This extensive album review examines T. Rex and The Slider during the height of Marc Bolan's success. Writer David Sterritt concentrates on Bolan's distinctive songwriting, imagery and electric sound, presenting T. Rex as music built around fantasy, deliberately unusual language and the powerful pull of amplified guitars. Publication: Salisbury Evening Post Date: November 30, 1972 Country: United States Written by David Sterritt of the Christian Science Monitor News Service,

This substantial Daily Record feature by Deborah Thomas catches Marc Bolan at the height of T. Rex success but reveals the intense pressures behind the phenomenon. Bolan discusses constant autograph demands, the physical strain of performing, his recent American tour, the need to escape from the pressures of fame and why, despite everything surrounding him, music remained central to his life. Publication: Daily Record Date: November 28, 1972 Country: Scotland Published as par

This substantial Daily Mirror feature finds Marc Bolan discussing the pressures of remaining one of Britain's biggest stars at the height of T. Rex's success. Following a demanding American tour, Bolan talks candidly about competition, exhaustion, his stage persona and the intense pressure created by life at the top, while admitting that despite everything, he still finds performing completely exhilarating. Publication: Daily Mirror Date: November 28, 1972 Country: United Kin

This substantial feature by Robert Hilburn examines Marc Bolan’s determination to establish T. Rex in the United States following the group’s first major American tour. Bolan discusses the difficulty of transferring his extraordinary British success to America, his musical roots, the changing T. Rex sound and his desire to earn respect without becoming what he calls a “hip David Cassidy". Publication: The Houston Chronicle Date: November 26, 1972 Country: United States Under

This substantial feature by Robert Hilburn examines Marc Bolan’s determination to establish T. Rex in the United States following the group’s first major American tour. Bolan discusses the difficulty of transferring his extraordinary British success to America, his musical roots, the changing T. Rex sound and his desire to earn respect without becoming what he calls a “hip David Cassidy". Publication: The Home News Date: November 26, 1972 Country: United States Published unde

Marc Bolan appeared on the cover of Popswop during the height of Bolanmania, reflecting his status as one of Britain's most popular music stars. Dominated by a large live performance photograph, the issue combined pop culture, fashion, songwords and celebrity features aimed at the youth market of the early 1970s. Publication: Popswop Publication Date: November 18, 1972 Country: United Kingdom Event Date: November 1972 This issue of Popswop places Marc Bolan prominently on the

Marc Bolan graces the cover of Disco magazine as the publication responds to growing criticism directed at the T. Rex frontman. The cover boldly declares that despite the attacks from critics and detractors, Bolan remains one of the biggest figures in British popular music. Publication: Disc Publication Date: November 11, 1972 Country: United Kingdom Event Date: November 1972 This issue of Disco places Marc Bolan prominently on the cover beneath the headline: "Marc Bolan – Th

Marc Bolan graces the cover of Disco magazine as the publication responds to growing criticism directed at the T. Rex frontman. The cover boldly declares that despite the attacks from critics and detractors, Bolan remains one of the biggest figures in British popular music. Publication: Disc Publication Date: November 11, 1972 Country: United Kingdom Event Date: November 1972 This issue of Disco places Marc Bolan prominently on the cover beneath the headline: "Marc Bolan – Th

This short record column by Charles H. Sanders considers the continuing success of T. Rex while looking back at Marc Bolan’s earlier Tyrannosaurus Rex recordings. The piece contrasts Bolan’s glitter-era 1972 image with vintage material from the mid-1960s, highlighting an American reissue containing two early albums. Publication: The Argus Date: November 4, 1972 Country: United States Appearing within Charles H. Sanders’ “rock, jazz, country, vintage” column, the T. Rex item o

This Sydney Morning Herald advertisement announces the forthcoming Australian appearance of T. Rex at Randwick Racecourse. Promoted as “one concert only”, the advert encourages fans to secure tickets by post for the December 10 performance, with Marc Bolan given prominent billing and Jeff St. John announced as support. Publication: The Sydney Morning Herald Date: November 4, 1972 Country: Australia The advertisement places T. Rex prominently at the top of the design and annou