The Greatest Hits Vol. 1 was released by Pickwick Records in 1978 as a compilation album credited to T. Rex With Marc Bolan. The collection brings together recordings spanning several phases of Marc Bolan's career, including tracks originally recorded during both the Tyrannosaurus Rex and T. Rex eras. The album was marketed as a greatest hits collection and issued in the United Kingdom under catalogue number SHM 953. RECORDING The album is a compilation of previously issued recordings licensed from Cube Records Ltd. The material spans recordings originally released between 1968 and 1971. STYLE & THEMES The collection combines glam rock, pop rock, psychedelic folk and rock recordings. The track selection reflects Marc Bolan's transition from the Tyrannosaurus Rex period through to the commercial success of T. Rex, culminating with the inclusion of "Get It On". ALBUM DETAILS Released: June 1978 Country: UK Label: Pickwick Records Catalogue Number: SHM 953 Format: LP, Compilation Genre: Rock Style: Glam, Pop Rock RELEASE HISTORY Released in May/June 1978, The Greatest Hits Vol. 1 was issued by Pickwick Records in the UK. The sleeve credits the artist as "T-Rex With Marc Bolan", while the label and spine use the format "T. Rex With Marc Bolan". The compilation was licensed from Cube Records Ltd. and featured recordings originally released between 1968 and 1971. CHARTS & CERTIFICATIONS AMERICA EUROPE PACIFIC CERTIFICATIONS AWARDS PERSONNEL Marc Bolan — vocals, guitar, songwriter Eddie Cochran, Jerry Capehart — writers of "Summertime Blues" PRODUCTION Phonographic Copyright: Straight Ahead Productions Ltd. Licensed From: Cube Records Ltd. Published By: Essex Music Published By: Cinephonic Music Mastered By: Allen Landau Written By: Marc Bolan (except "Summertime Blues") NOTES The cover credits the artist as T-Rex With Marc Bolan. The label and spine credit the artist as T. Rex With Marc Bolan. Track copyright information supplied on the release: • Tracks A2, A5 and B1 — ℗ 1968 Straight Ahead Productions • Track B2 — ℗ 1969 Straight Ahead Productions • Tracks A1, A3, A4 and B4 — ℗ 1970 Straight Ahead Productions • Tracks B3 and B5 — ℗ 1971 Straight Ahead Productions Essex Music appears on the label as Essex Music Int. According to the supplied source, this version can be identified by label colour and layout differences from another SHM 953 pressing. Label: Pickwick Records – HSC 328 Format: Cassette, Compilation, Stereo Label: Pickwick Records – H8 328 Format: 8-Track Cartridge, Compilation RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex With Marc Bolan The Greatest Hits Vol. 1 Pickwick Records UK SHM 953 June 1978 LP, Compilation TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP SHM 953 Side One A1. Ride A White Swan A2. Mustang Ford A3. Jewel A4. Summertime Blues A5. Hot Rod Mama LP SHM 953 Side Two B1. Salamanda Palaganda B2. She Was Borne To Be My Unicorn B3. Woodland Rock B4. Beltane Walk B5. Get It On SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Rockfiles, Official Marc Bolan archives, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The T. Rex Collection is a compilation album released by Pickwick Records in August 1978. Issued as a double LP set, the collection draws together recordings from across both the Tyrannosaurus Rex and T. Rex periods, offering a broad overview of Marc Bolan's career from the late 1960s through the height of the band's glam rock success. The release was issued in a gatefold sleeve and combines early psychedelic folk material with later chart hits and fan favourites. RECORDING The album consists of previously released studio recordings licensed from Cube Records Ltd. The tracks span recordings originally released between 1968 and 1971, covering both the Tyrannosaurus Rex and T. Rex eras. According to the release notes, Track D1, Debora, is presented in electronically created stereo. STYLE & THEMES The compilation highlights the musical evolution of Marc Bolan, moving from the mystical folk-rock sound of Tyrannosaurus Rex to the electric boogie and glam rock style that made T. Rex one of Britain's most successful acts. The selection balances major hits such as Ride A White Swan, Get It On, Jeepster and Hot Love with earlier cult favourites including Mustang Ford, Salamanda Palaganda and The King Of The Mountain Cometh. TRACK-BY-TRACK NOTES • Ride A White Swan — The breakthrough hit that introduced T. Rex to a mass audience. • Mustang Ford — Early Tyrannosaurus Rex recording. • Jewel — Key transitional recording between the acoustic and electric eras. • Summertime Blues — Cover version of the Eddie Cochran classic. • Hot Rod Mama — Early Marc Bolan composition. • Salamanda Palaganda — Signature Tyrannosaurus Rex recording. • She Was Born To Be My Unicorn — Popular track from the group's early catalogue. • Woodland Rock — Tyrannosaurus Rex favourite. • Beltane Walk — Representative of Bolan's late-1960s songwriting style. • Get It On — International breakthrough hit. • Jeepster — Classic Electric Warrior era recording. • Child Star — Album track from the early T. Rex period. • Raw Ramp — Fan favourite associated with the Electric Warrior era. • By The Light Of The Magical Moon — Tyrannosaurus Rex recording included from the early catalogue. • Debora — One of Marc Bolan's earliest signature songs. • The King Of The Mountain Cometh — Landmark Tyrannosaurus Rex recording. • Dove — Transitional period recording. • Hot Love — One of T. Rex's defining hit singles. RELEASE HISTORY The album was released by Pickwick Records in August 1978. Issued as a double LP compilation, the collection was licensed from Cube Records and marketed as a comprehensive overview of Marc Bolan's recordings with Tyrannosaurus Rex and T. Rex. The album title appears as The T. Rex Collection on the record labels. PERSONNEL Marc Bolan — vocals, guitar, songwriter PRODUCTION Label: Pickwick Records Catalogue Number: PDA 044 Format: 2 × LP, Compilation Country: UK Licensed From: Cube Records Ltd. Record Company: Pickwick International Inc. (GB) Ltd. Published By: Essex Music International Published By: Cinephonic Music Published By: Lupus Music NOTES • Double LP compilation. • Issued in a gatefold sleeve. • Front and back covers are the same. • Licensed from Cube Records Ltd. • Made in England by Pickwick International. RELATED RELEASES • Bolan Boogie • Ride A White Swan • The Unobtainable T. Rex • The Ultimate Collection • 20th Century Boy RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex With Marc Bolan The T. Rex Collection Pickwick Records UK PDA 044 August 1978 2 × LP, Compilation TRACKLIST TABLE Format Catalogue Tracklisting LP 1 PDA 044 Side A • Ride A White Swan • Mustang Ford • Jewel • Summertime Blues • Hot Rod Mama Side B • Salamanda Palaganda • She Was Born To Be My Unicorn • Woodland Rock • Beltane Walk • Get It On LP 2 PDA 044 Side C • Jeepster • Child Star • Raw Ramp • By The Light Of The Magical Moon Side D • Debora • The King Of The Mountain Cometh • Dove • Hot Love SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Rockfiles, Official Marc Bolan archives, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A retrospective review revisits Marc Bolan's recorded legacy four years after his passing, focusing on the archival single “You Scare Me To Death” and the continuing interest in unreleased T. Rex material. Publication: Runcorn Weekly News Date: October 8, 1981 Country: United Kingdom This Album Of The Week column reflects on the enduring appeal of Marc Bolan, describing him as the “late glitter‑king of T. Rex”. The article notes that although Bolan passed in 1977, a considerable amount of recorded material remained unreleased and continued to attract attention from fans. Particular attention is given to the archival release “You Scare Me To Death”, described as the latest single drawn from the Bolan archives. The reviewer observes that the recording reveals a more thoughtful side of Bolan, with lyrics containing both sarcasm and melancholy. At the same time, the article suggests that it is an unusual choice for a wider music‑buying audience. The feature concludes that while the release is an important addition for dedicated followers of Bolan’s work, it is unlikely to appeal to more casual listeners unfamiliar with his catalogue. CONTEXT AND NOTES Published four years after Marc Bolan's passing, the article illustrates how record companies continued to explore the T. Rex archive for previously unreleased material. It also demonstrates the strength of Bolan's fan base, which remained active and interested in new releases long after his final recordings. FEATURE HIGHLIGHTS Event: Review of archival Marc Bolan release Era: 1981 – Posthumous T. Rex archive releases Tone: Reflective and critical Photography: Black‑and‑white portrait photograph of Marc Bolan WHAT THE CLIPPING SHOWS Review of “You Scare Me To Death” Discussion of unreleased Marc Bolan recordings Recognition of Bolan's continuing influence after 1977 Portrait photograph of Marc Bolan Assessment of the release's appeal to fans and casual listeners All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The July 17, 1981 edition of German magazine BRAVO publishes a major two-page retrospective on Marc Bolan and T. Rex, celebrating their invention of glitter rock following Bolan’s tragic death in 1977. Publication: BRAVO Magazine Date: July 17, 1981 Country: Germany Location: Germany Section: Special Feature / Tribute THE STORY The spread includes multiple photos of Marc Bolan in his classic glam outfits, live shots with the band, and detailed text looking back at T. Rex’s impact on music and fashion. It highlights Bolan as the creator of glitter rock and reflects on his enduring influence. CONTEXT AND NOTES Published nearly four years after Bolan’s passing in a car crash, this BRAVO feature serves as a heartfelt retrospective for a new generation of readers. It captures the lasting legacy of T. Rex and glam rock in Germany, where the band had massive popularity. FEATURE HIGHLIGHTS Event: Two-page retrospective feature Era: 1981 (Posthumous tribute) Tone: Nostalgic, celebratory Photography: Multiple colour and black & white photos of Marc Bolan and T. Rex WHAT THE CLIPPING SHOWS Bold headline “T. Rex erfanden den Glitzer-Rock” Large central photo of Marc Bolan in a red leather outfit Collage of performance shots, stage images, and fan photos Detailed German text recounting Bolan’s career and influence RELATED MATERIAL July 29, 1972 Record Mirror “Bolan Was ‘Born To Boogie’” July 22, 1972 Melody Maker film announcement For other relevant posts, see the tags at the foot of the page. All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The 7 August 1981 issue of Bravo includes a short feature on Marc Bolan under the headline “Marc Bolan: In seinen Hits lebt er weiter.” CONTEXT AND NOTES The short retrospective remembers Marc Bolan and the enduring popularity of his hit records. FEATURE HIGHLIGHTS Event: Memorial / retrospective note Era: 1981 (posthumous) Tone: Reflective Photography: Black-and-white portrait of Marc Bolan and small album-sleeve image WHAT THE CLIPPING SHOWS Headline “Marc Bolan: In seinen Hits lebt er weiter” Photograph of Marc Bolan Mentions of “Hot Love,” “Get It On” and “Metal Guru” Reference to the car accident and lasting success of his songs Publication: Bravo Date: August 7, 1981 Country: Germany The piece notes that the late superstar Marc Bolan lives on through his hits. It recalls that Bravo reported on the tragic car accident in which the T. Rex leader lost his life, and mentions his greatest successes including “Hot Love,” “Get It On” and “Metal Guru.” A photograph of Marc Bolan accompanies the text, along with other small articles. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Platinum Collection Of T. Rex was released by Cube Records in October 1981 as part of The Platinum Collection series. Issued as a double-LP compilation, the release gathered recordings from both the Tyrannosaurus Rex and T. Rex periods, presenting material from across Marc Bolan's career in a single anthology. The collection combines major hit recordings with earlier Tyrannosaurus Rex material, reflecting the breadth of Bolan's recording output from the late 1960s through the classic T. Rex era. The album is a compilation of previously released recordings originally issued between the Tyrannosaurus Rex and T. Rex years. The tracks were produced for Straight Ahead Productions and compiled by Cube Records for release as a retrospective collection. STYLE & THEMES The compilation combines glam rock, pop and psychedelic folk-influenced recordings. The track selection moves between early acoustic and psychedelic material such as "Deborah", "Mustang Ford" and "King Of The Rumbling Spires" and later electric recordings including "Get It On", "Hot Love", "Jeepster" and "Mambo Sun". ALBUM DETAILS Released: October 1981 Country: UK Label: Cube Records Series: The Platinum Collection Catalogue Number: PLAT 1002 Format: 2 × Vinyl, LP, Compilation, Stereo Genre: Rock, Pop Style: Glam RELEASE HISTORY Released in the United Kingdom during October 1981, The Platinum Collection Of T. Rex was issued as a double-vinyl compilation by Cube Records. The release formed part of The Platinum Collection series and was marketed by Dakota Records and distributed by PRT Ltd. PERSONNEL T. Rex Marc Bolan Tony Visconti — Producer Marc Bolan — Songwriter Eddie Cochran — Writer ("Summertime Blues") Jerry Capehart — Writer ("Summertime Blues") PRODUCTION Record Company: Dakota Records Marketed By: Dakota Records Distributed By: PRT Ltd. Phonographic Copyright: Cube Records Ltd. Produced For: Straight Ahead Productions Producer: Tony Visconti Published By: Westminster Music Ltd. Published By: Lupus Music Ltd. Published By: Cinephonic Music Ltd. Pressed By: Damont Design & Artwork: Chess Creative Services Illustration: Terry Pastor Plating: PAG NOTES The compilation was issued as part of The Platinum Collection series. All tracks were written by Marc Bolan except "Summertime Blues", written by Eddie Cochran and Jerry Capehart. Runouts are hand etched. MATRIX NUMBERS Side A: PLAT 1002 A-1 PAG DAMONT O Side B: PLAT 1002 B-1 PAG DAMONT O Side C: PLAT 1002 C-2 Side D: PLAT 1002 D-1 PAG DAMONT | P RELATED RELEASES • Get It On • Ride A White Swan • Hot Love • Jeepster • Cosmic Dancer • Raw Ramp • Life's A Gas • King Of The Rumbling Spires • One Inch Rock • Mustang Ford RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex The Platinum Collection Of T. Rex Cube Records UK PLAT 1002 October 1981 2 × LP, Compilation, Stereo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 2LP PLAT 1002 LP1 – Side A A1. Get It On A2. Ride A White Swan A3. By The Light Of The Magical Moon A4. Beltane Walk A5. King Of The Rumbling Spires A6. Lean Woman Blues 2LP PLAT 1002 LP1 – Side B B1. Hot Love B2. Mambo Sun B3. The Motivator B4. Is It Love B5. Woodland Rock B6. Sea Gull Woman 2LP PLAT 1002 LP2 – Side C C1. Deborah C2. One Inch Rock C3. Salamanda Palaganda C4. Mustang Ford C5. Stacey Grove C6. She Was Born To Be My Unicorn 2LP PLAT 1002 LP2 – Side D D1. Jeepster D2. Summertime Blues D3. Cosmic Dancer D4. Raw Ramp D5. Life's A Gas D6. Hot Rod Mama SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

You Scare Me To Death is a posthumous album credited to Marc Bolan and released by Cherry Red Records in October 1981. It was the first LP of previously unreleased Marc Bolan material to appear following his death in 1977. The album is built around demos and outtakes originally recorded during 1966, many of which would later be revisited in different forms during the Tyrannosaurus Rex period. RECORDING The original vocal and acoustic guitar recordings were made during 1966 at De Lane Lea Studios. In 1981 additional backing instrumentals were recorded at Radio Luxembourg Studios and The Townhouse and added to Bolan's original recordings. The project was supervised by Simon Napier-Bell. STYLE & THEMES The album captures Marc Bolan during his pre-Tyrannosaurus Rex period, presenting intimate acoustic performances driven by vocals and guitar. The material showcases early versions of songs and ideas that would later become associated with Bolan's developing songwriting style. The 1981 overdubs combined contemporary instrumentation with the original 1966 recordings. TRACK-BY-TRACK NOTES • You Scare Me To Death — Opening track of the album. Originally titled "Horrible Breath". • You've Got The Power — Early Marc Bolan composition from the 1966 sessions. • Eastern Spell — Drawn from the original demo recordings. • Charlie — Features Bolan's early acoustic style. • I'm Weird — Included from the 1966 recordings. • Hippy Gumbo — Early version of a song later associated with Bolan's developing catalogue. • Mustang Ford — One of Bolan's best-known early compositions. • Observations — Recorded during the original demo sessions. • Jasmine '49 — Included among the surviving 1966 recordings. • Cat Black — Early Bolan composition. • Black And White Incident — Acoustic recording from the session archive. • The Perfumed Garden Of Gulliver Smith — Closes the album. RELEASE HISTORY The album was released by Cherry Red Records in 1981. Many of the recordings had previously appeared in original form on The Beginning Of Doves (1974). For this release, newly recorded backing tracks were added to the original recordings. The album reached No. 88 on the UK Albums Chart. The UK edition was issued as a gatefold LP and included a 24-page booklet entitled The Marc Bolan Story. CHARTS & CERTIFICATIONS EUROPE UK Albums Chart — Peak: No. 88 PERSONNEL Marc Bolan — vocals, acoustic guitar Brian Odgers — bass guitar Graham Jarvis — drums Bernie Holland — guitar Graham Todd — piano Dyan Birch — backing vocals Frank Collins — backing vocals Paddy McHugh — backing vocals PRODUCTION Produced by Simon Napier-Bell Label: Cherry Red NOTES The album came with a 24-page booklet titled The Marc Bolan Story. The title track was originally known as "Horrible Breath" and was written as a proposed television jingle for Amplex tablets. The album consists of 1966 recordings enhanced with newly recorded 1981 backing tracks. Running Time: 31:41 Recorded: 1966 at De Lane Lea Studios; 1981 at Radio Luxembourg Studios and The Townhouse. RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format Marc Bolan You Scare Me To Death Cherry Red UK ERED 20 1981 LP, Gatefold Marc Bolan You Scare Me To Death Cherry Red UK PERED 20 1981 LP, Picture Disc Marc Bolan You Scare Me To Death Cherry Red UK E Red 20 1981 LP, White Label Marc Bolan You Scare Me To Death Cherry Red Germany INT 148.201 / ERED 20 1981 LP Marc Bolan You Scare Me To Death Cherry Red Greece ERED 20 1981 LP Marc Bolan You Scare Me To Death Cherry Red Ireland ERED 20 1981 LP Marc Bolan You Scare Me To Death Cherry Red / Planet Records Sweden ERED 20 1981 LP Marc Bolan You Scare Me To Death Victor Japan VIP-6809 1981 LP, Promo Marc Bolan You Scare Me To Death Rio Records Canada RIO 1024 1981 LP, Gatefold Marc Bolan You Scare Me To Death Disc'AZ France AZ/2 395 1981 LP Marc Bolan You Scare Me To Death Cherry Red Australia EMC 2752 1981 LP Marc Bolan You Scare Me To Death EMI Australia TC-EMC-2752 1981 Cassette Marc Bolan You Scare Me To Death EMI / Cherry Red Australia EMC 2752 1981 LP, Promo Marc Bolan You Scare Me To Death Plexus US KMH 709229 1981 LP TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP ERED 20 Side One A1. You Scare Me To Death A2. You've Got The Power A3. Eastern Spell A4. Charlie A5. I'm Weird A6. Hippy Gumbo Side Two B1. Mustang Ford B2. Observations B3. Jasmine '49 B4. Cat Black B5. Black And White Incident B6. The Perfumed Garden Of Gulliver Smith Cassette TC-EMC-2752 Side One 1. You Scare Me To Death 2. You've Got The Power 3. Eastern Spell 4. Charlie 5. I'm Weird 6. Hippy Gumbo Side Two 1. Mustang Ford 2. Observations 3. Jasmine '49 4. Cat Black 5. Black And White Incident 6. The Perfumed Garden Of Gulliver Smith Released on 11 September 1981, this Cherry Red 7" single presents Marc Bolan’s posthumous track You Scare Me To Death, drawn from 1966 demos later enhanced with newly recorded backing instrumentals. Issued four years after Bolan’s passing, the single formed part of Cherry Red’s album project of the same name, compiling early outtakes and songwriting experiments from Bolan’s pre‑Tyrannosaurus Rex period. The single reached number 51 on the UK chart and early pressings included an interview flexidisc. Both tracks originate from Bolan’s 1966 demo recordings. In 1981, producer Simon Napier‑Bell added new instrumentation and arrangements to Bolan’s original vocals and acoustic guitar. The B‑side, The Perfumed Garden Of Gulliver Smith, also stems from these early sessions. STYLE & THEMES The A‑side blends Bolan’s youthful, quirky vocal delivery with a newly constructed 1981 backing track. The B‑side retains the same era’s lyrical eccentricity and acoustic roots, expanded with added production. TRACK‑BY‑TRACK NOTES • You Scare Me To Death — A 1966 demo rebuilt with 1981 instrumentation, showcasing Bolan’s early songwriting tone. • The Perfumed Garden Of Gulliver Smith — Another 1966 composition, later enhanced with new production for Cherry Red’s posthumous release. Initial pressings included an interview flexidisc. The single reached number 51 on the UK chart. Issued as part of the You Scare Me To Death posthumous album campaign. PERSONNEL Marc Bolan — vocals, acoustic guitar Simon Napier‑Bell — production, arrangement Artist: Marc Bolan Title: You Scare Me To Death Label: Cherry Red Country: United Kingdom Catalogue: CHERRY 29 Date: September 11, 1981 Format: 7" Single Tracklist (7"): A — You Scare Me To Death B — The Perfumed Garden Of Gulliver Smith Notes: Initial pressing included interview flexidisc. Posthumous release based on 1966 demos with 1981 overdubs. RECORDS LTD 53, KENSINGTON GARDENS SQUARE, LONDON W2 4BA. Tel: 01229 8854/5.. MARO POLANA NEW SINGLE, ALBUM AND BIOGRAPHY There was never anyone more sure of himself or directly to the point than Mare Bolan. In 1966 he got hold of my home number and called me up. "I'm a singer and I'm going to be the biggest British rockstar ever, so I need a good manager to make all the arrangements." I told him to send a tape to the office, but he said he just happened to be near where I lived. Could he drop it in? Ten minutes later he rang the bell and walked through the door with a guitar around his neck. He said, "To tell the truth, I don't have a tape, but I could sing for you right now." He was dressed in Dickensian street-urchin clothes, about five-foot-two with a mop of black curly hair, and unlike most mall people he was delighted with his sise. He played down to it. To further diminish himself he chose the biggest armchair and sat in it cross-legged. He put a capo on the neck of his guitar and said, "I don't play guitar too well but the songs are fantastic. You're going to love them." He wasn't boasting or being immodest. To him the songs really were amazing and exciting. The fact that he'd found them inside himself rather than lying around lost in the street was no reason to lessen the praise he gave them. He didn't think of them as specifically his. He just happened to have come across them and he wanted to share them with everyone. But he never did Because, one way or another, although I did become his manager and recorded all those early songs just as he'd played them to me, they never got properly finished, and they spent the next fifteen years in a cellar full of mildewing tapes. Then, ten weeks ago, I suddenly decided to make the album with Maro that I'd always wanted to make, so I searched out the tape of those original songs and went off to the recording studios. I tried to imagine myself in exactly the creative state of mind that Maro would be in if he were still alive today. He'd be contemporary. He'd be a perfectionist, but he'd still want that rough edge of vitality in everything. He'd know recording techniques from the past and would want to make use of them, but not to the detriment of natural atmosphere and spontaneity During the time I was making this new album, I listened a lot to his other albums, and by the time I'd finished, there was so much Bolan swirling around in my head that I decided I should finish off the project by coupling the record with a book. So I got together with music-business journalist Chris Welch, and together we are producing a definitive biography. Not one of those quickly knocked-out sulogies of top-ten stars, but a properly researched story of Marc's life, both private and public, and an appraisal of his importance in the history of popular music. SIMON NAPIER-BELL, August 1981 The single "You Soare Me To Death" is now released on Cherry Red Records (Cherry 29), and the first 20,000 copies come with a limited edition flexi-disc featuring Marc talking about famous people. The album and book will follow together as a package in October P.R. by Connie Filippello, Connie Filippello Ltd. 45/53 Sinclair Rd. London W14 Director: Lain McNay SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Unobtainable T. Rex is a compilation album released by EMI in September 1980. Issued as part of the EMI NUT series, the collection gathered together recordings associated with Marc Bolan and T. Rex that were less widely available at the time of release. The album draws material from various stages of the band's career and combines original Marc Bolan compositions with a selection of cover versions. The compilation was assembled by Colin Miles and issued several years after Bolan's passing. RECORDING The album consists of previously recorded studio material compiled for release in 1980. The compilation includes performances featuring Marc Bolan and, on selected tracks, Gloria Jones. The LP was lacquer cut at EMI Studios and pressed by EMI Records. STYLE & THEMES The compilation combines glam rock and pop rock recordings ranging from album tracks to lesser-known recordings. Alongside Bolan originals, the collection includes interpretations of songs by Phil Spector, Bobby Freeman, Otis Redding and Steve Cropper. The album presents a broad overview of material that sat outside the major T. Rex hit compilations of the period. TRACK-BY-TRACK NOTES • Celebrate Summer — Marc Bolan composition opening the collection. • Sunken Rags — Included from the band's catalogue of lesser-known recordings. • Tame My Tiger — Mid-period Marc Bolan composition. • City Port — Features vocals by Gloria Jones and Marc Bolan. • Thunderwing — One of the collection's best-known T. Rex recordings. • Satisfaction Pony — Included from the T. Rex studio catalogue. • Midnight — Marc Bolan composition from the 1970s period. • Jitterbug Love — Original Bolan recording closing side one. • To Know Him Is To Love Him — Duet featuring Gloria Jones and Marc Bolan. • Do You Wanna Dance — Cover version written by Bobby Freeman. • Dock Of The Bay — Performance featuring Gloria Jones on vocals. • Cadilac — T. Rex recording included on side two. • Free Angel — Marc Bolan composition. • Life's An Elevator — Studio recording from the later period. • Sitting Here — Included among the rarities selected for the compilation. • Lady — Closing track of the original LP. RELEASE HISTORY The album was released in the United Kingdom by EMI in September 1980. The compilation was subsequently issued in Ireland, Australia, New Zealand and Japan, with later reissues appearing through Demon Records and Marc On Wax. The release was available on LP and cassette formats, with CD editions appearing later in Japan. PERSONNEL Marc Bolan — vocals, guitar, songwriter Gloria Jones — vocals on "City Port", "To Know Him Is To Love Him" and "Dock Of The Bay" Colin Miles — compilation Adam Yeldham — sleeve design, artwork Terry O'Neill — photography PRODUCTION Compiled by Colin Miles Sleeve Concept by C. Miles Design by Adam Yeldham Photography by Terry O'Neill Produced by Marc Bolan Produced by Tony Visconti Lacquer Cut At: EMI Studios Label: EMI Catalogue Number: NUT 28 / OC 054-64 028 NOTES • Compiled by Colin Miles. • Released as part of the EMI NUT series. • Made in Great Britain. • Lyrics reproduced by permission of Essex Music International. • Track durations were not printed on the original release. • Lacquer cut at EMI Studios. • Pressed by EMI Records. RELATED RELEASES • Bolan's Zip Gun • Tanx South Wales Argus Newport, Gwent, Wales · Saturday, September 27, 1980 Evening Post Bristol, Avon, England · Saturday, September 27, 1980 RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex The Unobtainable T. Rex EMI UK NUT 28 September 1980 LP, Compilation T. Rex The Unobtainable T. Rex EMI UK TC-NUT 28 1980 Cassette T. Rex The Unobtainable T. Rex EMI Ireland NUT 28 1980 LP, Compilation T. Rex The Unobtainable T. Rex EMI Australia EMC.2731 1980 LP, Compilation T. Rex The Unobtainable T. Rex EMI New Zealand MID 38 1980 LP, Compilation T. Rex The Unobtainable T. Rex EMI New Zealand TC-MID 38 1980 Cassette T. Rex The Unobtainable T. Rex T. Rex Japan SP20-5066 1983 LP, Reissue T. Rex The Unobtainable T. Rex Marc On Wax Japan 18DN-94 1989 CD, Compilation T. Rex The Unobtainable T. Rex Demon Records Europe DEMREC183 2016 LP, Reissue TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP NUT 28 Side One: Celebrate Summer • Sunken Rags • Tame My Tiger • City Port • Thunderwing • Satisfaction Pony • Midnight • Jitterbug Love Side Two: To Know Him Is To Love Him • Do You Wanna Dance • Dock Of The Bay • Cadilac • Free Angel • Life's An Elevator • Sitting Here • Lady Cassette TC-NUT 28 Celebrate Summer • Sunken Rags • Tame My Tiger • City Port • Thunderwing • Satisfaction Pony • Midnight • Jitterbug Love • To Know Him Is To Love Him • Do You Wanna Dance • Dock Of The Bay • Cadilac • Free Angel • Life's An Elevator • Sitting Here • Lady CD 18DN-94 Celebrate Summer • Sunken Rags • Tame My Tiger • City Port • Thunderwing • Satisfaction Pony • Midnight • Jitterbug Love • To Know Him Is To Love Him • Do You Wanna Dance • Dock Of The Bay • Cadilac • Free Angel • Life's An Elevator • Sitting Here • Lady Rather than serving as a conventional greatest hits compilation, the album focuses on Marc Bolan's extensive catalogue of non-album B-sides. The collection assembles recordings that were originally issued on the reverse side of many T. Rex singles, presenting an alternative history of the band's recording career. The release highlights the depth of Bolan's songwriting during the 1970s and demonstrates how many significant recordings were originally relegated to B-side status despite their quality and popularity among fans. RECORDING The compilation gathers recordings produced throughout the T. Rex years and brings together material originally issued as non-album B-sides and standalone recordings. The tracks reflect multiple phases of Marc Bolan's career and include collaborations with Gloria Jones as well as productions handled by both Marc Bolan and Tony Visconti. STYLE & THEMES The collection showcases the remarkable diversity of Marc Bolan's songwriting. While rooted in glam rock and pop rock, the recordings also incorporate elements of soul, rhythm and blues, rock and roll, and acoustic pop. Taken together, the album illustrates the breadth of material that existed alongside T. Rex's major hit singles and albums. The compilation demonstrates that many of Bolan's finest recordings were issued outside the band's principal studio albums. TRACK-BY-TRACK NOTES • Celebrate Summer — One of the final major T. Rex recordings. • Sunken Rags — Well-known non-album recording from the classic period. • Tame Me Tiger — Included from the band's B-side catalogue. • City Port — Features shared vocals from Marc Bolan and Gloria Jones. • Thunderwing — Later became one of the most celebrated songs from the wider T. Rex catalogue. • Satisfaction Pony — Included from the mid-1970s period. • Midnight — Non-album recording associated with the Zinc Alloy era. • Jitterbug Love — Popular fan favourite from the B-side catalogue. • To Know Him Is To Love Him — Features Gloria Jones on vocals. • Do You Wanna Dance — Bolan's interpretation of the classic song. • Dock Of The Bay — Features vocals by Gloria Jones and Marc Bolan. • Cadilac — One of the earliest and most enduring T. Rex recordings. • Free Angel — Included from the non-album catalogue. • Life's An Elevator — Late-period T. Rex recording. • Sitting Here — B-side recording from the 1970s. • Lady — One of the group's best-known non-album tracks. RELEASE HISTORY Released on November 11, 2016, The Unobtainable T. Rex formed part of Demon Records' programme of heavyweight vinyl reissues. The compilation was designed as an alternative hits collection, focusing specifically on Marc Bolan's non-album B-sides rather than the familiar hit singles and album tracks. The release was issued under licence from Spirit Services Holdings s.a.r.l. and manufactured in the European Union. PERSONNEL Marc Bolan — vocals, producer Gloria Jones — vocals Tony Visconti — producer Colin Miles — compilation PRODUCTION Compiled by Colin Miles Sleeve Concept by C. Miles Sleeve Design and Artwork by Adam Yeldham Photography by Terry O'Neill Cutting Engineer — Harry Moss Produced by Marc Bolan Produced by Tony Visconti Label: Demon Records Catalogue Number: DEMREC183 Barcode: 5014797895331 RELEASE TABLE Artist Album Label Country Catalogue Date Format T. Rex The Unobtainable T. Rex Demon Records Europe DEMREC183 November 11, 2016 LP, Compilation, Reissue, Stereo TRACKLIST TABLE Format Catalogue Tracklisting LP NOTES • Heavyweight vinyl reissue. • Alternative hits collection. • Focuses on non-album T. Rex B-sides. • Compiled by Colin Miles. • Issued under licence from Spirit Services Holdings s.a.r.l. • Manufactured in the European Union. • Part of Demon Records' classic T. Rex vinyl reissue programme. RELATED RELEASES • Thunderwing • Lady • Sunken Rags • Celebrate Summer • Satisfaction Pony DEMREC183 A1. Celebrate Summer A2. Sunken Rags A3. Tame Me Tiger A4. City Port A5. Thunderwing A6. Satisfaction Pony A7. Midnight A8. Jitterbug Love B1. To Know Him Is To Love Him B2. Do You Wanna Dance B3. Dock Of The Bay B4. Cadilac B5. Free Angel B6. Life's An Elevator B7. Sitting Here B8. Lady SOURCES ES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This major NME retrospective examines the phenomenon of "Bolanmania" and reflects on Marc Bolan's extraordinary rise, commercial peak and subsequent decline. Written by Paul Morley, the article analyses Bolan's impact on popular culture, his relationship with fame and the lasting significance of T. Rex within 1970s British music. Publication: New Musical Express (NME) Date: September 27, 1980 Country: United Kingdom Published as "Part Two: The Rise And Fall Of Bolanmania", the feature explores Marc Bolan's transformation from underground performer to one of Britain's most recognisable pop stars. Paul Morley charts the development of T. Rex and the intense popularity that surrounded Bolan during the early years of the 1970s, when his records, image and personality inspired a level of excitement rarely seen in British pop culture. The article reflects on the period when T. Rex dominated singles charts and youth culture, examining how Bolan's appeal extended far beyond music. Morley discusses the creation of the Bolan image, the rise of glam rock and the extraordinary public response that became known as Bolanmania. The feature also considers how changing musical trends affected Bolan's position later in the decade and explores the challenges he faced as tastes evolved. Accompanying the article are several photographs covering different periods of Bolan's career. A large central image shows him posed with a guitar, while additional photographs document both his glam rock years and later appearances. The visual presentation reinforces the retrospective nature of the feature, illustrating the changing stages of Bolan's public career. CONTEXT AND NOTES Appearing three years after Marc Bolan's death, the article serves as both a reassessment and a celebration of his influence. Rather than concentrating on a particular record or performance, the feature analyses Bolan's wider cultural impact, examining how he helped define an era of British popular music. The article's title reflects its central theme: the rise and decline of a phenomenon that transformed Bolan into a household name. Through interviews, commentary and retrospective analysis, NME presents Bolan as one of the defining figures of the decade whose influence continued to be discussed long after the peak of T. Rex's success. FEATURE HIGHLIGHTS Event: NME retrospective examining the rise and decline of Bolanmania Era: 1980 reassessment of the T. Rex phenomenon Tone: Analytical and reflective Photography: Multiple career-spanning photographs including studio portraits and guitar portraits of Marc Bolan WHAT THE CLIPPING SHOWS • "Part Two: The Rise And Fall Of Bolanmania" by Paul Morley • Examination of Marc Bolan's popularity and cultural impact • Photographs covering different stages of Bolan's career All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This New Musical Express feature from September 20 1980, written by Paul Morley, presents a detailed retrospective on Marc Bolan’s life, music, and enduring influence. Published three years after Bolan’s death, it serves as both a tribute and a critical exploration of his artistic legacy. Publication: New Musical Express Date: September 20 1980 Country: United Kingdom The article opens with commentary on ITV’s re‑broadcast of Bolan’s Marc television series, noting the continued devotion of his fanbase. Morley examines Bolan’s transformation from early folk‑inspired beginnings to glam‑rock superstardom, describing his unique blend of mysticism, charisma, and pop accessibility. The piece traces Bolan’s evolution from Tyrannosaurus Rex to T. Rex, highlighting his ability to merge poetic eccentricity with mass appeal. The first section, titled “Early Wizardry,” recounts Bolan’s formative years as Mark Feld, his fascination with 1950s rock idols, and his early recordings such as The Wizard (1965). Morley’s writing balances admiration with analysis, portraying Bolan as both visionary and self‑aware—a performer who understood the magic of image and myth. Photographs accompany the text, including a 1965 portrait of Bolan with an acoustic guitar and a later image of him seated casually, reinforcing the article’s nostalgic tone. CONTEXT AND NOTES By 1980, Bolan’s influence had become foundational to British pop and glam culture. This NME feature reflects the posthumous reassessment of his work, situating him among the great innovators of modern music. Morley’s essay combines journalistic insight with literary flair, capturing Bolan’s duality—his playful self‑mythologizing and genuine creative brilliance. The re‑airing of Marc on television underscored how his spirit continued to resonate with fans and musicians alike. FEATURE HIGHLIGHTS Event: Retrospective feature on Marc  Bolan’s career and legacy Era: 1980 – Posthumous Tribute  Cultural ReappraisalTone: Reflective and analytical Photography: Black‑and‑white portraits of Marc Bolan (1965 and later period) WHAT THE CLIPPING SHOWS -Full‑page feature by Paul Morley on Marc Bolan’s career - Discussion of ITV’s re‑broadcast of the  Marc TV series - Detailed analysis of Bolan’s early years  and musical development All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This brief album review assesses The Unobtainable T. Rex, a compilation collecting B-sides and lesser-known recordings by T. Rex and Marc Bolan. The reviewer presents the release as a specialist collection aimed primarily at dedicated fans of the late glam rock star. Publication: Manchester Evening News Date: October 3, 1980 Country: United Kingdom Appearing under the heading "B-Side Bolan", the review focuses on The Unobtainable T. Rex (EMI), a compilation bringing together fourteen B-sides from deleted T. Rex singles alongside several Marc Bolan A-sides that had performed poorly upon their original release. The reviewer describes the collection as a gathering of harder-to-find material rather than a conventional greatest hits package. By concentrating on B-sides and overlooked recordings, the album offers listeners an opportunity to explore parts of Bolan's catalogue that were less familiar than the major hit singles. Despite acknowledging the rarity value of the material, the review suggests that the album is primarily intended for committed enthusiasts. The writer concludes that listeners would need to be "a big fan of the late glam rocker" to fully appreciate the collection, indicating that the release is aimed more at collectors than casual listeners. A small photograph of Marc Bolan accompanies the review, reinforcing the retrospective nature of the release and its focus on preserving lesser-known recordings from his career. CONTEXT AND NOTES Published three years after Marc Bolan's death, the review reflects the continuing interest in archival T. Rex material and posthumous releases. During the late 1970s and early 1980s, record companies increasingly issued compilations and collections designed to showcase recordings that had previously been difficult to obtain. The review is notable for recognising the historical value of the material while also acknowledging its specialist appeal. Rather than competing with the major hit compilations, The Unobtainable T. Rex was positioned as a release for devoted followers seeking a deeper exploration of Bolan's catalogue. FEATURE HIGHLIGHTS Event: Review of The Unobtainable T. Rex Era: 1980 posthumous compilation era Tone: Brief and collector-focused Photography: Small accompanying photograph of Marc Bolan WHAT THE CLIPPING SHOWS • Review of The Unobtainable T. Rex (EMI) • Collection of fourteen T. Rex B-sides and rare Marc Bolan recordings • Assessment of the album as a release aimed at dedicated fans • Small photograph of Marc Bolan accompanying the review All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A lively and enthusiastic live review from the June 28, 1980 issue of The Morning Record and Journal (Meriden, Connecticut) praising the young New Wave band Baby Strange for their energetic performance at Ron’s Place in New Haven, with special mention of their powerful cover of Marc Bolan’s “Baby Strange”. Publication: The Morning Record and Journal Date: June 28, 1980 Country: United States Section: Music Review / Live Report THE STORY WHAT THE CLIPPING SHOWS Jim Zebora reviews a packed show by the teenage New Wave band Baby Strange at Ron’s Place in New Haven. The quintet delivered a confident and engaging set, highlighted by their strong rendition of Marc Bolan’s “Baby Strange”. The reviewer notes the band’s striking visual style, solid musicianship, and the enthusiastic audience response despite the members’ young age. Bold headline “Baby Strange a big hit at hot New Wave club” with dense review text by Jim Zebora. The page focuses on the band’s performance, stage presence, and future potential in the emerging New Wave scene. Classic 1980 newspaper review layout. CONTEXT AND NOTES FEATURE HIGHLIGHTS Published on June 28, 1980 in the Connecticut paper The Morning Record and Journal, this review captures the grassroots energy of the early New Wave scene in small American clubs. The band’s choice to cover Marc Bolan’s “Baby Strange” connects the new generation of punk-influenced acts back to the glam rock legacy of T. Rex, showing Bolan’s enduring influence even years after his passing. Event: Live club performance review Era: 1980 (Early New Wave era) Tone: Positive, energetic, supportive Photography: Text-focused review with possible band images in original layout RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Across The Airways is a compilation album released by Cube Records in January 1982. Issued in the United Kingdom as a picture disc LP, the collection draws together recordings from both the Tyrannosaurus Rex and T. Rex eras, showcasing the breadth of Marc Bolan's songwriting and musical development. The release combines psychedelic folk recordings, acoustic favourites and later T. Rex material, making it one of the more eclectic compilations issued during the early 1980s. RECORDING The album consists of previously released studio recordings by Tyrannosaurus Rex and T. Rex. The compilation features tracks spanning several phases of Marc Bolan's career, from early duo recordings through to material recorded following the group's transition into T. Rex. STYLE & THEMES The collection highlights the contrast between the mystical folk-rock sound of Tyrannosaurus Rex and the more accessible rock and glam style associated with T. Rex. Acoustic fantasy-driven compositions sit alongside well-known recordings such as Jeepster, Life's A Gas and Ride A White Swan, illustrating the evolution of Bolan's musical approach. TRACK-BY-TRACK NOTES • The Misty Coast Of Albany — Early Tyrannosaurus Rex recording. • Iscariot — Acoustic-era Bolan composition. • Once Upon The Seas Of Abyssinia — Classic example of the group's psychedelic folk style. • Misty Mist — Characteristic early Tyrannosaurus Rex recording. • Chariots Of Silk — Well-known composition from the duo period. • Scenescof — Early catalogue selection. • Girl — Recording from the T. Rex era. • Life's A Gas — Popular fan favourite. • Jeepster — One of T. Rex's best-known recordings. • Beltane Walk — Transitional-era composition bridging both phases of Bolan's career. • Jewel — Key recording from the move towards the T. Rex sound. • Sailors Of The Highway — T. Rex album track. • Suneye — Acoustic-era recording. • A Daye Laye — Early Bolan composition. • Wind Cheetah — Tyrannosaurus Rex recording. • Light Of A Magical Moon — Fantasy-inspired acoustic piece. • Hot Love — Included in its Tyrannosaurus Rex version. • Fist Heart Mighty Dawn Dart — Early catalogue favourite. • Summertime Blues — Eddie Cochran and Jerry Capehart composition interpreted by Tyrannosaurus Rex. • Pavilions Of Sun — One of the defining recordings of the early period. • Ride A White Swan — Closing track and breakthrough hit. RELEASE HISTORY The album was released by Cube Records in January 1982. It was issued as a picture disc under catalogue number ICSX 1004 and included a two-sided black and white insert containing session information, a brief history and band profiles. Standard LP and cassette editions were also issued, with subsequent releases appearing in Germany, Spain, Japan, Australia, New Zealand and elsewhere. CHARTS & CERTIFICATIONS PERSONNEL Marc Bolan — vocals, guitar, songwriter Oliver Dick — art direction, design Copeland, Douglas & Dyer — posterisation artwork Barry Plummer — photography Steve Benson — photography PRODUCTION Label: Cube Records Catalogue Number: ICSX 1004 Format: Picture Disc LP Country: UK Art Direction: Oliver Dick Photography: Barry Plummer, Steve Benson NOTES • Picture disc LP release. • Includes a two-sided black and white insert. • Insert contains session dates, artist profiles and a brief history. • Combines Tyrannosaurus Rex and T. Rex recordings. • Artwork directed by Oliver Dick. • Photography by Barry Plummer and Steve Benson. • Released by Cube Records. RELATED RELEASES • The T. Rex Collection • Bolan Boogie • Ride A White Swan • The Ultimate Collection • 20th Century Boy RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format Marc Bolan And T. Rex Across The Airways Cube Records UK ICSX 1004 January 1982 Picture Disc LP Marc Bolan And T. Rex Across The Airwaves Cube Records UK ICS 1004 1982 LP, Gatefold Marc Bolan And T. Rex Across The Airwaves Cube Records UK ZCICS 1004 1982 Cassette Marc Bolan And T. Rex Across The Airwaves Cube Records Germany INT 146.314 1982 LP Marc Bolan And T. Rex Across The Airwaves Cube Records Spain 2311144 1982 LP Marc Bolan And T. Rex Across The Airwaves Trash / Trio Records Japan AW-25014(M) 1982 LP Marc Bolan And T. Rex Across The Airwaves Trash / Trio Records Japan PTC-25010(M) 1982 Cassette TRACKLIST TABLE Format Catalogue Tracklisting LP ICSX 1004 Side One • The Misty Coast Of Albany • Iscariot • Once Upon The Seas Of Abyssinia • Misty Mist • Chariots Of Silk • Scenescof • Girl • Life's A Gas • Jeepster • Beltane Walk • Jewel LP ICSX 1004 Side Two • Sailors Of The Highway • Suneye • A Daye Laye • Wind Cheetah • Light Of A Magical Moon • Hot Love • Fist Heart Mighty Dawn Dart • Summertime Blues • Pavilions Of Sun • Ride A White Swan Across The Airwaves is a compilation album issued by Cube Records in January 1982. Released in association with BBC Records, the album collects recordings originally produced by the BBC and drawn from Radio 1 broadcasts featuring both Tyrannosaurus Rex and T. Rex. The compilation combines material from different periods of Marc Bolan's career, spanning the transition from the Tyrannosaurus Rex era into the more commercially successful T. Rex years. RECORDING The album consists of recordings produced by the BBC and sourced from Radio 1 broadcasts. All tracks on the original release are presented in mono. The compilation contains performances credited to both Tyrannosaurus Rex and T. Rex. STYLE & THEMES The collection traces Marc Bolan's development from the acoustic, psychedelic folk style of Tyrannosaurus Rex through to the glam rock era of T. Rex. By combining BBC performances from different periods, the album highlights the stylistic progression of Bolan's songwriting while preserving a number of radio recordings not readily available elsewhere. TRACK-BY-TRACK NOTES • The Misty Coast Of Albany — Tyrannosaurus Rex BBC recording. • Iscariot — Early Bolan composition. • Once Upon The Seas Of Abyssinia — Tyrannosaurus Rex performance. • Misty Mist — BBC session recording. • Chariots Of Silk — Early Tyrannosaurus Rex favourite. • Scenescof — Included from the group's BBC recordings. • Girl — T. Rex performance. • Life's A Gas — Acoustic-flavoured T. Rex recording. • Jeepster — T. Rex hit featured on the compilation. • Beltane Walk — Included from the BBC archives. • Jewel — Closing track on side one. • Sailors Of The Highway — Opens side two. • Suneye — BBC session performance. • A Daye Laye — Tyrannosaurus Rex recording. • Wind Cheetah — Included from the early catalogue. • By The Light Of A Magical Moon — BBC performance. • Hot Love — T. Rex chart classic. • Fist Heart Mighty Dawn Dart — Tyrannosaurus Rex recording. • Summertime Blues — Eddie Cochran and Jerry Capehart composition. • Pavillions Of Sun — Featured on side two. • Ride A White Swan — Closing track of the compilation. NOTES • Produced from BBC Radio 1 recordings. • Released in conjunction with BBC Records. • All tracks are mono recordings. • Gatefold sleeve on the original LP edition. • Marketed by Dakota Records. • Distributed by Precision Records & Tapes Limited. • Matrix numbers include ICS-1004-A1 DAMONT and ICS-1004-B1 DAMONT. RELEASE HISTORY The album was released in the United Kingdom in January 1982 by Cube Records. The compilation was also issued on cassette and picture disc formats and later appeared in Germany, Spain, Japan, Australia, New Zealand and Europe through a variety of reissues. Later CD editions appeared in Japan, Europe and Australia/New Zealand. PERSONNEL Marc Bolan — vocals, guitar, composer Oliver Dick — art direction, design Copeland, Douglas & Dyer — posterization artwork Barry Plummer — photography Steve Benson — photography PRODUCTION Produced by the BBC Art Direction and Design by Oliver Dick Posterization Artwork by Copeland, Douglas & Dyer Photography by Barry Plummer Photography by Steve Benson Marketed by Dakota Records Distributed by Precision Records & Tapes Limited Label: Cube Records Catalogue Number: ICS 1004 Recorded At: BBC Radio 1 Sessions RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format Marc Bolan And T. Rex Across The Airwaves Cube Records UK ICS 1004 January 1982 LP, Compilation, Mono, Gatefold Marc Bolan And T. Rex Across The Airwaves Cube Records UK ZCICS 1004 1982 Cassette Marc Bolan And T. Rex Across The Airwaves Cube Records UK ICSX 1004 1982 LP, Picture Disc Marc Bolan And T. Rex Across The Airwaves Cube Records Germany INT 146.314 1982 LP, Compilation Marc Bolan And T. Rex Across The Airwaves Polydor Spain 2311144 1982 LP, Compilation Marc Bolan And T. Rex Across The Airwaves Trash / Trio Records Japan AW-25014(M) 1982 LP, Compilation Marc Bolan And T. Rex Across The Airwaves Trash / Trio Records Japan PTC-25010(M) 1982 Cassette Marc Bolan And T. Rex Across The Airways Cube Records Japan 20CP-12 1989 CD, Compilation Marc Bolan And T. Rex Across The Airwaves Cube Records Australia & New Zealand CDMID 166248 1990 CD, Compilation Marc Bolan And T. Rex Across The Airwaves A&M Records Europe 541 004-2 1998 CD, Compilation Marc Bolan And T. Rex Across The Airways A&M Records Japan POCM-2106 1999 CD, Compilation TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP ICS 1004 Side One: The Misty Coast Of Albany • Iscariot • Once Upon The Seas Of Abyssinia • Misty Mist • Chariots Of Silk • Scenescof • Girl • Life's A Gas • Jeepster • Beltane Walk • Jewel Side Two: Sailors Of The Highway • Suneye • A Daye Laye • Wind Cheetah • By The Light Of A Magical Moon • Hot Love • Fist Heart Mighty Dawn Dart • Summertime Blues • Pavillions Of Sun • Ride A White Swan Cassette ZCICS 1004 The Misty Coast Of Albany • Iscariot • Once Upon The Seas Of Abyssinia • Misty Mist • Chariots Of Silk • Scenescof • Girl • Life's A Gas • Jeepster • Beltane Walk • Jewel • Sailors Of The Highway • Suneye • A Daye Laye • Wind Cheetah • By The Light Of A Magical Moon • Hot Love • Fist Heart Mighty Dawn Dart • Summertime Blues • Pavillions Of Sun • Ride A White Swan CD 20CP-12 The Misty Coast Of Albany • Iscariot • Once Upon The Seas Of Abyssinia • Misty Mist • Chariots Of Silk • Scenescof • Girl • Life's A Gas • Jeepster • Beltane Walk • Jewel • Sailors Of The Highway • Suneye • A Daye Laye • Wind Cheetah • By The Light Of A Magical Moon • Hot Love • Fist Heart Mighty Dawn Dart • Summertime Blues • Pavillions Of Sun • Ride A White Swan SOURCES Discogs, rockfiles, 45 World, Wikipedia. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This single forms part of Cube Records’ BackTrackin’ Classic Singles Series, a set of re‑issues revisiting key Marc Bolan hits from the early 1970s. Issued in the UK on 3 September 1982, the release pairs two of T. Rex’s most iconic glam‑rock tracks: Hot Love and Jeepster. The date is confirmed in the booklet The New Singles No. 942. As a re‑issue, the single was aimed at collectors and fans seeking affordable access to classic Cube catalogue titles. RECORDING Both tracks originate from T. Rex’s early‑1970s sessions produced by Tony Visconti, featuring Marc Bolan’s signature glam‑era sound. No new recording was undertaken for this 1982 edition; the single simply re‑presents the original masters. STYLE & THEMES The pairing showcases Bolan’s transition into full glam‑rock confidence. Hot Love captures the band’s shift toward a more expansive pop‑rock sound, while Jeepster highlights Bolan’s playful lyrical swagger and rhythmic groove. TRACK‑BY‑TRACK NOTES • Hot Love — A defining glam‑rock single, driven by Bolan’s melodic phrasing and Visconti’s warm production. • Jeepster — A swaggering, groove‑heavy track showcasing Bolan’s rhythmic vocal delivery and acoustic‑electric blend. RELEASE HISTORY Released 3 September 1982 in the UK as part of Cube’s BackTrackin’ Classic Singles Series. Catalogue number BAK 3. Issued as a 7" vinyl single. Noted as a re‑issue, not a new recording. PERSONNEL T. Rex — performance Marc Bolan — songwriting Tony Visconti — production PRODUCTION Produced by Tony Visconti Label: Cube Records Catalogue numbers: • BAK 3 Artist: T. Rex T itle: BackTrackin’ — Hot Love / Jeepster Label: Cube Records Country: United Kingdom Catalogue: BAK 3 Date: September 3, 1982 Format: 7" Single Tracklist (7"): A — Hot Love B — Jeepster Notes: Re‑issue. Part of the BackTrackin’ Classic Singles Series. Release date sourced from The New Singles No. 942. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

This Manchester Evening News column from August 1982 announces a new wave of T. Rex and Marc Bolan reissues on EMI’s MARC label. The piece details three EPs featuring Bolan’s classic singles, reaffirming his lasting influence and the continued demand for his music five years after his passing. Publication: Manchester Evening News Date: August 17 1982 Country: United Kingdom Under the headline “Marc Time Once Again,” the article reports that EMI has begun reissuing T. Rex recordings through the MARC label. The first of three EPs was released the previous day, with two more scheduled for September. Each EP collects four of Bolan’s most celebrated tracks, spanning his glam‑rock peak and later years. The reissues are presented as a tribute to Bolan’s enduring appeal, with the writer noting that even years after his death, “Marc Time” continues to resonate with fans and collectors alike. CONTEXT AND NOTES By 1982, Marc Bolan’s catalogue remained a cornerstone of British pop history. EMI’s MARC label reissues served both as a commercial revival and a nostalgic celebration of his artistry. The campaign’s structured rollout — complete with numbered releases — reflected the ongoing fascination with Bolan’s glittering legacy and the timeless charm of his songwriting. EMI MARC LABEL REISSUES • T. Rex – 20th Century Boy / Dreamy Lady /  The Groover / New York City   EMI – MARC 21   United Kingdom   Released: August 16 1982 • T. Rex – Truck On (Tyke) / Zip Gun Boogie /  Teenage Dream / Light of Love   EMI – MARC 22   United Kingdom   Released: September 6 1982 • T. Rex – Metal Guru / Laser Love / Telegram Sam /  Soul of My Suit   EMI – MARC 23   United Kingdom   Released: September 27 1982 FEATURE HIGHLIGHTS Event: EMI MARC label reissue campaign of T. Rex EPs Era: 1982 – Posthumous Reissue / Legacy CelebrationTone: Informative, nostalgic, and reverent Photography: None included; text‑only column listing release details WHAT THE CLIPPING SHOWS Announcement of three T. Rex EPs reissued on EMI’s MARC label Full track listings and release dates for each variant Continued recognition of Marc Bolan’s enduring popularity All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This single is part of Cube Records’ Backtrackin’ Classic Singles Series, a run of re‑issues presenting key Marc Bolan tracks from the T. Rex and Tyrannosaurus Rex eras. Issued in the UK on 3 September 1982, the release pairs the chart‑topping glam‑rock anthem Get It On with the earlier Tyrannosaurus Rex track Debora, presented here in its distinctive Deboraarobed forward/backward album version. The release date is confirmed in the booklet The New Singles No. 942. RECORDING Both tracks originate from their respective early‑1970s sessions produced by Tony Visconti. No new recording was undertaken for this 1982 edition; the single re‑uses the original masters. The B‑side uses the Deboraarobed version, which combines the forward and reversed mixes from the original Tyrannosaurus Rex album. STYLE & THEMES The pairing highlights two distinct phases of Marc Bolan’s evolution: • Get It On represents the peak of T. Rex’s glam‑rock dominance, defined by swagger, groove, and electric‑driven confidence. • Debora reflects Bolan’s earlier mystical, acoustic‑leaning Tyrannosaurus Rex period, with its psychedelic folk textures and experimental reversed‑audio presentation. TRACK‑BY‑TRACK NOTES • Get It On — A defining glam‑rock hit, showcasing Bolan’s rhythmic vocal delivery and Visconti’s polished production. • Debora — Presented here in the Deboraarobed forward/backward album version, blending psychedelic folk with experimental tape manipulation. RELEASE HISTORY Released 3 September 1982 in the UK as a 7" vinyl single on Cube Records. Catalogue number BAK 4. Issued as part of the Backtrackin’ Classic Singles Series. Noted as a re‑issue, not a new recording. PERSONNEL T. Rex — performance Marc Bolan — songwriting Tony Visconti — production PRODUCTION Produced by Tony Visconti Label: Cube Records Catalogue numbers: • BAK 4 Artist: T. Rex Title: BackTrackin’ — Get It On / Debora Label: Cube Records Country: United Kingdom Catalogue: BAK 4 Date: September 3, 1982 Format: 7" Single Tracklist (7"): A — Get It On B — Debora (Deboraarobed version) Notes: Re‑issue. Part of the Backtrackin’ Classic Singles Series. B‑side uses the Deboraarobed forward/backward album version by Tyrannosaurus Rex. Release date sourced from The New Singles No. 942. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

Issued as part of Cube Records’ Backtrackin’ Classic Singles Series, this 1982 re‑issue pairs two key Marc Bolan tracks from different phases of his career. The A‑side, One Inch Rock, originates from the Tyrannosaurus Rex era, while the B‑side, Ride A White Swan, represents the early breakthrough of T. Rex’s glam‑rock period. The release date is confirmed in The New Singles No. 942. RECORDING Both tracks are original early‑1970s recordings produced by Tony Visconti. No new studio work was undertaken for this 1982 edition; the single simply re‑presents the existing masters. STYLE & THEMES The pairing highlights Bolan’s stylistic evolution: • One Inch Rock reflects the mystical, acoustic‑driven Tyrannosaurus Rex sound. • Ride A White Swan showcases the emerging glam‑rock confidence that would soon define T. Rex’s chart success. TRACK‑BY‑TRACK NOTES • One Inch Rock — A whimsical, acoustic‑leaning track from the Tyrannosaurus Rex period, marked by Bolan’s distinctive lyrical imagery. • Ride A White Swan — A pivotal early glam‑rock single, driven by rhythmic swagger and Bolan’s evolving electric sound. RELEASE HISTORY Released 3 September 1982 in the UK as a 7" vinyl single on Cube Records. Catalogue number BAK 5. Part of the Backtrackin’ Classic Singles Series. Noted as a re‑issue. PERSONNEL T. Rex — performance Marc Bolan — songwriting PRODUCTION Produced by Tony Visconti Label: Cube Records Catalogue numbers: • BAK 5 Artist: T. Rex Title: BackTrackin’ — One Inch Rock / Ride A White Swan Label: Cube Records Country: United Kingdom Catalogue: BAK 5 Date: September 3, 1982 Format: 7" Single Tracklist (7"): A — One Inch Rock B — Ride A White Swan Notes: Re‑issue. Part of the Backtrackin’ Classic Singles Series. Release date sourced from The New Singles No. 942. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

This EP was released on 13 August 1982 as the second title in a four‑part series. The record combines four Marc Bolan compositions from different phases of T. Rex’s catalogue, pairing two tracks on each side. The release presents a mixture of Tony Visconti‑produced material and Marc Bolan’s own production work. Artist: T. Rex Title: 20th Century Boy Label: T. Rex Country: UK Catalogue: MARC 21 Tracklist (7"): A1 — 20th Century Boy (M. Bolan) Produced by Tony Visconti A2 — Dreamy Lady (M. Bolan) Produced by Marc Bolan B1 — The Groover (M. Bolan) Produced by Tony Visconti B2 — New York City (M. Bolan) Produced by Marc Bolan Tracklist (7" Promo): A — 20th Century Boy B — Dreamy Lady Cat #: EMI – MARC 21(DJ) SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

BACKGROUND Billy Super Duper was released in 1982 by Marc On Wax and became the second posthumous Marc Bolan album issued following his death in 1977. Unlike You Scare Me To Death, which consisted of enhanced versions of recordings previously released in another form, Billy Super Duper was promoted as the first LP of entirely new and previously unheard material issued after Bolan's death. The album consists of studio outtakes and home recordings made between 1972 and 1977. John and Shan Bramley, who headed the Marc Bolan Fan Club at the time, supervised new arrangements intended to complete the unfinished recordings and update them for contemporary release. RECORDING The recordings span several different periods of Marc Bolan's career. Material originated from sessions recorded at Château d'Hérouville, Decibel Studios and other locations between 1972 and 1977. Additional overdubs were added during March 1982 at Crescent Studios. According to the supplied source, the original concept was to issue material intended for Marc Bolan's unrealised next album, Jack Daniels. Several recordings associated with the abandoned Billy Super Duper project were also utilised, leading to the compilation taking its title from the song "Billy Super Duper". STYLE & THEMES The album combines glam rock, classic rock and late-period T. Rex recordings. Drawn from demos, work-in-progress recordings and studio outtakes, the collection presents material from different stages of Bolan's career while maintaining a focus on previously unreleased recordings. ALBUM DETAILS Released: 1982 Label: Marc On Wax Catalogue Number: ABOLAN 4 Country: UK Format: LP, Album, Black & Red Vinyl RELEASE HISTORY Billy Super Duper was released in 1982 by Marc On Wax. The album did not chart in the United Kingdom. The original UK edition appeared on red vinyl under catalogue number ABOLAN 4. Subsequent editions were released in Europe, Spain and Japan, with later UK reissues and CD editions following during the 1980s. PERSONNEL Marc Bolan — vocals, guitars Mickey Finn — percussion (track A5) Dino Dines — keyboards (tracks A1-A4, B2-B5) Gloria Jones — vocals (tracks A1, B2, B4) Steve Currie — bass (tracks A1, A3, A5) Davy Lutton — drums (tracks A1, A3) Bill Legend — drums (track A5) Herbie Flowers — bass (tracks A2, B2, B3, B5) Tony Newman — drums (tracks A2, B2, B3) Pete Allerhand — second guitar on "Depth Charge" Stuart Gordon — bass and drums (tracks B1, B6), strings on "Mellow Love" Manny Elias — drums (tracks B1, B6) Larry Stabbins — saxophone on "Hot George" PRODUCTION Arrangements supervised by John Bramley and Shan Bramley. NOTES The album was conceived as a collection of previously unheard Marc Bolan recordings. According to the supplied source, the intention was to issue material that would have formed part of Bolan's next proposed album, Jack Daniels. The release remains notable as the only source for the song "Billy Super Duper" and for the unedited versions of "Depth Charge" and "Write Me A Song". The title track reportedly existed in a substantially longer form before being edited for release. RECORDING LOCATIONS "Billy Super Duper" — Château d'Hérouville, May 19, 1975 "Shy Boy" — Decibel Studios, April 1977 "Depth Charge" — Château d'Hérouville, May 19, 1975; Crescent Studios overdubs, March 1982 "Love Drunk" — Decibel Studios, April 1977 "Buick MacKane & The Babe Shadow" — Château d'Hérouville, March 10, 1972 "21st Century Stance" — Early 1977; Crescent Studios overdubs, March 1982 "Foxy Boy" — Decibel Studios, April 1977 "Hot George" — Decibel Studios, April 1977; Crescent Studios saxophone overdub, March 1982 "Mellow Love" — Decibel Studios, April 1977; Crescent Studios string overdub, March 1982 "20th Century Baby" — Decibel Studios, April 1977 "Write Me A Song (Supertuff)" — 1976; Crescent Studios overdubs, March 1982 RELATED RELEASES You Scare Me To Death (1981) Jack Daniels Billy Super Duper Billy Super Duper (Reprise) Manchester Evening News Manchester, Greater Manchester, England · Tuesday, August 31, 1982 RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format Marc Bolan & T. Rex Billy Super Duper Marc On Wax UK ABOLAN 4 1982 LP, Album, Red Vinyl Marc Bolan & T. Rex Billy Super Duper Marc On Wax UK ABOLAN 4 1982 LP, Album Black Vinyl Marc Bolan & T. Rex Billy Super Duper Not On Label UK ABOLAN 4 1982 LP, Album, Test Pressing Marc Bolan & T. Rex Billy Super Duper Ariola Europe 205 445 / 205 445-320 1983 LP Marc Bolan & T. Rex Billy Super Duper Ariola Spain I-205445 1983 LP Marc Bolan & T. Rex Billy Super Duper T. Rex Japan SP25-5077 1983 LP Marc Bolan & T. Rex Billy Super Duper T. Rex Japan SP25-5077 1983 LP, Promo Marc Bolan & T. Rex Billy Super Duper Marc On Wax UK MARCL500 1985 LP, Reissue Marc Bolan & T. Rex Billy Super Duper Marc On Wax Japan 20CP-19 1989 CD, Album, Reissue TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP ABOLAN 4 Side One A1. Billy Super Duper – 3:39 A2. Shy Boy – 2:36 A3. Depth Charge – 3:58 A4. Love Drunk – 2:41 A5. Buick MacKane & The Babe Shadow – 3:24 LP ABOLAN 4 Side Two B1. 21st Century Stance – 2:35 B2. Foxy Boy – 2:15 B3. Hot George – 2:21 B4. Mellow Love – 3:15 B5. 20th Century Baby – 2:19 B6. Write Me A Song (Supertuff) – 3:08 B7. Billy Super Duper (Reprise) – 0:40 SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

T. Rex is a budget-priced compilation album released by Cube Records in October 1982 as part of the Countdown - One Price Series. Issued in the United Kingdom, the album gathered a selection of recordings spanning both the Tyrannosaurus Rex and T. Rex eras, combining well-known hits with key album tracks. The release was designed as an affordable introduction to Marc Bolan's catalogue and formed part of Cube Records' ongoing programme of retrospective compilations during the early 1980s.. RECORDING The album consists of previously released studio recordings originally recorded by Tyrannosaurus Rex and T. Rex. The material spans several periods of Marc Bolan's career, ranging from early acoustic recordings through to the band's breakthrough glam rock era. STYLE & THEMES The compilation showcases the transition from the late-1960s folk and psychedelic sound of Tyrannosaurus Rex to the more electric and commercially successful T. Rex period. The track selection balances major hit singles such as Get It On, Hot Love and Jeepster with lesser-known catalogue recordings including The Motivator, Hot Rod Mama and Is It Love. TRACK-BY-TRACK NOTES • Get It On — International breakthrough hit. • Summertime Blues — Cover version of the Eddie Cochran and Jerry Capehart classic. • Beltane Walk — Recording linking the Tyrannosaurus Rex and T. Rex eras. • Mustang Ford — Early Marc Bolan favourite. • Woodland Rock — Characteristic Tyrannosaurus Rex recording. • Life's A Gas — One of Bolan's most enduring compositions. • Hot Love — Landmark UK hit single. • Jeepster — Classic track from the Electric Warrior period. • The Motivator — Later-period T. Rex recording. • Cosmic Dancer — One of Marc Bolan's most celebrated compositions. • Hot Rod Mama — Early recording included from the Tyrannosaurus Rex catalogue. • Is It Love — Album track from the T. Rex era RELEASE HISTORY The album was released by Cube Records in October 1982. Issued as part of the Countdown - One Price Series, the LP was marketed as a mid-price compilation bringing together key recordings from Marc Bolan's career. PERSONNEL Marc Bolan — vocals, guitar, songwriter PRODUCTION Label: Cube Records Series: Countdown - One Price Series Catalogue Number: COUNT 11 Format: LP, Compilation Country: UK RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex T. Rex Cube Records UK COUNT 11 October 1982 LP, Compilation TRACKLIST TABLE Format Catalogue Tracklisting LP NOTES • Released as part of the Countdown - One Price Series. • Mid-price compilation release. • Issued by Cube Records in the UK. • Combines Tyrannosaurus Rex and T. Rex era recordings. • Features major hits alongside album tracks and deeper catalogue selections. RELATED RELEASES • Across The Airways • The T. Rex Collection • Bolan Boogie • 20th Century Boy • The Ultimate Collection COUNT 11 Side One • Get It On • Summertime Blues • Beltane Walk • Mustang Ford • Woodland Rock • Life's A Gas Side Two • Hot Love • Jeepster • The Motivator • Cosmic Dancer • Hot Rod Mama • Is It Love SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.