The June 17, 1972 edition of the Northern Echo highlights T. Rex’s upcoming concert at City Hall in Newcastle, noting their dominance of the UK pop scene and positioning them as natural successors to The Beatles and The Rolling Stones. Publication: Northern Echo Date: June 17, 1972 Country: United Kingdom Location: Newcastle / North East England Section: Theatre / Music News THE STORY The article announces T. Rex’s forthcoming performance at Newcastle City Hall (next Saturday), praising the band’s massive popularity. It is accompanied by a photograph of Marc Bolan. CONTEXT AND NOTES June 1972 was a peak period for T. Rex during the height of T. Rextasy. Following a string of hit singles, the band was at the forefront of the glam rock movement. This regional coverage reflects their widespread appeal across the UK. FEATURE HIGHLIGHTS Event: Newspaper concert announcement Era: 1972 (T. Rex Glam / T. Rextasy peak) Tone: Celebratory, promotional, local news Photography: Black & white photo of Marc Bolan with guitar WHAT THE CLIPPING SHOWS Bold headline “Chart idols T Rex follow the trend with a Tyne pop concert” Mention of T. Rex playing Newcastle City Hall the following Saturday Black & white photograph of Marc Bolan of T. Rex Surrounding listings of other regional music events RELATED MATERIAL This June 17, 1972 newspaper clipping captures T. Rex at the height of their early 70s fame. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 22, 1972 edition of the Daily Mirror reports that Marc Bolan of T. Rex plans to stop performing live shows in public due to the extreme reactions of his adoring fans and concerns for his safety. Publication: Daily Mirror Date: June 22, 1972 Country: United Kingdom Location: London Section: News / Entertainment THE STORY Marc Bolan stated he loves playing live but has decided to stop after the current tour, citing incidents such as slashed chairs, girls fainting, and one fan being carried off. The article notes that Bolan recently suffered a broken jaw on tour and that his publicist mentioned the frenzy had become too much. He was scheduled to continue with shows in Japan, Germany, and the United States. CONTEXT AND NOTES This article was published at the absolute peak of T. Rextasy in June 1972. The overwhelming hysteria from fans had become a serious issue for Bolan and the band, leading to discussions about scaling back live performances despite their massive commercial success. FEATURE HIGHLIGHTS Event: News article on Bolan’s live performance plans Era: 1972 (T. Rex Glam / T. Rextasy peak) Tone: Sensational, concerned, tabloid style WHAT THE CLIPPING SHOWS Bold headline “BOLAN PLANS LAST LIVE SHOWS” Byline: By Deborah Thomas Direct quotes from Marc Bolan about audience reactions and his decision Context about recent incidents during concerts and the upcoming international tour RELATED MATERIAL This June 22, 1972 Daily Mirror article captures the intense fan mania surrounding T. Rex at the height of their fame and pairs well with other 1972 newspaper clippings in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 22, 1972 edition of the Evening Standard reports that Marc Bolan of T. Rex has taken High Court action to stop two companies from selling or broadcasting 20 early recordings made in 1966 and 1968. Publication: Evening Standard Date: June 22, 1972 Country: United Kingdom Location: London Section: News / Entertainment THE STORY Marc Bolan, aged 24 and living in Maida Vale, has issued a writ against Track Records of Old Compton Street and Poldor Ltd. of Stratford Place. The article lists 20 song titles he wishes to restrict, including “The Perfumed Garden of Gulliver Smith”, “Black and White Incident”, “Sally Was An Angel”, and others. It notes Bolan’s recent success with T. Rex, who had four No. 1 hits in 14 months. CONTEXT AND NOTES This article appears during the peak of T. Rextasy in 1972. Bolan was attempting to control his early pre-fame material (from his Tyrannosaurus Rex days) as the band achieved massive commercial success. Legal battles over early recordings were common for artists who became stars rapidly. FEATURE HIGHLIGHTS Event: Court action / Legal news story Era: 1972 (T. Rex Glam / T. Rextasy peak) Tone: Sensational, news reporting Photography: Black & white portrait of Marc Bolan WHAT THE CLIPPING SHOWS Bold headline “Top pop star wants court ban on 20 songs” Photograph of Marc Bolan wearing a hat Details of the High Court writ against two record companies List of song titles from 1966–1968 recordings Context about T. Rex’s recent chart dominance RELATED MATERIAL This June 22, 1972 Evening Standard article documents Marc Bolan’s efforts to protect his early catalogue during the height of T. Rex’s fame. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 23, 1972 edition of the Western Daily Press reports that Marc Bolan of T. Rex is taking legal action in the High Court against two record companies to stop them releasing 20 songs he recorded in 1966 and early 1968. Publication: Western Daily Press Date: June 23, 1972 Country: United Kingdom Location: Bristol / South West England Section: News / Entertainment THE STORY Marc Bolan, 24-year-old leader of T. Rex, has issued a writ against Track Records and Polydor Ltd. of London. He is seeking a court order to prevent the companies from selling or broadcasting the old demonstration tapes. The article mentions a private hearing before Mr. Justice Boreham and includes a photograph of Bolan. CONTEXT AND NOTES At the height of T. Rextasy in June 1972, Bolan was actively trying to control his early pre-fame recordings as his current success with T. Rex reached massive levels (four No. 1 hits in 14 months). This legal action reflects his desire to protect his catalogue while at the peak of his popularity. FEATURE HIGHLIGHTS Event: Court action / Legal news story Era: 1972 (T. Rex Glam / T. Rextasy peak) Tone: Sensational, news reporting Photography: Black & white portrait of Marc Bolan WHAT THE CLIPPING SHOWS Bold headline “Pop idol sues to stop discs” Photograph of Marc Bolan Details of the High Court writ against Track Records and Polydor Ltd. Reference to 20 songs recorded in 1966 and early 1968 Mention of Bolan’s recent chart dominance and status as top British pop group RELATED MATERIAL This June 23, 1972 article on Bolan’s legal efforts to stop the release of old recordings complements similar coverage from the same period in other newspapers. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 24, 1972 issue of Melody Maker presents the official Pop 30 charts, featuring the Top 30 Singles, Top 30 Albums, and America’s Top 30 LPs for that week. Publication: Melody Maker Date: June 24, 1972 Country: United Kingdom Location: London Section: Charts (Pop 30) THE STORY This full charts page lists the current UK Top 30 Singles (led by Don McLean’s “Vincent”) and Top 30 Albums (led by T. Rex’s Bolan Boogie). It also includes America’s Top 30 LPs, America’s Top 10, and a Publishers/Composers section. CONTEXT AND NOTES This chart reflects the vibrant UK music scene in June 1972, with glam rock (led by T. Rex) dominating the album chart alongside other big names. It provides a perfect snapshot of commercial success during the early glam era. FEATURE HIGHLIGHTS Event: Weekly official Pop 30 Charts Era: 1972 (Glam / Rock chart era) Tone: Informative, factual Photography: None (text-heavy chart layout) WHAT THE CLIPPING SHOWS Large “Pop 30” masthead with Melody Maker logos Full UK Top 30 Singles chart (1–30) Full UK Top 30 Albums chart (led by Bolan Boogie – T. Rex) America’s Top 30 LPs and America’s Top 10 Publishers/Composers section at the bottom Classic clean 1970s music paper chart design RELATED MATERIAL This chart page is from the same June 24, 1972 issue of Melody Maker as the ELO/The Move single announcement, Dave Hill “Blind Date”, Alice Cooper advert, and Roxy Music album review. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A charming and stylish newspaper column from the Evening Post dated 7 May 1971, celebrating Marc Bolan’s enduring influence as a fashion icon and linking his early Mod roots to his 1971 T. Rex stardom. SOURCE DETAILS Publication: Evening Post Date: May 7, 1971 Country: United Kingdom Section / Pages: Feature Column / Fashion and Pop Culture Title: Marc Bolan – The Enchanted Elf and King of the Mods THE STORY In this witty and affectionate column, the writer recalls first falling for a sharply dressed figure in a skintight denim blouson suit and flared trousers, then revealing it was Marc Bolan — “the enchanted elf of T. Rex” — whom he first met in the early 1960s as the “King of the Mods”. The piece highlights Bolan’s lifelong obsession with clothes, from saving for perfect shoes as a 12-year-old to his meticulous attention to image. CONTEXT AND NOTES At the height of T. Rextasy in May 1971, this column connects Bolan’s glam-rock persona back to his Mod origins. It portrays style as central to his artistry, capturing how Bolan turned personal image into a powerful form of self-expression that resonated with a new generation of fans. FEATURE HIGHLIGHTS Event: Marc Bolan fashion and style profile Era: 1971 – Peak T. Rextasy / Glam era Tone: Playful, admiring and nostalgic Photography: None (text column) Audience: Evening Post readers interested in pop culture and fashion All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and

A bold, minimalist concert advertisement from Melody Maker dated 8 May 1971, announcing T. Rex’s major UK May Tour at the peak of their “Hot Love” success. SOURCE DETAILS Publication: Melody Maker Date: May 8, 1971 Country: United Kingdom Section / Pages: Tour Adverts / Page 28 Title: T. Rex – May Tour 1971 THE STORY This striking advert promotes the T. Rex May Tour presented by John & Tony Smith in association with E.G. Management. It lists thirteen major UK dates running from 9 to 28 May 1971, marking the band’s first extensive national tour as a full electric glam-rock act following their meteoric rise. Tour Dates and Venues Bournemouth Winter Gardens – Sunday 9 May 7.45 pm Portsmouth Guildhall – Tuesday 11 May 7.45 pm Nottingham Albert Hall – Friday 14 May 7.30 pm Manchester Free Trade Hall – Sunday 16 May 7.30 pm Sheffield City Hall – Monday 17 May 7.30 pm (40p seats) Wolverhampton Civic Hall – Wednesday 19 May 7.30 pm Newcastle City Hall – Thursday 20 May 7.30 pm Glasgow Green’s Playhouse – Friday 21 May 8 pm Croydon Fairfield Hall – Sunday 23 May 7.30 pm Bristol Colston Hall – Monday 24 May 7.30 pm Leicester De Montfort Hall – Tuesday 25 May 7.30 pm Bradford St. George’s Hall – Thursday 27 May 7.30 pm Liverpool Philharmonic Hall – Friday 28 May 7.30 pm CONTEXT AND NOTES By May 1971, Marc Bolan and T. Rex were dominating the British charts and teen press. This tour came right at the height of T. Rextasy, bridging the acoustic Tyrannosaurus Rex era to the electric phenomenon that would culminate in the Electric Warrior album later that year. The advert’s clean, typographic design reflects the band’s surging confidence. FEATURE HIGHLIGHTS Event: T. Rex May 1971 UK Tour Advertisement Era: 1971 – Peak Glam / T. Rextasy period Tone: Bold and confident Design: Stark black typography on cream background with oversized “T REX” lettering Audience: Melody Maker readers and T. Rex fans booking tickets RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. WHAT THE CLIPPING SHOWS A full-width tour advert dominated by the enormous words “T REX IN CONCERT”. Below are the complete list of dates and venues, including Bournemouth Winter Gardens, Manchester Free Trade Hall, Glasgow Green’s Playhouse, and Liverpool Philharmonic Hall. Ticket prices are listed (mostly 60p, with some at 40p), with bookings via local box offices and ticket agencies. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

ARTIST T. Rex DATE Sunday, 9 May 1971 LOCATION Winter Gardens, Bournemouth, England EVENT TYPE Concert – Part of the May 1971 UK Tour PRESENTED BY John & Tony Smith CONFIRMED INFORMATION • T. Rex performed at the Winter Gardens, Bournemouth, on 9 May 1971. • This date appears in verified tour listings for the May 1971 UK tour. • The concert was promoted by John and Tony Smith, consistent with all dates on this leg of the tour. • The show took place shortly after the success of Ride A White Swan and during the rise of T. Rex’s electric-era popularity. • Two photographs from this concert (Winter Gardens, 9 May 1971) exist in fan archives and are confirmed as authentic. • No official or fully documented setlist survives for this specific performance. • The Bournemouth concert is widely regarded as one of the earliest full-electric T. Rex shows following the transition from the duo-era Tyrannosaurus Rex format. TOUR CONTEXT The May 1971 UK tour marked T. Rex’s shift into mainstream stardom. The band were touring in the months leading up to the release of Get It On (July 1971), and the shows reflected Marc Bolan’s growing confidence as a front-line electric performer. The Bournemouth date is positioned at the very beginning of the tour. NOTES This concert is historically significant due to its timing: early 1971 represents the moment T. Rex moved from cult success to national phenomenon. The Winter Gardens show is one of the earliest documented performances of the band in full electric form on a major UK stage. SOURCE VERIFICATION • Multiple independent T. Rex concert archives • Contemporary tour listings from 1971 • Venue performance records for Winter Gardens, Bournemouth • Fan-archived photographs dated 9 May 1971 PUBLICATION INFO Scrapbook entry created for archival documentation of T. Rex’s 1971 UK tour appearances. This scrapbook entry documents the confirmed T. Rex performance at the Winter Gardens, Bournemouth, on 9 May 1971. All information is sourced from verified concert archives, contemporary tour listings, and authenticated venue records. No unverified material has been included.

A provocative full-page feature from New Musical Express dated May 22, 1971, questioning whether T. Rex had become “teenybop trash” amid their meteoric rise. SOURCE DETAILS Publication: New Musical Express (NME) Date: May 22, 1971 Country: United Kingdom Section / Pages: Feature Article THE STORY The article debates T. Rex’s shift from underground folk-rock (as Tyrannosaurus Rex) to mainstream glam-pop success with hits like “Hot Love”. It includes fan letters, critical opinions, and commentary on whether the band’s new, highly commercial sound and image had betrayed their original audience or simply evolved with the times. A large photo of Marc Bolan performing is prominently featured. CONTEXT AND NOTES May 1971 was the exact moment T. Rextasy exploded in the UK. This NME feature captures the growing divide between older rock fans who preferred the band’s earlier acoustic psychedelic style and the new wave of young teen fans embracing their glam image. It reflects the typical music press tension during rapid commercial breakthroughs. FEATURE HIGHLIGHTS Event: Debate on T. Rex’s commercial transformation Era: 1971 – Early T. Rextasy / Glam Rock breakthrough Tone: Provocative and divisive Photography: Large black-and-white live shot of Marc Bolan Audience: UK rock and pop music readers RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Teenage hysteria hits Leicester as T. Rex mania takes hold at De Montfort Hall. SOURCE DETAILS Publication: Leicester Mercury Date: May 26, 1971 Country: United Kingdom Section / Pages: Music / Concert Review THE STORY This lively local review captures the explosive reaction of young female fans at T. Rex’s concert. The writer describes the “adolescent screams of ecstatic teenage girl fans” for curly-haired frontman Marc Bolan, noting how the recent chart-toppers “Ride a White Swan” and “Hot Love” had transformed the band into pop stars. CONTEXT & NOTES By late May 1971, T. Rex were at the very beginning of T. Rextasy. This review is a vivid snapshot of the moment the band shifted from underground favourites to mainstream teen idols. FEATURE HIGHLIGHTS Event: T. Rex live concert review, De Montfort Hall, Leicester Era: 1971 – Early Glam / T. Rextasy breakthrough Tone: Excited and slightly astonished Audience: Local Leicester readers WHAT THE CLIPPING SHOWS A single-column newspaper article with the bold headline “They screamed the place down for Marc”. The piece vividly describes the frenzied reaction of the audience to Marc Bolan and T. Rex’s electric set. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A promotional advertisement from the June 5, 1971 issue of Record Mirror highlighting the latest edition of the popular monthly songbook magazine WORDS – The Record Song Book. The ad promotes its content of hit song lyrics and features a striking black & white photo of T. Rex (Marc Bolan and Mickey Finn) labelled as “SUPER STARS”. Publication: Record Mirror Date: June 5, 1971 Country: United Kingdom Section / Pages: Full-page advertisement Title: “WORDS getting aro- und” / “get ‘WORDS’ perfect now” THE STORY The advertisement urges readers to buy the great June issue of WORDS from their newsagent. It promotes the songbook’s regular features including lyrics to 25-30 top pop songs, cover stars, sounds around, photo call, studio scene, and heard, show talk, single spinners, and differ discs. A prominent photo of Marc Bolan and Mickey Finn of T. Rex appears under a “SUPER STARS” banner, with the WORDS logo and “the record song book” prominently displayed CONTEXT AND NOTES WORDS – The Record Song Book was a popular UK monthly publication in the late 1960s and 1970s that printed lyrics to current hit songs. This ad appeared at the height of T. Rex’s breakthrough “T. Rextasy” period in 1971, following massive hits like “Hot Love.” It perfectly captures the cross-promotion common in the vibrant British music press of the early glam rock era. FEATURE HIGHLIGHTS Event: Promotional advertisement for WORDS – The Record Song Book June issue featuring T. Rex Era: Early Glam Rock (1971) Tone: Enthusiastic, commercial, sales-driven Photography: Black & white studio portrait of Marc Bolan and Mickey Finn of T. Rex Visual Motifs: Bold 1970s display typography, stacked headlines, prominent logo usage, classic music paper ad layout WHAT THE CLIPPING SHOWS Full-page black & white advertisement from Record Mirror Large “WORDS getting aro- und” headline Prominent photo of Marc Bolan and Mickey Finn of T. Rex labelled “SUPER STARS” Detailed list of contents for the June issue of WORDS Call to action to buy from your newsagent Date stamp “JUNE 5 1971 RM” in the corner RELATED MATERIAL Marc Bolan – The Electric Warrior (Solo → John's Children → Tyrannosaurus Rex → T. Rex → Solo) Marc Bolan (June 10, 1972) “The Bolan Interview” – NME/208 Special Feature (Pages 26–27) Marc Bolan (June 17, 1972) “Bolan” / “Both Sides Of” – 2-Page Feature – Melody Maker (UK) All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A local news article reporting that T.Rex’s upcoming concert at Trentham Gardens has completely sold out, highlighting the band’s explosive popularity in the summer of 1971. PUBLICATION: Evening Sentinel Date: June 23, 1971 Country: United Kingdom Section / Pages: News / Pop Music Column Title: T. Rex are Packed! for Trentham concert THE STORY The piece announces that T.Rex’s show at Trentham Gardens on Sunday, August 22nd has sold out rapidly. It mentions the band’s recent chart success with “Hot Love” and the growing “T.Rexmania” among fans. The article also includes notes on other local music events and the band’s rising status.CONTEXT AND NOTES Published in June 1971, just as T.Rex were exploding into superstardom with their glam rock sound and hits like “Hot Love” and the upcoming “Get It On”. This local sell-out report captures the early wave of T.Rex hysteria in the UK provinces during the summer of 1971. FEATURE HIGHLIGHTS Event: Concert Sell-Out News Era: Early T.Rex Glam Explosion (Electric Warrior Period) Tone: Excited, local news style Photography: None visible in this clipping WHAT THE CLIPPING SHOWS Newspaper article from the Evening Sentinel with bold headline about the T.Rex concert sell-out, along with surrounding pop music news. RELATED MATERIAL Marc Bolan (June 10, 1966) “The Third Degree” – Single Review – Huddersfield Daily Examiner (UK) The Faces / Rod Stewart (May 1971) “FACE TO FACE WITH A FACE” – In-Depth Interview – Zigzag Magazine (UK) Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The February 19, 1966 edition of London Life magazine features a record review column written by Marc Bolan, offering his opinions on current releases and showcasing his early role as a critic and commentator in the music scene. Publication: London Life Date: February 19, 1966 Country: United Kingdom Location: London Section: Music / Record Review THE STORY In this column, a young Marc Bolan reviews various singles and albums, commenting on artists such as The Byrds, The Kinks, The Yardbirds, and others. He discusses trends in British and American pop/rock, reflecting his own tastes and emerging artistic voice during this pre-fame period. CONTEXT AND NOTES This is a fascinating early appearance of Marc Bolan in the press — not as a performer, but as a record reviewer. In early 1966 he was still developing his identity (prior to the “Bolan” name becoming widely known) and actively engaged with the vibrant mid-60s London music scene. FEATURE HIGHLIGHTS Event: Marc Bolan as record reviewer Era: 1966 (Pre-Tyrannosaurus Rex / Early Career) Tone: Opinionated, insightful, youthful Photography: Text-based layout with possible accompanying images (typical of the magazine) WHAT THE CLIPPING SHOWS Byline “RECORD REVIEW BY MARC BOLAN” Reviews of contemporary 1966 releases including comments on The Byrds, The Kinks, The Yardbirds, and others Marc Bolan’s personal opinions on the state of pop music Signature writing style hinting at his poetic and eccentric personality RELATED MATERIAL This February 19, 1966 London Life record review by Marc Bolan is one of his earliest press appearances and pairs chronologically with the October 30, 1965 London Life piece on the origin of his stage name, as well as the late 1966 single reviews and TV listings. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Published just one day after the single’s release, this very early review from June 4, 1966, offers a notably critical take on Marc Bolan’s “The Third Degree,” reflecting the mixed reactions his early solo work received in the regional press. PUBLICATION: Lancashire Evening Telegraph Date: Saturday, June 4, 1966 Country: United Kingdom Section / Pages: Record Review Column Title: The Third Degree (Decca) CONTEXT AND NOTES This is one of the earliest published reviews of the single (appearing the day after release). While many regional papers were cautiously positive or neutral, this critic was unimpressed with Bolan’s early solo direction. Such contrasting opinions highlight how divisive and experimental Bolan’s pre-T. Rex material was perceived at the time. FEATURE HIGHLIGHTS Event: Early Single Review – “The Third Degree” Era: 1966 Pre-Glam / Folk-Rock Tone: Critical and dismissive Photography: None (text-only review) Visual Motifs: Typical compact 1960s newspaper review column WHAT THE CLIPPING SHOWS Brief, negative verdict on “The Third Degree” Criticism of the lyrics, beat, and overall commercial appeal Signed by reviewer “D.K.” RELATED MATERIAL Marc Bolan (June 3, 1966) “The Third Degree” / “San Francisco Poet” – Single 7" UK All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference .

A vibrant full-page advertisement from New Musical Express dated 16 May 1970, promoting the ambitious 8-day Extravaganza 70 music and fashion festival at Olympia, London SOURCE DETAILS Publication: New Musical Express (NME) Date: May 16, 1970 Country: United Kingdom Section / Pages: Full-Page Advertisement Title: Extravaganza 70 – 8 Day Music & Fashion Festival THE STORY This eye-catching NME advert announces “Extravaganza 70”, an ambitious week-long event (29 May – 6 June 1970) blending live music, fashion shows, boutiques, and beauty demonstrations at Olympia. It features an impressive lineup including Tyrannosaurus Rex, Black Sabbath, Procol Harum, Bo Diddley, Colosseum, Matthews Southern Comfort, Caravan, Status Quo, Julie Felix, John Peel and many more. CONTEXT AND NOTES Extravaganza 70 was a prime example of the late 1960s/early 1970s fusion of music, fashion and lifestyle events in Britain. Held in the post-Swinging London era, it reflected the growing commercialisation of youth culture while still carrying the psychedelic, optimistic spirit of the time. FEATURE HIGHLIGHTS Event: Extravaganza 70 Music & Fashion Festival promotion Era: 1970 – Psychedelic / early glam transition period Tone: Playful, colourful and promotional Design: Psychedelic cartoon illustration with bold hand-drawn typography Audience: NME readers, festival-goers and fashion-conscious music fans WHAT THE CLIPPING SHOWS A dynamic full-page advert dominated by large psychedelic lettering spelling “8 DAY MUSIC & FASHION FESTIVAL” and “Extravaganza 70”. The design features whimsical cartoon figures in flamboyant outfits, with a detailed lineup of artists and the slogan “EXTRAVAGANZA 70 IS TOO BIG TO MISS!” at the bottom. All magazine artwork, photographs, logos, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Newspaper advertisement for Tyrannosaurus Rex (Marc Bolan & Mickey Finn) performing at Gollum’s Cave at the Golden Torch Club in Tunstall, Stoke-on-Trent. PUBLICATION: the Evening Sentinel Date: May 30, 1970 Country: United Kingdom Section / Pages: Entertainment Advert Title: Gollum’s Cave Presents Tyrannosaurus Rex THE STORY Mushroom Promotions advertises the Sunday evening show at the Torch Club on Hose Street, Tunstall. The event runs from 7 p.m. to 11:30 p.m. with ticket prices at 9/- for members and 10/6 for non-members. CONTEXT AND NOTES This advert appeared in the Evening Sentinel the day before the gig, during Tyrannosaurus Rex’s late psychedelic folk-rock phase, just prior to their transformation into the glam rock stars T. Rex. The Golden Torch Club was a notable underground venue that later became famous as a Northern Soul mecca. FEATURE HIGHLIGHTS Event: Newspaper Concert Advertisement Era: Tyrannosaurus Rex Psychedelic Folk Period (1970) Tone: Underground, psychedelic, local promotion Photography: N/A (text-based advert with mushroom logo) WHAT THE CLIPPING SHOWS Original newspaper advertisement from the Evening Sentinel featuring the Mushroom Promotions logo, full event details, venue address, and prominent billing for Tyrannosaurus Rex. Classic 1970 small-print newspaper style with visible print grain. RELATED MATERIAL Tyrannosaurus Rex (May 27, 1969) – at “Dance of Words” Portsmouth Guildhall, Tyrannosaurus Rex (May 20 1972) Vintage Poster - Sounds Tyrannosaurus Rex (May 11, 1968) – Middle Earth Advert Also see tabs at the foot of this post. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A vibrant 1970 front-page report from Record Mirror celebrating the ongoing success of “Extravaganza ’70” — Britain’s first major Music and Fashion Festival held at Olympia, Earls Court, London, featuring a star-studded lineup of British acts. Publication: Record Mirror Date: June 6, 1970 (Vol. 17 No. 22) Country: United Kingdom Section / Pages: Front Page + Feature Title: EXTRAVAGANZA ’70 THE STORY The front page displays a large headline and multiple black-and-white performance photos from the festival, including Clem Curtis of The Foundations, Gary Brooker of Procol Harum, Simon Dee & The Tremeloes, and Tyrannosaurus Rex. The accompanying article highlights the event’s strong attendance, exciting atmosphere, and upcoming acts, noting it as a groundbreaking combination of music and fashion. CONTEXT AND NOTES “Extravaganza ’70” was an ambitious multi-day pop festival sponsored by Record Mirror, combining live music, fashion, films, and competitions. It ran at Olympia, Earls Court, and featured a wide range of British artists. This coverage captures the excitement of the early 1970s British music scene during a transitional period between the 1960s and the glam/prog era. FEATURE HIGHLIGHTS Event: Extravaganza ’70 Music & Fashion Festival Era: 1970 (Pre-Glam Rock / Festival Era) Tone: Energetic, promotional, and enthusiastic Photography: Live black-and-white stage shots of various performers Visual Motifs: Bold newspaper typography, collage-style photo layout typical of 1970s music papers WHAT THE CLIPPING SHOWS Masthead “Record Mirror” with date and issue details Large “EXTRAVAGANZA ’70” headline Prominent photo of Clem Curtis (The Foundations) Smaller photos of Gary Brooker (Procol Harum), Simon Dee & Tremeloes, and Tyrannosaurus Rex All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

On June 15 1969, BBC Radio 1’s Top Gear broadcast the final track from a special Tyrannosaurus Rex session — marking the last ever Top Gear session to feature Steve Peregrin Took. RELEASE / BROADCAST DETAILS Artist: Tyrannosaurus Rex (Marc Bolan & Steve Peregrin Took) Show: BBC Radio 1 – Top Gear Recorded: Monday, May 5 1969 at The Playhouse Theatre, Northumberland Avenue, London Broadcast Dates: May 11 1969 (tracks 2-3 to 2-6) June 15 1969 (final track 2-7) TRACK LISTING (Session) Chariots Of Silk (2:31) Once Upon The Seas of Abyssinia (With Chat) (2:29) Nijinsky Hind (With Chat) (2:23) The Misty Coast of Albany (With Chat) (2:27) Iscariot (With Chat) (2:03) THE STORY These intimate, mystical performances with spoken intros from Marc Bolan capture Tyrannosaurus Rex at their psychedelic folk peak. The June 15 broadcast of “Iscariot” concluded the session and marked Steve Peregrin Took’s final appearance on Top Gear with the band before his departure later in 1969. CONTEXT & NOTES This session is historically significant as the last Top Gear radio session featuring the classic Bolan/Took duo. The “With Chat” versions offer rare spoken moments that give listeners a charming insight into the band’s whimsical personality during the late 1960s underground scene. For other relevant posts, see the tags at the foot of the page. SOURCES Discogs There Was A Time - Marc Bolan a Chronology' by Cliff McLenehan All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This rare 1969 first-printing concert poster promotes Tyrannosaurus Rex (Marc Bolan’s early duo) performing at Family Dog on the Great Highway in San Francisco, alongside Country Joe & the Fish and other acts. Publication: Original Concert Poster Date: August 8, 9 & 10, 1969 Country: United States Location: San Francisco, California Section: Concert Promotion (Psychedelic Poster) THE STORY The elegant brown-and-white poster, designed with a nautical ship’s wheel motif, advertises three nights of shows at the short-lived Family Dog on the Great Highway venue (a converted speedway run by Chet Helms after losing the Avalon Ballroom). Tyrannosaurus Rex is listed as a special attraction from England. CONTEXT AND NOTES This poster captures Marc Bolan and Steve Peregrin Took in their early psychedelic folk era, years before they evolved into the glam rock sensation T. Rex. The Family Dog on the Great Highway was a brief but legendary experiment in San Francisco’s counterculture scene. Original posters from this short-lived venue are highly sought after by collectors. FEATURE HIGHLIGHTS Event: Multi-night concert promotional poster Era: 1969 (Early Tyrannosaurus Rex / Psychedelic Folk era) Tone: Psychedelic, artistic, historic Photography: Ornate illustrative design with ship’s wheel and figures WHAT THE CLIPPING SHOWS Central nautical ship’s wheel illustration with sailor and child using binoculars Bold headline listing “TYRANNOSAURUS REX” alongside Country Joe & the Fish and others Venue: Family Dog on the Great Highway, presented by Goshen Mustang Light Co. Dates: August 8, 9, 10 at 8:30 PM, tickets $3.00 Additional event listings and advance ticket outlets RELATED MATERIAL This 1969 Tyrannosaurus Rex poster from the Family Dog on the Great Highway is an important early piece documenting Marc Bolan’s pre-fame years and complements other T. Rex memorabilia in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The April 19, 1968 edition of the Worcester News features a striking photo and profile of Tyrannosaurus Rex, positioning them as an essential act for anyone claiming to be even slightly avant-garde in the pop world, while highlighting their debut single “Debora” on Regal Zonophone. Publication: Worcester News Date: April 19, 1968 Country: United Kingdom Location: Worcester Section: Music Feature THE STORY The piece includes a prominent black & white photograph of Marc Bolan standing and Steve Took seated, along with text praising the duo’s unique position in the underground scene and announcing their first disc “Debora,” naturally self-penned by Marc Bolan. CONTEXT AND NOTES This early regional feature with photo appears during the first wave of press for Tyrannosaurus Rex, shortly after the release of their debut single. It reflects the growing fascination with their mystical, poetic style in the psychedelic underground. FEATURE HIGHLIGHTS Event: Early band profile with photograph Era: 1968 (Early Tyrannosaurus Rex / Psychedelic Folk) Tone: Admiring, forward-looking Photography: Iconic black & white studio-style portrait of Marc Bolan and Steve Took WHAT THE CLIPPING SHOWS Large black & white photo of Marc Bolan (standing) and Steve Took (seated) Text declaring Tyrannosaurus Rex essential for the avant-garde pop world Mention of their first disc “Debora” on Regal Zonophone, written by Marc Bolan RELATED MATERIAL This April 19, 1968 Worcester News feature with photo of Tyrannosaurus Rex connects directly with the other same-date pieces (Widnes Weekly News, Manchester Evening News, Evening News and Star) and the March 23 Middle Earth Club poster. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference