A 2007 Italian compilation album, released on vinyl and CD, collecting rare and early Tyrannosaurus Rex tracks, demos, and alternate versions from Marc Bolan’s pre-T. Rex psychedelic folk period. RELEASE / PUBLICATION DETAILS Artist: Tyrannosaurus Rex Title: A Star Of Beards Date: 2007 Label: Get Back Format / Type: CD Album (Compilation) Country: Italy Catalogue: GET660 Barcode: 8013252366024 TRACK LIST Child Star Sleepy Maurice Deep Summer Demon Queen One Inch Rock Highways Pilgrim's Tale Rings Of Fortune Wind Quartets Mustang Ford Conesuela For The Lion And The Unicorn / Hot Rod Mama Misty Coast Of Albany Oh Baby Universal Love The Wizard (USA Promo) June Child Recitation THE STORY This compilation gathers early Tyrannosaurus Rex recordings, demos, and rare tracks from the late 1960s, offering a deep dive into Marc Bolan’s acoustic, mystical folk-rock era before the band evolved into T. Rex. CONTEXT & NOTES Released in 2007 on the Italian Get Back label, A Star Of Beards focuses on the band’s formative years with Steve Peregrin Took. It includes alternate versions and previously hard-to-find material, appealing to dedicated Bolan collectors. PERSONNEL Marc Bolan – vocals, guitar Steve Peregrin Took – percussion, vocals PRODUCTION Compiled for Get Back Records PACKAGING / ARTWORK HIGHLIGHTS Purple-bordered cover with black-and-white photo of Bolan and bandmate Ornate gold frame design WHAT THE SLEEVE SHOWS The front cover features a black-and-white photograph of Marc Bolan and a bandmate in an ornate purple and gold frame, with the title “TYRANNOSAURUS REX A STAR OF BEARDS” in yellow lettering. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Get Back Records All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This unofficial reproduction single was manufactured during early 2015 using photocopies of the original EMIDISC acetate labels for Marc Bolan's 1965 recordings Song For A Soldier and Reality. The release was created to resemble the original acetates and serves as a reminder for collectors to exercise caution when purchasing purported original acetates. Despite reproducing the appearance of the rare 1965 discs, this release is a modern reproduction rather than an authentic studio acetate from the Decca era. Examples are known in both standard black vinyl and red vinyl. RECORDING The recordings reproduced on this release originate from sessions recorded at Decca Studios, Broadhurst Gardens, West Hampstead, London. The original recordings were produced by Jim Economides. The label artwork reproduces the handwritten titles and artist credits found on the original EMIDISC acetates. STYLE & THEMES The reproduction preserves two examples of Marc Bolan's earliest surviving recordings from the pre-Tyrannosaurus Rex period. Its primary appeal lies in recreating the appearance of the original acetates rather than presenting previously unavailable audio material. TRACK-BY-TRACK NOTES • Song For A Soldier – Reproduction of the original December 30, 1965 EMIDISC acetate recording. • Reality – Reproduction of the original December 30, 1965 EMIDISC acetate recording. RELEASE HISTORY This reproduction single was manufactured during early 2015. The release combines two songs that originally existed as separate single-sided EMIDISC acetates dated December 30, 1965. Unlike the original acetates, this reproduction presents both recordings on a single double-sided record. PERSONNEL Marc Bolan — vocals, songwriter Jim Economides — producer (original recordings) Mike Leander — handwritten label text on original acetates PRODUCTION Producer: Jim Economides (original recordings) Studio: Decca Studios Location: Broadhurst Gardens, West Hampstead, London Format: Double-Sided Reproduction Single Manufacturing Date: Early 2015 Country: UK NOTES • Manufactured during early 2015. • Not an original 1965 acetate. • Created using photocopies of the original acetate labels. • Reproduces the appearance of the original EMIDISC discs. • Combines Song For A Soldier and Reality onto a single record. • Available in both black vinyl and red vinyl versions. • No run-out etchings are present. • No indication identifying Side One or Side Two is present. • Collectors are advised to exercise caution when purchasing online. • The release can closely resemble a genuine acetate at first glance. • The original handwritten titles and artist credits were written by Mike Leander on the authentic 1965 acetates. • The original recordings were recorded on December 30, 1965. • The original recordings were produced by Jim Economides. RELATED RELEASES • Marc Bolan (December 30, 1965) – Song For A Soldier Single UK: Acetate • Marc Bolan (December 30, 1965) – Reality Single UK: Acetate • Marc Bolan (December 30, 1965) – Highways Single UK: Acetate • Marc Bolan (December 30, 1965) – Rings Of Fortune Single UK: Acetate RELEASE VARIANTS TABLE Country Date Format Notes UK Early 2015 Reproduction 7" Single Black Vinyl UK Early 2015 Reproduction 7" Single Red Vinyl TRACKLIST TABLE (ALL FORMATS) Format Tracklisting Reproduction 7" Single Side One • Song For A Soldier Side Two • Reality SPECIAL PRESSINGS & VARIANTS Variant Notes Black Vinyl Reproduction Manufactured during 2015 Red Vinyl Reproduction Manufactured during 2015 Acetate Label Reproduction Uses photocopies of original EMIDISC labels SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The July 28, 2002 edition of The Philadelphia Inquirer features an article by Tom Moon on T. Rex’s Marc Bolan, describing him as so obscure yet so influential. Publication: The Philadelphia Inquirer Date: July 28, 2002 Country: United States The piece discusses Marc Bolan’s lasting impact despite relative obscurity in the United States. It covers the 25th anniversary of his death, the retrospective 20th Century Boy: The Ultimate Collection, and Bolan’s pioneering glam-rock style. Mentions include the influence of “Bang a Gong (Get It On),” his image-rich fantasy themes, and the shift from Tyrannosaurus Rex’s acoustic beginnings to the electric hits of the early 1970s. A photo of Bolan holding a guitar accompanies the text. CONTEXT AND NOTES The article places Bolan among the most influential outfits of the era while noting how his work remains under-recognised by many American listeners. It highlights the enduring appeal of his sound, style and lyrical themes. FEATURE HIGHLIGHTS Event: Retrospective feature Era: 2002 (anniversary coverage) Tone: Appreciative, reflective Photography: Black-and-white photo of Marc Bolan with guitar WHAT THE CLIPPING SHOWS Headline “T. Rex’s Marc Bolan, so obscure, so influential” Discussion of Bolan’s influence and the 25th anniversary of his death References to 20th Century Boy: The Ultimate Collection and key tracks Photo of Marc Bolan holding a guitar All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This 2007 UK re‑issue presents Hot Love alongside two early‑1970s T. Rex recordings, issued as part of Universal’s catalogue programme. The single was released on 3 September 2007, pairing the original A‑side with two B‑side selections from the same era: Woodland Rock and The King Of The Mountain Cometh. The release was pressed as a 7" vinyl single and carries the Universal catalogue number 1744373, with barcode 602517443730. RECORDING All tracks originate from Marc Bolan’s early‑1970s sessions produced by Tony Visconti. No new recording was undertaken for this 2007 edition; the single re‑presents the original masters. STYLE & THEMES The three tracks highlight Bolan’s transition from acoustic‑leaning psychedelic folk into full glam‑rock confidence. • Hot Love marks the shift toward a more expansive pop‑rock sound. • Woodland Rock retains the raw, energetic edge of early T. Rex. • The King Of The Mountain Cometh reflects Bolan’s mystical lyrical imagery and rhythmic drive. TRACK‑BY‑TRACK NOTES • Hot Love — A defining glam‑rock single, driven by Bolan’s melodic phrasing and Visconti’s warm production. • Woodland Rock — A high‑energy track showcasing Bolan’s raw electric sound. • The King Of The Mountain Cometh — A rhythm‑driven piece with Bolan’s characteristic mystical imagery. RELEASE HISTORY Released 3 September 2007 in the UK as a 7" vinyl single on Universal. Catalogue number 1744373. Barcode 602517443730. Issued as a re‑issue of classic early‑1970s material. PERSONNEL T. Rex — performance Marc Bolan — songwriting Tony Visconti — production PRODUCTION Produced by Tony Visconti Label: Universal Catalogue numbers: • 1744373 Artist: T. Rex Title: Hot Love Label: Universal Country: United Kingdom Catalogue: 1744373 Date: September 3, 2007 Format: 7" Single Tracklist (7"): A1 — Hot Love B1 — Woodland Rock B2 — The King Of The Mountain Cometh All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

Publication: The Free Lance-Star (Fredericksburg, VA) – Life section Date: Friday, June 30, 2006 Author: Gary R. Blockus “Leopard takes leap” Tour, new disc honor band’s idols Article Context Def Leppard is touring with a brand new album that pays homage to their 1970s rock heroes. The record features covers and original songs inspired by glam and classic rock legends including T. Rex (Marc Bolan), Mott the Hoople, David Bowie, Blondie, and others. Main Highlights The article discusses Def Leppard’s new record and tour, noting how the band draws inspiration from artists like T. Rex, Mott the Hoople, and others. It includes quotes from band members and guitarist Vivian Campbell. Major feature on Def Leppard as they hit the road with a new album that pays tribute to their 1970s rock idols. The band honors glam and classic rock legends, with special emphasis on T. Rex and Marc Bolan. “This is a whole mish-mash… the most fun anyone in Def Leppard has had making an album.” — Vivian Campbell The piece highlights the band’s reverence for 1970s glam and rock, especially T. Rex’s influence. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A syndicated entertainment news item reports on two major Marc Bolan archive releases planned for late 1981, highlighting a comprehensive Australian retrospective and a newly assembled collection of 1960s acoustic recordings. Published four years after Bolan's death, the article reflects the continuing interest in his music and legacy. Publication: The Albert Lea Evening Tribune Publication Date: October 10, 1981 Country: USA Event Date: October 1981 This short entertainment column announces two forthcoming Marc Bolan releases aimed at preserving and reintroducing different phases of his musical career. The article reports that EMI Records Australia was preparing to issue 20th Century Boy, a three‑record, 64‑track anthology spanning Bolan's career from his earliest recordings through the T. Rex years. The extensive collection was designed to provide a broad overview of his evolution as a songwriter, performer and recording artist. The piece also reports that former manager Simon Napier‑Bell had uncovered a collection of previously recorded acoustic performances dating from the late 1960s. These recordings were being prepared for release under the title You Scare Me To Death, featuring newly added backing from accompanying musicians. According to the article, the release was expected to become available as an import before the end of the month. The writer describes Bolan as “England's answer to Jim Morrison”, underlining the enduring fascination with his career and influence several years after his death. CONTEXT AND NOTES Published in October 1981, the article provides contemporary evidence of the growing effort to catalogue and preserve Marc Bolan's recorded legacy. During the early 1980s, record companies increasingly turned to archive releases, compilations and previously unreleased recordings to satisfy continuing demand from collectors and long‑time followers. The article is particularly significant because it documents the original promotion of both 20th Century Boy, the major Australian retrospective, and You Scare Me To Death, a release built around much earlier recordings from Bolan's pre‑Tyrannosaurus Rex years. FEATURE HIGHLIGHTS Event: Announcement of two major Marc Bolan archive releases Era: 1981 – Posthumous archive release period Tone: Informative and retrospective Photography: Small promotional portrait of Marc Bolan accompanying the article WHAT THE CLIPPING SHOWS Announcement of the 20th Century Boy three‑LP compilation Coverage of the forthcoming You Scare Me To Death release Reference to material recorded during the late 1960s Mention of Simon Napier‑Bell and archive tape discoveries Evidence of continuing commercial interest in Marc Bolan's catalogue Contemporary American newspaper coverage of Bolan archive projects All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

20th Century Boy is a triple-album compilation issued in Australia by EMI in 1981. Released under catalogue number MARC 1, the collection presents a broad retrospective of Marc Bolan's recording career, beginning with solo recordings from 1965–67, continuing through the Tyrannosaurus Rex years, the classic T. Rex era, and concluding with recordings from the final years of T. Rex. The compilation combines commercially released material, rare recordings, interview segments and associated projects, creating an extensive overview of Bolan's musical development. The compilation draws together recordings originally issued between 1965 and 1977. Material is divided into distinct chronological sections covering Marc Bolan's pre-Tyrannosaurus Rex recordings, the John's Children period, Tyrannosaurus Rex recordings, T. Rex recordings from 1970 onwards, and later recordings associated with projects including Dib Cochran & The Earwigs and Big Carrot. STYLE & THEMES The collection traces the evolution of Marc Bolan's music from early beat and pop-influenced recordings through psychedelic folk, acoustic fantasy-based material, glam rock, rock and roll, and later pop-rock recordings. The compilation provides a chronological overview of the changing styles and sounds associated with Bolan's career. TRACK-BY-TRACK NOTES • Disc One focuses on Marc Bolan's early solo recordings from 1965–67 and recordings with John's Children during 1967. • Disc Two documents the Tyrannosaurus Rex years between 1968 and 1970, featuring key recordings from the duo's formative period. • Disc Three traces the rise of T. Rex from 1970 onwards, including major singles and later studio recordings through to the final years of Bolan's career. RELEASE HISTORY Released in Australia during 1981 by EMI, 20th Century Boy was issued as a corrected edition triple LP compilation. The release was packaged in a multi-fold cover and included three fold-out inserts containing photographs, notes and discographical information. The compilation had originally been issued with an error in which "Wind Cheetah" appeared in place of "By The Light Of The Magical Moon". This pressing was issued as the corrected edition. PERSONNEL Marc Bolan John's Children Tyrannosaurus Rex T. Rex Dib Cochran & The Earwigs Big Carrot PRODUCTION Composed By: Marc Bolan Producer: Jim Economides (tracks A1-A4) Producer: Simon Napier-Bell (tracks A5-A13) Producer: Tony Visconti (tracks B1-E4) Producer: Marc Bolan (tracks E3-F10) Record Company: EMI Records Australia Phonographic Copyright: EMI (Australia) Limited Made By: EMI (Australia) Limited Manufactured By: EMI Group Of Companies Distributed By: EMI Group Of Companies RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format Marc Bolan 20th Century Boy EMI Australia MARC 1 1981 3 × LP, Compilation, Repress, Corrected Edition TRACKLIST TABLE Format Catalogue Tracklisting 3LP MARC 1 LP1 – Side A A1. The Wizard (#1) A2. Beyond The Rising Sun (#1) A3. The Third Degree A4. San Francisco Poet A5. Hippy Gumbo (#1) A6. Misfit A7. The Perfumed Garden Of Gulliver Smith A8. Jasper C. Debussy A9. Hot Rod Momma (#1) A10. Mustang Ford (#1) A11. Desdemona (#1) A12. Sara Crazy Child (#2) A13. Midsummer Night's Scene A14. Interview Segment 3LP MARC 1 LP1 – Side B B1. Child Star B2. Debora B3. Demon Queen B4. One Inch Rock (#2) B5. Catblack (The Wizard's Hat) (#2) B6. Pewter Suitor B7. King Of The Rumbling Spires B8. Do You Remember? B9. By The Light Of The Magical Moon B10. Once Upon The Seas Of Abyssinia B11. Blessed Wild Apple Girl B12. Find A Little Wood B13. Interview Segment 3LP MARC 1 LP2 – Side C C1. Oh Baby C2. Beltane Walk C3. Ride A White Swan C4. Hot Love C5. Get It On (Bang A Gong) C6. Jeepster C7. Planet Queen C8. Telegram Sam C9. Metal Guru 3LP MARC 1 LP2 – Side D D1. Chariot Choogle D2. Baby Strange D3. Children Of The Revolution D4. Jitterbug Love D5. Sunken Rags D6. Solid Gold Easy Action D7. Born To Boogie D8. 20th Century Boy D9. Highway Knees D10. The Groover D11. Christmas Messages 3LP MARC 1 LP3 – Side E E1. Squint Eye Mangle (Instrumental) E2. Truck On (Tyke) E3. Teenage Dream E4. Venus Loon E5. Light Of Love E6. Think Zinc E7. Zip Gun Boogie E8. New York City E9. Dreamy Lady 3LP MARC 1 LP3 – Side F F1. London Boys F2. Solid Baby F3. I Love To Boogie F4. Laser Love F5. City Port (With Gloria Jones) F6. The Soul Of My Suit F7. Dandy In The Underworld (#2) F8. Celebrate Summer F9. Crimson Moon F10. Teen Riot Structure F11. Interview Segment NOTES Multi-fold cover. Triple album format. Includes three 12" × 24" fold-out inserts containing photographs, notes and discography. This corrected edition was issued after an earlier pressing substituted "Wind Cheetah" in place of "By The Light Of The Magical Moon". On this corrected edition, B9 is listed as "By the Light Of The Magical Moon". Compilation copyright: ℗ 1981 EMI Australia Ltd. RELATED RELEASES • The Wizard • Hippy Gumbo • Mustang Ford • Desdemona • Ride A White Swan • Hot Love • Electric Warrior • The Slider • Tanx • Dandy In The Underworld All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

In August 2015, Spirit Music Group released a newly remastered digital edition of The Slider, making one of the defining albums of the glam rock era available as a high-quality digital download. Originally issued in 1972, The Slider followed the enormous success of Electric Warrior and arrived at a time when Marc Bolan and T. Rex were the biggest rock phenomenon in Britain. By the summer of 1972, T. Rex had achieved a level of popularity few artists experience. The frenzy known as "T. Rextasy" was at its peak, with chart-topping singles, sold-out tours and devoted fans helping transform Marc Bolan into one of the most recognisable figures in popular culture. Rather than simply attempting to recreate the success of Electric Warrior, Bolan expanded upon its formula. The result was an album that retained the glamour, confidence and immediacy of its predecessor while offering a more sophisticated and ambitious musical vision. Today, The Slider is widely regarded as one of the greatest albums of the 1970s and remains one of the most important releases in the entire T. Rex catalogue.. RECORDING Recording sessions took place at Le Château d'Hérouville in France and Rosenberg Studio in Copenhagen. Produced by Tony Visconti, the album brought together the classic T. Rex line-up of Marc Bolan, Steve Currie, Bill Legend and Mickey Finn. The sessions also benefitted from the vocal contributions of Howard Kaylan and Mark Volman, whose harmonies added texture and depth to several tracks. Visconti's production combined powerful rhythm arrangements, layered backing vocals and sweeping orchestral passages to create an album that sounded larger and more expansive than previous T. Rex releases. The chemistry between Visconti and Bolan reached one of its creative peaks during these sessions. The album would go on to become one of the strongest artistic statements of the glam rock movement. STYLE & THEMES The Slider combines rock and roll, pop, glam rock and orchestral arrangements into a richly textured listening experience. The album explores themes of fame, fantasy, romance, identity and celebrity while retaining the poetic imagery that had characterised Marc Bolan's songwriting since the Tyrannosaurus Rex era. There is also a notable contrast running throughout the record. Hard-driving rockers such as Telegram Sam and Rabbit Fighter sit alongside atmospheric pieces such as Ballrooms Of Mars and Spaceball Ricochet. The result is an album that balances commercial appeal with artistic ambition. Many listeners consider The Slider to be darker and more reflective than Electric Warrior, while still maintaining the energy and excitement that made T. Rex one of the defining bands of the period. TRACK-BY-TRACK NOTES • Metal Guru — Opening the album with one of the band's most celebrated singles, the track combines infectious melodies with the mystical imagery that became a Bolan trademark. • Mystic Lady — Dreamlike and atmospheric, featuring some of the album's most elegant arrangements. • Rock On — A confident rocker that demonstrates Bolan's gift for memorable hooks. • The Slider — The title track remains one of the defining songs of the T. Rex catalogue. • Baby Boomerang — A melodic and accessible album favourite highlighting Bolan's songwriting strength. • Spaceball Ricochet — Often regarded as one of the band's finest recordings, balancing power and atmosphere in equal measure. • Buick McKane — One of the most recognisable deep cuts in the catalogue and a concert favourite. • Telegram Sam — A major hit single and one of the most important recordings of the glam rock era. • Rabbit Fighter — Hard-edged rocker showcasing the band's growing confidence. • Baby Strange — Compact, energetic and among the most beloved tracks in the T. Rex discography. • Ballrooms Of Mars — Frequently cited as one of Marc Bolan's greatest compositions, combining lyrical imagination with a majestic arrangement. • Chariot Choogle — Driving glam-rock anthem packed with energy. • Main Man — The dramatic closing track that brings the album to a powerful conclusion. RELATED RELEASES • Electric Warrior • Tanx • Born To Boogie • The Slider (Original 1972 LP) • Zinc Alloy And The Hidden Riders Of Tomorrow COMMERCIAL SUCCESS When The Slider was released, T. Rex were at the height of their influence and popularity. The album consolidated the extraordinary success established by Electric Warrior and helped confirm Marc Bolan as the central figure of the glam rock movement. The associated singles became staples of radio and television while continuing the remarkable run of chart success that had begun with Ride A White Swan. The album remains one of the key recordings responsible for defining the sound and visual style of early 1970s glam rock. LEGACY More than fifty years after its original release, The Slider continues to receive widespread acclaim from critics, musicians and fans. The record captures Marc Bolan at the height of his creative powers and represents one of the finest examples of glam rock ever recorded. Its influence can be heard across generations of artists who drew inspiration from Bolan's songwriting, stage presence and unique aesthetic. For many listeners, The Slider stands alongside Electric Warrior as the essential T. Rex studio album and one of the defining records of the decade. The 2015 digital remaster introduced the album to a new audience while preserving one of the crown jewels of the T. Rex catalogue. RELEASE HISTORY Originally released in 1972. Digitally remastered and reissued by Spirit Music Group in the United States on August 21, 2015, as a 13-track MP3 album encoded at 320 kbps. PERSONNEL Marc Bolan — vocals, guitar, composer Steve Currie — bass Bill Legend — drums Mickey Finn — percussion, congas, vocals Howard Kaylan — backing vocals Mark Volman — backing vocals Tony Visconti — producer, string arrangements Dominique Blanc-Francard — engineer Freddy Hansson — engineer Ringo Starr — photography PRODUCTION Label: Spirit Music Group Format: Digital Download Country: USA Released: August 21, 2015 Encoding: MP3, 320 kbps Producer: Tony Visconti Recording Studios: Le Château d'Hérouville, France / Rosenberg Studio, Copenhagen NOTES • Digital remastered edition released in 2015. • Issued by Spirit Music Group. • Available as 13 MP3 files encoded at 320 kbps. • Originally released in 1972. • Produced by Tony Visconti. • Recorded in France and Denmark. • Features the hit singles Metal Guru and Telegram Sam. • Includes photography by Ringo Starr. • Reissue design by Brandon Seavers RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex The Slider Spirit Music Group USA None August 21, 2015 13 × MP3 Files, Remastered, 320 kbps TRACKLIST TABLE Format Tracklisting Digital Download Tracks 1-13 • Metal Guru • Mystic Lady • Rock On • The Slider • Baby Boomerang • Spaceball Ricochet • Buick McKane • Telegram Sam • Rabbit Fighter • Baby Strange • Ballrooms Of Mars • Chariot Choogle • Main Man SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Light Of Love was reissued on April 18, 2015 by Demon Records as a special Record Store Day release. Originally issued during T. Rex's mid-1970s period, the album reflected Marc Bolan's continued movement towards a more soulful and rhythm-driven sound while retaining the melodic hooks that had made T. Rex one of the biggest acts of the glam rock era. This edition was produced as a 180-gram picture disc exclusively for Record Store Day 2015. RECORDING All tracks were written and produced by Marc Bolan. The album brought together material associated with the Bolan's Zip Gun era and represented one of the final major studio projects released during Bolan's lifetime. STYLE & THEMES Light Of Love combines pop rock, funk, soul and glam rock influences. The album demonstrates Marc Bolan's interest in American soul music and groove-oriented arrangements while preserving his distinctive songwriting style and vocal delivery. Tracks such as "Light Of Love", "Teenage Dream" and "Solid Baby" remain among the strongest recordings from his later period. TRACK-BY-TRACK NOTES • Light Of Love — Title track and lead single. • Solid Baby — One of the best-known songs from Bolan's later catalogue. • Precious Star — Soul-influenced pop recording. • Token Of My Love — Mid-tempo album track. • Space Boss — Glam-styled rocker. • Think Zinc — Reworking of material from the Zinc Alloy era. • Till Dawn — Melodic late-period recording. • Teenage Dream — Widely regarded as one of Marc Bolan's finest later compositions. • Girl In The Thunderbolt Suit — Compact pop-rock track. • Explosive Mouth — Energetic glam recording. • Venus Loon — Closing track on the Record Store Day edition. RELEASE HISTORY Released in the United Kingdom on April 18, 2015 as part of Record Store Day. The release was issued by Demon Records as a 180-gram picture disc LP and manufactured in the European Union. PERSONNEL Marc Bolan — vocals, guitar, songwriter, producer PRODUCTION Producer — Marc Bolan Written By — Marc Bolan Label — Demon Records Catalogue Number — DEMREC74 Licensed From — Spirit Services Holdings s.a.r.l. Marketed By — Demon Records Record Company — Demon Music Group Ltd. NOTES • Record Store Day 2015 exclusive release. • Released April 18, 2015. • 180-gram picture disc. • LP reissue. • Made in the European Union. • Licensed from Spirit Services Holdings s.a.r.l. • ℗ Spirit Services Holdings s.a.r.l. • © Demon Music Group Ltd. • All tracks written and produced by Marc Bolan. RELATED RELEASES • Bolan's Zip Gun • Zinc Alloy And The Hidden Riders Of Tomorrow • Futuristic Dragon • Dandy In The Underworld • Tanx RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Number Date Format T. Rex Light Of Love Demon Records UK DEMREC74 April 18, 2015 LP, Picture Disc, Record Store Day, 180 Gram TRACKLIST TABLE Format Catalogue Tracklisting LP DEMREC74 Side One • Light Of Love (3:12) • Solid Baby (2:35) • Precious Star (2:50) • Token Of My Love (3:39) • Space Boss (2:49) • Think Zinc (3:22) LP DEMREC74 Side Two • Till Dawn (3:01) • Teenage Dream (5:00) • Girl In The Thunderbolt Suit (2:17) • Explosive Mouth (2:24) • Venus Loon (2:58) SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Cockpit Theatre (Music In The Round 1971) was released by Easy Action Records on November 1, 2016. The release presented the long-lost and previously unedited London Weekend Television broadcast recorded at the Cockpit Theatre on December 8, 1971. Released: 2016 BACKGROUND Catch A Bright Star is a limited-edition archival live release issued by Easy Action Records in 2016. The album documents T. Rex during June 1972, a period when Marc Bolan and his band stood at the absolute centre of British popular culture. The recordings originate from Marc Bolan's own quarter-inch tape reels and capture performances from the summer tour that followed the explosive success of Electric Warrior and coincided with the peak of the phenomenon known as "T. Rextasy." By this point, T. Rex had become one of the most successful acts in Britain, drawing huge audiences and generating levels of fan devotion comparable to Beatlemania a decade earlier. Unlike larger archival collections that present complete concerts, Catch A Bright Star focuses on a concise selection of performances that showcase the group's power as a live act. The result is a snapshot of T. Rex at the precise moment when Marc Bolan's influence on British rock culture was at its greatest. RECORDING The recordings featured on Catch A Bright Star were sourced directly from Marc Bolan's own ¼-inch tape reels. Captured during the June 1972 tour, the performances document the group shortly after the release of The Slider and during a period when T. Rex dominated the singles charts and concert halls throughout Britain. The importance of these recordings lies not only in their historical value but also in their provenance. Being sourced from Bolan's own tapes gives the release particular significance within the T. Rex archive and provides a direct connection to one of the most celebrated periods of the band's career. THE T. REXTASY ERA By the summer of 1972, Marc Bolan had become the leading figure of the glam rock movement. The success of songs such as Hot Love, Get It On, Telegram Sam and Metal Guru had elevated T. Rex from cult favourites to national superstars. Every appearance, interview and concert generated extraordinary media coverage and enthusiastic audience response. The performances preserved on Catch A Bright Star reflect this remarkable moment. The band sound confident, energetic and entirely comfortable performing before audiences who knew every song. The atmosphere captured throughout the album serves as a reminder of how powerful T. Rex had become as a live attraction during their commercial peak. STYLE & PERFORMANCE The performances reveal a tougher and more expansive approach than the corresponding studio recordings. While Marc Bolan's studio work was often concise and economical, the live versions allow the band greater freedom. Songs are stretched, guitar passages are expanded and the rhythm section is given more room to drive the performances forward. Steve Currie's bass playing provides a powerful foundation throughout the recordings, while Bill Legend and Mickey Finn contribute the distinctive rhythmic style that helped define the classic T. Rex sound. The result is an energetic live document that balances tightly constructed pop songs with the excitement of concert performance. TRACK-BY-TRACK NOTES • Jeepster — One of T. Rex's defining recordings and a reliable live highlight that demonstrates the band's ability to transform a familiar hit into a larger concert experience. • Cadilac — The Tyrannosaurus Rex-era composition becomes a powerful glam-rock showcase, illustrating Bolan's connection to his earlier material. • Baby Strange — A fast-paced favourite featuring the confidence and swagger that characterised T. Rex at their peak. • Debora — A link to Marc Bolan's psychedelic folk origins and one of the oldest songs retained in the live repertoire. • Spaceball Ricochet — One of the most atmospheric pieces in the set and a reminder of the continuing influence of The Slider material in concert. • Telegram Sam — A major crowd-pleaser and one of the band's most recognisable performances of the early 1970s. SIGNIFICANCE Although relatively brief compared with larger live collections, Catch A Bright Star occupies an important place within the T. Rex archive. The release captures the group during the most commercially successful period of their existence and presents performances sourced from recordings directly associated with Marc Bolan himself. For collectors and long-time followers, the album provides another valuable glimpse into the reality of T. Rex on stage during the height of their fame, complementing releases such as Born To Boogie and other concert documents from the period. It also highlights the remarkable strength of the band's live performances, an aspect of T. Rex often overshadowed by their extraordinary chart success. RELEASE HISTORY Released in the United Kingdom in 2016 by Easy Action Records. The album was issued as a limited-edition clear vinyl LP and included a photographic insert. The release formed part of Easy Action's continuing programme of archival Marc Bolan and T. Rex recordings. PERSONNEL Marc Bolan — vocals, guitar Steve Currie — bass Bill Legend — drums Mickey Finn — percussion PRODUCTION Label: Easy Action Catalogue Number: EARS072LP Format: LP Country: UK Edition: Limited Edition Clear Vinyl Source: Marc Bolan's Original ¼-Inch Tape Reels NOTES • Limited-edition clear vinyl release. • Issued by Easy Action Records in 2016. • Recordings sourced from Marc Bolan's own ¼-inch tape reels. • Recorded during the June 1972 tour. • Documents T. Rex during the height of "T. Rextasy." • Includes photographic insert. • Features live recordings from the classic T. Rex line-up. • One of several Easy Action archival releases devoted to previously unavailable T. Rex recordings. TAGS RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Catch A Bright Star Easy Action UK EARS072LP 2016 LP, Limited Edition, Clear Vinyl TRACKLIST TABLE Format Catalogue Tracklisting LP EARS072LP Side One • Jeepster • Cadilac • Baby Strange LP EARS072LP Side Two • Debora • Spaceball Ricochet • Telegram Sam All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The eleventh issue of Rarn, the official Marc Bolan fan publication of the Marc Bolan Fan Society (MBFS), features a striking monochrome illustration of Marc Bolan on the cover. Produced three years after his death, the publication reflects the continuing dedication of fans committed to preserving his music, legacy and memory. Publication: Rarn Date: October 1980 Country: United Kingdom Issue 11 of Rarn was published by the Marc Bolan Fan Society (MBFS) and continues the organisation's efforts to celebrate the life and work of Marc Bolan. The cover is dominated by a stylised black-and-white portrait illustration of Bolan placed beneath the large RARN 11 masthead. The design is deliberately simple, relying on the instantly recognisable image of Bolan rather than cover lines or promotional text. Unlike commercial music magazines of the period, the publication places the focus entirely on Marc Bolan himself, underlining its role as a specialist fan-produced magazine dedicated to his career and legacy. The cover also prominently displays the MBFS logo in the lower corner, identifying the publication as an official fan society production. CONTEXT AND NOTES By October 1980, interest in Marc Bolan remained strong among fans despite his death in September 1977. Publications such as Rarn played an important role in maintaining communication within the fan community through articles, memories, rare information and archive material. The title Rarn itself was taken from one of Bolan's best-known compositions and became synonymous with the activities of the Marc Bolan Fan Society. Issues from this period are now valuable historical records of how Bolan's legacy was preserved during the years immediately following his passing. FEATURE HIGHLIGHTS Event: Publication of Rarn Issue 11 Era: 1980 – Posthumous Legacy Era Tone: Commemorative and fan-focused Photography: Stylised monochrome illustration of Marc Bolan on the cover WHAT THE CLIPPING SHOWS • Cover of Rarn Issue 11 • October 1980 publication date • Large illustrated portrait of Marc Bolan • Marc Bolan Fan Society (MBFS) logo • Minimalist cover design dedicated entirely to Marc Bolan • Official fan publication from the United Kingdom All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Independent UK magazine Rarn devoted the cover of its nineteenth issue to Marc Bolan, celebrating the enduring fascination with his life, music and legacy five years after his death. Featuring a striking stylised cover portrait, the issue reflects the continuing strength of interest in Bolan among collectors, fans and archive researchers during the early 1980s. Publication: Rarn Publication Date: October 1982 Country: United Kingdom Event Date: October 1982 Issue 19 of Rarn places Marc Bolan firmly at its centre, featuring a distinctive black‑and‑white cover illustration based around one of the most recognisable images from his career. The design presents a large portrait of Bolan alongside a smaller image emerging from his trademark mass of curls, creating a surreal visual effect that echoes the imaginative and fantasy‑driven qualities often associated with his work. Published five years after his death, the magazine demonstrates how interest in Marc Bolan continued to thrive long after the height of Bolanmania. By the early 1980s, fans were actively seeking archive material, rare photographs, interviews and historical information documenting every stage of his career, from his earliest recordings through to the final years of T. Rex. As one of the principal fan publications devoted to Bolan, Rarn played an important role in preserving and sharing information about his music at a time when much of his catalogue was being rediscovered through reissues, compilations and archive releases. CONTEXT AND NOTES By October 1980, interest in Marc Bolan remained strong among fans despite his death in September 1977. Publications such as Rarn played an important role in maintaining communication within the fan community through articles, memories, rare information and archive material. The title Rarn itself was taken from one of Bolan's best-known compositions and became synonymous with the activities of the Marc Bolan Fan Society. Issues from this period are now valuable historical records of how Bolan's legacy was preserved during the years immediately following his passing. FEATURE HIGHLIGHTS Event: Cover appearance on Rarn Issue 19 Era: 1982 – Posthumous legacy period Tone: Celebratory and archival Photography: Stylised black‑and‑white Marc Bolan cover artwork WHAT THE CLIPPING SHOWS Cover of Rarn Issue 19 Marc Bolan featured as the central subject Stylised portrait artwork UK fan publication dedicated to Marc Bolan and T. Rex Issue dated October 1982 Evidence of continuing posthumous interest in Bolan's legacy All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Marc Bolan graces the cover of Issue 4 of Mickie Message & Songbook, reflecting the height of Bolanmania during one of the most successful periods of T. Rex's career. Published as The Slider continued its chart success, the issue combines fan magazine coverage with song lyrics from many of the biggest artists of the day. Publication: Mickie Message & Songbook Publication Date: October 12, 1972 Country: United Kingdom Event Date: October 1972 Issue 4 of Mickie Message & Songbook places Marc Bolan front and centre with a dramatic close‑up cover photograph that captures one of the most recognisable faces of the glam rock era. Produced as a hybrid fan magazine and lyrics publication, the issue includes songwords from many of the leading artists of the period. Featured acts listed on the cover include David Bowie, Lindisfarne, Slade, Danny & The Juniors, Arlo Guthrie, The Partridge Family, Mike Hugg, Stevie Wonder, The O'Jays, The Carpenters, Chris Montez, The Beatles, Four Tops, Sisters Love, and Mark Radice. T. Rex's contribution comes in the form of “Jitterbug Love”, one of the standout tracks from The Slider. The inclusion of the song alongside a Marc Bolan cover image demonstrates the enormous popularity T. Rex were enjoying with younger music fans during 1972. The magazine also promoted a Donny Osmond mini‑poster and a watch offer, reflecting the youth‑market audience it was designed to attract. CONTEXT AND NOTES Published during the peak of Bolanmania, this issue appeared at a time when Marc Bolan was one of the most photographed and frequently featured performers in the British music press. By October 1972, T. Rex had already achieved a remarkable run of hit singles and successful albums. The Slider had further strengthened Bolan's position as the leading figure of Britain's glam rock movement, and fan publications were eager to feature him on their covers. The cover provides an excellent example of how Bolan's image was marketed to younger music fans beyond the mainstream weekly music papers, extending into lyric magazines, songbooks and teen publications. FEATURE HIGHLIGHTS Event: Cover appearance in Mickie Message & Songbook Era: 1972 – The Slider era Tone: Youth music magazine and songbook Photography: Full cover portrait photograph of Marc Bolan WHAT THE CLIPPING SHOWS Marc Bolan cover photograph Mickie Message & Songbook No. 4 Publication date of October 12, 1972 Song lyrics for “Jitterbug Love” Coverage of leading chart artists of 1972 Donny Osmond mini‑poster promotion Contemporary example of Bolanmania in youth publishing All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Issue 5 of Marc Bolan: Nameless Wildness features a dramatic monochrome portrait of Marc Bolan on its cover. Produced as a specialist fan publication, the magazine continued to celebrate Bolan's music, image and enduring legacy fifteen years after his death. Publication: Marc Bolan: Nameless Wildness Date: October 1992 Country: United Kingdom The fifth issue of Marc Bolan: Nameless Wildness presents a striking black-and-white portrait of Marc Bolan as its sole cover image. The design is simple and uncluttered, with the title Nameless Wildness appearing across the top of the page and Marc 5 printed in the lower corner. The portrait shows Bolan in a posed studio image with hands together and wearing a dark jacket with prominent buttons. The publication relies entirely on the strength of the image rather than cover lines, feature teasers or promotional text. Unlike mainstream music magazines, the cover is dedicated exclusively to Marc Bolan, reflecting the publication's role as a specialist magazine created for fans and collectors interested in preserving and celebrating his work. CONTEXT AND NOTES By October 1992, Marc Bolan's legacy remained strong among collectors and dedicated followers. Specialist publications such as Nameless Wildness provided an outlet for fans seeking material focused entirely on Bolan and T. Rex. The title itself references one of Bolan's best-known lyrical phrases and demonstrates the continued affection and fascination surrounding his career. The minimalist cover design places the emphasis firmly on Bolan's image, reinforcing his status as the publication's sole subject. Issue 5 forms part of a continuing series devoted to documenting and celebrating Marc Bolan's life and artistic achievements. FEATURE HIGHLIGHTS Event: Publication of Nameless Wildness Issue 5 Era: 1992 – Legacy Era Tone: Commemorative and fan-focused Photography: Monochrome portrait image of Marc Bolan on the cover WHAT THE CLIPPING SHOWS • Cover of Marc Bolan: Nameless Wildness Issue 5 • Publication date of October 1992 • Large monochrome portrait of Marc Bolan • Minimalist design without cover feature listings • Dedicated Marc Bolan fan publication • United Kingdom publication All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Music Collector devoted the cover of its October 1991 issue to T. Rex, celebrating the enduring appeal of Marc Bolan nearly fourteen years after his death. Headlined “The 20th Century Boy Returns”, the issue reflects the growing collector interest in Bolan's recordings, memorabilia and legacy during the early 1990s. Publication: Music Collector Publication Date: October 1991 Country: United Kingdom Event Date: October 1991 Issue 32 of Music Collector places T. Rex firmly in the spotlight with a striking full‑cover portrait of Marc Bolan wearing one of his trademark feather boas. The cover headline: “T. Rex – The 20th Century Boy Returns” signals a major feature examining the continuing popularity of Bolan's music and the growing collectability of T. Rex records, memorabilia and rare releases. Published during a period of renewed interest in glam rock, the issue targets collectors and enthusiasts who were actively searching for original singles, albums, promotional items and archive material from the Bolan years. The cover positioning demonstrates that T. Rex remained one of the most sought‑after collecting subjects in British rock history. Alongside the T. Rex feature, the issue also includes articles on The Hollies, AC/DC, New Order, The Mock Turtles and Alison Moyet, although Marc Bolan dominates the cover presentation. CONTEXT AND NOTES By 1991, Marc Bolan's reputation had undergone a significant critical reassessment. What had once been dismissed by some critics as teen‑oriented glam rock was increasingly recognised as an important chapter in British popular music history. Collector magazines such as Music Collector played an important role in preserving the history of artists like T. Rex by documenting rare releases, discographies, memorabilia and record‑collecting trends. The cover is also notable for its use of the phrase “The 20th Century Boy Returns”, drawing upon one of Bolan's most celebrated recordings while reinforcing the continued revival of interest in his work. FEATURE HIGHLIGHTS Event: Music Collector cover feature Era: 1991 – Legacy and collecting period Tone: Celebratory and archival Photography: Full-colour cover portrait of Marc Bolan WHAT THE CLIPPING SHOWS Music Collector Issue 32 T. Rex cover feature Headline: “The 20th Century Boy Returns” Marc Bolan cover portrait Coverage aimed at record collectors and enthusiasts Evidence of continuing interest in T. Rex during the early 1990s October 1991 publication All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Wax Co. Singles Volume 2 (1975–1978) was released by Edsel Records in 2002 as the second volume in the label's acclaimed Wax Co. Singles series. Presented as a limited-edition box set, the collection reproduces the original T. Rex single releases from the final years of Marc Bolan's career. Covering the period from 1975 through 1978, the set documents Bolan's creative evolution following the peak years of T. Rextasy. The collection brings together the original A-sides and B-sides in replica picture sleeves, allowing fans to experience the singles exactly as they were originally issued. In addition to the ten original T. Rex singles, the set includes a bonus disc featuring a Marc Bolan and Gloria Jones collaboration. RECORDING The recordings span the final phase of T. Rex's recording career and showcase Marc Bolan as songwriter, performer and producer. The collection features material drawn from the Bolan's Zip Gun, Futuristic Dragon and Dandy In The Underworld eras and highlights Bolan's continued exploration of glam rock, pop, rhythm and soul influences during the latter half of the 1970s. STYLE & THEMES The collection presents a broad overview of Marc Bolan's later songwriting. Across the eleven discs, listeners encounter glam rock anthems, melodic pop singles, soulful recordings and some of Bolan's most underrated later compositions. The set captures an artist continuing to evolve while retaining the distinctive energy and charisma that defined T. Rex. Themes include urban life, romance, celebrity, escapism, nostalgia and self-reflection. RELEASE HISTORY Released in 2002 by Edsel Records as a limited-edition box set. The package contains eleven CD singles presented in replica picture sleeves, accompanied by a booklet. PERSONNEL Marc Bolan — vocals, guitar, songwriter, producer Gloria Jones — vocals (Disc 11) Tony Visconti — producer (selected tracks) PRODUCTION Producer — Marc Bolan Label — Edsel Records Catalogue Number — MARCBOX 102 Format — Limited Edition Box Set Contents — 11 CD Singles Country — UK Released — 2002 NOTES • Limited-edition release. • Contains replica CD versions of ten original singles. • Includes bonus single. • Includes booklet. • Covers the period 1975 to 1978. • Features original A-side and B-side pairings. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Number Year Format T. Rex Wax Co. Singles Volume 2 (1975–1978) Edsel Records UK MARCBOX 102 2002 Box Set, 11 × CD Singles, Limited Edition TRACKLIST TABLE Disc Single Tracklisting CD 1 New York City • New York City • Chrome Sitar CD 2 Dreamy Lady • Dreamy Lady • Do You Wanna Dance • Dock Of The Bay CD 3 Christmas Bop • Christmas Bop • Telegram Sam • Metal Guru CD 4 London Boys • London Boys • Solid Baby CD 5 I Love To Boogie • I Love To Boogie • Baby Boomerang CD 6 Laser Love • Laser Love • Life's An Elevator CD 7 The Soul Of My Suit • The Soul Of My Suit • All Alone CD 8 Dandy In The Underworld • Dandy In The Underworld • Groove A Little • Tame My Tiger CD 9 Celebrate Summer • Celebrate Summer • Ride My Wheels CD 10 Crimson Moon • Crimson Moon • Jason B. Sad CD 11 To Know Him Is To Love Him • To Know Him Is To Love Him (Marc Bolan & Gloria Jones) • City Port (Marc Bolan & Gloria Jones) SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Publication: Coventry Evening Telegraph Publication Date: October 13, 1990 Country: United Kingdom Event Date: October 13, 1990 This television listing promotes a repeat broadcast of “The Story Of Marc Bolan”, scheduled to air between 1.35pm and 2.35pm. Described as a documentary featuring rare and archive footage, the programme traces Marc Bolan's career from its beginnings in 1965 through the rise of T. Rex and his emergence as one of Britain's biggest pop stars during the 1970s. The listing notes that the documentary follows Bolan's journey from the start of his musical career to the height of his fame, combining vintage performance clips and archival material to tell the story of his success. The programme was narrated by John Bramley and received a positive recommendation within the television guide. CONTEXT AND NOTES Published thirteen years after Marc Bolan's death, this television listing reflects the continuing public interest in his life and legacy during the early 1990s. By this time, documentaries using archive material had become an important way of introducing Bolan and T. Rex to a new generation of viewers while also serving long‑time fans who had followed his career during the Bolanmania years. The listing is particularly valuable because it documents a specific repeat broadcast of the programme and confirms how television schedules were still showcasing Bolan's story well into the 1990s. FEATURE HIGHLIGHTS Event: Television documentary repeat broadcast Era: 1990 retrospective coverage Tone: Informative and commemorative Photography: Black‑and‑white promotional photograph of Marc Bolan accompanying the listing WHAT THE CLIPPING SHOWS Television listing for “The Story Of Marc Bolan” Broadcast time of 1.35pm–2.35pm Documentary covering Marc Bolan's career from 1965 onwards Use of rare and archive footage Narration by John Bramley Positive review recommendation Contemporary television coverage of Marc Bolan's legacy All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Publication: Record Collector Issue: 426 Date: April 2014 Country: United Kingdom COVER Record Collector Issue 426 features a large black-and-white guitar photograph on a vivid red cover, promoting the main feature: “MARC BOLAN – THE SECRET SOUL OF T. REX” The issue also promotes features on The Marquee Club, Ry Cooder, Smokey Robinson, ABBA's Rare Gems, ESP-Disk', Suede, Slint, Magnum, Johnny Winter, Chris Thompson, Death and Mick Harvey, alongside a feature on rock's April Fools. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Publication: Record Collector Issue: 217 Date: September 1997 Country: United Kingdom COVER Record Collector Issue 217 features a large black-and-white live guitar photograph alongside the main cover headline: “MARC BOLAN SUPERSTAR” The cover also promotes features on The Birth Of The Beatles, Sunshine Pop, Vangelis, Spice Girls, Cilla, ABBA, Beefheart, Cream, Can, The Slits, Oasis, James Brown and Cast, together with “Holy Vinyl! Batman.” All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. Tags: Marc Bolan, Marc Bolan Scrapbook, Record Collector, January 2001, The Year Of The Slider

Former Tyrannosaurus Rex percussionist Steve Took reflects on his years with Marc Bolan, his departure from the group, and his attempts to forge a new musical path. In a candid interview with Charles Shaar Murray, Took discusses fame, boogie, underground culture, drugs, creativity and life beyond Bolanmania. Publication: New Musical Express (NME) Publication Date: October 14, 1972 Country: United Kingdom Event Date: October 1972 Written by Charles Shaar Murray, this substantial feature follows Steve Took as he looks back on the years that transformed Tyrannosaurus Rex from an underground phenomenon into one of Britain's most influential psychedelic acts. The article opens with Took discussing his current situation and contrasting it with the enormous success enjoyed by Marc Bolan and T. Rex. Murray presents him as an intelligent, sharp‑witted survivor of London's changing underground scene, still pursuing music despite commercial struggles. Throughout the interview, Took reflects on his relationship with Bolan and the circumstances surrounding his departure from Tyrannosaurus Rex. He recalls the early days of the group, discusses the creative chemistry that once existed between them, and offers his own perspective on the musical and personal differences that eventually led to their split. The feature also explores Took's post‑Tyrannosaurus Rex projects, including his experiences with Shagrat, underground musicians, and the evolving counter‑culture scene of the late 1960s and early 1970s. Conversations drift between music, politics, drugs, spirituality and the practical realities of surviving as an independent musician. Rather than focusing on Bolanmania itself, the article presents an alternative view of the Tyrannosaurus Rex story through the eyes of the musician who shared the group's earliest successes before taking a very different path. CONTEXT AND NOTES Published during the height of T. Rex's commercial success, the feature provides a rare opportunity for readers to hear directly from Steve Took, who had largely disappeared from mainstream music coverage after leaving Tyrannosaurus Rex in 1969. By October 1972, Marc Bolan and T. Rex had become one of Britain's biggest acts, while Took remained active in the underground scene. The contrast between the two careers forms one of the article's central themes. The interview is particularly valuable because it captures Took's own reflections on the Tyrannosaurus Rex years while the success of T. Rex was still unfolding. It therefore serves as an important contemporary document of the band's early history and of Took's often overlooked contribution to its development. FEATURE HIGHLIGHTS Event: Steve Took interview Era: 1972 – Post‑Tyrannosaurus Rex period Tone: Reflective, candid and counter‑cultural Photography: Large black‑and‑white photographs of Steve Took accompanying the interview WHAT THE CLIPPING SHOWS Headline: “Steve Took – From Bolan Boogie To Gutter Rock” Major interview by Charles Shaar Murray Steve Took discussing life after Tyrannosaurus Rex Reflections on Marc Bolan and the group's early years Coverage of Took's solo and underground projects Discussion of music, culture and creativity All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.