The June 17, 1972 edition of the Daily Mirror reveals Marc Bolan’s early days as “Toby Tyler”, exploring his pre-fame life as a young performer before he became a glam rock superstar. Publication: Daily Mirror Date: June 17, 1972 Country: United Kingdom Location: London Section: Entertainment News THE STORY The article uncovers Bolan’s past under the name Toby Tyler, including his time as a young model, dancer, and aspiring singer. It features quotes from old friends and photos of a clean-cut teenage Bolan. CONTEXT AND NOTES This piece was published at the height of T. Rextasy. It offers a fascinating look at Marc Bolan’s transformation from a quiet teenager to one of Britain’s biggest pop stars. FEATURE HIGHLIGHTS Event: Biographical feature Era: 1972 (Electric Warrior peak) Tone: Revelatory, nostalgic Photography: Black & white archive photos of young Marc Bolan (as Toby Tyler) WHAT THE CLIPPING SHOWS Bold headline “THE SECRET PAST OF MARC BOLAN” Photos of young Marc Bolan with guitar and in early modelling shots Text detailing his pre-fame life and name change Typical Daily Mirror tabloid style RELATED MATERIAL June 20, 1972 Daily Mirror “The Marc of success” For other relevant posts, see the tags at the foot of the page. SOURCES Daily Mirror, June 17, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The April 22, 1972 music press announces the upcoming release of The Golden Hits of T. Rex by Fly Records on May 5, compiling many of the band’s classic tracks from their early glam era. Mickey Finn featured on all but one track – T. Rex Golden Hits of T. Rex, Fly Records release, May 5 1972. Publication: Music Press (various) Date: April 22, 1972 Country: United Kingdom Location: London Section: Album Announcement / Feature THE STORY The feature highlights the forthcoming compilation album featuring hits such as “Ride A White Swan,” “Hot Love,” “Get It On,” “Jeepster,” and others. It notes that Mickey Finn plays on all but one track and mentions the simultaneous release on Precision Tapes (cartridge and cassette formats). CONTEXT AND NOTES By spring 1972 T. Rex were at the peak of their commercial success. This “Golden Hits” compilation capitalised on their popularity by collecting their biggest singles from the Fly Records period, helping cement their status during the height of T. Rextasy. FEATURE HIGHLIGHTS Event: Compilation album announcement Era: 1972 (T. Rex Glam Rock peak) Tone: Celebratory, promotional Photography: Black & white image of Mickey Finn on drums WHAT THE CLIPPING SHOWS Headline “T. Rex Oldies Album” Photo of Mickey Finn performing Announcement of The Golden Hits of T. Rex releasing May 5 on Fly Records Track highlights including “Ride A White Swan,” “Hot Love,” “Get It On,” “Jeepster” and more RELATED MATERIAL This April 22, 1972 album announcement for The Golden Hits of T. Rex connects with other 1971–1972 T. Rex tour ads and reviews in the scrapbook, documenting the band at the height of their fame. For other relevant posts, see the tags at the foot of the page. SOURCES Music Press clipping, April 22, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

Article Context & Main Highlights Key Content Publication: New Musical Express (NME) Date: Week ending January 22, 1972 “REXMANIA” Release Date: Week ending January 22, 1972 Label: NME Country: United Kingdom Feature celebrating the explosion of T. Rex popularity, marking the start of “T.Rextasy”. Large photo and article on Marc Bolan and T. Rex performing at the Boston Gliderdrome. The piece highlights the intense fan hysteria, the band’s growing success in America, and the beginning of the massive T. Rex phenomenon that would define 1972. Notable Details The page captures Marc Bolan in full glam rock glory on stage, with fans reaching out in excitement. This edition reflects the rapid rise of T. Rex from UK chart dominators to an international glam rock sensation. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Article Context & Main Highlights Key Content Publication: New Musical Express (NME) Date: Week ending January 1, 1972 “T. REX TOP YEAR’S CHART” Release Date: Week ending January 1, 1972 Label: NME Country: United Kingdom Front page headline celebrating T. Rex’s dominant victory in the 1971 NME Points Championship. T. Rex scored a runaway win in the annual NME poll, amassing nearly 50 per cent more points than their nearest rivals. The article highlights their massive 1971 success, including multiple No.1 singles and albums, making them the clear leaders of the British pop/rock scene. Notable Details The cover features a large photo of Marc Bolan performing with his iconic curly hair and guitar. It also notes Dawn as runners-up and Diana Ross placing third. This edition marks the peak of T. Rex-mania as they were crowned the top act of 1971. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Publication: Unknown Date: Unknown Country: Unknown Full-page colour portrait photograph showing a person with tightly curled dark hair wearing a dark patterned jacket with a contrasting yellow panel and a small colourful figure motif. The original scrapbook page is visibly aged and creased. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

BRAVO magazine two-page photo-feature following Marc Bolan and Mickey Finn as they test-drive the powerful Ford Capri 2600 RS. THE STORY WHAT THE CLIPPING SHOWS Publication: BRAVO Date: February 2, 1972 Country: Germany Section: Car Test / Celebrity Feature Marc Bolan and Mickey Finn put the Ford Capri 2600 RS through its paces, with the article detailing the car’s performance, technical specs (2.6 litre, 150 hp, fuel-injected engine), and its evolution from the “Plastic Bomb” racing version to a road-legal model. The piece blends glam star power with high-performance car enthusiasm. • Large photos of the silver Ford Capri 2600 RS on a cobbled street • Marc Bolan and Mickey Finn posing dramatically with the car • Close-ups of the interior dashboard and instruments • Bold red headline “Die Bombe aus dem Capri-Stall” CONTEXT AND NOTES RELATED MATERIAL Published at the absolute peak of T. Rextasy, this fun feature perfectly captures the glamorous, high-energy spirit of 1972 by pairing two of glam rock’s biggest stars with a stylish performance car — the ultimate fantasy for BRAVO’s teenage readers. T. Rex (February 15, 1972) "Marc und Mickey - let's go" - BRAVO T. Rex (March 1–7, 1972) "Vorsicht, T. Rex - Fieber!" - BRAVO T. Rex (January 7, 1972) "Part Two of the T. Rex Story" - Sounds For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Celebrity car test feature Era: 1972 (Peak T. Rextasy) Tone: Fun, glamorous, energetic Photography: Multiple large action and portrait shots • BRAVO Magazine, February 2, 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. The two-page article in Bravo magazine (February 2, 1972) featured Marc Bolan and Mickey Finn chasing the Capri 2600 RS until the tires smoked. It highlighted the car's 6-cylinder fuel-injected engine with 2.6 liters displacement, 150 hp, and 18 liters premium fuel consumption per 100 km. The driver must monitor six instruments, with the large tachometer as the most important. The first racing Capri was nicknamed the "Plastic Bomb" due to plastic body parts, and the victory-accustomed track racer was now available as an everyday road version, introduced by the T. Rex boys. The bomb out the Capri stable The gasoline is injected: The 6-cylinder fuel-injected engine of the Capri 2600 RS has a displacement of 2.6 liters, 150 hp, and consumes 18 liters of premium fuel per 100 km The Capri driver must keep an eye on six instruments, the most important of which is the large tachometer (right). The first racing Capri was called the "Plastic Bomb" because important parts of the body were made of plastic. Recently, the victory-accustomed track racer has also been available as an everyday road version. The T. Rex boys introduce you to the thoroughbred speedster. Brakes squealed, tires smoked, and the engine roared in a veritable witches' dance. Marc Bolan drove as if he had lead in his feet and the devil on his neck. During his daring full-throttle drive.. Comfortable bucket seats: Driver and passenger have plenty of room in corduroy-covered bucket seats - the Capri RS offers a lot of comfort for a car costing around 16,000 marks Shortly before the start: Marc Bolan (left) and Mickey Finn lean casually against the Capri 2600 RS's stylish bodywork; minutes later, they put on a wild show with the speedster "I can't do anything like this with my Rolls-Royce at home in London," he said with a grin as he handed the wheel to Mickey Finn. Finn elegantly swerved the Capri's stubby rear end back and forth during a wild slalom run. "Despite the rigid rear axle, this thing has fabulous road holding," said Mickey. Externally, the 2600 RS is immediately recognizable as the fastest horse in the Capri stable: It has no bumpers, super-wide aluminum rims, and a lowered suspension, giving it a wide and muscular stance. A high-performance exhaust system and halogen twin headlights are essential," advises Marc to those interested in the Capri. The 150 horses could easily get the better of them. A speedster that accelerates from 0 to 100 km/h in just under nine seconds and has a top speed of 200 km/h requires a skilled driver in the cockpit." And Mickey Finn adds: "The Capri RS is a race car for the road, but it has the comfort of a four-seater sedan."

A bold promotional advert for T. Rex’s historic Wembley concerts on March 18, 1972. The original evening show sold out instantly, leading to an additional matinee performance the same day. Publication / Source: Concert Advertisement Date: March 18, 1972 Country: United Kingdom Location: London Section: Concert Promotion THE STORY The advert announces T. Rex live at Wembley with support from Quiver, Emperor Rosko, and Heavylights. Tickets were priced at 75p and available through Harlequin Records. The evening show (8:30 p.m.) sold out so quickly that promoters added a 5:30 p.m. matinee. The shows were filmed for posterity. CONTEXT AND NOTES This advert captures T. Rex at the absolute peak of T. Rextasy in early 1972. Following the massive success of Electric Warrior, demand for live tickets was overwhelming. Wembley became a defining moment in the band’s career, symbolizing their shift from club venues to arena-scale hysteria. FEATURE HIGHLIGHTS Event: Concert advertisement Era: 1972 (Electric Warrior / T. Rextasy peak) Tone: Triumphant, urgent Photography: Striking black & white image of Marc Bolan WHAT THE CLIPPING SHOWS Bold “T. REX LIVE AT WEMBLEY” headline Dramatic photo of Marc Bolan in sunglasses and fur-trimmed coat Support acts listed (Quiver, Emperor Rosko, Heavylights) Note that the evening show sold out and a matinee was added Ticket price and sales outlet information RELATED MATERIAL July 1, 1972 NME news page (further Wembley speculation) For other relevant posts, see the tags at the foot of the page. SOURCES Original concert advertisement, March 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Article Context & Main Highlights Key Content Publication: New Musical Express (NME) Date: Week ending January 15, 1972 NME Poll Winners Release Date: Week ending January 15, 1972 Label: NME Country: United Kingdom Special poll results section celebrating the biggest winners of the year. T. Rex dominated the 1971 NME Readers Poll, winning the World Top Group title and displacing The Beatles. The article highlights their massive popularity surge during the glam rock explosion, with Marc Bolan and the band sweeping multiple categories. Notable Details This edition of NME captured T. Rex at the absolute peak of their commercial and cultural dominance in early 1972. The poll victory confirmed their status as the biggest British pop/rock act of the moment, following a string of No.1 singles and the success of Electric Warrior. The front page also featured news of Free’s reformation. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A striking promotional poster advertises T. Rex’s highly anticipated concert at Carnegie Hall in New York on February 27, 1972, during the Electric Warrior era, with Jackie Lomax as special guest. Publication: Concert Poster / Ardee Productions Date: February 27, 1972 Country: United States Location: New York City Section: Live Concert Promotion THE STORY The poster features an artistic illustration of Marc Bolan and the band, promoting the prestigious Carnegie Hall show. It highlights the “Electric Warrior” tour and lists ticket information, presented by Ardee Productions. CONTEXT AND NOTES This concert represented T. Rex’s most ambitious attempt to break into the American market at the height of their UK fame. While the show generated huge hype, it received mixed reviews, most notably a critical piece in The New York Times that questioned the substance behind Bolan’s glam image. FEATURE HIGHLIGHTS Event: Carnegie Hall Concert Era: 1972 (Electric Warrior / Early Glam breakthrough) Tone: Bold, artistic, promotional Photography: Stylized colour illustration of Marc Bolan and band WHAT THE CLIPPING SHOWS Large artistic poster with Marc Bolan’s face and band illustrations “T. Rex in concert” headline with Jackie Lomax as special guest Carnegie Hall date and time: Sunday, February 27, 1972 – 7:30 PM Ticket and venue information RELATED MATERIAL For relevant posts, see the tags at the foot of the page. SOURCES Carnegie Hall Concert Poster, February 27, 1972 (Ardee Productions) All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

BRAVO magazine three-page special report documenting the explosive arrival of T. Rex in Germany and the outbreak of “T. Rex Fever” with scenes compared to Beatlemania. Publication: BRAVO Date: March 1–7, 1972 Country: Germany Section: Feature / Report THE STORY WHAT THE CLIPPING SHOWS Detailed coverage of T. Rex’s test concerts in Hamburg and Münster. The report describes chaotic airport arrivals, streets brought to a standstill for autograph sessions, and concert hysteria with fans screaming, crying, and chanting. Marc Bolan and Mickey Finn are portrayed as the new idols triggering the first major fan frenzy in Germany since the Beatles. • Dramatic red banner: “Vorsicht, T. Rex - Fieber!” • Large crowd photos and concert shots • Marc Bolan and Mickey Finn performing and interacting with fans • Bold headlines declaring the return of Beatlemania-level excitement CONTEXT AND NOTES RELATED MATERIAL This March 1972 BRAVO feature captures the moment T. Rex conquered Germany. With four major hits (“Ride a White Swan”, “Hot Love”, “Get It On”, “Jeepster”), the band’s arrival sparked unprecedented hysteria, confirming their status as one of the biggest acts in Europe. T. Rex (January 7, 1972) "Part Two of the T. Rex Story" - Sounds T. Rex (March 25– 1972) "The Concerned Genius at the T. Rex Concert"- New Musical Express T. Rex (April 29, 1972) New Musical Expr For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Multi-page fan hysteria report Era: 1972 (Peak T. Rextasy / European breakthrough) Tone: Excited, sensational Photography: High-impact black & white crowd and performance shots • BRAVO Magazine, March 1–7, 1972 • Writer: Jörg Flemming • Photography: W. Heilemann Caution, T. Rex fever! After this show, one thing is certain: Marc & Mickey Rock fans are coming to Germany Forget what's been happening in recent years! Now there's T. Rex. And with them comes the fever back, the packed venues, the burning hands, the tears of joy. BRAVO experienced it firsthand: At two T. Rex test concerts in Hamburg and Münster, we saw scenes like in the best Beatles days. Read this report to find out more. Hamburg: Crowds block Mönckebergstraße as T. Rex sign autographs in front of a record store. Traffic is at a standstill for minutes; even the police are powerless. And over the heads of the crowd echoes an almost forgotten cry: Yeah, yeah, yeah! T. Rex fever in Hamburg: 2000 whistling, clapping, stamping down "Huge," gasps Marc Bolan, "that was the greatest!" The T. Rex frontman tears his wet shirt off, and a gold chain with an oval tag flashes on his bare chest. "Love" is written on it. Nothing else. After the T. Rex concert in Germany, I'm sitting in their dressing room. A scrap of green tissue paper hangs above the mirror light, spreading green light. T. Rex like it green. The room is quiet. A few snatches of conversation now and then. SO "Do you hear it?" asks Mickey Finn. We listen. Then I hear it too. T. Rex! T. Rex! T. Rex! It sounds muffled, like a drum roll approaching. 2,000 rock fans are turning Hamburg's Musikhalle into a cauldron of noise. They're whistling, screaming, clapping, and stomping. Honestly, I haven't experienced anything like this in years. Not these screams, the crying, and the laughter. "I'm proud that the fans in Germany like us," says Mickey, taking a sip from his glass of Coke/whiskey. He has every right to be: T. Rex are the new gods of rock music Two years ago, at the beginning of their career, Marc and Mickey told me in London: "When we have four hits, we'll go on tour. And then we'll come to you." And I promised them: "BRAVO will book you! It'll be a big, wild tour like the BRAVO Beatles tour was back then." Now T. Rex are there. They have four worldwide hits: "Ride a White Swan," "Hot Love," "Get It On," and "Jeepster." They've shot to rock stardom at breakneck speed, with managers, luxury cars, and loads of money. England is already gripped by T. Rex fever. Now it's spreading to us too. "We're not doing anything to make it happen," says Marc with an innocent smile, "it's our fans who are driving us to the top." Marc is right. I experienced it myself when I waited for T. Rex at Hamburg Airport that morning. They were coming to Germany for two test concerts, to gauge the atmosphere in Münster and Hamburg for their first German tour. Their arrival time was top secret, but the airport terminal was teeming with fans. Two girls, Petra (15) and Babs (16), were pushing in front of me. For hours A favor for Mickey: His girlfriend Irene bandaged his fingers after the two-hour marathon show. Mickey Finn had drummed them raw on his bongos. Reception on the tarmac: These girls crowded around the rock stars' plane upon arrival in Hamburg. Marc Bolan was thrilled: "The German girls are sexy!" They waved a banner. "We love T. Rex." Petra confessed to me that she had a lump in her throat. With her left hand, she clutched a love letter in verse for Marc; she had read in BRAVO magazine that he also wrote poetry. Rodents and roadies, eleven people in total. Petra dropped her banner, ran towards Marc, and sobbed, hugged him. Marc laughed, kissed her, and signed her hand. Petra had tears of joy in her eyes - Marc Bolan knows exactly how to handle girls. At 4:20 p.m., the plane carrying the T. Rex landed. I drove across the tarmac in the special bus, directly to the aircraft, and took the two girls with me. Marc was the first to appear on the gangway. Mickey, in his thick fur coat, pushed him down the stairs. Behind them came Marc's wife, June. Evening, 11:10 PM. T. Rex's first German concert is over. After the third encore, Marc and Mickey take a bow. In the background, bassist Steve Currie and drummer Will Legend bow. I'm standing backstage when all hell breaks loose in the audience. Hundreds of hands reach out to T. Rex, grabbing for Marc Bolan. I see boys dancing to the rock rhythm and girls trembling, fighting back tears. "Yeahhhhh!" a scream echoes through the hall. We flee to the dressing room "We've sold twelve million records in fourteen months with four hits, believe me. Sometimes, I think this is all just a dream," Marc says to me in the green twilight of the dressing room. I can understand him. Anyone else would have gone crazy by now. But Marc remains grounded. The guy who sticks glittering bits of glitter under his right eye and bewitches fans on stage with a top hat on his head has remained a friend who keeps his word. "Now we're off to America, and then it's your turn," he says. Meanwhile, the phones are ringing off the hook between Munich and London. Soon, BRAVO will bring the hottest rock group since the Beatles to Germany. My plea already: Receive T. Rex as they deserve! They've earned it! Jörg Flemming Photos: W. Heilemann All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The June 1972 edition of Pop Magazine features a glowing review of a T. Rex album (likely Electric Warrior), praising it as their best release so far and highlighting Marc Bolan’s songwriting and the band’s unique sound. Publication: Pop Magazine Date: June 1972 Country: Germany Location: Germany Section: Album Review THE STORY The review discusses the album’s 15 tracks, all written by Marc Bolan, and notes its vitality compared to previous releases. It highlights the rhythmic elements (maultrommel, tabla, congas, bongos) and Bolan’s distinctive “wacklige” (wobbly) scat-style vocals. CONTEXT AND NOTES This German review was published during the peak of T. Rextasy. It reflects the strong European reception to T. Rex’s shift from acoustic folk to electric glam rock. FEATURE HIGHLIGHTS Event: Album review Era: 1972 (Electric Warrior era) Tone: Highly positive, enthusiastic Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Detailed track information and review of the T. Rex album Praise for Marc Bolan’s songwriting and the band’s progressive yet popular sound Typical German music magazine album review layout RELATED MATERIAL June 1972 various T. Rex features For other relevant posts, see the tags at the foot of the page. SOURCES Pop Magazine, June 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. T. REX <<>>> (Ariola 85070 IT) Facts: 15 tracks, ranging from 0.35 to 8.53 minutes in length, including the duo's penultimate hit, "Ride A White Swan." All songs were composed and written by Marc Bolan, the mastermind behind the band, which formerly went by the rather unwieldy name Tyrannosaurus Rex. All lyrics are printed on the album cover. Review: The best T. Rex LP "so far," significantly more vibrant than, for example, the one before last (which was the first T. Rex LP with the <<>> lineup of Marc Bolan and Mickey Finn and was titled <<<>>>). The rhythm, created with jaw harp, tabla, congas, bongos, bass, and finger cymbal, and the peculiarly <<<>> vocals, often performed in pure scat style, continue to fascinate the listener. This is probably because T. Rex truly represent a special case in progressive pop music. While they are considered progressive, they maintain their own distinct sound still popular.

A major profile in The Houston Post (May 28, 1972) celebrating Marc Bolan and T. Rex’s rising success in America, their transition from underground favorites to chart stars, and Bolan’s charismatic personality during the height of the glam rock explosion. Publication: The Houston Post Date: May 28, 1972 Country: United States Section: Pop / Music Feature THE STORY WHAT THE CLIPPING SHOWS The article portrays Marc Bolan as a dynamic, chameleon-like figure leading T. Rex’s breakthrough in the US. It covers the band’s shift from acoustic folk to electric glam, their recent hits, upcoming tour dates, and Bolan’s unique star quality. The piece also includes a separate feature on Aretha Franklin’s “Day Dreaming.” Bold headline “Marc Bolan: Rollin' with rock” with a prominent photo of Marc Bolan. Dense, enthusiastic text columns detailing his career, image, and American success. Classic 1972 newspaper pop music feature layout. CONTEXT AND NOTES FEATURE HIGHLIGHTS Published on May 28, 1972, this feature captures T. Rex at the exact moment “Ride a White Swan” and “Hot Love” were propelling them into mainstream American consciousness. It reflects the growing excitement around glam rock in the US press and Bolan’s transformation into an international superstar. Event: Major artist profile & US breakthrough coverage Era: 1972 (T. Rex’s international breakthrough) Tone: Enthusiastic, admiring, detailed Photography: Striking portrait of Marc Bolan RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A detailed German-language feature exploring Marc Bolan’s journey from underground folk roots to glam rock superstardom, discussing his musical evolution, creative philosophy, and the cultural phenomenon of T. Rex. Publication: Pop Magazine Date: December 1971 Country: Germany Section: Cover Feature / Artist Profile THE STORY WHAT THE CLIPPING SHOWS Comprehensive profile of Marc Bolan tracing his path from childhood, early bands like John’s Children, and the formation of Tyrannosaurus Rex with Steve Peregrin Took, through to the electric transformation of T. Rex. The article highlights his songwriting, poetic style, and the massive success of hits like “Ride A White Swan” and “Hot Love”, while exploring his views on music as a universal language. • Multiple black-and-white and colour photos of Marc Bolan and the band performing • Detailed German-language interview and biographical text • Emphasis on Bolan’s transformation and artistic vision CONTEXT AND NOTES RELATED MATERIAL This December 1971 German magazine feature captures Marc Bolan during the peak of T. Rextasy. It provides an international perspective on his rise, highlighting his shift from acoustic folk to electric glam and his growing influence on a new generation of rock fans and musicians across Europe. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: In-depth artist profile Era: 1971 (Peak glam era) Tone: Biographical, analytical, admiring Photography: Multiple performance and portrait shots • Pop Magazine (Germany), December 1971 Strictly speaking, the story begins more than 65 million years ago. It was during the Cretaceous period that the over fourteen-meter-long dinosaur Tyrannosaurus ruled the Earth as the largest living creature. One thousand nine hundred and sixty-seven years after the Common Era, a certain Marc Bolan remembered this prehistoric creature and, together with Steve Peregrin Took, founded a small group with a mammoth name: Tyrannosaurus Rex. Marc Bolan, born on July 30, 1947, in the London borough of Hackny, received a Gibson guitar as a gift from his father when he was nine years old. And Marc sat down and played the instrument, which was as old as he was. But Marc wasn't only interested in his guitar; he began writing poetry even then, and at fourteen he sat down to write his first book. It was supposed to be an autobiography, but Marc only got to page 102. He gave it up and "stood there like a stupid boy, without plans, without a goal," as he recalls today Marc left school, hitchhiked to France, and joined a magician with whom he stayed for almost a year. In 1965, he returned to England, played bass guitar in a band, and tried his luck with demo tapes, which he used to audition for various record companies. Bolan's first single was 'The Wizard', the story of his meeting with the magician. Although only about two hundred copies of the When his record found a buyer, Marc got an appearance on the English television show 'Ready Steady Go' through friends. But nothing came of it. It wasn't until 1967 that his second record, 'Hippy Gumbo', was released, and shortly afterwards he played lead guitar for John's Children—a job that was actually intended for Pete Townshend, who ultimately preferred to stay with The Who. Marc stayed with John's Children for three months, composed the song 'Desdemona', and then left. He met drummer Steve Took and founded Tyrannosaurus Rex. Marc composed, wrote lyrics, sang, and played guitar. And since Steve particularly enjoyed playing bongos, hand drum, and the sitar, the duo's music was heavily influenced by Far Eastern stylistic elements. Marc and Steve played in smaller clubs or even for free in Hyde Park, and despite several LPs, Tyrannosaurus Rex remained relatively unknown At the end of 1969, after a less than overwhelming American tour, Steve had had enough and left: Marc had to find a new bandmate. But nobody wanted to step in. Marc almost sold his guitar when he met Mickey Finn just in time. Marc and Mickey hit it off immediately and after only a few days began practicing together in the solitude of the Welsh mountains. Mickey plays tabla, congas, bongos, finger cymbals, bass guitar, and Moroccan jaw harp, and once again this distinctive sound emerged, emphasizing the exotic rhythms of Far Eastern instruments and the melody primarily carried by Marc's exceptional vocals. Marc and Mickey played together for just under a year, and T. Rex, as the two now called themselves, achieved widespread recognition with the single 'Ride A White Swan'. 'Hot Love', the following T. Rex album, It reached number 1 in the British Top Ten just two weeks after its release. Marc and Mickey had done it. But Marc wasn't satisfied yet: the sound of T. Rex needed to be denser. Marc, who had already microscopically reduced the monstrous name of the small group Tyrannosaurus Rex, now envisioned an expanded lineup with the shortened name T. Rex: drummer Bill Fyfield and bassist Steve Currie were hired. And for the third time within a year, a T. Rex single reached the top of the British charts – < was the slogan. Marc Bolan has been constantly taking on new projects. He wants to set the poems from his collection 'The Children Of Rarn' to music and release them on an LP. Marc in an interview with Pop: "Since I've always written poetry, I naturally place particular emphasis on the lyrics of a song- des. But just as in poetry the expressiveness depends essentially on the pronunciation and emphasis of the words, in music great importance must be attached to the vocals and instrumental accompaniment as carriers of the text. Everyone knows that music can often express more than many words. And so rock music is increasingly developing into onomatopoeia, into an almost Dadaist soundscape.>> For 24-year-old Marc, music is a phenomenon: "It's very important to recognize," he says, "that music is a very important medium. Music relates to our whole lives, constantly comes into contact with them. I get up in the morning and put on music, move to music, make love to music. And if I go to the cinema and the film doesn't have good musical accompaniment, I don't like the whole film.">>> All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This candid New Musical Express feature captures Marc Bolan in the midst of full-blown T. Rextasy, reflecting on the overwhelming hysteria of sudden superstardom, the devotion of his fans, and his belief that fame was a cosmic destiny meant for him, as he navigates the chaos of the 1971 British tour with humour and self-awareness. Publication: New Musical Express Date: December 11, 1971 Country: United Kingdom Section: Feature / Interview THE STORY WHAT THE CLIPPING SHOWS Marc Bolan candidly discusses the madness of sudden superstardom, the overwhelming response from fans, and his belief that he was destined for this level of fame. He reflects on the chaos of the tour, the devotion of the audience, and his ability to handle the pressure with humour and self-awareness. • Bold headline: “Better it's happening to me than some plastic Ricky Steele” • Photos of Marc Bolan performing and interacting with fans • Detailed interview text capturing his thoughts on fame and destiny CONTEXT AND NOTES RELATED MATERIAL This December 11, 1971 feature arrives at the absolute peak of T. Rextasy. With sold-out shows turning into near-religious experiences, Bolan navigates the frenzy with a mix of amusement, gratitude, and cosmic confidence — a defining portrait of the glam icon at the height of his powers. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: In-depth artist feature Era: 1971 (Peak T. Rextasy) Tone: Reflective, humorous, confident Photography: Live performance and candid shots • New Musical Express, December 11, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Melody Maker announces a special Christmas season of concerts at London’s new Rainbow Theatre, with T. Rex headlining on Boxing Day (December 26, 1971), Curved Air on December 23, and Yes on December 24. Publication: Melody Maker Date: Late December 1971 (announcing Christmas shows) Country: United Kingdom Location: London Section: News / Concert Announcement THE STORY The article promotes high-profile rock shows at the Rainbow Theatre over the festive period. T. Rex is confirmed for December 26, with Curved Air and Yes also performing. A two-week run of Chipperfields Circus is scheduled to follow, and manager John Morris plans a special New Year’s Eve party with possible rock acts. CONTEXT AND NOTES This announcement captures the excitement of the glam rock boom at the end of 1971. The Rainbow Theatre had recently opened and quickly became a key venue for major acts. T. Rex, at the absolute peak of their popularity, were the hottest ticket in town for the Boxing Day show. FEATURE HIGHLIGHTS Event: Christmas concert announcement Era: 1971 (T. Rextasy peak) Tone: Festive, anticipatory Photography: Text-based announcement (no photo in clipping) WHAT THE CLIPPING SHOWS Bold announcement of Curved Air, Yes, and T. Rex at the Rainbow Theatre Details of the Christmas schedule and Chipperfields Circus run Quote from manager John Morris about New Year’s Eve surprises Typical Melody Maker news item layout with decorative border RELATED MATERIAL July 1, 1972 NME news page (Wembley speculation) For other relevant posts, see the tags at the foot of the page. SOURCES Melody Maker, late December 1971 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Record Mirror cover story announcing the controversial decision to ban T. Rex from performing at the prestigious Royal Albert Hall due to concerns over crowd control and safety. Publication: Record Mirror Date: December 4, 1971 Country: United Kingdom Section: Cover News / Feature THE STORY WHAT THE CLIPPING SHOWS T. Rex are officially banned from the Royal Albert Hall following concerns about crowd behaviour and potential damage at previous shows. The decision comes at the height of T. Rextasy, highlighting the intense fan reaction the band now commands and the challenges venues face in accommodating their popularity. • Bold headline announcing the ban • Striking black-and-white performance photo of Marc Bolan • Cover-style layout with dramatic typography • Contextual coverage of the band’s massive live appeal CONTEXT AND NOTES RELATED MATERIAL This December 4, 1971 cover captures one of the most notorious moments of early glam rock. As T. Rex’s success exploded into full-scale mania, even one of London’s most prestigious venues felt unable to handle the scale of their audience, marking a symbolic clash between traditional institutions and the new youth-driven pop phenomenon. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Venue ban announcement Era: 1971 (Peak T. Rextasy) Tone: Sensational, reflective Photography: Dramatic live portrait of Marc Bolan • Record Mirror, December 4, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Record Mirror news item reporting on rumors that T. Rex are close to signing a new deal with EMI for their own label, while also noting Marc Bolan’s solo contribution to a Glastonbury Fayre benefit album. Publication: Record Mirror Date: December 25, 1971 Country: United Kingdom Section: News / Industry Update THE STORY WHAT THE CLIPPING SHOWS Rumors suggest T. Rex will launch their own record label under the EMI banner in early 1972 after leaving Fly Records. Marc Bolan has recorded a solo acoustic track “Sunken Rags” for a charity album to benefit the Glastonbury Fayre Festival, set for February 1972 release. • Bold headline about a potential new T. Rex label • News of Bolan’s solo contribution to the Glastonbury benefit album • Details on negotiations with EMI and Fly Records’ response • Mention of upcoming T. Rex material CONTEXT AND NOTES RELATED MATERIAL This December 25, 1971 news item arrives at the peak of T. Rextasy. With massive chart success and growing creative independence, the band was reportedly exploring new recording and business arrangements, while Bolan also contributed to charitable causes tied to the emerging festival scene. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Industry news / Benefit album announcement Era: 1971 (Peak glam era) Tone: Speculative, forward-looking Photography: N/A • Record Mirror, December 25, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Record Mirror weekly chart highlighting T. Rex’s “Jeepster” at No. 3 and Electric Warrior at No. 5, capturing the band’s dominance during the peak of T. Rextasy. Publication: Record Mirror Date: December 4, 1971 Country: United Kingdom Section: Weekly Singles & Albums Chart this chart captures the UK singles scene at the close of 1971 — a moment when glam was taking hold, novelty singles were thriving, and established stars like Tom Jones and Cliff Richard remained fixtures. Slade’s phonetic spelling and stomping rhythm marked a new era of British pop energy, while T. Rex’s “Jeepster” confirmed Bolan’s dominance. The accompanying albums chart reflected the growing power of rock LPs and compilation releases. THE STORY WHAT THE CLIPPING SHOWS The Record Mirror Top 50 singles chart lists T. Rex’s “Jeepster” at No. 3, while the albums chart places Electric Warrior at No. 5. The broader Top 50 reflects the mix of glam, novelty, soul, and MOR dominating the UK at the close of 1971. • T. Rex “Jeepster” at No. 3 on the singles chart • T. Rex Electric Warrior at No. 5 on the albums chart • Full Top 50 singles and albums listings • Top Producers and historical charts CONTEXT AND NOTES RELATED MATERIAL This December 4, 1971 chart captures T. Rex at the height of their early success. With “Jeepster” following major hits like “Hot Love” and “Get It On”, the band were firmly established as one of Britain’s biggest acts, leading the emerging glam rock wave. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Weekly chart feature Era: 1971 (Peak glam era) Tone: Comprehensive, industry-focused Photography: N/A • Record Mirror, December 4, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Iconic full-colour poster featuring Marc Bolan and Mickey Finn of T. Rex, capturing the duo at the height of their early glam rock image with Bolan’s wild curls and distinctive style alongside Mickey on congas. Publication: Pop Magazine (Germany) Date: 1971 Country: Germany Section: Farb-Super-Poster / Pull-Out Poster THE POSTER VISUAL DETAILS Striking studio portrait of Marc Bolan and Mickey Finn against a bright blue background. Marc, with his signature voluminous curly hair and intense gaze, holds a white electric guitar. Mickey stands beside him with congas, both dressed in flamboyant early glam attire. The poster celebrates T. Rex’s rising stardom and visual appeal. • Marc Bolan in a yellow top and black jacket with bold embroidery • Mickey Finn in a denim jacket over a patterned shirt • Professional studio lighting and vibrant colour palette typical of early 1970s pop posters • “Pop Farb-Super-Poster T. Rex” branding CONTEXT AND NOTES RELATED MATERIAL This 1971 colour super-poster from Pop magazine Germany reflects the massive popularity of T. Rex across Europe. At the peak of T. Rextasy, such posters allowed fans to bring the glam rock idols into their bedrooms, showcasing the band’s charismatic and visually striking image. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Pull-out colour poster Era: 1971 (Peak glam era) Tone: Iconic, glamorous, fan-oriented Photography: Professional studio portrait • Pop Magazine (Germany), 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Melody Maker cover insert and one-page feature celebrating Marc Bolan’s transformation into a screaming, glitter-draped glam idol and the prophet of a new rock generation. Publication: Melody Maker Date: November 20, 1971 Country: United Kingdom Section: Cover Story / Feature THE STORY WHAT THE CLIPPING SHOWS Detailed profile of Marc Bolan as the “Return of the Scream-Age Idol” and leader of a new generation. The piece explores his shift from acoustic folk to electric glam, his visual transformation, and the frenzied audience response he now commands. • Bold headline: “Prophet of the New Generation” • Dramatic black-and-white performance photos of Marc Bolan • Cover-style insert and full-page feature layout • Emphasis on his curly hair, stage presence, and cultural impact CONTEXT AND NOTES RELATED MATERIAL This November 20, 1971 feature captures Marc Bolan at the absolute peak of T. Rextasy. As glam rock took hold, Bolan had become the defining visual and musical icon of the era, leading a cultural shift that influenced an entire generation of fans and musicians. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Major artist profile Era: 1971 (Peak glam era) Tone: Celebratory, iconic, transformative Photography: Striking black-and-white performance portraits • Melody Maker, November 20, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. Tags: T.Rex, T.Rex Scrapbook, Melody Maker, 1971, Marc Bolan, Glam Rock, Prophet of the New Generation