Disc & Music Echo Christmas cover insert announcing Marc Bolan’s solo contribution to a benefit album for the Glastonbury Fayre Festival, including the acoustic track “Sunken Rags” recorded at his home. Publication: Disc & Music Echo Date: December 25, 1971 Country: United Kingdom Section: Cover News / Feature THE STORY WHAT THE CLIPPING SHOWS Marc Bolan will release solo material on a special benefit LP for the Glastonbury Fayre Festival to help repay debts from the previous year’s event. The album, scheduled for February 1972, will include the acoustic track “Sunken Rags” recorded at his home, with profits supporting ecological research. A new T. Rex single is also expected in January. • Bold headline: “MARC BOLAN GOES SOLO ON ‘FAIR’ LP” • Striking black-and-white photo of Marc Bolan • Festive “Merry Christmas, everyone. Love, Frank” speech bubble • Teaser for the benefit album and new T. Rex single CONTEXT AND NOTES RELATED MATERIAL This December 25, 1971 Christmas cover captures Marc Bolan at the absolute height of T. Rextasy while showing his willingness to support charitable causes. The Glastonbury Fayre benefit album project highlights the growing intersection between rock music, festivals, and environmental awareness in the early 1970s. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Benefit album announcement Era: 1971 (Peak glam era) Tone: Generous, celebratory Photography: Iconic Marc Bolan portrait • Disc & Music Echo, December 25, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

New Musical Express news item announcing that Marc Bolan will contribute solo material to a special benefit album for the Glastonbury Fayre Festival, alongside confirmation of T. Rex’s upcoming January concert appearance. Publication: New Musical Express Date: December 25, 1971 Country: United Kingdom Section: News Item THE STORY WHAT THE CLIPPING SHOWS Marc Bolan will record solo tracks at home for a special benefit album supporting the Glastonbury Fayre Festival in June 1972. The album, scheduled for February release, will help repay debts from the previous year’s event and support future editions. T. Rex are also confirmed for a major January concert. • Bold headline: “Bolan solo on benefit album” • Live performance photo of Marc Bolan • Details of the charitable project and T. Rex’s January show CONTEXT AND NOTES RELATED MATERIAL This December 25, 1971 news item captures Marc Bolan at the absolute height of T. Rextasy. While dominating the charts and live scene, he generously lent his solo work to a charitable cause tied to the growing Glastonbury Festival, reflecting the increasing link between rock stardom and countercultural events in the early 1970s. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Benefit album announcement Era: 1971 (Peak glam era) Tone: Generous, forward-looking Photography: Live shot of Marc Bolan • New Musical Express, December 25, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Sounds magazine promotional teaser for the second part of their in-depth T. Rex feature story, highlighting Marc Bolan during the height of T. Rextasy. Publication: Sounds Date: January 7, 1972 Country: United Kingdom Section: Preview / Feature Promotion THE STORY WHAT THE CLIPPING SHOWS Prominent teaser for the continuation of Sounds magazine’s major feature on T. Rex. The ad builds anticipation for Part Two of “The T. Rex Story” at the peak of the band’s popularity. • Bold headline: “PART TWO OF THE T. REX STORY” • Large photo of Marc Bolan performing with electric guitar • Sounds magazine masthead dated January 7, 1972 • “Music is the Message” slogan CONTEXT AND NOTES RELATED MATERIAL This January 1972 teaser appears during the absolute height of T. Rextasy. T. Rex were dominating the charts and live scene, and major music papers were running extensive features on the band’s meteoric rise. For more similar posts, check out the tags at the bottom of the page. T. Rex (March 25– 1972) "The Concerned Genius at the T. Rex Concert"- New Musical Express T. Rex (April 29, 1972) New Musical Express Cover – "T. REX – Lincoln Festival" T. Rex (March 18, 1972) Wembley Concert Advertisement FEATURE HIGHLIGHTS SOURCES Event: Magazine feature teaser Era: 1972 (Peak T. Rextasy) Tone: Anticipatory, promotional Photography: Dynamic live shot of Marc Bolan • Sounds magazine, January 7, 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

New Musical Express front page featuring T. Rex as a major addition to the Great Western Express Festival at Lincoln. Publication: New Musical Express Date: April 29, 1972 Country: United Kingdom Section: Front Page / Festival News THE STORY WHAT THE CLIPPING SHOWS T. Rex are announced as a big new addition to the mighty Great Western Express Festival to be held at Lincoln between May 26–29. The piece highlights T. Rex’s rising status and their inclusion in one of the biggest rock gatherings ever put together in Britain. • Large bold headline: “T. REX – Lincoln festival” • Prominent black-and-white photo of Marc Bolan • New Musical Express masthead dated April 29, 1972 • Festival lineup teasers including Dr. John, Dylan, Row, Slade, Jerry Lee, Purple, Zeppelin CONTEXT AND NOTES RELATED MATERIAL This front-page coverage reflects T. Rex’s explosive rise in popularity during their peak glam era. By April 1972 they were one of Britain’s biggest acts, headlining major festivals and dominating the charts. • T. Rex (March 18, 1972) Wembley Concert Advertisement • T.Rex Pop 30 (June 24, 1972) Bolan Boogie No.1 – Melody Maker • T. Rex (June 24, 1972) “Metal Guru” Performance Broadcast – Disco 72 FEATURE HIGHLIGHTS SOURCES Event: Front page newspaper feature Era: 1972 (Glam Rock peak) Tone: Celebratory / Promotional Photography: Iconic black-and-white Marc Bolan portrait • New Musical Express, April 29, 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A colourful concert poster for T. Rex performing at the Halle Münsterland in Münster, Germany on Tuesday, February 1, 1972. Publication / Venue: Mama Concerts Presents Date: February 1, 1972 Country: Germany Location: Münster Section: Concert Poster THE STORY The poster features a vibrant psychedelic design with portraits of Marc Bolan and Mickey Finn, promoting the show at 20:00 Uhr. CONTEXT AND NOTES This German poster was issued during T. Rex’s early 1972 European tour, shortly after the success of “Hot Love” and during the rise of T. Rextasy. FEATURE HIGHLIGHTS Event: Concert poster Era: 1972 (Electric Warrior era) Tone: Psychedelic, colourful Photography: Stylized illustration WHAT THE CLIPPING SHOWS Bold “ELECTRIC T. REX WARRIORS” logo Psychedelic artwork with Marc Bolan portrait Venue and date: Halle Münsterland, Münster, 1. Februar, 20 Uhr Mama Concerts branding RELATED MATERIAL July 1, 1972 NME news page (Wembley speculation) For other relevant posts, see the tags at the foot of the page. SOURCES Concert Poster, February 1, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

BRAVO cover story and two-page report capturing the chaotic energy and fan hysteria of T. Rex’s London concerts during the peak of T. Rextasy. Publication: BRAVO Date: February 15, 1972 Country: Germany Section: Cover Story / Live Report THE STORY WHAT THE CLIPPING SHOWS Immersive report from a T. Rex concert in London, describing the intense atmosphere, Marc Bolan and Mickey Finn’s dynamic performance, and the close connection with screaming fans. The piece conveys the physical exhaustion, glitter, and electric excitement of the show. • Bold cover headline: “Marc und Mickey - let's go” • Dramatic red-tinted live photos of Marc Bolan and Mickey Finn performing • Sweat-drenched band members on stage with drums and microphones • Intense crowd energy and stage intimacy CONTEXT AND NOTES RELATED MATERIAL This February 1972 BRAVO feature captures T. Rex at the absolute height of their European fame. The report gives German readers a vivid sense of the raw power and intimacy of T. Rex live shows during the golden era of T. Rextasy. T. Rex (March 1–7, 1972) "Vorsicht, T. Rex - Fieber!" - BRAVO T. Rex (January 7, 1972) "Part Two of the T. Rex Story" - Sounds T. Rex (March 25– 1972) "The Concerned Genius at the T. Rex Concert"- New Musical Express For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Live concert report Era: 1972 (Peak T. Rextasy) Tone: Excited, immersive, fan-oriented Photography: High-drama stage shots • BRAVO Magazine, February 15, 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. Tags: T.Rex, T.Rex Scrapbook, BRAVO Magazine, Live Concert, 1972, Marc Bolan, Mickey Finn, T. Rextasy BRAVO in London They give it their all until exhaustion: Marc Bolan (left) and Mickey Finn "Let's go!" Mare Bolan and Mickey Finn shouted to their friends as they kicked off their latest tour through London's boroughs. Now, half an hour into the concert in Brixton, someone tugs at my arm. I'm standing among two thousand T. Rex fans in the Sundown Theatre of London's Voreris. The girl tugging at me is named Susan. She's 14. We've never met before, but Susan says, "Can I climb onto your shoulders?" "Sure," I say, because Susan is only 1.40 meters tall, and in front of her is a wall of roaring fans; there are no seats. For half an hour, she's only listened to Mare, Mickey, Steve, and Bill. Now she can see the T. Rex better than anyone else Like all the other two thousand fans, Susan raises her right hand in a peace sign and waves towards the front of the stage, where Marc glitters in his silver suit. He stands there motionless, pauses, and stares intently at the audience. Then his features break into a friendly smile. He starts a new song. The fans cheer. The cheering is contagious. For everyone. The crowd surges ever closer to the brightly lit stage. T. Rex fan Susan (14) on the shoulders of BRAVO reporter Felix Unruh 11:15 PM: T. Rex have been playing for more than hours. The fans' enthusiasm has swept them away. Mickey doesn't even notice that he's smashed his hands bloody on the congas. I don't notice that Susan is still sitting on my shoulders. Many of the young fans can't take it anymore. Helpers pull the fainting ones out of the crowd. Mare is playing everything he's got: from "Hot Love" to "Metal Guru." This show, which Mare is now bringing to us, lasts another full hour. The concert ends in a shower of streamers, paper balls, and confetti. Busan gets off my shoulder, says thank you, and disappears. Outside, it's night. No more buses are running. A T. Rex concert is a Worth the walk. "I find nothing more beautiful than such concerts," says Mare afterwards. He is exhausted, doesn't want to eat or drink. The next afternoon at five there is another T. Rex concert. At nine o'clock in the evening the second one. Is Mare burning himself out? "I need this almost skin-to-skin contact with my audience. It grabs me when people get into it like today, when they shout, when they try to get really close to me. I hope it will be just as exciting in Germany. We are coming with 15 people, technicians included. It's a shame that we can't bring our large stage backdrop with us, the 5-meter-high name T. Rex in over a hundred flashing light bulbs. Unfortunately, it's too heavy for transport. But I promise it will be just as good as here in London." Mickey ties his hands and just says, "And just as exhausting." Felix Unruh BRAVO 15

New Musical Express technical column by Tony Tyler reviewing sound and performance aspects of a T. Rex concert, highlighting Marc Bolan as a “concerned genius”. Publication: New Musical Express Date: March 25–26, 1972 Country: United Kingdom Section: Technical / Concert Review THE STORY WHAT THE CLIPPING SHOWS Tony Tyler reviews the sound system and performance at a T. Rex concert. The piece praises Marc Bolan’s attention to detail, his use of PA systems, and his desire to deliver high-quality sound to the audience. It portrays Bolan as a perfectionist who is deeply concerned with the technical quality of his live shows. • Bold headline: “THE CONCERNED GENIUS AT THE T. REX CONCERT” • Large photo of Marc Bolan performing with guitar and microphone • Technical column layout with equipment discussion CONTEXT AND NOTES RELATED MATERIAL This 1972 article captures T. Rex at the height of their commercial success. It highlights Marc Bolan’s hands-on approach to live sound and his desire to give fans the best possible experience during the peak of T. Rextasy. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Technical concert review Era: 1972 (Glam Rock peak / T. Rextasy) Tone: Technical, appreciative Photography: Live performance shot of Marc Bolan • New Musical Express, March 25–26, 1972 • Column by Tony Tyler All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A positive review in the Worcester News praising T. Rex’s new single “Telegram Sam” as another high-energy hit from Marc Bolan, highlighting the band’s continued chart dominance and infectious glam rock sound. Publication: Worcester News Date: January 28, 1972 Country: United Kingdom Section: Music / Pop Singles Review THE STORY WHAT THE CLIPPING SHOWS The review celebrates “Telegram Sam” as a strong new release from T. Rex, noting its immediate impact, Marc Bolan’s songwriting, and the band’s ability to deliver catchy, stomping glam rock anthems. It acknowledges the single’s potential to match the success of previous hits. Bold headline “Telegram Sam lays on the message” with detailed review text. Includes discussion of the single’s sound, Bolan’s star power, and the band’s momentum. Classic early 1972 local newspaper music review layout. CONTEXT AND NOTES FEATURE HIGHLIGHTS Published on January 28, 1972, this review arrives as “Telegram Sam” was climbing the UK charts, becoming T. Rex’s third No. 1 single. It reflects the explosive popularity of glam rock and Bolan’s status as one of Britain’s most exciting pop stars at the time. Event: New single review Era: 1972 (T. Rex’s imperial glam phase) Tone: Enthusiastic, supportive Photography: Text-focused review with surrounding ads RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Disco 45 magazine cover and centrespread celebrating T. Rex as “1971’s Top Group”, featuring a large smiling portrait of Marc Bolan and a heart-shaped inset photo. Publication: Disco 45 Date: January 19721 Country: United Kingdom Section: Cover + Centrespread Feature THE STORY WHAT THE CLIPPING SHOWS Cover and centrespread honouring T. Rex as the standout act of 1971. The magazine celebrates their chart dominance with hits like “Hot Love”, “Get It On”, and the success of Electric Warrior, positioning the band as the ultimate teen idols of the year. • Bold “T.REX 1971’s Top Group” headline • Large, charismatic portrait of Marc Bolan • Heart-shaped inset photo of the band • Bright pink colour scheme and teen-magazine design CONTEXT AND NOTES RELATED MATERIAL This January 1972 cover perfectly encapsulates the joy and commercial triumph of T. Rextasy at the turn of the year. As a popular teen-oriented songbook magazine, Disco 45 used the cover to celebrate the band’s massive popularity among young readers during the peak of the glam rock explosion. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Magazine cover + centrespread Era: 1971–1972 (Peak glam era) Tone: Celebratory, fan-oriented Photography: Charismatic studio portrait of Marc Bolan • Disco 45, January 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Iconic colour poster of the original cosmic duo Marc Bolan and Mickey Finn, featured in Popfoto magazine during the height of T. Rextasy. Publication: Popfoto Magazine Date: December 1971 Country: Germany (Continental Europe) Section: Monthly Magazine Popfoto Poster THE POSTER VISUAL DETAILS Striking studio portrait of Marc Bolan and Mickey Finn against a warm orange backdrop. Marc, with his signature wild curly hair, wears a black jacket over a red shirt and a silver necklace. Mickey Finn stands beside him in a black shirt, red scarf, and blue jeans with a prominent belt buckle. The image captures the duo’s glamorous, androgynous early glam style. • Marc Bolan’s intense gaze and voluminous hair • Mickey Finn’s cool, confident pose • Bold red “T.REX” branding • Classic 1971 teen-magazine poster design CONTEXT AND NOTES RELATED MATERIAL This December 1971 Popfoto poster reflects T. Rex’s massive popularity across continental Europe. As the band dominated the UK charts, their image was heavily featured in teen magazines, allowing fans to bring the glam idols into their bedrooms during the peak of T. Rextasy. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Magazine pull-out poster Era: 1971 (Peak glam era) Tone: Glamorous, iconic, fan-oriented Photography: Professional colour studio portrait • Popfoto Magazine, December 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Article Context & Main Highlights Key Content Publication: New Musical Express (NME) Date: Week ending January 29, 1972 “WIN 500 T. REX SINGLES” Release Date: Week ending January 29, 1972 Label: NME Country: United Kingdom Prominent competition box on the front cover offering readers the chance to win 500 T. Rex singles. At the height of T. Rex-mania, NME ran a major fan competition giving away hundreds of T. Rex singles. This reflects the explosive popularity of Marc Bolan and the band in early 1972, as they dominated the British music scene. Notable Details The cover also features news on Paul Simon, Deep Purple, and Allan Clarke, along with a story on the Rolling Stones’ upcoming tour. However, the big T. Rex competition box highlights the band’s massive fanbase and commercial dominance during the glam rock explosion. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Bravo feature puts a series of accusations and criticisms directly to Marc Bolan, giving the T. Rex star the opportunity to answer for himself. Under the headline “Hat Marc Bolan eine Macke?”, translated as “Is There Something Wrong With Marc Bolan?”, the article tackles claims about Bolan's image, sexuality, money and personality, with Bolan responding to each accusation in turn. Publication: Bravo Date: October 18, 1972 Country: Germany The feature introduces Marc Bolan as a figure with many different public faces, describing the T. Rex star as someone seen variously as a sex symbol, hero, pop star and poet. Bravo explains that despite his extraordinary popularity, Bolan also had critics, and the feature gives him the opportunity to respond directly to some of the accusations being made about him. The first accusation reads “Marc Bolan ist ein Sexaffe und Groupie-Jäger!”, meaning approximately “Marc Bolan is sex-crazed and a groupie chaser!” Bolan rejects the description. He acknowledges that he sees himself as a sex symbol and compares his image with figures such as Tarzan and Robin Hood, but distances himself from the claim that he pursues groupies. Bolan says that admiration from fans does not mean he intends to exploit them. The second accusation is “Marc Bolan ist zu weibisch!”, or “Marc Bolan is too feminine!” Bolan answers by referring to letters asking him to cut his hair. He says it would be impossible for him to have a homosexual relationship and dismisses stories about his appearance. He specifically mentions his fur coat, satin trousers, make-up and wild curls, arguing that these elements of his image do not define his sexuality. The third accusation reads “Marc Bolan ist ein Angeber!”, meaning “Marc Bolan is a show-off!” Bolan responds by acknowledging that money can be enjoyable and refers to shopping at Harrods. The continuation of this response appears in the adjoining column. The fourth accusation is introduced as “Marc Bolan ist egozentrisch”, translated as “Marc Bolan is egocentric.” Bolan answers by discussing an occasion when he behaved theatrically and refers to his own judgement about how he presents himself publicly. Throughout the feature, the structure places each criticism prominently beside a small portrait before allowing Bolan to answer in his own words. This creates a direct point-and-response format rather than having the magazine simply repeat rumours or judgements about him. CONTEXT AND NOTES The opening text translates approximately as: “T. Rex star Marc Bolan has many faces. Sometimes he disguises himself as a sex symbol, hero, pop star or poet. Only a few know what he is really like. Many allow themselves to be blinded by his fabulous appearance, cheer him or insult him. What do his enemies have against Marc Bolan? Here are his answers, speaking for themselves...” The feature is therefore built around perceptions of Bolan rather than his music. It shows how closely his appearance and personality were being scrutinised during 1972 and gives Bolan space to challenge those perceptions directly. A small live photograph on the continuation page shows Bolan performing with guitar, while four smaller portraits are placed beside the individual accusations. FEATURE HIGHLIGHTS Event: Marc Bolan responds directly to accusations about his public image Era: 1972 Bolanmania era Tone: Provocative, direct and interview-focused Photography: Small live photograph of Bolan performing with guitar, accompanied by portrait images alongside each accusation WHAT THE CLIPPING SHOWS • German headline “Hat Marc Bolan eine Macke?”, approximately “Is There Something Wrong With Marc Bolan?” • Accusation No. 1: Bolan is sex-crazed and a groupie chaser • Accusation No. 2: Bolan is too feminine • Accusation No. 3: Bolan is a show-off • Accusation No. 4: Bolan is egocentric • Marc Bolan answering each criticism directly SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Italian music magazine Ciao 2001 devoted the cover of Issue 43 to Marc Bolan at the height of Bolanmania. Featuring a close‑up live photograph and a major feature inside the magazine, the issue reflects the growing popularity of T. Rex throughout Europe during one of the most successful periods of Bolan's career. Publication: Ciao 2001 Publication Date: October 29, 1972 Country: Italy Event Date: October 1972 Issue 43 of Ciao 2001 places Marc Bolan on its cover beneath the headline: “A Marc Bolan & C. con sincerità” The cover features a dramatic close‑up performance photograph of Bolan singing into a microphone, capturing the energy and intensity of his live stage presence during the peak years of T. Rex. By late 1972, Bolan had become one of the most recognisable figures in European rock music. The success of singles such as Metal Guru and albums including The Slider had transformed T. Rex into an international phenomenon, attracting extensive coverage from music publications across the continent. The issue's decision to spotlight Bolan illustrates the remarkable impact he was having beyond Britain, particularly among younger European audiences who embraced both his music and his distinctive glam rock image. CONTEXT AND NOTES Published during the height of Bolanmania, this issue appeared as T. Rex continued expanding their international following. While Britain remained the centre of the phenomenon, countries such as Italy were increasingly covering Marc Bolan as one of the leading figures in contemporary rock music. Ciao 2001 was one of Italy's most important music magazines during the 1970s, and a cover feature represented a significant level of profile and popularity. The cover photograph is particularly effective in presenting Bolan as a live performer rather than a studio personality, emphasising the charisma that powered T. Rex's rapid rise. FEATURE HIGHLIGHTS Event: Ciao 2001 cover feature Era: 1972 – The Slider era Tone: Promotional and celebratory Photography: Close‑up live performance photograph of Marc Bolan singing into a microphone WHAT THE CLIPPING SHOWS • Marc Bolan featured on the cover of Ciao 2001 • Headline: “A Marc Bolan & C. con sincerità” • Issue 43 dated October 29, 1972 • Live performance photograph of Marc Bolan • Evidence of T. Rex's growing popularity in Italy • Contemporary European coverage during the height of Bolanmania All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Published two days after the performance, this Press-Telegram review covers T. Rex at the Long Beach Auditorium alongside The Doobie Brothers. Pop-music critic Preston Reese challenges comparisons between Marc Bolan and The Beatles, but reports that T. Rex generated their own excitement before a full house. Publication: Press-Telegram Publication Date: October 17, 1972 Country: United States Event Date: October 15, 1972 Under the headline “But the Beatles they're not – T-Rex, Doobies score at Aud”, Preston Reese reviews the Sunday concert at the Long Beach Auditorium. The article opens by rejecting the publicity comparisons surrounding Marc Bolan and T. Rex, stating that they “aren't the Beatles all over again”, while adding that they “run a good second though.” Reese reports that T. Rex generated their own brand of excitement before a full house. The stage presentation included large props, mirror columns and two oversized Bolan cut-outs. The review also records that Bolan was suffering from laryngitis, raising doubts over whether the performance could go ahead, but confirms that Bolan was able to sing. Musically, Reese describes T. Rex as drawing on Beatle-oriented music alongside Chuck Berry influences, while noting that the performance largely featured material from the band's then-new album, The Slider. Songs specifically mentioned include “The Slider”, “Cosmic Dancer” and “Bang a Gong (Get It On)”. The review notes Bolan moving front and centre for an acoustic guitar solo during “Cosmic Dancer”, while “Bang a Gong (Get It On)” is identified as the record that had reached nationwide Top Ten success the previous winter. The newspaper also reviews The Doobie Brothers, describing the group as another Warner act that was becoming increasingly popular following “Listen to the Music.” CONTEXT AND NOTES The clipping provides a useful contemporary account of T. Rex's October 15, 1972 Long Beach Auditorium concert, particularly because it records Bolan's laryngitis while confirming that the performance still took place. It also captures the American press attempting to assess Bolanmania on its own terms. Reese dismisses direct Beatles comparisons but acknowledges that T. Rex created substantial excitement and drew a full house. The article is especially valuable for identifying material performed from The Slider and documenting details of the stage presentation used during this American appearance. FEATURE HIGHLIGHTS Event: T. Rex and The Doobie Brothers at Long Beach AuditoriumEra: 1972 – The Slider / American Tour periodTone: Critical but acknowledging of T. Rex's audience impactPhotography: The surviving scan includes a dark newspaper photograph captioned “MARC BOLAN – Strong in Green Lame.” WHAT THE CLIPPING SHOWS • T. Rex performing at Long Beach Auditorium on October 15, 1972 • Marc Bolan performing despite reported laryngitis • A full-house audience and an elaborate stage presentation • References to The Slider, Cosmic Dancer and Bang a Gong (Get It On) • Coverage of The Doobie Brothers on the same bill • Contemporary American commentary on comparisons between T. Rex and The Beatles All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Sounds reunites two key figures from the earliest Tyrannosaurus Rex days as Steve Took reflects on Marc Bolan, T. Rex's extraordinary success, and the remarkable transformation from underground acoustic duo to one of Britain's biggest rock acts. Publication: Sounds Publication Date: November/December 1972 Country: United Kingdom This feature follows Steve Took, Marc Bolan's former partner in the original Tyrannosaurus Rex, as he attends a T. Rex concert to witness first‑hand the scale of Bolanmania that had developed since their days performing together. The article opens with vivid descriptions of the scenes surrounding a T. Rex appearance. Crowds surge towards the stage, barriers strain under pressure, and security staff struggle to control excited fans desperate to get close to Marc Bolan. The contrast between these chaotic scenes and the intimate venues Tyrannosaurus Rex once played forms the basis of the story. Took recalls memories from the early days when he and Bolan shared a flat and lived a far less glamorous existence. Looking back on their partnership, he reflects on how dramatically Bolan's life has changed and expresses amazement at the level of hysteria generated by T. Rex. The feature also explores Bolan's personal life behind the headlines. Marc discusses the difficulties of living under constant public attention, admitting that weeks sometimes pass without him leaving home. Comparing his life to a "goldfish bowl", he explains how fame has dramatically affected even the simplest aspects of everyday life. Took is also profiled separately as he works on new musical projects following his departure from Tyrannosaurus Rex. Discussions range from his songwriting and new recordings to his thoughts on creativity and the music industry. Throughout the article there remains a sense of mutual respect between the former bandmates despite the very different directions their careers had taken. Additional sections include a reader correspondence page, industry snippets, and a short news report noting that Marc Bolan had recently recorded a new movie follow‑up to the success of Born To Boogie. CONTEXT AND NOTES Published during the height of Bolanmania, the feature provides a rare perspective from someone uniquely positioned to understand Marc Bolan's rise to fame. Steve Took had shared the earliest Tyrannosaurus Rex years and could compare those beginnings with the extraordinary success T. Rex enjoyed by late 1972. The article is particularly valuable because it captures both viewpoints: Took observing Bolan's stardom from outside the phenomenon, and Bolan himself discussing the pressures created by fame. It also documents the continuing interest in Born To Boogie and the wider T. Rex story at a time when public fascination with Marc Bolan remained enormous. FEATURE HIGHLIGHTS Event: Steve Took reflects on Marc Bolan and T. Rex Era: 1972 – Peak Bolanmania period Tone: Reflective, personal and nostalgic Photography: Portrait photograph of Steve Took alongside performance and publicity photographs connected to Marc Bolan and T. Rex WHAT THE CLIPPING SHOWS Steve Took revisiting the world of T. Rex First‑hand observations of Bolanmania at a T. Rex concert Marc Bolan discussing fame and loss of privacy Memories of the early Tyrannosaurus Rex period Discussion of Steve Took's contemporary musical projects Reference to a new film project following Born To Boogie All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Western Daily Press report reveals that Marc Bolan might never move into the ten-bedroom former rectory he had recently purchased near Ross-on-Wye. Although local residents had been preparing for the arrival of Bolan, T. Rex and an expected stream of fans, the property was reportedly bought purely as an investment and Bolan had not even decided whether to visit it. Publication: Western Daily Press and Times and Mirror Date: November 3, 1972 Country: United Kingdom Published under the headline “Pop idol Marc turns his back on the rectory”, the article reports that Britain's leading pop idol Marc Bolan had a surprise in store for the residents of a small Herefordshire village: despite recently buying property there, he might never actually become their neighbour. According to the newspaper, villagers had been preparing themselves for an influx of pop fans after Bolan purchased a country property in Weston-under-Penyard, near Ross-on-Wye. Local residents had apparently been expecting Bolan, T. Rex and their entourage to arrive at any time. The article states, however, that this arrival might never happen. Bolan had not set his “glitter-dusted eyes” on the ten-bedroom former rectory, which the newspaper reports had been purchased the previous month for £67,000. A spokesman for T. Rex told the newspaper that the property had been bought purely as an investment. With house prices continuing to rise, the article suggests that Bolan could potentially make a substantial profit if the property were eventually resold. The report adds that considerable interest had been shown in the rectory before Bolan purchased it. Despite the apparent attractiveness of the investment, the article makes clear that Bolan had not committed himself to using it as a home. At the time of publication, Bolan is described as being on tour in America. The newspaper reports that he would not return before Christmas and that he had not even decided whether he would visit the property. The article therefore concludes that, one way or another, the peaceful character of the village was likely to remain undisturbed. CONTEXT AND NOTES This November 3 report is particularly useful when placed alongside later 1972 coverage of Bolan's American touring. Here, the newspaper explicitly states that Marc Bolan was currently on tour in America and would not be back before Christmas. The clipping itself therefore establishes that T. Rex's American touring activity was still taking place in early November 1972. The main focus, however, remains Bolan's purchase of the former rectory and the revelation that the property was intended as an investment rather than necessarily as his new home. The piece also captures the scale of Bolan's celebrity at the time: the possibility of his arrival was apparently enough for local residents to anticipate both T. Rex and visiting pop fans descending on the village. FEATURE HIGHLIGHTS Event: Report on Marc Bolan's purchase of a former rectory near Ross-on-Wye Era: 1972 Bolanmania era Tone: Light-hearted and news-focused Photography: No Marc Bolan photograph appears in the supplied clipping; the article is presented as a text news item WHAT THE CLIPPING SHOWS • Report that Marc Bolan had purchased a ten-bedroom former rectory for £67,000 • T. Rex spokesman describing the property as purely an investment • Villagers anticipating the possible arrival of Bolan, T. Rex and pop fans • Explicit statement that Bolan was currently on tour in America • Report that Bolan would not return before Christmas and had not decided whether to visit the property All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Evening Post feature, the second part of Leslie Nichols’ series, looks at Marc Bolan through the experiences of June Bolan. The article concentrates on what everyday life was like alongside one of Britain’s biggest pop stars, covering their marriage, the extraordinary attention surrounding Marc, the pressures created by fans and the practical side of life during the height of Bolanmania. Publication: Evening Post Date: October 18, 1972 Country: United Kingdom Under the headline “Life with a pop idol”, Leslie Nichols asks June Bolan what it was like being married to Marc Bolan. The article begins with their marriage and explains that June, formerly June Feld, had already been living with Marc before they decided to formalise their relationship. June first met Marc while working as a secretary for Blackhill Enterprises in London. Through the agency, which represented Marc among other acts, she booked his appearances at London’s Roundhouse and Lyceum Implosion events. The article recalls the strong fan following surrounding Tyrannosaurus Rex and contrasts that earlier underground audience with the much greater intensity surrounding T. Rex by 1972. June describes the reality of Marc’s rapidly increasing fame. While she admires his success, she admits that the crowds of fans could sometimes become difficult. Admirers would arrive at the couple’s Chelsea home, knock on the door and wait outside in the hope of seeing Marc. June says she would sometimes invite waiting fans inside for tea but also recalls occasions when the constant attention became frustrating. The article stresses how dramatically Marc’s life had changed. June contrasts the earlier days, when relatively small numbers of people might recognise Marc, with the extraordinary fan attention that had developed around T. Rex. She describes groups of admirers gathering wherever Marc appeared and acknowledges that living alongside such intense popularity required considerable adjustment. At the same time, June explains that she was becoming increasingly comfortable dealing with the practical demands of Marc’s career. Secretarial training helped with business appointments, while her everyday responsibilities included working alongside manager Tony Secunda and secretary Sally Watari, communicating with press, fans, agents and others seeking access to Marc. June also contributed directly to Marc’s work. The feature notes that she checked spelling in Marc’s song lyrics and poetry and typed material into legible form. Her involvement therefore extended beyond domestic life into the practical organisation surrounding his songwriting and career. The article also discusses the couple’s home life and June’s attitude towards the attention Marc received from fans. While recognising that some admirers could become obsessive, she explains that she did not spend her time worrying about Marc while he was away. Instead, she concentrated on maintaining everyday life despite the extraordinary circumstances surrounding them. CONTEXT AND NOTES The feature was published during the height of T. Rex’s popularity and offers a different perspective on Bolanmania by examining its effects within Marc Bolan’s personal life. Rather than interviewing Marc directly, Leslie Nichols uses June Bolan’s experiences to illustrate how rapidly life had changed as T. Rex moved from an underground following to mass popularity. Her recollections provide a domestic counterpart to the concert hysteria and chart success usually associated with Marc during 1972. The feature also reveals June’s considerable involvement behind the scenes. In addition to managing everyday life, she dealt with business matters, fans and professional contacts while helping Marc by checking and typing his written work. A small photograph accompanying the headline shows Marc Bolan and carries the caption “Marc Bolan, a star.” FEATURE HIGHLIGHTS Event: June Bolan discusses everyday life with Marc Bolan during the height of his fame Era: 1972 Bolanmania era Tone: Personal, revealing and observational Photography: Small portrait photograph of Marc Bolan accompanying the headline WHAT THE CLIPPING SHOWS • Part two of Leslie Nichols’ series focusing on June Bolan • June discussing her marriage to Marc and their life together • The increasing intensity of fan attention surrounding Marc and T. Rex • June’s involvement with Marc’s business affairs, fans, press and professional contacts • Her work checking and typing Marc’s poetry and song lyrics All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Record Mirror turns its attention away from Marc Bolan the rock star and focuses instead on Marc Bolan the poet, exploring his fascination with words, the continuing success of The Warlock Of Love, and his enduring passion for writing beyond the world of T. Rex. Publication: Record Mirror Publication Date: November/December 1972 Country: United Kingdom Written by Val Mabbs, this feature examines the literary side of Marc Bolan's creativity. Headlined “Marc Bolan – Poet”, the article explores Bolan's relationship with poetry and revisits his bestselling collection The Warlock Of Love, first published in 1969 and subsequently reprinted several times. Bolan explains that he could no longer write exactly as he did when the book was first created, describing how his life experiences and artistic development had changed his outlook. While acknowledging his reputation as a rock and roll performer, he reveals that words and poetry remain a constant source of inspiration. The article discusses Bolan's writing process and his habit of carrying notebooks to capture ideas as they occur. Several poems and extracts are reproduced within the feature, illustrating the imagery and surrealism that characterised much of his early literary work. Bolan also reveals that he continues to write poetry and intends to use some of these ideas in future projects. An exclusive handwritten message to readers is included: “To Record Mirror readers I hope you like the words, keep rocking cos you were born to boogie. Best wishes and a happy T‑Rexmas.” The page is illustrated with a mixture of portrait and performance photographs, reinforcing the balance between Bolan's public image and his lesser‑known literary interests. CONTEXT AND NOTES Published at the height of Bolanmania, the feature is notable because it concentrates on Bolan's writing rather than chart success, touring, or celebrity. Record Mirror presents him as a serious creative artist whose interests extended beyond music into poetry and storytelling. The article also serves as a reminder that before becoming one of Britain's biggest rock stars, Bolan had established himself as a published poet, with The Warlock Of Love becoming one of the most successful poetry books associated with a contemporary musician. FEATURE HIGHLIGHTS Event: Record Mirror feature on Marc Bolan's poetry Era: 1972 – Peak Bolanmania period Tone: Literary, reflective and personal Photography: Portrait photographs of Marc Bolan together with live performance images and an exclusive handwritten message to readers WHAT THE CLIPPING SHOWS Headline: “Marc Bolan – Poet” Article by Val Mabbs Discussion of The Warlock Of Love Examples of Marc Bolan's poetry Exclusive handwritten message to Record Mirror readers Portrait and live performance photographs of Marc Bolan All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This two-page Bravo feature focuses on Marc Bolan's clothes and distinctive visual presentation during the height of Bolanmania. Headlined “Marc Bolan: Meine Kleider”, translated as “Marc Bolan: My Clothes”, the feature uses a dramatic full-colour photograph of Bolan and Mickey Finn alongside a short commentary describing Bolan's fondness for glittering outfits, make-up and unusual footwear. Publication: Bravo Date: October 18, 1972 Country: Germany The two-page presentation is dominated by a large colour photograph of Marc Bolan and Mickey Finn against a purple background. Bolan is positioned prominently at the front in an elaborate glittering outfit covered with multicoloured patterns, while Finn appears behind in contrasting red clothing. The feature headline reads “Marc Bolan: Meine Kleider”, meaning “Marc Bolan: My Clothes.” Rather than providing an extended interview, the accompanying text concentrates on Bolan's highly recognisable fashion choices. The German introduction translates approximately as: “Admittedly: T. Rex boss Marc Bolan likes to wear glittering sequin suits, sky-blue eye make-up, an Afro look and high-heeled snakeskin boots. The girls are after him, even though sometimes he himself looks like a girl. Why not? Clothes make the man.” The feature therefore presents Bolan's clothing as an essential part of the T. Rex image. Specific attention is drawn to his sequinned outfits, blue eye make-up, curly hairstyle and high-heeled snakeskin boots. The photograph reinforces the article's focus on fashion. Bolan's outfit is richly decorated with reflective sequins and colourful embroidered patterns, while the styling makes the clothing itself the central visual element of the spread. Rather than questioning whether such clothes conform to traditional expectations, the feature ends with the phrase “Kleider machen Leute”, literally “Clothes make people”, corresponding closely to the English expression “Clothes make the man.” CONTEXT AND NOTES Published during the height of T. Rex's popularity, the feature demonstrates how Marc Bolan's clothing and appearance had become subjects of pop-magazine coverage in their own right. Rather than focusing on records or concerts, Bravo devotes the two-page spread to Bolan's wardrobe and visual presentation. The accompanying photograph of Bolan and Mickey Finn provides a strong example of the elaborate styling featured in T. Rex publicity during 1972. The wording also reflects the way Bolan challenged conventional expectations surrounding rock-star fashion. Bravo explicitly draws attention to make-up, sequins, elaborate hair and high-heeled boots before ultimately treating the clothing as part of Bolan's individual style. FEATURE HIGHLIGHTS Event: Two-page Bravo fashion feature on Marc Bolan Era: 1972 Bolanmania era Tone: Colourful, playful and fashion-focused Photography: Large full-colour two-page photograph of Marc Bolan and Mickey Finn against a purple studio background WHAT THE CLIPPING SHOWS • Two-page feature titled “Marc Bolan: Meine Kleider”, translated as “Marc Bolan: My Clothes” • Marc Bolan wearing an elaborate multicoloured glittering outfit • Mickey Finn pictured alongside Bolan • References to sequinned clothing, blue eye make-up and high-heeled snakeskin boots • Bravo's observation that “Kleider machen Leute”, or “Clothes make the man” All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

James Johnson interviews Marc Bolan about his new album, changing musical trends, David Bowie, Slade and Michael Jackson, capturing the T. Rex leader during a period of reflection and transition.. Publication: Unknown (NME) Date: Unknown (1972) Country: United Kingdom Written by James Johnson, this extensive feature finds Marc Bolan discussing his latest album, the changing state of popular music and the public reaction to T. Rex in both Britain and America. Speaking candidly, Bolan addresses criticism from the music press, his songwriting process and the challenge of remaining relevant in a rapidly changing industry. Throughout the interview he comments on fellow artists including David Bowie, Slade and Michael Jackson, praising Jackson's talent and discussing the wider musical landscape. Bolan also reflects on chart success, audience expectations and the pressures of maintaining a public image while continuing to evolve creatively. Large photographs accompanying the article present Bolan in a relaxed domestic setting, offering a contrast to his flamboyant stage persona. The feature portrays him as thoughtful and self-aware, balancing confidence with a willingness to discuss criticism and future ambitions. Context and Notes This feature captures Marc Bolan during a period when T. Rex were adapting to changing musical tastes following the peak years of Bolanmania. Rather than focusing on glamour and celebrity, the article concentrates on Bolan's views about music, songwriting and his place within the contemporary rock scene. Feature Highlights Event: Interview promoting a new album Era: Mid-1970s transitional period Tone: Reflective, candid and analytical Photography: Two large black-and-white portrait photographs of Marc Bolan in an interior setting What the Clipping Shows Marc Bolan discussing his new album Comments on David Bowie, Slade and Michael Jackson Discussion of songwriting and changing musical trends Interview by James Johnson Large portrait photographs of Bolan All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.