hit single “Ride A White Swan” and showcases the gear as used by one of the era’s biggest stars. CONTEXT & NOTES Published in Beat Instrumental magazine in December 1970, this ad capitalizes on T. Rex’s rising fame. It promotes the VAMP Power 100 Watt amplifier (£97 10s.) and Multi-Amp 4 x 12 cabinets (£104 15s. each). The ad reflects the growing commercial success of British rock acts and their endorsement deals. PERSONNEL Marc Bolan – featured artist VAMP International Ltd. – advertiser (Invicta Works, Elliott Road, Bromley, Kent) PACKAGING / ARTWORK HIGHLIGHTS Bold “VAMP POWER” logo with lightning bolt Photo of Marc Bolan playing guitar Equipment images on the left The half-page ad features a large VAMP POWER logo, images of the amplifiers and cabinets, a photo of Marc Bolan with guitar, and the headline “MARC BOLAN RIDES A WHITE SWAN.” Contact details for VAMP International Ltd. are listed at the bottom. RELATED MATERIAL See tags at foot of page. SOURCES Beat Instrumental magazine (December 1970) All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference