This NME feature examines T. Rex's growing impact in the United States during the band's 1972 tour. Written by Mitch Cohen from New York, the article looks at audience reactions, the group's expanding popularity and the efforts being made to establish T. Rex as a major force in the American music market. Publication: New Musical Express (NME)Date: September 23, 1972Country: United Kingdom The article, headlined "T. Rex Is America", is presented as a report from New York by Mi

This entertainment listings clipping promotes a T. Rex concert at The Warehouse in New Orleans, highlighting Marc Bolan and his group as England's hottest rock 'n' roll band. The brief notice advertises the appearance alongside The Doobie Brothers and predicts an enthusiastic audience response. Publication: Vieux Carre Courier Date: September 22, 1972 Country: United States THE STORY The clipping appears within an entertainment events listing and announces a concert taking pl

This newspaper report covers events surrounding a T. Rex concert at the Bayfront Center in St. Petersburg, Florida. The article explains how promoters responded to concerns over possible gate crashers by allowing approximately 200 people free admission, while additional police presence at the venue resulted in several arrests on various charges during the evening.. Publication: St. Petersburg Times Date: September 22, 1972 Country: United States The article reports on a T. Re

This chart feature highlights Marc Bolan's continuing success in the pop charts, announcing that T. Rex had returned to the number one position with "Children Of The Revolution". The article credits Bolan with creating a revolution in pop music through his string of hit singles and predicts another extended stay at the top of the chart. Publication: Manchester Evening News Date: September 22, 1972 Country: England The "Top Ten" feature focuses on the week's leading chart entr

This newspaper report covers events surrounding a T. Rex concert at the Bayfront Center in St. Petersburg, Florida. According to the article, concert promoters allowed approximately 200 people free admission in an effort to prevent potential disruption from individuals gathered outside the venue, while police activity during the evening resulted in several arrests. Publication: St. Petersburg Times Date: September 21, 1972 Country: United States The article reports on securit

A concert review from The Tampa Times examines a T. Rex performance at the St. Petersburg Bayfront Center, focusing on technical problems, excessive volume, and audience frustration. While the article acknowledges Marc Bolan's popularity and stage presence, it concludes that sound issues significantly affected the show's overall impact. Publication: The Tampa Times Date: September 21, 1972 Country: United States The article, written by Steven Fox for The Tampa Times, reviews

This Brainerd Dispatch Q&A column from September 19 1972 answers a reader’s question about the origin of the band name T. Rex, offering a mix of factual background and colorful commentary on Marc Bolan’s persona and fame. Publication: The Brainerd Dispatch / The Brainerd Daily Dispatch Date: September 19 1972 Country: United States Responding to a query from Baton Rouge, Louisiana, the column explains that T. Rex began as Tyrannosaurus Rex in the late 1960s before electrifyin

This Atlanta Constitution article from September 17 1972 previews upcoming concerts in Atlanta, highlighting T. Rex’s first engagement in the city alongside the Chi‑Lites. The piece introduces Marc Bolan’s band to local readers as a rising British rock phenomenon poised to captivate American audiences. Publication: The Atlanta Constitution Date: September 17 1972 Country: United States Written by Scott Cain, the article announces T. Rex’s headline performance at the Municipal

This Melody Maker full‑page advertisement from September 16 1972 announces the release of T. Rex’s new maxi‑single “Children of the Revolution.” The striking design features Marc Bolan in full glam‑rock glory, captured mid‑performance with his guitar, accompanied by bold red and black typography quoting the song’s opening lyrics. The advertisement promotes the single’s release on EMI (MARC 2), highlighting Bolan’s charismatic image and the rebellious spirit of the track. The

This Boston Globe concert review from September 13 1972 captures T. Rex’s explosive performance at the Aquarius Theater in Boston. Written by Ray Murphy, the article describes Marc Bolan’s flamboyant stage presence and the band’s thunderous sound that nearly “blew down the walls” of the venue. Publication: The Boston Globe Date: September 13 1972 Country: United States The review portrays Bolan as both poet and showman, blending theatrical flair with raw rock intensity. Onsta