The 5CD deluxe edition gathers the final studio albums — Zinc Alloy and the Hidden Riders of Tomorrow (1974), Bolan’s Zip Gun (1975), Futuristic Dragon (1976), and Dandy In The Underworld (1977) — plus a disc of late-period singles and B-sides. Housed in deluxe 7” packaging with a 24-page booklet, new sleeve notes, photography, and remastered audio, it celebrates Bolan’s evolution in his final years. KEY DETAILS 5CD deluxe box set dedicated to 1974–1977 material Includes four core studio albums + one disc of singles/B-sides Features remastered audio, original artwork reproductions, 24-page booklet, and new liner notes by Jude Rogers Curated by T. Rex expert Martin Barden with mastering by Phil Kinrade at AIR Studios Companion piece to the larger 1970-1977 8CD box set CONTEXT AND NOTES ‘1974-1977’ brings together 5 CDs absolutely bursting with music covering the most overlooked, but arguably most pioneering, period of Marc Bolan’s glittering career. It rounds up the final three T. Rex studio albums – Bolan’s Zip Gun, Futuristic Dragon and Dandy In The Underworld – and a string of 10 peerless late-period singles (and B-sides) that included New York City, Dreamy Lady, The Soul Of My Suit, and of course I Love To Boogie. Throughout the journey Marc’s restless muse and creative spark encompasses soul and R&B (Ride My Wheels, Dreamy Lady), excursions into proto-glam metal (Zip Gun Boogie, The London Boys) and nervy, spiky-sharp tracks (Think Zinc, Celebrate Summer) that nod towards the punk explosion happening in London during the period and upon which Marc had been such a pivotal influence. Excitingly, the set also includes two CDs hosting a plethora of previously unreleased rehearsal takes, lovingly mastered and curated from a stash of Marc’s own tapes unearthed towards the end of 2024. A fascinating record of an artist with renewed vim and creativity, they also document how Marc and his super-hot band kept the tapes rolling when recording all over the world, from London to the USA, to Germany and France and back to Manchester. Also included are the newly discovered complete recordings from 1977’s MARC Granada TV show. While the set of T. Rex classics performed on the show (Ride A White Swan, Hot Love, Jeepster and more) has been available before, they’d been taken from broadcast tapes and as such were of a vastly inferior quality - mono, with early fades and with added audience applause. Presumed lost for almost half a century, the discovery of the original full-length versions as laid down by T. Rex before they were mimed to in the show was a very pleasant shock. There’s also of course I’m Dazed, the “lost” T.Rex single unearthed from those very same tape boxes in 2024. Remastered and released on cosmic yellow seven-inch on Marc’s birthday in 2025 (with a new take of Billy Super Duper on its B-side), it also helped mark the occasion of Marc being awarded an official English Heritage Blue Plaque. The honour made him just one of 5 pop musicians to ever receive the accolade, alongside Freddie Mercury, John Lennon, Jimi Hendrix and Bob Marley. Two very different takes of I’m Dazed shimmer here: the 2025 single version remixed by Steven Wilson, and another, much slower take, led by languid drums, clavinet and piano. 74-77 comes in 7” Deluxe Packaging with a 24-page book including photography by Kevin Cummins, new sleeve notes by Jude Rogers, sleeve artwork and scans of those glittering studio tapes. The set was curated for Demon by “T.Rexpert” Martin Barden and mastering undertaken by AIR Studios’ Phil Kinrade. Track Listings Disc: 1 1 Light of Love 2 Solid Baby 3 Precious Star 4 Token of My Love 5 Space Boss 6 Think Zinc 7 Till Dawn 8 Girl in the Thunderbolt Suit 9 I Really Love You Babe 10 Golden Belt 11 Zip Gun Boogie Disc: 2 1 Futuristic Dragon (Introduction) 2 Jupiter Liar 3 Chrome Sitar 4 All Alone 5 New York City 6 My Little Baby 7 Calling All Destroyers 8 Theme for a Dragon 9 Sensation Boulevard 10 Ride My Wheels 11 Dreamy Lady 12 Dawn Storm 13 Casual Agent 14 Do You Wanna Dance 15 Dock of the Bay 16 London Boys 17 Laser Love 18 Life's an Elevator Disc: 3 1 Dandy in the Underworld 2 Crimson Moon 3 Universe 4 I'm a Fool for You Girl 5 I Love to Boogie 6 Visions of Domino 7 Jason B. Sad 8 Groove a Little 9 The Soul of My Suit 10 Hang-ups 11 Pain and Love 12 Teen Riot Structure 13 Dandy in the Underworld (Single Version) 14 Tame My Tiger 15 Celebrate Summer Disc: 4 1 Bolan's Zip Gun 2 Bolan's Zip Gun (Take 6) 3 I Really Love You Babe (Take 5) 4 Galaxy Wild (Take 2) 5 All Alone (Working Version) 6 Calling All Destroyers (Working Version) 7 Savage Beethoven (Take 4) 8 Bust My Balls (Take 6) 9 I'm Dazed (Take 3) 10 I'm Dazed (Take 2) [Steven Wilson 2025 Mix] 11 Billy Super Duper (Warm Up) 12 Damaged Suit (Take 3) 13 Damaged Suit (Take 5) 14 I Never Told You (Take 3) 15 Dreamy Lady (T.O.T.P. Take 2) [instrumental] 16 Dreamy Lady (T.O.T.P. Take 3) 17 Ain't That a Shame (Take 9) 18 Funky London Childhood (Studio Take) Disc: 5 1 London Boys (T.O.T.P. Take 2) 2 Universe (Take 3) [instrumental] 3 Teen Riot Structure (Studio Run Through) 4 We Love to Boogie (Take 1) 5 We Love to Boogie (Take 4) [overdub] 6 I'm a Fool for Your Girl (Take 1) 7 I'm a Fool for Your Girl (Take 3) [with Overdubs] 8 20th Century Baby (Studio Take) 9 Hot George (Studio Take) 10 Write Me a Song (Studio Take - Short Edit) 11 Mellow Love (Studio Take - Short Edit) 12 Celebrate Summer (Studio Take - Edit 1) 13 Write Me a Song (Studio Take) 14 Celebrate Summer (Studio Take With Overdubs Edit 2) 15 Mellow Love (Studio Take With Overdubs) 16 Jeepster 17 I Love to Boogie 18 Endless Sleep 19 Celebrate Summer 20 Ride a White Swan 21 Hot Love 22 New York City 23 Let's Dance 24 Groove a Little 25 Dandy in the Underworld (Instrumental)

A vinyl-only intimate compilation focusing on Marc Bolan’s private and creative process in 1973, featuring finished recordings, working versions, and rare tracks that showcase his evolution beyond the peak of T. Rexmania, compiled and annotated by acclaimed Bolan biographer Mark Paytress. RELEASE / PUBLICATION DETAILS Artist: T. Rex Title: Songwriter: 1973 Date: May 26, 2023 Label: Demon Records Format / Type: LP Vinyl Album (140g Black Vinyl) Country: United Kingdom Catalogue: DEMREC1109 TRACK LIST Side A Midnight (Master Version) Down Home Lady (Version 4) Sitting Here (Original B-side) Saturation Syncopation (Alias All Alone) [Version 3] Satisfaction Pony (Original B-side) The Avengers (Superbad) [Solo Electric] Change (Album Version) Liquid Gang (Working Version) Side B Sound Pit (Album Version) Spanish Midnight Galaxy (Album Version) Look at Your Soul Teenage Dream (Original A-side) Jitterbug Love (By Pat Hall) Truck On (Tyke) [Original A-side] Till Dawn (Take 3) This 16-track collection explores Marc Bolan’s songwriting and recording activity during 1973 — a year of transition as he sought to move beyond the glam sound he had created. It mixes master versions, alternate takes, and working demos, offering insight into Bolan’s creative process during a period of change and pressure from fame. CONTEXT & NOTES Part of Demon Records’ “Songwriter” series (following editions for 1970 and 1971), Songwriter: 1973 highlights Bolan’s attempts to evolve his sound amid the expectations of stardom. Compiled and annotated with a detailed 1,800-word essay by Mark Paytress, the release focuses on the intimate and experimental side of Bolan’s work rather than the hits. PRODUCTION Compiled & Annotated by: Mark Paytress Pressed on: 140g Black Vinyl PACKAGING / ARTWORK HIGHLIGHTS Striking orange cover featuring a contemplative portrait of Marc Bolan Minimalist “T•REX 1973” logo treatment Detailed liner notes by Mark Paytress SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The complete official studio albums by Marc Bolan’s era-defining band, collected together for the first time in one 8CD box set. The Studio Albums 1970–1977 gathers all the landmark releases from the birth of T. Rex through to the final studio recordings, plus key standalone singles. RELEASE / PUBLICATION DETAILS Artist: T. Rex Title: The Studio Albums 1970–1977 Date: December 12, 2025 Label: Demon Records / Edsel Format / Type: 8CD Box Set Country: UK / Worldwide CONTENTS The set includes the following studio albums with bonus standalone singles and tracks: T. Rex (1970) + extras Electric Warrior (1971) + Hot Love The Slider (1972) Tanx (1973) + 20th Century Boy, Children Of The Revolution, Solid Gold Easy Action Zinc Alloy and the Hidden Riders of Tomorrow (1974) + The Groover, Truck On (Tyke) Bolan’s Zip Gun (1975) Futuristic Dragon (1976) + London Boys, Laser Love Dandy In The Underworld (1977) + Celebrate Summer From the electric reinvention in 1970 through the explosive glam peak and into the more experimental later years, this box set charts Marc Bolan’s remarkable creative journey as T. Rex. It captures the band that defined the sound of the early 1970s and influenced generations of artists CONTEXT & NOTES This comprehensive collection brings together every official studio album from the T. Rex era, complete with key standalone singles. It serves as the ultimate overview of Bolan’s visionary work and the birth of glam rock. PERSONNEL Featuring Marc Bolan with the classic T. Rex line-up including Mickey Finn, Steve Currie, Bill Legend, and later members. Produced primarily by Tony Visconti. PRODUCTION Original recordings produced by Tony Visconti. Newly compiled and presented by Demon Records in 2025. PACKAGING / ARTWORK HIGHLIGHTS 8CD box set with individual album replicas Includes full album artwork and complete lyrics Silver star design on red background Here is the complete track listing in compact, non-cropping tables. Each disc is separated to keep the columns narrow and readable. TRACK LISTINGS DISC 1 No. Track 1 The Children of Rarn 2 Jewel 3 The Visit 4 Childe 5 The Time of Love Is Now 6 Diamond Meadows 7 Root of Star 8 Beltane Walk 9 Is It Love? 10 One Inch Rock 11 Summer Deep 12 Seagull Woman 13 Suneye 14 The Wizard 15 The Children of Rarn (Reprise) 16 Ride a White Swan DISC 2 No. Track 1 Mambo Sun 2 Cosmic Dancer 3 Jeepster 4 Monolith 5 Lean Woman Blues 6 Get It On 7 Planet Queen 8 Girl 9 The Motivator 10 Life's a Gas 11 Rip Off 12 Hot Love DISC 3 No. Track 1 Metal Guru 2 Mystic Lady 3 Rock On 4 The Slider 5 Baby Boomerang 6 Spaceball Ricochet 7 Buick MacKane 8 Telegram Sam 9 Rabbit Fighter 10 Baby Strange 11 Ballrooms of Mars 12 Chariot Choogle 13 Main Man DISC 4 No. Track 1 Tenement Lady 2 Rapids 3 Mister Mister 4 Broken Hearted Blues 5 Shock Rock 6 Country Honey 7 Electric Slim and the Factory Hen 8 Mad Donna 9 Born to Boogie 10 Life Is Strange 11 The Street and Babe Shadow 12 Highway Knees 13 Left Hand Luke and the Beggar Boys 14 Children of the Revolution 15 Solid Gold, Easy Action 16 20th Century Boy DISC 5 No. Track 1 Venus Loon 2 Sound Pit 3 Explosive Mouth 4 Galaxy Desert 5 Change 6 Nameless Wildness 7 Teenage Dream 8 Liquid Gang 9 Carsmile Smith and the Old One 10 You've Got to Jive to Stay Alive - Spanish Midnight 11 Interstellar Soul 12 Painless Persuasion V. The Meathawk Immaculate 13 The Avengers (Superbad) 14 The Leopards Featuring Gardenia and the Mighty Slug 15 The Groover 16 Truck On (Tyke) DISC 6 No. Track 1 Light of Love 2 Solid Baby 3 Precious Star 4 Token of My Love 5 Space Boss 6 Think Zinc 7 Till Dawn 8 Girl in the Thunderbolt Suit 9 I Really Love You Babe 10 Golden Belt 11 Zip Gun Boogie DISC 7 No. Track 1 Futuristic Dragon (Introduction) 2 Jupiter Liar 3 Chrome Sitar 4 All Alone 5 New York City 6 My Little Baby 7 Calling All Destroyers 8 Theme for a Dragon 9 Sensation Boulevard 10 Ride My Wheels 11 Dreamy Lady 12 Dawn Storm 13 Casual Agent 14 London Boys 15 Laser Love DISC 8 No. Track 1 Dandy in the Underworld 2 Crimson Moon 3 Universe 4 I'm a Fool for You Girl 5 I Love to Boogie 6 Visions of Domino 7 Jason B. Sad 8 Groove a Little 9 The Soul of My Suit 10 Hang-ups 11 Pain and Love 12 Teen Riot Structure 13 Celebrate Summer SOURCES Demon Records All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The definitive 2024 Blu-ray reissue of Ringo Starr’s 1972 film Born To Boogie, capturing Marc Bolan & T. Rex at the absolute peak of T. Rextasy. This restored edition includes the full motion picture, the legendary jam session with Ringo Starr and Elton John, the complete Matinee Show concert, and a wealth of bonus features. RELEASE / PUBLICATION DETAILS Artist: Marc Bolan & T. Rex Title: Born To Boogie – The Motion Picture Date: September 27, 2024 Label: Various (T.Rex / Demon / Cherry Red) Format / Type: Blu-ray Country: UK / Worldwide TRACK LIST / CONTENTS Main Feature: Born To Boogie – The Motion Picture (1972) Directed by Ringo Starr Bonus Features Original Theatrical Trailer The ‘Premier’ Version The Matinee Show (complete concert) Telegram Sam 2016 promo video Newspaper Cuttings Gallery Additional Extras Matinee Show Setlist (18th March 1972) Rosko’s Intro (Emperor Rosko) Cadillac Jeepster Baby Strange Spaceball Ricochet Girl Cosmic Dancer Telegram Sam Hot Love Get It On ‘Just One More?’ (Emperor Rosko) Summertime Blues THE STORY Filmed during the height of T. Rextasy in 1972, Born To Boogie blends concert footage from the Empire Pool, Wembley with surreal sequences, a star-studded jam session featuring Ringo Starr and Elton John, and a Mad Hatter’s tea party. This new Blu-ray restores the film and adds extensive extras for the ultimate archival presentation. CONTEXT & NOTES This edition includes a newly-designed O-card, 20-page booklet, and presents both the theatrical and Premier versions along with the full Matinee Show. It stands as the definitive visual document of Marc Bolan at his most charismatic and creative peak. PRODUCTION Directed by: Ringo Starr Produced by: Tony Visconti (music) WHAT THE SLEEVE SHOWS Front cover: Classic black & white film-strip style image of Marc Bolan riding a tiger statue, with bold red “T.REX BORN TO BOOGIE” title. Red box highlighting key features and “THE MOTION PICTURE” subtitle. Includes Blu-ray and region logos. PERSONNEL Marc Bolan – Vocals, Guitar Mickey Finn – Percussion, Vocals Steve Currie – Bass Bill Legend – Drums Guests: Ringo Starr, Elton John, and others PACKAGING / ARTWORK HIGHLIGHTS Newly-designed O-card slipcase 20-page booklet with liner notes and rare photos High-definition restoration All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Demon Music Group / Edsel Records will release a 2LP vinyl edition of T. Rex 1974-1977 on September 25, 2026, presenting a curated selection of highlights, previously unreleased rehearsal takes, and studio demos from Marc Bolan’s final creative period. Source: Demon Music Group / Edsel Records Date: September 25, 2026 Category: Reissue / Vinyl Release Subject: T. Rex – Later Catalogue (1974–1977) This 2LP black vinyl edition distills the essence of Marc Bolan’s adventurous later years, drawing from the albums Zinc Alloy and the Hidden Riders of Tomorrow, Bolan’s Zip Gun, Futuristic Dragon, and Dandy In The Underworld, while including choice unreleased rehearsal takes and studio demos. Presented in striking packaging with photography by Kevin Cummins, the set offers a focused listening experience of Bolan’s pioneering late-period work. KEY DETAILS 2LP black vinyl edition Curated selection of album highlights + unreleased rehearsal takes and studio demos Packaging features photography by Kevin Cummins Curated by T. Rex expert Martin Barden with mastering by Phil Kinrade at AIR Studios Companion to the 5CD deluxe box set and the larger 1970–1977 8LP box set CONTEXT AND NOTES The 2LP version of the Marc Bolan / T. Rex collection ‘1974-1977’ culls the cream from a plethora of previously unreleased rehearsal takes and studio demos, from arguably the most adventurous and pioneering period of Marc’s career. Lovingly mastered and curated from a stash of Marc’s own tapes unearthed towards the end of 2024, the recordings are a fascinating document of an artist brimming with renewed vim and creativity. They also document how Marc and his super-hot band kept the tapes rolling when recording all over the world, from London to the USA, to Germany and France and back to London. Included of course is I’m Dazed, the “lost” T. Rex single unearthed from those tape boxes in 2024. Remastered and released on cosmic yellow seven-inch on Marc’s birthday in 2025 (with a new take of Billy Super Duper on its B-side), it helped mark the occasion of Marc being awarded an official English Heritage Blue Plaque. The honour made him just one of 5 pop musicians to ever receive the accolade, alongside Freddie Mercury, John Lennon, Jimi Hendrix and Bob Marley. Two very different takes of I’m Dazed shimmer here: the 2025 single version remixed by Steven Wilson, and another, much slower take, led by languid drums, clavinet and piano. 74-77 comes in 2LP packaging with photography by Kevin Cummins, The set was curated for Demon by “T.Rexpert” Martin Barden and mastering undertaken by AIR Studios’ Phil Kinrade. Track Listings Disc: 1 1 Bolan's Zip Gun 2 I Really Love You Babe (Take 5) 3 All Alone (Working Version) 4 Calling All Destroyers (Working Version) 5 Savage Beethoven (Take 4) 6 Bust My Balls (Take 6) 7 I'm Dazed (Take 3) 8 Billy Super Duper (Warm Up) 9 Galaxy Wild (Take 2) 10 Damaged Suit (Take 5) 11 I Never Told You (Take 3) 12 Dreamy Lady (T.O.T.P. Take 3) Disc: 2 1 Ain't That a Shame (Take 9) 2 Funky London Childhood (Studio Take) 3 London Boys (Take 2) 4 We Love to Boogie (Take 4) [overdub] 5 I'm a Fool for Your Girl (Take 3) [with Overdubs] 6 20th Century Baby (Studio Take) 7 Hot George (Studio Take) 8 Universe (Take 3 Instrumental) 9 Write Me a Song (Studio Take - Short Edit) 10 Celebrate Summer (Studio Take - Edit 1) 11 Mellow Love (Studio Take - Short Edit) 12 I'm Dazed (Take 2) [Steven Wilson 2025 Mix] Demon Music Group / Edsel Records will release T. Rex 1974-1977, a 5CD deluxe box set on September 25, 2026, compiling Marc Bolan’s later studio albums and singles from this creative final phase of T. Rex’s career. The 5CD deluxe edition gathers the final studio albums — Zinc Alloy and the Hidden Riders of Tomorrow (1974), Bolan’s Zip Gun (1975), Futuristic Dragon (1976), and Dandy In The Underworld (1977) — plus a disc of late-period singles and B-sides. Housed in deluxe 7” packaging with a 24-page booklet, new sleeve notes, photography, and remastered audio, it celebrates Bolan’s evolution in his final years. KEY DETAILS 5CD deluxe box set dedicated to 1974–1977 material Includes four core studio albums + one disc of singles/B-sides Features remastered audio, original artwork reproductions, 24-page booklet, and new liner notes by Jude Rogers Curated by T. Rex expert Martin Barden with mastering by Phil Kinrade at AIR Studios Companion piece to the larger 1970-1977 8CD box set CONTEXT AND NOTES ‘1974-1977’ brings together 5 CDs absolutely bursting with music covering the most overlooked, but arguably most pioneering, period of Marc Bolan’s glittering career. It rounds up the final three T. Rex studio albums – Bolan’s Zip Gun, Futuristic Dragon and Dandy In The Underworld – and a string of 10 peerless late-period singles (and B-sides) that included New York City, Dreamy Lady, The Soul Of My Suit, and of course I Love To Boogie. Throughout the journey Marc’s restless muse and creative spark encompasses soul and R&B (Ride My Wheels, Dreamy Lady), excursions into proto-glam metal (Zip Gun Boogie, The London Boys) and nervy, spiky-sharp tracks (Think Zinc, Celebrate Summer) that nod towards the punk explosion happening in London during the period and upon which Marc had been such a pivotal influence. Excitingly, the set also includes two CDs hosting a plethora of previously unreleased rehearsal takes, lovingly mastered and curated from a stash of Marc’s own tapes unearthed towards the end of 2024. A fascinating record of an artist with renewed vim and creativity, they also document how Marc and his super-hot band kept the tapes rolling when recording all over the world, from London to the USA, to Germany and France and back to Manchester. Also included are the newly discovered complete recordings from 1977’s MARC Granada TV show. While the set of T. Rex classics performed on the show (Ride A White Swan, Hot Love, Jeepster and more) has been available before, they’d been taken from broadcast tapes and as such were of a vastly inferior quality - mono, with early fades and with added audience applause. Presumed lost for almost half a century, the discovery of the original full-length versions as laid down by T. Rex before they were mimed to in the show was a very pleasant shock. There’s also of course I’m Dazed, the “lost” T.Rex single unearthed from those very same tape boxes in 2024. Remastered and released on cosmic yellow seven-inch on Marc’s birthday in 2025 (with a new take of Billy Super Duper on its B-side), it also helped mark the occasion of Marc being awarded an official English Heritage Blue Plaque. The honour made him just one of 5 pop musicians to ever receive the accolade, alongside Freddie Mercury, John Lennon, Jimi Hendrix and Bob Marley. Two very different takes of I’m Dazed shimmer here: the 2025 single version remixed by Steven Wilson, and another, much slower take, led by languid drums, clavinet and piano. 74-77 comes in 7” Deluxe Packaging with a 24-page book including photography by Kevin Cummins, new sleeve notes by Jude Rogers, sleeve artwork and scans of those glittering studio tapes. The set was curated for Demon by “T.Rexpert” Martin Barden and mastering undertaken by AIR Studios’ Phil Kinrade. Track Listings Disc: 1 1 Light of Love 2 Solid Baby 3 Precious Star 4 Token of My Love 5 Space Boss 6 Think Zinc 7 Till Dawn 8 Girl in the Thunderbolt Suit 9 I Really Love You Babe 10 Golden Belt 11 Zip Gun Boogie Disc: 2 1 Futuristic Dragon (Introduction) 2 Jupiter Liar 3 Chrome Sitar 4 All Alone 5 New York City 6 My Little Baby 7 Calling All Destroyers 8 Theme for a Dragon 9 Sensation Boulevard 10 Ride My Wheels 11 Dreamy Lady 12 Dawn Storm 13 Casual Agent 14 Do You Wanna Dance 15 Dock of the Bay 16 London Boys 17 Laser Love 18 Life's an Elevator Disc: 3 1 Dandy in the Underworld 2 Crimson Moon 3 Universe 4 I'm a Fool for You Girl 5 I Love to Boogie 6 Visions of Domino 7 Jason B. Sad 8 Groove a Little 9 The Soul of My Suit 10 Hang-ups 11 Pain and Love 12 Teen Riot Structure 13 Dandy in the Underworld (Single Version) 14 Tame My Tiger 15 Celebrate Summer Disc: 4 1 Bolan's Zip Gun 2 Bolan's Zip Gun (Take 6) 3 I Really Love You Babe (Take 5) 4 Galaxy Wild (Take 2) 5 All Alone (Working Version) 6 Calling All Destroyers (Working Version) 7 Savage Beethoven (Take 4) 8 Bust My Balls (Take 6) 9 I'm Dazed (Take 3) 10 I'm Dazed (Take 2) [Steven Wilson 2025 Mix] 11 Billy Super Duper (Warm Up) 12 Damaged Suit (Take 3) 13 Damaged Suit (Take 5) 14 I Never Told You (Take 3) 15 Dreamy Lady (T.O.T.P. Take 2) [instrumental] 16 Dreamy Lady (T.O.T.P. Take 3) 17 Ain't That a Shame (Take 9) 18 Funky London Childhood (Studio Take) Disc: 5 1 London Boys (T.O.T.P. Take 2) 2 Universe (Take 3) [instrumental] 3 Teen Riot Structure (Studio Run Through) 4 We Love to Boogie (Take 1) 5 We Love to Boogie (Take 4) [overdub] 6 I'm a Fool for Your Girl (Take 1) 7 I'm a Fool for Your Girl (Take 3) [with Overdubs] 8 20th Century Baby (Studio Take) 9 Hot George (Studio Take) 10 Write Me a Song (Studio Take - Short Edit) 11 Mellow Love (Studio Take - Short Edit) 12 Celebrate Summer (Studio Take - Edit 1) 13 Write Me a Song (Studio Take) 14 Celebrate Summer (Studio Take With Overdubs Edit 2) 15 Mellow Love (Studio Take With Overdubs) 16 Jeepster 17 I Love to Boogie 18 Endless Sleep 19 Celebrate Summer 20 Ride a White Swan 21 Hot Love 22 New York City 23 Let's Dance 24 Groove a Little 25 Dandy in the Underworld (Instrumental)

This feature examines Marc Bolan's prospects in the United States as T. Rex continued its American campaign during 1972. The article considers whether Bolan's enormous popularity in Britain could be successfully translated to the American market and explores the challenges facing the glam rock star overseas Publication: Melody Maker Date: September 23, 1972 Country: United Kingdom The article, headlined "Will America learn to love Marc Bolan?", focuses on Marc Bolan's efforts to establish a major following in the United States. Written during a period when T. Rex had already achieved extraordinary success in Britain, the feature looks at the question of whether American audiences would embrace Bolan with the same enthusiasm. A large portrait photograph of Marc Bolan occupies the centre of the page, showing the T. Rex leader wearing dark sunglasses. The article discusses American reactions to Bolan and examines the opportunities and obstacles involved in breaking into the U.S. market. The feature presents Bolan as one of Britain's most significant contemporary rock stars while questioning whether his appeal would prove equally effective across the Atlantic. The page is structured as a substantial newspaper-style feature, with the portrait image serving as the visual focal point. The continuation notice at the bottom of the page indicates that the article continues on another page, suggesting an in-depth examination of Bolan's American prospects during a crucial stage of his career. CONTEXT AND NOTES By September 1972, Marc Bolan and T. Rex were among the dominant forces in British popular music. Success in America represented the next major challenge, and music publications closely followed the band's progress overseas. This feature captures that moment, reflecting industry interest in whether Bolan's distinctive image, music and popularity could be successfully exported to a wider international audience. The article's focus on America highlights the importance attached to the U.S. market during the glam rock era. FEATURE HIGHLIGHTS Event: Examination of Marc Bolan's prospects in the American music market Era: 1972 T. Rex American breakthrough period Tone: Analytical, observational and speculative Photography: Large portrait photograph of Marc Bolan wearing sunglasses WHAT THE CLIPPING SHOWS • Feature asking whether American audiences would embrace Marc Bolan • Discussion of T. Rex's United States campaign and growing exposure • Prominent portrait photograph of Marc Bolan as the centrepiece of the article All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This chart feature highlights Marc Bolan's continuing success in the pop charts, announcing that T. Rex had returned to the number one position with "Children Of The Revolution". The article credits Bolan with creating a revolution in pop music through his string of hit singles and predicts another extended stay at the top of the chart. Publication: Manchester Evening News Date: September 22, 1972 Country: England The "Top Ten" feature focuses on the week's leading chart entries and places Marc Bolan and T. Rex firmly at the top of the list. The accompanying introduction states that Bolan had "really created a revolution in pop" through his runaway single successes and notes that he had once again reached number one with "Children Of The Revolution". The article suggests that the record appeared set for a lengthy chart run, reinforcing Bolan's status as one of Britain's biggest pop stars. Immediately behind T. Rex in the chart is David Cassidy with "How Can I Be Sure", while the remainder of the top ten includes records by Slade, Faron Young, Lynsey de Paul, Rod Stewart, Roxy Music, The Drifters, The Sweet and Blackfoot Sue. The chart positions are printed alongside the previous week's placings, allowing readers to track the movement of each record. A photograph of Marc Bolan accompanies the feature, positioned beneath the chart listing. The image and accompanying caption identify him as "Marc Bolan of T Rex," further emphasising the artist's prominence as the chart's leading act during the week covered by the article. CONTEXT AND NOTES The clipping captures T. Rex at a peak moment of commercial success during the glam rock era. Rather than providing a review or interview, the feature serves as a snapshot of chart performance and public popularity, demonstrating the strength of Bolan's presence in the UK singles market. The article's opening comments reflect the influence attributed to Marc Bolan at the time, linking his chart achievements with broader changes in contemporary pop music. The combination of a number one entry, celebratory commentary and a portrait photograph presents Bolan as the dominant figure within this week's chart countdown. FEATURE HIGHLIGHTS Event: T. Rex reaches number one with "Children Of The Revolution" Era: 1972 glam rock era Tone: Celebratory and chart-focused Photography: Portrait photograph of Marc Bolan accompanying the chart listing WHAT THE CLIPPING SHOWS • T. Rex at number one with "Children Of The Revolution" • Commentary praising Marc Bolan's impact on pop music • A chart countdown featuring the week's top ten singles and a photograph of Marc Bolan All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A special fundraising event in support of the Marc Bolan School of Music & Film has been announced for Thursday October 15, 2026 at The Camden Club, London. The charity evening is being staged to raise money for the school and will feature a programme of live performances, a charity auction and guest appearances from a range of artists and performers. EVENT DETAILS Venue: The Camden Club, LondonDate: Thursday October 15, 2026Doors: 7:00pmStart Time: 7:30pmAge Restriction: 18 and over EVENT INFORMATION According to the event listing, the fundraiser will include a charity auction alongside live performances from several artists and groups. The announced line-up includes: Royal Exchange Deejays Paul Simonon of The Clash Lenny Zakatek (Gonzales) The Ritualists (New York City) The Tranquilizers Wayne Avril (Acoustic) The evening will also feature an appearance by host Miss Gloria Jones, celebrated by organisers as the "Queen Of Northern Soul". TICKETS General admission tickets have been listed at: Ticket Price: £30.00 Booking Fee: £3.00 Total Price: £33.00 Tickets were shown as available at the time of the event listing. SIGNIFICANCE The event continues efforts to raise awareness and support for the Marc Bolan School of Music & Film, an educational project carrying forward the legacy of Marc Bolan, the iconic T. Rex frontman and one of the most influential figures of the glam rock era. Bringing together artists from a variety of musical backgrounds, the fundraiser aims to generate financial support for the school's ongoing activities while celebrating Bolan's enduring cultural influence. NOTES The information above is based on the published event listing for the London Boys Calling fundraising concert. Participation, schedules and appearances are subject to change by the event organisers. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This New Musical Express double‑page feature from September 20 1997 marks the twentieth anniversary of Marc Bolan’s death, celebrating his legacy as the flamboyant pioneer of glam rock. The article revisits Bolan’s influence on music, style, and sexuality, featuring tributes from artists such as Bono and Morrissey. Publication: New Musical Express Date: September 20, 1997 Country: United Kingdom The spread opens with a bold “20th Anniversary” banner and a large color photograph of Bolan with Mickey Finn, symbolizing the peak of T. Rex’s glam‑rock era. The article recounts Bolan’s rise from the psychedelic folk beginnings of Tyrannosaurus Rex to his transformation into a glitter‑clad superstar. Quotes from fellow musicians highlight his enduring impact: Bono praises Bolan’s “understated abandon,” while Morrissey recalls how Bolan’s “indeterminate gender excited me because it annoyed so many.” The piece explores Bolan’s charisma, his playful approach to fame, and his role in shaping the glam movement alongside David Bowie. A second page titled “Boy” delves into Bolan’s personality and provocative humor, including his own quote: “I’m bisexual, but I believe I’m heterosexual, ’cos I definitely like boobs.” CONTEXT AND NOTES Published twenty years after Bolan’s death, this NME tribute situates him as a lasting icon of British pop culture. It reflects the 1990s revival of glam rock appreciation and the continued fascination with Bolan’s blend of sensuality, wit, and musical innovation. The feature’s tone is affectionate yet analytical, reaffirming his place among rock’s most distinctive figures. FEATURE HIGHLIGHTS Event: 20th‑anniversary tribute to Marc Bolan Era: 1997 – Posthumous Legacy  Glam Rock Reappraisal Tone: Reflective, celebratory, and candid Photography: Color and monochrome portraits of Bolan and Mickey Finn, plus inset archival images WHAT THE CLIPPING SHOWS NME’s twentieth‑anniversary tribute to Marc Bolan Quotes from Bono, Morrissey, and Bolan himself Retrospective timeline of ten key career moments All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

On September 19 1970, a muddy field in Somerset’s Worthy Farm became the birthplace of the Glastonbury Festival. When headliners The Kinks and Wayne Fontana & the Mindbenders pulled out, Tyrannosaurus Rex, led by Marc Bolan, stepped in and delivered a psychedelic performance that transformed a small local  event into a legendary moment in music history. Publication: Festival Chronicle Date: September 19, 1970 Country: United Kingdom On September 19, 1970, Worthy Farm hosted the first Pilton Pop, Blues & Folk Festival. Around 1,500 people gathered for £1 entry, free milk, camping, and a peaceful hippie atmosphere. The event coincided with news of Jimi Hendrix’s death, marked by a minute’s silence. Originally headlined by The Kinks and Wayne Fontana & the Mindbenders, both acts cancelled. Tyrannosaurus Rex — Marc Bolan and Mickey Finn — stepped in as last‑minute headliners. Still a psychedelic folk duo, they arrived in a velvet‑covered Buick and performed after midnight. Their acoustic, bongo‑driven set likely included early favourites such as “Debora,” “Hot Rod Mama,” and “By the Light of a Magical Moon.” Eyewitnesses described the performance as a highlight, with Bolan’s charisma captivating the small crowd. Weeks later, Bolan would release “Ride a White Swan,” beginning the transition from Tyrannosaurus Rex to T. Rex and the glam‑rock era. This Glastonbury appearance became a final moment of their folk period and a key part of the festival’s origin story. CONTEXT AND NOTES Michael Eavis paid Bolan £100 in milk‑profit instalments, reflecting the festival’s grassroots nature. The peaceful, communal atmosphere and eclectic lineup helped shape Glastonbury’s future identity. Tyrannosaurus Rex’s appearance proved that even a tiny “mini‑festival” could attract major talent and leave a lasting mark. Western Daily Press and Times and Mirror Bristol, Avon, England · Monday, September 21, 1970 FEATURE HIGHLIGHTS Event: First Glastonbury Festival appearance by Tyrannosaurus Rex Era: 1970 – Psychedelic Folk / Pre‑Glam Transition Tone: Nostalgic, vivid, and celebratory Photography: Descriptions only; no surviving official images WHAT THE CLIPPING SHOWS Tyrannosaurus Rex stepping in as last‑minute headliners A small, peaceful festival with 1,500 attendees A midnight psychedelic folk performance remembered as a highlight The Cheddar Valley Gazette, Isle of Wedmore and Mendip Journal Wells, Somerset, England · Friday, September 18, 1970 “They said that if we had advertised the replacement groups — Sam Apple Pie, Tyrannosaurus Rex and Quintessence — we would have had 20,000 here.” All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on 17 September 1976, Laser Love arrived during T. Rex’s late‑era period, issued on the T. Rex Wax Co. label. Neither track appeared on an official LP during the band’s lifetime, though both were later included on deluxe CD reissues of Futuristic Dragon. The single spent four weeks on the UK chart, peaking at number 41. Music historian Simon Reynolds described Laser Love as a “proto‑punky” highlight of the era, calling it an “undeserved flop.” RECORDING Written and produced by Marc Bolan, the single reflects his mid‑1970s shift toward sharper, leaner rock textures. The T. Rex Wax Co. imprint marked Bolan’s increasing independence in production and release control. STYLE & THEMES The A‑side delivers tight, fast, electric rock with a proto‑punk edge. The B‑side, Life’s An Elevator, offers a companion track with the same late‑period immediacy and melodic directness. TRACK‑BY‑TRACK NOTES • Laser Love — A brisk, electric track with a proto‑punk feel, showcasing Bolan’s late‑period songwriting. • Life’s An Elevator — A melodic, driving B‑side from the same sessions, later included on Futuristic Dragon deluxe editions. Label: Ariola Country: Germany Catalogue: 17 382 AT Date: Nov 1976 RELEASE HISTORY Released 17 September 1976 in the UK as a 7" single on T. Rex Wax Co. Catalogue MARC 15. Charted for four weeks, peaking at number 41. Later reissued in multiple territories. CHARTS & CERTIFICATIONS UK Singles Chart — #41 Entered: September 1976 Total weeks: 4 Artist: T. Rex Title: Laser Love Label: T. Rex Wax Co. Country: United Kingdom Catalogue: MARC 15 Date: September 17, 1976 Format: 7" Single Tracklist (7"): A — Laser Love B — Life’s An Elevator Notes: Neither track appeared on an official LP during the band’s lifetime. Later added to Futuristic Dragon deluxe editions. LINKED RELEASES Country Release Label Year Australia Laser Love – 7" T. Rex 1976 Germany Laser Love – 7" Ariola 1976 Ireland Laser Love – 7" T. Rex 1976 South Africa Laser Love – 7" T. Rex 1976 UK Laser Love – 7" Edsel 2015 Evening Herald Dublin, Dublin, Ireland · Wednesday, September 22, 1976 Dorset Evening Echo Weymouth, Dorset, England · Wednesday, September 29, 1976 SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on 11 September 1981, this Cherry Red 7" single presents Marc Bolan’s posthumous track You Scare Me To Death, drawn from 1966 demos later enhanced with newly recorded backing instrumentals. Issued four years after Bolan’s passing, the single formed part of Cherry Red’s album project of the same name, compiling early outtakes and songwriting experiments from Bolan’s pre‑Tyrannosaurus Rex period. The single reached number 51 on the UK chart and early pressings included an interview flexidisc. Both tracks originate from Bolan’s 1966 demo recordings. In 1981, producer Simon Napier‑Bell added new instrumentation and arrangements to Bolan’s original vocals and acoustic guitar. The B‑side, The Perfumed Garden Of Gulliver Smith, also stems from these early sessions. STYLE & THEMES The A‑side blends Bolan’s youthful, quirky vocal delivery with a newly constructed 1981 backing track. The B‑side retains the same era’s lyrical eccentricity and acoustic roots, expanded with added production. TRACK‑BY‑TRACK NOTES • You Scare Me To Death — A 1966 demo rebuilt with 1981 instrumentation, showcasing Bolan’s early songwriting tone. • The Perfumed Garden Of Gulliver Smith — Another 1966 composition, later enhanced with new production for Cherry Red’s posthumous release. Initial pressings included an interview flexidisc. The single reached number 51 on the UK chart. Issued as part of the You Scare Me To Death posthumous album campaign. PERSONNEL Marc Bolan — vocals, acoustic guitar Simon Napier‑Bell — production, arrangement Artist: Marc Bolan Title: You Scare Me To Death Label: Cherry Red Country: United Kingdom Catalogue: CHERRY 29 Date: September 11, 1981 Format: 7" Single Tracklist (7"): A — You Scare Me To Death B — The Perfumed Garden Of Gulliver Smith Notes: Initial pressing included interview flexidisc. Posthumous release based on 1966 demos with 1981 overdubs. RECORDS LTD 53, KENSINGTON GARDENS SQUARE, LONDON W2 4BA. Tel: 01229 8854/5.. MARO POLANA NEW SINGLE, ALBUM AND BIOGRAPHY There was never anyone more sure of himself or directly to the point than Mare Bolan. In 1966 he got hold of my home number and called me up. "I'm a singer and I'm going to be the biggest British rockstar ever, so I need a good manager to make all the arrangements." I told him to send a tape to the office, but he said he just happened to be near where I lived. Could he drop it in? Ten minutes later he rang the bell and walked through the door with a guitar around his neck. He said, "To tell the truth, I don't have a tape, but I could sing for you right now." He was dressed in Dickensian street-urchin clothes, about five-foot-two with a mop of black curly hair, and unlike most mall people he was delighted with his sise. He played down to it. To further diminish himself he chose the biggest armchair and sat in it cross-legged. He put a capo on the neck of his guitar and said, "I don't play guitar too well but the songs are fantastic. You're going to love them." He wasn't boasting or being immodest. To him the songs really were amazing and exciting. The fact that he'd found them inside himself rather than lying around lost in the street was no reason to lessen the praise he gave them. He didn't think of them as specifically his. He just happened to have come across them and he wanted to share them with everyone. But he never did Because, one way or another, although I did become his manager and recorded all those early songs just as he'd played them to me, they never got properly finished, and they spent the next fifteen years in a cellar full of mildewing tapes. Then, ten weeks ago, I suddenly decided to make the album with Maro that I'd always wanted to make, so I searched out the tape of those original songs and went off to the recording studios. I tried to imagine myself in exactly the creative state of mind that Maro would be in if he were still alive today. He'd be contemporary. He'd be a perfectionist, but he'd still want that rough edge of vitality in everything. He'd know recording techniques from the past and would want to make use of them, but not to the detriment of natural atmosphere and spontaneity During the time I was making this new album, I listened a lot to his other albums, and by the time I'd finished, there was so much Bolan swirling around in my head that I decided I should finish off the project by coupling the record with a book. So I got together with music-business journalist Chris Welch, and together we are producing a definitive biography. Not one of those quickly knocked-out sulogies of top-ten stars, but a properly researched story of Marc's life, both private and public, and an appraisal of his importance in the history of popular music. SIMON NAPIER-BELL, August 1981 The single "You Soare Me To Death" is now released on Cherry Red Records (Cherry 29), and the first 20,000 copies come with a limited edition flexi-disc featuring Marc talking about famous people. The album and book will follow together as a package in October P.R. by Connie Filippello, Connie Filippello Ltd. 45/53 Sinclair Rd. London W14 Director: Lain McNay SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on 8 September 1972, Children of the Revolution marked a pivotal moment in T. Rex’s chart history. Written by Marc Bolan and produced by Tony Visconti, the single reached No. 2 on the UK Singles Chart, breaking the band’s run of four consecutive official No. 1 hits. It nevertheless topped both the Melody Maker and New Musical Express charts, becoming the last T. Rex single to do so. The release did not appear on a regular studio album but became one of the band’s most iconic stand‑alone singles RECORDING A twelve‑minute rehearsal jam was first recorded on 31 March 1972 at Rosenberg Studios, Copenhagen, during sessions for The Slider. A second version was filmed at Apple Studios on 6 April 1972 for Born to Boogie, featuring Elton John on piano and Ringo Starr on drums. The single version was completed in August 1972 during early Tanx sessions and mixed at AIR Studios before release. Backing vocals on the rehearsal version were provided by Flo & Eddie. STYLE & THEMES The A‑side delivers Bolan’s signature glam‑rock swagger with heavier instrumentation than previous singles. The B‑sides, Jitterbug Love and Sunken Rags, expand the single into a three‑track maxi format, blending romantic imagery and electric energy typical of Bolan’s 1972 sound. TRACK‑BY‑TRACK NOTES • Children of the Revolution — A driving glam‑rock anthem recorded during Tanx sessions, featuring Bolan’s confident vocal and Visconti’s layered production. • Jitterbug Love — Initially tracked at Château d’Hérouville on 2 August 1972; final instrumentation added at AIR Studios on 11 August. • Sunken Rags — Recorded at Rosenberg Studios in March 1972; an earlier acoustic demo appeared on the Glastonbury Fayre compilation. RELEASE HISTORY Released 8 September 1972 in the UK as a 7" vinyl single on T. Rex / EMI. Catalogue number MARC 2. Reached No. 2 on the UK Singles Chart. Topped Melody Maker and NME charts. Issued internationally across multiple territories. CHARTS & CERTIFICATIONS • UK Singles Chart — Peak 2 • Ireland — Peak 1 • Germany — Peak 4 • Austria — Peak 7 • Australia — Peak 11 (Go‑Set) / 13 (Kent Report) • Spain — Peak 14 • France — Peak 34 Japan - T. Rex - 1972 Artist: T. Rex Title: Children of the Revolution Label: T. Rex / EMI Country: United Kingdom Catalogue: MARC 2 Date: September 8, 1972 Format: 7" Single  Tracklist (7"): A1 — Children of the Revolution B1 — Jitterbug Love B2 — Sunken Rags Notes: A stripped‑down demo of Sunken Rags appeared earlier on Glastonbury Fayre (1972). Norway - T. Rex - 1972 Linked Releases • Children of the Revolution — Australia 7" — T. Rex — 1972 • Children of the Revolution — Belgium 7" — T. Rex — 1972 • Children of the Revolution — Brazil 7" — T. Rex — 1972 • Children of the Revolution — Denmark 7" — T. Rex — 1972 • Children of the Revolution — Finland 7" — T. Rex — 1972 • Children of the Revolution — Greece 7" — T. Rex — 1972 Belgium - T. Rex - 1972 • Children of the Revolution — India 7" — Stateside — 1972 • Children of the Revolution — Ireland 7" — T. Rex — 1972 • Children of the Revolution — Israel 7" — T. Rex — 1972 • Children of the Revolution — Italy 7" — T. Rex — 1972 • Children of the Revolution — Japan 7" — T. Rex — 1972 • Children of the Revolution — Mexico 7" — Capitol — 1972 • Children of the Revolution — New Zealand 7" — T. Rex — 1972 • Children of the Revolution — Norway 7" — T. Rex — 1972 SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This New Musical Express issue from September 24 1977 commemorates Marc Bolan following his death, with a front‑page dedication and a full‑page tribute titled “Rock and Roll Heart.” The coverage honors Bolan’s life, artistry, and influence as one of Britain’s most charismatic and original rock stars. Publication: New Musical Express Date: September 24, 1977 Country: United Kingdom The front cover features a black diagonal memorial box reading “Marc Bolan 1947–1977,” marking his passing. Inside, the tribute article “Rock and Roll Heart” by Roy Carr reflects on Bolan’s career from his early days with Tyrannosaurus Rex to his transformation into the glittering frontman of T. Rex. A large monochrome photograph shows Bolan seated cross‑legged on a sofa, exuding his trademark confidence and style. The accompanying text describes his musical evolution, his pioneering role in glam rock, and his enduring charm. A smaller inset section by Paul Morley recounts the circumstances of his death and celebrates his legacy. The issue also includes a full‑page memorial advertisement from EMI, spotlighting Bolan’s name under a symbolic beam of light with the words: “For ten years Marc was one of the  original stars of the rock scene.  He rode the charts with humour and style.” FEATURE HIGHLIGHTS Event: Memorial issue following Marc  Bolan’s  death Era: 1977 – Posthumous Tribute / Glam Rock Legacy Tone: Respectful, reflective, and heartfelt Photography: Black‑and‑white portraits of Bolan, including a seated studio shot and career montage WHAT THE CLIPPING SHOWS NME front cover with Marc Bolan memorial banner Full‑page tribute article “Rock and Roll Heart” by Roy Carr EMI spotlight memorial page honoring Bolan’s contribution to rock CONTEXT AND NOTES Published just days after Bolan’s fatal car crash, this NME edition stands as one of the most significant early tributes to his memory. It captures the shock and admiration felt across the music world, recognizing Bolan’s wit, flamboyance, and innovation. The minimalist EMI spotlight page serves as a poignant visual farewell to a performer who defined an era. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Issued on September 6, 2019, this limited‑edition red vinyl single presents two alternative versions from the Electric Warrior era. Released as part of Easy Action Records’ ongoing T. Rex archival programme, the single highlights previously unavailable mixes that offer a deeper look into Marc Bolan’s creative process. With only 500 copies pressed, it stands as a highly collectible item for fans and completists. RECORDING Both tracks originate from the Electric Warrior sessions, presented here in alternative versions that reveal different production choices and performance nuances. These mixes provide insight into Bolan’s studio experimentation during one of his most influential periods. STYLE & THEMES The A‑side revisits Get It On with an alternate arrangement that emphasises the raw, evolving texture of the track. The B‑side, Rip Off, appears in an alternative form that showcases the heavier, more chaotic edge of Bolan’s glam‑rock sound. TRACK‑BY‑TRACK NOTES • Get It On (Alternative Version) — An archival alternate mix offering a fresh perspective on one of Bolan’s most iconic tracks. • Rip Off (Alternative Version) — A different take on the Electric Warrior album closer, highlighting the track’s raw energy. RELEASE HISTORY Released September 6, 2019 in the UK as a limited edition red 7" vinyl single. Catalogue number EA45043. Limited to 500 copies. Part of Easy Action Records’ T. Rex archival series. Artist: T. Rex Title: Get It On (Alternative Version) Label: Easy Action Records Country: United Kingdom Catalogue: EA45043 Date: September 6, 2019 Format: 7" Single (Limited Edition Red Vinyl) Tracklist (7"): A — Get It On (Alternative Version) B — Rip Off (Alternative Version) Notes: A limited edition red vinyl pressing of 500 copies. Part of Easy Action Records’ T. Rex archival programme. SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A warm, in-depth profile in The Mail (September 6, 1977) featuring Marc Bolan discussing his upcoming role as Rudolph Valentino in Ken Russell’s film, his life story, rise to fame with T. Rex, and reflections on his journey from childhood to superstardom. Publication: The Mail (Millom and South Copeland edition) Date: September 6, 1977 Country: United Kingdom Section: Entertainment / TV Personality Feature The article presents Marc Bolan as a natural star, covering his early life as Mark Feld, his path to fame with T. Rex, and his excitement about playing Valentino in Ken Russell’s film. Bolan reflects on his mother’s influence, his chameleon-like career, and his confidence in his own destiny. Published on September 6, 1977 — this feature captures him at a reflective and optimistic moment, discussing his acting ambitions and enduring star quality. It serves as one of the final major profiles of Bolan during his lifetime. FEATURE HIGHLIGHTS Event: In-depth career & film role interview Era: 1977 (Late T. Rex / film ambitions period) Tone: Admiring, personal, forward-looking Photography: Striking portrait of Marc Bolan WHAT THE CLIPPING SHOWS Bold headline “ALWAYS KNEW HE'D BE A STAR” with a prominent photo of Marc Bolan. Detailed interview text by Miriam Maisel exploring his background, film role, and personality. Classic 1977 local newspaper entertainment layout. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Daily News article from September 1972 announces the reopening of New York’s Academy of Music as a major concert venue, with T. Rex headlining the inaugural show on September 14 alongside Argent and the Doobie Brothers. The piece highlights the revival of the city’s live‑music scene following the closure of the Fillmore East. Publication: Daily News Date: September 5 1972 Country: United States The article explains that since the Fillmore East closed, New York’s pop‑music scene had been searching for a new home. Promoter Howard Stein, known for his work across the tri‑state area, announced plans to base his operations at the Academy of Music on East 14th Street — formerly the home of the Metropolitan Opera before its move uptown. Stein’s renovated 3,400‑seat venue was set to host a series of concerts throughout the autumn, with T. Rex, Argent, and The Doobie Brothers opening the season on Thursday, September 14. The article notes that Stein had repainted and recarpeted the interior, added ramps leading from the stage to the audience, and installed footlights along the center ramp to enhance the theatrical atmosphere. The announcement positions T. Rex as the star attraction for the venue’s relaunch, reflecting their growing popularity in the U.S. following the success of The Slider and their earlier hit Bang a Gong (Get It On). CONTEXT AND NOTES By late 1972, T. Rex were at the height of their American fame, touring in support of The Slider. Their appearance at the Academy of Music marked a significant moment in New York’s concert history, as the venue became a new hub for rock performances after the Fillmore’s closure. The article captures the transition of the city’s live‑music landscape — from the psychedelic era of the late ’60s to the glam‑rock energy of the early ’70s — with Bolan’s theatrical style perfectly suited to the refurbished opera house setting. FEATURE HIGHLIGHTS Event: Opening concert at the Academy of Music featuring T. Rex, Argent, and The Doobie Brothers Era: 1972 – The Slider Tour / U.S. Glam Rock Peak Tone: Informative, anticipatory, and cultural Photography: None included; text‑only venue announcement WHAT THE CLIPPING SHOWS Announcement of the Academy of Music’s reopening as a concert venue T. Rex headlining the opening show on September 14 1972 Details of venue renovations and upcoming concert series All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Melody Maker clipping from September 4 1971 features a striking monochrome photograph of Marc Bolan performing live, captured in the midst of his early‑1970s T. Rex era. The image, printed in halftone style, highlights Bolan’s distinctive curls and his close connection with the guitar — a defining symbol of his glam‑rock transformation. Publication: Melody Maker Date: 4 September 1971 Country: United Kingdom The photograph shows Bolan in a moment of concentration, his face partially shadowed as he plays a white electric guitar. The textured print evokes the raw energy of live performance, emphasizing the intimacy between artist and instrument. His attire — patterned shirt beneath a dark jacket — reflects the transitional period between his folk‑rock beginnings and the glittering flamboyance that would soon define Electric Warrior. Appearing on page 22 of Melody Maker, the image likely accompanied coverage of T. Rex’s growing success following their chart‑topping singles Hot Love and Get It On. The publication’s choice to feature Bolan in such a focused portrait underscores his rising status as Britain’s new rock idol. CONTEXT AND NOTES By September 1971, Bolan had fully embraced electric glam, steering T. Rex from psychedelic folk into mainstream stardom. Melody Maker was among the first major outlets to chronicle this metamorphosis, capturing Bolan’s charisma and musical precision. The minimalist composition of the photo — spotlight, curls, and guitar — mirrors the simplicity and power of his new sound. This image stands as a visual prelude to the Electric Warrior era, marking Bolan’s ascent as both musician and cultural icon. FEATURE HIGHLIGHTS Event: Melody Maker live performance portrait of Marc Bolan Era: 1971 – Early T. Rex / Electric Warrior Era Tone: Intimate, focused, and transitional Photography: Halftone monochrome image emphasizing Bolan’s silhouette and guitar WHAT THE CLIPPING SHOWS Monochrome photograph of Marc Bolan performing live Printed halftone texture typical of early‑1970s music press Page 22 header confirming Melody Maker, September 4 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A detailed newspaper profile from the Evening Sentinel dated 30 September 1967, capturing John Peel at the pivotal moment of his transition from pirate radio to the BBC. John Peel – Evening Sentinel feature on Perfumed Garden and BBC Radio 1 transition, 30 September 1967. SOURCE DETAILS Publication: Evening Sentinel Date: 30 September 1967 Country: United Kingdom Section / Pages: Page 4 / Music Feature Title: John Peel’s Garden May Bloom Once More Author: Alan Jones THE STORY This Evening Sentinel feature profiles Liverpool-born DJ John Peel as he moves from his cult pirate-radio show The Perfumed Garden to BBC Radio 1. The article follows his announcement as co-host of the new Sunday afternoon programme Top Gear with Pete Drummond, portraying Peel as a thoughtful, self-deprecating figure deeply respected for championing underground and progressive music. CONTEXT AND NOTES In late 1967, the BBC had just launched Radio 1 to compete with the pirate stations. John Peel, already a hero of the underground scene through his free-form late-night broadcasts, was one of the key figures brought in to lend credibility and freshness to the new station. The piece reflects the cultural shift as pirate-era innovation began influencing mainstream British broadcasting. FEATURE HIGHLIGHTS Event: John Peel profile on his BBC Radio 1 debut Era: 1967 – Pirate radio to BBC transition Tone: Reflective, personal and insightful Photography: Portrait of John Peel seated in jacket and tie, plus a small adjacent photo of Dick Van Dyke Audience: General newspaper readers and music fans in the Midlands and beyond WHAT THE CLIPPING SHOWS A full-page feature with a large headline “JOHN PEEL’S GARDEN MAY BLOOM ONCE MORE”, a prominent photograph of Peel, and extensive text detailing his career and views. The layout also includes “This Week’s Top Ten” chart (featuring Engelbert Humperdinck, The Move, Small Faces etc.) and typical 1960s newspaper columns, perfectly illustrating the era when underground music was entering mainstream media. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Electric Warrior was T. Rex's breakthrough album and the release that propelled Marc Bolan and the group to international prominence during 1971. Widely regarded as one of the defining albums of the glam rock era, it established the musical and visual template that would become synonymous with "T. Rextasy". This limited Japanese edition has been issued as part of Universal Music Japan's reissue programme and presents the album in a collector-focused configuration. The release recreates the original Japanese LP presentation while preserving the distinctive packaging style associated with historic Japanese pressings. Featuring classic recordings including Get It On, Jeepster and Cosmic Dancer, the album remains one of the most celebrated works in the T. Rex catalogue. RECORDING The original album was recorded during 1971 and became the release that transformed T. Rex from a successful British act into an international phenomenon. For this Japanese reissue, the album has been cut at Abbey Road Studios and manufactured as a limited-edition vinyl release. STYLE & THEMES Electric Warrior combines rock and glam influences with acoustic textures, electric guitar-driven arrangements and distinctive songwriting. The album balances commercial appeal with imaginative lyrical themes and remains one of the landmark recordings of the early 1970s. Songs such as Get It On, Jeepster and Cosmic Dancer helped define the glam-rock movement and continue to represent some of Marc Bolan's most enduring work. TRACK-BY-TRACK NOTES • Mambo Sun — Opening track of the album. • Get It On — One of T. Rex's signature recordings. • Cosmic Dancer — Among the most celebrated songs in the catalogue. • Planet Queen — Featured on the original album. • Jeepster — One of the defining T. Rex recordings. • Girl — Opens the second side. • Monolith — Included on the original release. • The Motivator — Featured within the original running order. • Lean Woman Blues — One of the album's blues-influenced compositions. • Life's A Gas — A key recording from the sessions. • Rip Off — Closing track of the album. RELEASE HISTORY Originally released in 1971, Electric Warrior became the album that established T. Rex as major international stars. This Japanese limited-edition vinyl reissue was released on August 26, 2026. The album has been cut at Abbey Road Studios and packaged with a recreation of the original Japanese obi design. The release also includes liner notes, lyrics and Japanese translations aimed at collectors and enthusiasts of Japanese vinyl editions. PRODUCTION Cut at Abbey Road Studios Label: A&M Records Label: Universal Catalogue Number: UIJY-75398 Series: Rock Now RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex Electric Warrior A&M Records / Universal Japan UIJY-75398 August 26, 2026 LP, Album, Limited Edition, Reissue TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP Limited Edition NOTES • Japan-only limited edition release. • Cut at Abbey Road Studios. • Recreates the original Japanese LP obi design. • Includes liner notes. • Includes lyrics with Japanese translations. • Collector-focused Japanese pressing. • Part of the Rock Now series. • Barcode: 4988031890011. RELATED RELEASES • Get It On • Jeepster • Cosmic Dancer • Electric Warrior UIJY-75398 A1. Mambo Sun A2. Get It On A3. Cosmic Dancer A4. Planet Queen A5. Jeepster B1. Girl B2. Monolith B3. The Motivator B4. Lean Woman Blues B5. Life's A Gas B6. Rip Off SOURCES ES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.