Disc & Music Echo Christmas cover insert announcing Marc Bolan’s solo contribution to a benefit album for the Glastonbury Fayre Festival, including the acoustic track “Sunken Rags” recorded at his home. Publication: Disc & Music Echo Date: December 25, 1971 Country: United Kingdom Section: Cover News / Feature THE STORY WHAT THE CLIPPING SHOWS Marc Bolan will release solo material on a special benefit LP for the Glastonbury Fayre Festival to help repay debts from the previous year’s event. The album, scheduled for February 1972, will include the acoustic track “Sunken Rags” recorded at his home, with profits supporting ecological research. A new T. Rex single is also expected in January. • Bold headline: “MARC BOLAN GOES SOLO ON ‘FAIR’ LP” • Striking black-and-white photo of Marc Bolan • Festive “Merry Christmas, everyone. Love, Frank” speech bubble • Teaser for the benefit album and new T. Rex single CONTEXT AND NOTES RELATED MATERIAL This December 25, 1971 Christmas cover captures Marc Bolan at the absolute height of T. Rextasy while showing his willingness to support charitable causes. The Glastonbury Fayre benefit album project highlights the growing intersection between rock music, festivals, and environmental awareness in the early 1970s. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Benefit album announcement Era: 1971 (Peak glam era) Tone: Generous, celebratory Photography: Iconic Marc Bolan portrait • Disc & Music Echo, December 25, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

New Musical Express news item announcing that Marc Bolan will contribute solo material to a special benefit album for the Glastonbury Fayre Festival, alongside confirmation of T. Rex’s upcoming January concert appearance. Publication: New Musical Express Date: December 25, 1971 Country: United Kingdom Section: News Item THE STORY WHAT THE CLIPPING SHOWS Marc Bolan will record solo tracks at home for a special benefit album supporting the Glastonbury Fayre Festival in June 1972. The album, scheduled for February release, will help repay debts from the previous year’s event and support future editions. T. Rex are also confirmed for a major January concert. • Bold headline: “Bolan solo on benefit album” • Live performance photo of Marc Bolan • Details of the charitable project and T. Rex’s January show CONTEXT AND NOTES RELATED MATERIAL This December 25, 1971 news item captures Marc Bolan at the absolute height of T. Rextasy. While dominating the charts and live scene, he generously lent his solo work to a charitable cause tied to the growing Glastonbury Festival, reflecting the increasing link between rock stardom and countercultural events in the early 1970s. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Benefit album announcement Era: 1971 (Peak glam era) Tone: Generous, forward-looking Photography: Live shot of Marc Bolan • New Musical Express, December 25, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Iconic colour poster of the original cosmic duo Marc Bolan and Mickey Finn, featured in Popfoto magazine during the height of T. Rextasy. Publication: Popfoto Magazine Date: December 1971 Country: Germany (Continental Europe) Section: Monthly Magazine Popfoto Poster THE POSTER VISUAL DETAILS Striking studio portrait of Marc Bolan and Mickey Finn against a warm orange backdrop. Marc, with his signature wild curly hair, wears a black jacket over a red shirt and a silver necklace. Mickey Finn stands beside him in a black shirt, red scarf, and blue jeans with a prominent belt buckle. The image captures the duo’s glamorous, androgynous early glam style. • Marc Bolan’s intense gaze and voluminous hair • Mickey Finn’s cool, confident pose • Bold red “T.REX” branding • Classic 1971 teen-magazine poster design CONTEXT AND NOTES RELATED MATERIAL This December 1971 Popfoto poster reflects T. Rex’s massive popularity across continental Europe. As the band dominated the UK charts, their image was heavily featured in teen magazines, allowing fans to bring the glam idols into their bedrooms during the peak of T. Rextasy. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Magazine pull-out poster Era: 1971 (Peak glam era) Tone: Glamorous, iconic, fan-oriented Photography: Professional colour studio portrait • Popfoto Magazine, December 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This brief but enthusiastic Manchester Evening News review predicts major success for T. Rex's newly released Electric Warrior album. Praising Marc Bolan and Mickey Finn for expanding their musical range while retaining their distinctive style, the reviewer confidently concludes that the album would become a smash hit. Publication: Manchester Evening News and Chronicle Date: September 24, 1971 Country: United Kingdom Appearing under the heading “LP Spot”, the review opens with strong praise for T. Rex, stating that the group had made “some of the best sounds in pop this year.” The writer argues that T. Rex extend their repertoire with the release of Electric Warrior, issued on the Fly label. The album is presented as a significant step forward while maintaining the elements that had already brought Marc Bolan and Mickey Finn considerable success. Particular attention is given to the inclusion of the recent hit “Get It On”, which had already established itself as one of the year's most successful singles. The reviewer notes that Bolan and Finn's familiar vocal style remains a central part of the record across the remaining eleven tracks. The article highlights the variety of tempos found on the album. The slower “Girl” is singled out as a contrast to more energetic tracks such as “Lean Woman Blues” and “Mambo Sun.” Although the review is short, its verdict is unequivocal. After praising both the quality and range of the material, the writer concludes simply: “The album will be a smash.” CONTEXT AND NOTES Published shortly after the release of Electric Warrior, the review captures contemporary confidence in what would become one of the most celebrated albums of the glam rock era. Unlike longer reviews that analyse individual themes and performances in detail, this piece concentrates on the album's accessibility and variety. The reviewer clearly viewed T. Rex as one of the leading acts of 1971 and saw Electric Warrior as further confirmation of their growing dominance. The mention of “Girl,” “Lean Woman Blues” and “Mambo Sun” is especially useful because it demonstrates how quickly those tracks were being highlighted in early reviews of the album. FEATURE HIGHLIGHTS Event: Review of Electric Warrior Publication Date: September 24, 1971 Era: Electric Warrior era Tone: Highly positive Label: Fly Records WHAT THE CLIPPING SHOWS • Positive review of Electric Warrior • Praise for T. Rex's contribution to pop music during 1971 • Reference to the hit single “Get It On” • Mentions of “Girl,” “Lean Woman Blues” and “Mambo Sun” • Recognition of the album's musical variety • Prediction that the album would become a smash hit All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Marc Bolan discusses T. Rex's remarkable rise following the success of Get It On, revealing plans for a new single, a forthcoming album and an extensive British tour. Published during the height of the band's breakthrough year, the article captures Bolan looking ahead to the next phase of T. Rex's career. Publication: North Western Evening Mail Publication Date: October 15, 1971 Country: United Kingdom Event Date: October 1971 Appearing within Bob Eborall's regular “On The Pop Scene” column, this feature combines record industry news with comments from Marc Bolan at a crucial moment in T. Rex's career. The article notes the enormous success enjoyed by T. Rex during 1971, highlighting the band's rapid rise into the album charts with Electric Warrior. Speaking to the column, Marc Bolan discusses the musical direction of recent recordings and comments on the production process behind the group's latest work. Bolan explains that much of the material had been recorded in America earlier in the year before additional strings and saxophone overdubs were added in Britain. He also reveals that T. Rex were already working on their next single, which was expected to be released in mid‑November. According to Bolan, the forthcoming record would differ significantly from Get It On, while still retaining the distinctive sound that had made the band one of Britain's most exciting new success stories. The article also reports that T. Rex were preparing for a major British tour running from mid‑October until mid‑November before returning to America for further performances. CONTEXT AND NOTES Published only weeks after the release of Electric Warrior, the feature captures T. Rex during one of the most important periods of their career. By October 1971, Marc Bolan had moved from cult underground performer to one of Britain's biggest pop stars. Get It On had become a major hit and Bolanmania was beginning to spread throughout the country. The article is particularly valuable because it documents Bolan discussing future plans before the release of Telegram Sam, the single that would become T. Rex's next UK No. 1. It also provides a contemporary glimpse into Bolan's confidence and ambition during the period when T. Rex were establishing themselves as the leading force in British glam rock. FEATURE HIGHLIGHTS Event: Marc Bolan interview and career update Era: 1971 – Electric Warrior era Tone: Informative and forward‑looking Photography: Small silhouette-style illustration accompanying the "On The Pop Scene" column Bob Eborall's “On The Pop Scene” column Marc Bolan discussing recent recordings References to Electric Warrior Plans for a new T. Rex single Discussion of American recording sessions Announcement of forthcoming UK tour dates Insight into T. Rex's next musical direction Contemporary coverage from the breakthrough Bolanmania period All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Full-page Melody Maker advertisement promoting T. Rex’s major “Electric Warriors” UK tour in October and November 1971 during the peak of T. Rextasy. Publication: Melody Maker Date: October 9, 1971 Country: United Kingdom Section: Concert Tour Advertisement THE STORY WHAT THE CLIPPING SHOWS Extensive UK tour dates presented by John & Tony Smith, featuring T. Rex performing as the Electric Warriors across major venues from October 19th to November 10th. The advert highlights the band’s chart dominance and live popularity. • Striking live action photo of Marc Bolan on stage with guitar and top hat • Full list of October and November dates and venues • “Electric Warriors T. REX in concert” headline • Presented by John & Tony Smith CONTEXT AND NOTES RELATED MATERIAL This October 9, 1971 advert captures T. Rex at the absolute height of their success. With multiple No. 1 hits and massive public demand, the “Electric Warriors” tour represented the band’s transition to arena-level performances across Britain. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Major UK tour advertisement Era: 1971 (Peak T. Rextasy) Tone: Triumphant, high-energy Photography: Dynamic live stage shot of Marc Bolan • Melody Maker, October 9, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A small but striking newspaper advertisement announcing T. Rex’s forthcoming appearance at Stockton’s ABC Theatre, reflecting the band's rapid rise during the height of the early Bolanmania period. Publication: The Northern Echo (3 AM Edition) Date: Thursday, October 7, 1971 Country: England This concert advertisement promotes an upcoming T. Rex performance scheduled for Thursday, November 4 at the ABC Theatre, Stockton. The notice states that the show will begin at 8 p.m., with all seats priced at 60 pence. The advert also informs readers that the booking office would open on Saturday, October 9 at 11 a.m., giving local fans advance notice of ticket availability. The layout is simple and direct, using the familiar ABC Theatre branding alongside T. Rex’s name as the main attraction. CONTEXT AND NOTES Published during October 1971, the advert appeared as T. Rex were enjoying enormous success in Britain following a run of major hit singles and growing live popularity. The appearance at Stockton's ABC Theatre formed part of the band's touring activity during one of the most commercially successful periods of Marc Bolan’s career. FEATURE HIGHLIGHTS Event: T. Rex live concert announcement Era: 1971 – Bolanmania period Tone: Promotional Photography: No photography featured; text‑only concert advertisement WHAT THE CLIPPING SHOWS T. Rex scheduled to perform at ABC Theatre, Stockton Concert date of Thursday, November 4, 1971 All seats priced at 60p Booking office opening Saturday, October 9 at 11 a.m. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This issue of Bravo places Marc Bolan and Mickey Finn of T. Rex on the front cover during the group's breakthrough period. Presented as “2 Superboys: Marc & Mickey (T. Rex)”, the cover reflects the growing popularity of the duo across Europe following the success of Get It On and the rise of Bolanmania. Publication: Bravo Date: October 4, 1971 Country: Germany The cover features a full-colour photograph of Marc Bolan and Mickey Finn seated outdoors, posing back-to-back on grass. Bolan appears in bright red trousers and a dark shirt with a contrasting yellow collar, while Finn is dressed in light-coloured clothing. The relaxed image contrasts with the increasingly dramatic stage presentation associated with T. Rex during this period. The headline identifies the pair as “2 Superboys: Marc & Mickey (T. Rex)”, reflecting the strong appeal they held for Bravo's youthful readership. By the autumn of 1971, T. Rex had become one of the most exciting new acts in Europe, attracting attention through both their music and distinctive visual style. The cover places Marc Bolan and Mickey Finn as the principal attraction of the issue. Surrounding cover lines promote other features and stories, but the dominant image and caption ensure that T. Rex remains the central focus. The magazine's presentation highlights the duo's growing celebrity status and demonstrates how quickly Marc Bolan was becoming a major pop culture figure beyond the British music press. CONTEXT AND NOTES Published during the Electric Warrior era, the cover captures T. Rex at the point where the group's popularity was expanding rapidly throughout Europe. Following the success of “Get It On”, Marc Bolan had become one of the most recognisable figures in contemporary music. The cover is significant because it presents both Bolan and Mickey Finn together during a period when T. Rex was widely perceived as a partnership at the centre of the glam rock explosion. It also reflects Bravo's role in introducing British pop and rock stars to a large continental audience. FEATURE HIGHLIGHTS Event: Marc Bolan and Mickey Finn featured on the cover of Bravo Era: 1971 Electric Warrior era Tone: Promotional and fan-focused Photography: Full-colour outdoor portrait of Marc Bolan and Mickey Finn WHAT THE CLIPPING SHOWS • Bravo cover featuring Marc Bolan and Mickey Finn • Caption identifying the duo as “2 Superboys: Marc & Mickey (T. Rex)” • Full-colour photograph taken during T. Rex's breakthrough year • European coverage of the expanding T. Rex phenomenon All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Disc article from August 1971 previews the Weeley Festival of Progressive Music, spotlighting Marc Bolan and T. Rex as the headline act. Rosalind Russell’s column captures the excitement surrounding Bolan’s meteoric rise and the festival’s scale, which promised to be one of Britain’s biggest rock events of the year. Publication: Disc Date: August 28 1971 Country: United Kingdom Under the headline “Marc tops the ‘forever’ festival,” the article notes that among “three million and one acts” performing at Weeley, Marc Bolan stood out as “one of the biggest bopping idols in the  land.” The piece describes Bolan “in musical ecstasy” and lists other major performers including The Faces, Colosseum, Curved Air, Mott the Hoople, and Julie Felix, who contributed her set in support of the charity Shelter. The festival opened on Friday evening at 6 p.m., with organizers uncertain how long it would last — “It could well run forever!” The accompanying photograph shows Bolan mid‑performance, his expression and posture embodying the energy and glamour that defined T. Rex’s live shows during their Electric Warrior era. CONTEXT AND NOTES The Weeley Festival, held near Clacton‑on‑Sea over the August Bank Holiday Weekend, became one of the largest British rock gatherings of 1971. For T. Rex, it marked a triumphant moment as they transitioned from cult success to mainstream stardom. Rosalind Russell’s coverage reflects the enthusiasm of the press toward Bolan’s growing influence — his blend of pop accessibility and rock mysticism resonated deeply with audiences, making him the face of early 1970s glam rock. FEATURE HIGHLIGHTS Event: Weeley Festival of Progressive  Music featuring T. Rex Era: 1971 – Electric Warrior / Glam Rock Breakthrough Era Tone: Upbeat, celebratory, and  festival‑focused Photography: Dynamic black‑and‑white  shot of Marc Bolan performing on stage WHAT THE CLIPPING SHOWS Preview of T. Rex’s headline  appearance at Weeley Festival Mention of supporting acts and  charitable purpose for Shelter Photograph capturing Marc Bolan’s  on‑stage charisma All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This enthusiastic Evening Sentinel review captures T. Rex at the height of their 1971 breakthrough. Reporting on a packed performance at Trentham Gardens, the article describes 2,500 fans leaping to their feet as Marc Bolan and Mickey Finn delivered a set featuring recent hits, previews of material from Electric Warrior and a defence of the group's increasingly successful electric direction. Publication: Evening Sentinel Date: August 23, 1971 Concert Date: August 22, 1971 Country: United Kingdom Published under the headline “2,500 Fans Go Wild As T. Rex ‘Explode’”, the report describes an ecstatic audience response at Trentham Gardens. According to the article, around 2,500 music fans rose to their feet, clapped, danced and cheered as soon as T. Rex launched into their set. The reviewer notes that one of the key moments came when Marc Bolan encouraged the audience with the simple instruction: “Come on, get on your feet.” The article states that T. Rex demonstrated exactly why they had risen to the top of both the British and international charts. Marc Bolan and Mickey Finn are reported to have performed major hits including “Ride A White Swan”, “Hot Love” and “Get It On”. The reviewer also highlights the group's powerful rendition of “Summertime Blues.” Backed by Steve Currie and Bill Legend, Bolan and Finn also gave the audience a preview of material from their forthcoming album Electric Warrior, which the article notes was due for release in two weeks. During the eighty-minute performance, Bolan is praised for demonstrating his skill on both acoustic and electric guitars. The report describes moments where he silenced the hall during an acoustic section before immediately winning cheers and applause with fast lead guitar passages in the heavier rock numbers. The article also recounts comments Bolan made before the concert. Speaking in the dressing room, he rejected suggestions that T. Rex had abandoned their earlier musical identity in search of commercial success. Bolan stated: “We grew musically, but we never changed. We got played more and people took to our sound.” The review closes by placing the successful T. Rex performance among a series of major concerts staged at Trentham Gardens during the year. CONTEXT AND NOTES Published the day after the performance, the article captures T. Rex at a crucial point in their career. Electric Warrior had not yet been released, but “Get It On” was already helping to push the group towards a new level of popularity. The report is particularly valuable because it documents T. Rex performing material from the forthcoming album before its release. It also records Bolan's defence against criticism that the group had become commercial following their move towards an electric rock sound. The article presents the concert as a major success and provides further evidence of the rapidly growing phenomenon that would soon become known as Bolanmania. FEATURE HIGHLIGHTS Event: T. Rex live at Trentham Gardens Concert Date: August 22, 1971 Publication Date: August 23, 1971 Era: Electric Warrior era Tone: Enthusiastic concert review Attendance: Approximately 2,500 fans WHAT THE CLIPPING SHOWS • Review of T. Rex's Trentham Gardens concert • Audience of approximately 2,500 fans • Performances of “Ride A White Swan”, “Hot Love” and “Get It On” • Preview of material from Electric Warrior • Marc Bolan playing both acoustic and electric guitars • Bolan rejecting claims that T. Rex had “gone commercial” • Contemporary praise for the group's live performanc All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Disc and Music Echo clipping from August 1971 promotes the upcoming Weeley Festival of Progressive Music, held near Clacton‑on‑Sea over the August Bank Holiday Weekend. The advert highlights T. Rex as one of the headline acts, alongside The Faces and King Crimson, marking one of the most ambitious British rock festivals of the early 1970s. Publication: Disc and Music Echo Date: August 28 1971 Country: United Kingdom The page combines two distinct features: a top‑half article on John Peel, titled “Peeling his way round the world,” and a full‑width advertisement for the Weeley Festival below. Peel’s column discusses his travels and broadcasting experiences, while the festival advert lists an extraordinary lineup of artists performing across the weekend. The bold typography places T. Rex, The Faces, and King Crimson at the top, followed by a roster of major progressive and rock acts including Colosseum, Curved Air, Edgar Broughton, Groundhogs, Mungo Jerry, Rory Gallagher, Van der Graaf Generator, Caravan, Lindisfarne, Status Quo, and Mott the Hoople. Additional details note that proceeds from the event would go to charity, with travel information for road and rail routes from London. The design reflects the optimism and scale of Britain’s festival culture at the height of the glam‑rock and progressive‑rock boom. CONTEXT AND NOTES The Weeley Festival became one of the largest UK music gatherings of 1971, drawing tens of thousands of fans to Essex. For Marc Bolan and T. Rex, it was a defining moment — their first major festival appearance since achieving chart superstardom with Hot Love and Get It On. The advert’s placement in Disc and Music Echo underscores the festival’s national significance, bridging mainstream pop appeal and underground progressive experimentation. It also reflects the era’s growing collaboration between glam rock and the broader British rock movement. FEATURE HIGHLIGHTS Event: Weeley Festival of Progressive  Music featuring T. Rex Era: 1971 – Electric Warrior / Glam Rock Festival Era Tone: Promotional, vivid, and celebratory Photography: Black‑and‑white portrait of John Peel above the festival  advertisement WHAT THE CLIPPING SHOWS Full‑page advert for the Weeley Festival listing T. Rex as headliners Article on John Peel’s broadcasting travels and music commentary Festival details including dates, location, and charitable purpose All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Melody Maker news item announcing the release of T. Rex’s new album Electric Warrior (delayed for packaging) and detailing their upcoming British and European tour dates. Publication: Melody Maker Date: September 11, 1971 Country: United Kingdom Section: News / Tour Announcement The article opens by confirming that T. Rex’s new album has finally been released after a short delay caused by additional work on the packaging, including a fold‑out poster. Melody Maker notes that the band will appear on German television before heading to Rotterdam and Amsterdam for early October shows. The bulk of the piece lists the British tour dates, beginning October 19 and spanning major cities including Cardiff, Sheffield, Croydon, Glasgow, Newcastle, Birmingham, Manchester, and Leicester. All tickets are priced at 60p, signalling a fan‑friendly approach during a period of rapidly growing demand. The band’s spokesman adds that they are searching for a support act who would benefit from the exposure and get along well with the group. T. Rex’s new album Electric Warrior is released on September 24 after a short delay for packaging (including a poster). The article lists their British tour starting October 19 at Portsmouth Guildhall, plus European dates and additional UK venues. Tickets priced at 60p. WHAT THE CLIPPING SHOWS • Bold headline: “T. Rex album, tour dates” • Detailed list of October and November tour dates • Mention of the album release and packaging delay • Note on searching for a support act This September 11, 1971 announcement captures T. Rex at the height of their early success. With Electric Warrior set to become a landmark glam album, the tour was a major step in their expansion from club dates to larger halls across Britain and Europe. FEATURE HIGHLIGHTS SOURCES Event: Album & tour announcement Era: 1971 (Peak glam era) Tone: Anticipatory, detailed Photography: N/A • Melody Maker, September 11, 1971 For more similar posts, check out the tags at the bottom of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. Tags: T.Rex, T.Rex Scrapbook, Melody Maker, 1971, Electric Warrior, Tour Dates

Disc feature highlighting Marc Bolan and T. Rex headlining the Weeley Festival, cementing their status as one of Britain’s hottest live acts of 1971. Publication: Disc Date: August 28, 1971 Country: United Kingdom Section: Festival Preview / Feature THE STORY WHAT THE CLIPPING SHOWS Marc Bolan and T. Rex top the bill at the Weeley Festival, one of the year’s major outdoor events. The article celebrates the band’s growing live reputation and positions Bolan as one of the biggest drawing idols of the moment, alongside other top acts. • Bold headline: “Marc Tops the ‘Forever Festival’” • Festival line-up details • Emphasis on T. Rex as headliners • Contextual coverage of the event’s atmosphere CONTEXT AND NOTES RELATED MATERIAL This August 28, 1971 feature reflects T. Rex’s rapid rise to festival headliner status during the early glam explosion. The Weeley Festival appearance marked a significant milestone as the band moved from club dates to large-scale outdoor events. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Festival headline announcement Era: 1971 (Glam breakthrough / T. Rextasy) Tone: Celebratory, anticipatory Photography: Supporting images (implied) • Disc magazine, August 28, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Eastern Evening News advertisement from August 1971 promotes the Weeley Festival of Progressive Music, billed as “The Greatest Rock Event of the Year.” The striking black‑and‑white design captures the excitement of Britain’s summer festival scene, showcasing an impressive lineup of major rock and progressive acts. Publication: Eastern Evening News  (Norwich) Date: August 13 1971 Country: United Kingdom The advert announces the Weeley Festival of Progressive Music, scheduled for the August Bank Holiday weekend (Saturday 28 – Sunday 29 August 1971). It describes the event as taking place on a “beautiful wooded 200‑acre site,” complete with camping, free cooking facilities, car parking, and a festival village. Ticket prices are listed at £1.50 in advance and £2.00 at the gate, emphasizing accessibility for fans eager to experience what Melody Maker called “The Greatest Rock Event of the Year.” The lineup reads like a who’s‑who of early‑1970s British rock: T. Rex, Faces, King Crimson, Curved Air, Mott the Hoople, Colosseum, Ground Hogs, Mungo Jerry, Quintessence, Juicy Lucy, Rory Gallagher, Barclay James Harvest, Edgar Broughton Band, and many more. The advert also lists emerging and experimental acts such as Van der Graaf Generator, Arthur Brown’s Kingdom Come, Principal Edward’s Magic Theatre, Fairfield Parlour, and Fusion Orchestra, reflecting the diversity of Britain’s progressive music scene. The artwork features a stylized portrait of a performer with flowing hair, rendered in bold halftone shading, evoking the energy and freedom of the era’s rock culture. CONTEXT AND NOTES Held near Clacton‑on‑Sea, the Weeley Festival became one of the landmark British rock gatherings of 1971, drawing tens of thousands of fans. It represented the peak of the UK’s progressive and underground music movement, bridging mainstream acts like T. Rex and Faces with avant‑garde performers such as King Crimson and Van der Graaf Generator. This advertisement, published in the Eastern Evening News, reflects the growing influence of regional press in promoting national music events and the role of Melody Maker as a key sponsor and tastemaker in British rock journalism. FEATURE HIGHLIGHTS Event: Weeley Festival of Progressive  Music Era: 1971 – Early British Rock and Progressive Movement Tone: Promotional, energetic, and celebratory Photography: Stylized black‑and‑white illustration of a performer’s face with flowing hair WHAT THE CLIPPING SHOWS Full‑page advert for the Weeley Festival of Progressive Music Lineup featuring major and emerging British rock acts Ticket details and festival amenities for August Bank Holiday 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Boston Globe concert review from September 13 1972 captures T. Rex’s explosive performance at the Aquarius Theater in Boston. Written by Ray Murphy, the article describes Marc Bolan’s flamboyant stage presence and the band’s thunderous sound that nearly “blew down the walls” of the venue. Publication: The Boston Globe Date: September 13 1972 Country: United States The review portrays Bolan as both poet and showman, blending theatrical flair with raw rock intensity. Onstage, he struts and preens “in a mincing androgynous way,” dressed in shiny trousers and an open shirt, exuding confidence and charm. Murphy highlights Bolan’s lyrical imagination, quoting lines from “I Was Dancing When I Was Twelve” and noting his fascination with mythic imagery—elves, dryads, unicorns, and centaurs. Songs like “Spaceball Ricochet” are described as surreal explorations of the mind, while the finale, “Get It On,” stretches beyond fifteen minutes in a climactic frenzy that “would have raised the dead.” The review also mentions Mickey Finn’s drumming and the Doobie Brothers as the opening act. CONTEXT AND NOTES By 1972, T. Rex were at the height of their fame, leading the glam‑rock movement with their mix of fantasy, sexuality, and pop brilliance. This American review reflects how Bolan’s British success was translating across the Atlantic, with audiences responding to his unique blend of mysticism and rock power. The article’s tone captures the spectacle and volume of a T. Rex concert—an event as much theatrical as musical. FEATURE HIGHLIGHTS Event: T. Rex live concert at Aquarius  Theater, Boston Era: 1972 – Electric Warrior / Glam Rock Peak Tone: Energetic and admiring Photography: Black‑and‑white portrait of Marc Bolan accompanying the review WHAT THE CLIPPING SHOWS - Marc Bolan described as a charismatic and androgynous performer - Detailed review of T. Rex’s Boston concert and setlist - Praise for the band’s powerful sound and mythic imagery All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This San Francisco Examiner feature from September 5 1972, written by Roderick Mann, profiles Ringo Starr during his transition from musician to actor and film producer. The article highlights his latest project, Count Downe, and his reflections on post‑Beatles life, including his recent documentary work on Marc Bolan and T. Rex. Publication: The San Francisco Examiner Date: September 5, 1972 Country: United States Mann’s interview finds Ringo in London, relaxed yet introspective, discussing his film career and personal evolution. He describes shaving his beard for his role as Merlin in Count Downe, a fantasy‑horror production featuring characters like Frankenstein and The Mummy. Ringo speaks candidly about his desire to be taken seriously as an actor, noting that he avoids trading on his Beatles fame. The article also reveals that Ringo had recently completed a full‑length documentary on Marc Bolan, capturing a concert and the fan frenzy surrounding T. Rex. He recalls being struck by the sight of “kids dressed just like him,” comparing Bolan’s glam‑rock phenomenon to the Beatlemania of the 1960s. Ringo’s tone is affectionate and amused, acknowledging the cyclical nature of pop stardom. CONTEXT AND NOTES By 1972, Ringo Starr was exploring film production through Apple Films while maintaining ties to the music world. His documentary on Marc Bolan coincided with T. Rex’s U.S. tour and the height of their international fame following The Slider. The Examiner piece captures a moment of generational continuity — one pop icon observing another’s rise — and reflects Ringo’s growing interest in creative independence beyond the Beatles legacy. FEATURE HIGHLIGHTS Event: Ringo Starr interview and mention of Marc Bolan documentary Era: 1972 – Post‑Beatles  T. Rex Glam Rock Era Tone: Reflective, humorous, and personal Photography: Black‑and‑white image of Ringo Starr at a London premiere before shaving his beard for Count Downe WHAT THE CLIPPING SHOWS Ringo Starr interview discussing Count Downe and acting ambitions Mention of his documentary on Marc Bolan and T. Rex Reflections on Beatlemania and fame All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Phoenix review from September 5 1972, written by Tim Osburn, appears under the “Captive Audience – Phoenix Reviews” banner and offers a lively critique of T. Rex’s The Slider. The piece situates Marc Bolan’s glam‑rock sound within the broader early‑1970s rock landscape, comparing his style to contemporaries like Rod Stewart and Jimi Hendrix while celebrating Bolan’s unique mix of sensuality and pop mysticism. Publication: The Phoenix Date: September 5, 1972 Country: United States Osburn’s column, titled Plasticware, opens with reflections on the “jungle rhythms coursing through hot teenage blood,” positioning Bolan as a figure who bridges rock’s primal energy and pop sophistication. The review praises The Slider for its sleek production and infectious hooks, noting Bolan’s ability to fuse “rock and roll and the jungle rhythms” into a sound both playful and erotic. Songs like Buick Mackane and Telegram Sam are singled out for their swagger and lyrical wit, with Osburn quoting Bolan’s cheeky self‑referential line: “Slider, slider / You’re just a sexual glider.” The critic contrasts Bolan’s confident glam persona with the introspective tendencies of other rock acts, arguing that The Slider captures the essence of youthful fantasy and flamboyant showmanship. CONTEXT AND NOTES By 1972, The Slider had cemented T. Rex as a leading force in glam rock, following the success of Electric Warrior. American reviewers like Osburn viewed Bolan as both a pop idol and a poet of excess, whose music embodied the glittering escapism of the era. The Phoenix review reflects the period’s fascination with British glam culture, emphasizing Bolan’s charisma and his ability to make rock feel simultaneously mystical and accessible. FEATURE HIGHLIGHTS Event: Review of The Slider album Era: 1972 – Glam Rock Peak / T. Rex U.S. Tour  Era Tone: Energetic, humorous, and culturally observant Photography: Illustrated header “Captive Audience” with comic‑style art WHAT THE CLIPPING SHOWS Full‑page Phoenix review of The Slider under “Plasticware” Commentary on Bolan’s lyrical style and glam‑rock persona Comparison to other major rock artists of the early 1970s All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Brainerd Dispatch Q&A column from September 19 1972 answers a reader’s question about the origin of the band name T. Rex, offering a mix of factual background and colorful commentary on Marc Bolan’s persona and fame. Publication: The Brainerd Dispatch / The Brainerd Daily Dispatch Date: September 19 1972 Country: United States Responding to a query from Baton Rouge, Louisiana, the column explains that T. Rex began as Tyrannosaurus Rex in the late 1960s before electrifying their sound and shortening the name. It notes the band’s rapid success—selling 16 million records in a year—and humorously compares the name’s popularity to that of a British cooking fat brand called TREX. The piece describes Marc Bolan as the group’s leader, living in fear of fans outside his London flat, and portrays him as a flamboyant figure who wears girls’ shoes “because they are comfortable and I have small feet.” It adds that Bolan often placed a plastic tear on his face before performing, underscoring his theatrical style. CONTEXT AND NOTES By 1972, Marc Bolan had become a household name, embodying the glam‑rock movement’s mix of eccentricity and charm. This American newspaper snippet captures the fascination with Bolan’s image and the curiosity surrounding his band’s unusual name. The playful tone reflects how U.S. media viewed British glam rock—with both admiration and bemusement—as Bolan’s fame reached its peak. FEATURE HIGHLIGHTS Event: Explanation of T. Rex band name and Marc Bolan’s persona Era: 1972 – The Slider / Glam Rock Peak Tone: Lighthearted and informative Photography: None included; text‑only  Q&A column WHAT THE CLIPPING SHOWS - Origin of the band name T. Rex and its  connection to Tyrannosaurus Rex - Details of Marc Bolan’s appearance and  stage habits - Comparison to TREX cooking fat as a  humorous aside All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

On 30 August 1972, T. Rex, led by Marc Bolan, pre‑recorded their performance of “Children of the Revolution” at BBC Television Centre for upcoming Top of the Pops broadcasts. The session formed a key part of the promotional run‑up to the single’s release on 8 September 1972. The track appeared on three TOTP episodes that month: • 14 September — broadcast using the pre‑recorded studio performance • 21 September — the song played over the weekly chart rundown • 28 September — the pre‑recorded performance aired again The single reached No. 2 on the UK Singles Chart, while topping both the Melody Maker and New Musical Express charts — a peak moment in T. Rex’s 1972 dominance. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Melody Maker full‑page advertisement from September 16 1972 announces the release of T. Rex’s new maxi‑single “Children of the Revolution.” The striking design features Marc Bolan in full glam‑rock glory, captured mid‑performance with his guitar, accompanied by bold red and black typography quoting the song’s opening lyrics. The advertisement promotes the single’s release on EMI (MARC 2), highlighting Bolan’s charismatic image and the rebellious spirit of the track. The quoted lyrics—“You can bump and grind ’cos it’s good for your mind…”—encapsulate the song’s playful defiance and celebration of youth culture. The visual layout centers Bolan’s photograph within a clean frame, emphasizing his energy and style as the face of the glam‑rock movement. The minimalist text below reinforces the immediacy of the release, positioning T. Rex as both a commercial powerhouse and a cultural phenomenon. CONTEXT AND NOTES By autumn 1972, T. Rex were at the height of their fame, following the success of Electric Warrior and The Slider. “Children of the Revolution” became one of Bolan’s defining anthems, symbolizing the optimism and swagger of early‑1970s glam. This Melody Maker advertisement reflects the era’s bold graphic style and the confident marketing of Bolan’s image as a generational icon. FEATURE HIGHLIGHTS Event: Release promotion for  “Children of the Revolution” single Era: 1972 – The Slider / Glam Peak Period Tone: Energetic and rebellious Photography: Monochrome portrait of  Marc Bolan with Les Paul guitar, framed by bold typography WHAT THE CLIPPING SHOWS - Full‑page EMI advertisement for T. Rex’s  new single - Quoted lyrics from  “Children of the Revolution” - Marc Bolan’s photograph symbolizing  glam‑rock style and attitude All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.