Futuristic Dragon was reissued in Japan during 2016 by Imperial Records as part of a programme of classic Marc Bolan and T. Rex catalogue releases. Originally issued in 1976, the album arrived during a period of reinvention for Bolan as he sought to reshape both his image and musical direction during the closing years of T. Rex. Although often overshadowed by the commercial dominance of Electric Warrior and The Slider, Futuristic Dragon has undergone considerable critical reappraisal over the years. Many listeners now regard the album as one of the most adventurous records in the later T. Rex catalogue, combining glam rock foundations with contemporary soul, pop and futuristic imagery. This Japanese CD edition preserved the original album configuration and utilised a high-resolution mastering source, introducing the album to a new generation of collectors and listeners. RECORDING Recorded during 1975 and 1976, Futuristic Dragon emerged from a period in which Marc Bolan was actively redefining the T. Rex sound. Rather than relying solely on the glam rock formula that had made him a superstar earlier in the decade, Bolan incorporated broader influences and more varied arrangements. The resulting album showcased a renewed confidence and creative ambition. While maintaining familiar T. Rex characteristics, the material embraced contemporary pop production and increasingly sophisticated studio techniques. The album also marked an important stepping stone toward the artistic resurgence that would culminate in Dandy In The Underworld the following year. STYLE & THEMES As its title suggests, Futuristic Dragon embraces themes of fantasy, futurism and reinvention. The record blends glam rock, pop rock, soul and rhythm-and-blues influences into a colourful and often theatrical listening experience. Throughout the album Bolan alternates between swaggering rockers, melodic pop songs and more atmospheric material. Many of the songs reveal a songwriter determined to explore new directions while retaining the distinctive lyrical style and melodic flair that had always defined his work. The album's futuristic imagery, references to dragons, space-age themes and larger-than-life personalities help create one of the most unique conceptual worlds in the T. Rex catalogue. TRACK-BY-TRACK NOTES • Futuristic Dragon — Ambitious title track establishing the album's central theme. • Jupiter Liar — Driving glam-rock performance with strong melodic hooks. • Chrome Sitar — One of the album's most distinctive and experimental recordings. • All Alone — Reflective composition contrasting with the album's more extroverted moments. • New York City — One of the most successful and recognisable songs from this period. • My Little Baby — Up-tempo rocker. • Calling All Destroyers — Energetic fan favourite that has become one of the album's best-known tracks. • Theme For A Dragon — Atmospheric companion piece linked to the album's concept. • Sensation Boulevard — Stylish mid-album rocker. • Ride My Wheels — Driving performance celebrating movement and freedom. • Dreamy Lady — Commercial and melodic highlight. • Dawn Storm — Reflective late-album composition. • Casual Agent — Character-driven performance showcasing Bolan's storytelling approach. • London Boys — One of the album's strongest rock tracks. • Laser Love — Futuristic pop-rock performance. • Life's An Elevator — Closing track bringing the album's themes full circle. PERSONNEL Marc Bolan — vocals, guitar, songwriter PRODUCTION Label: Imperial Records Catalogue Number: TECI-20708 Format: CD Country: Japan Released: 2016 Mastering: HR Cutting High Resolution Master NOTES • Japanese CD reissue released in 2016. • Originally released in 1976. • Utilises HR Cutting high-resolution mastering. • Includes Japanese liner notes. • Issued by Imperial Records. • Features the complete original sixteen-track album. • Obi barcode: 4988004137938. SIGNIFICANCE While Futuristic Dragon did not initially receive the acclaim accorded to earlier T. Rex classics, the album has steadily gained recognition for its originality and adventurous spirit. The record captures Marc Bolan at a fascinating point in his career. Rather than looking backwards, he was actively exploring new musical and visual ideas while attempting to adapt to changing musical trends. Viewed today, the album forms an important part of the narrative leading from the mid-1970s T. Rex period to the creative revival represented by Dandy In The Underworld. For many collectors, it stands as one of the most underrated albums in the entire T. Rex catalogue. RELEASE HISTORY Originally released in 1976, Futuristic Dragon was reissued in Japan during 2016 by Imperial Records. The reissue utilised an HR Cutting high-resolution mastering source and was issued in standard CD format with Japanese packaging and accompanying liner notes. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Futuristic Dragon Imperial Records Japan TECI-20708 2016 CD Reissue TRACKLIST TABLE Format Catalogue Tracklisting CD TECI-20708 Tracks 1-16 • Futuristic Dragon • Jupiter Liar • Chrome Sitar • All Alone • New York City • My Little Baby • Calling All Destroyers • Theme For A Dragon • Sensation Boulevard • Ride My Wheels • Dreamy Lady • Dawn Storm • Casual Agent • London Boys • Laser Love • Life's An Elevator Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Bolan's Zip Gun was reissued in Japan during 2016 by Imperial Records as part of a Japanese remastered reissue campaign covering the T. Rex catalogue. Originally released in 1975, the album captured Marc Bolan's continued exploration of groove-based rock, soul and pop influences during the mid-1970s. This Japanese edition featured newly remastered audio and was issued in stereo format for the domestic market. RECORDING Produced by Marc Bolan, the album presents the original Bolan's Zip Gun studio recordings together with two bonus tracks. The release retains the original album sequence while expanding the programme with the additional recordings "Satisfaction Pony" and "London Boys". STYLE & THEMES Unlike the classic glam-rock sound of T. Rex's earlier years, Bolan's Zip Gun reflects Marc Bolan's increasing interest in soul, rhythm-driven arrangements and contemporary pop influences. The album combines funk-inspired grooves with melodic songwriting and remains one of the most distinctive albums of Bolan's mid-1970s output. RELEASE HISTORY Released in Japan during 2016 by Imperial Records under catalogue number TECI-20707. The CD was issued as a remastered edition using a high-resolution master source and included two bonus tracks not present on the original album configuration. PERSONNEL Marc Bolan – vocals, guitar, songwriter, producer PRODUCTION Label: Imperial Records Catalogue Number: TECI-20707 Country: Japan Format: CD, Album, Reissue, Remastered, Stereo Producer: Marc Bolan Liner Notes: タバタユリコ Mastering Source: High Resolution Master Used NOTES • Japanese remastered reissue. • Released in 2016. • High Resolution Master source used. • Includes two bonus tracks. • Produced by Marc Bolan. • Issued by Imperial Records. • Barcode: 4988004137921. RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex Bolan's Zip Gun Imperial Records Japan TECI-20707 2016 CD, Album, Reissue, Remastered, Stereo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting CD TECI-20707 1. Light Of Love 2. Solid Baby 3. Precious Star 4. Token Of My Love 5. Space Boss 6. Think Zinc 7. Till Dawn 8. Girl In The Thunderbolt Suit 9. I Really Love You Babe 10. Golden Belt 11. Zip Gun Boogie 12. Satisfaction Pony 13. London Boys Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Newspaper advertisement promoting Tyrannosaurus Rex's appearance at Glastonbury Town Hall, capturing Marc Bolan and Steve Peregrin Took during their rapidly emerging underground success in Britain. Published the day before the performance, the advert provides contemporary evidence of one of the duo's early Somerset appearances. Publication: The Wells Journal Publication Date: October 4, 1968 Country: United Kingdom Event Date: October 5, 1968 This striking display advertisement promotes a forthcoming appearance by Tyrannosaurus Rex at Glastonbury Town Hall on Saturday, October 5, 1968. Dominated by the large headline: TYRANNOSAURUS REX! the advert announces admission at 10 shillings and confirms support from Grims Hot House. A promotional slogan beneath the billing proudly declares: "It's All Happening At Glastonbury" The advertisement demonstrates the growing profile of Marc Bolan and Steve Peregrin Took during 1968, a year that saw the duo become one of the most talked‑about acts on the British underground music scene. The bottom section of the advert also promotes the following week's attraction, a Blues Spectacular featuring Savoy Brown Blues Band, Duster Bennett, and the John Dummer Blues Band, providing a useful snapshot of the diverse live music circuit operating in Britain at the time CONTEXT AND NOTES Published one day before the concert, this advertisement documents Tyrannosaurus Rex during the period surrounding the release of Prophets, Seers & Sages: The Angels Of The Ages. By October 1968, the duo were building a reputation through a mixture of university dates, club appearances, theatre performances and regional concerts. While still some distance from the commercial success that would later accompany the abbreviated T. Rex name, Marc Bolan and Steve Took had already established themselves as key figures within Britain's psychedelic and progressive underground. The advert also highlights the importance of local town halls and civic venues in nurturing emerging artists during the late 1960s, allowing bands to reach audiences beyond major cities. FEATURE HIGHLIGHTS Event: Tyrannosaurus Rex live concert Era: 1968 – Early Tyrannosaurus Rex period Tone: Concert promotion Photography: None – advertisement artwork and typography only WHAT THE CLIPPING SHOWS Glastonbury Town Hall concert advertisement Tyrannosaurus Rex appearance on October 5, 1968 Admission price of 10 shillings Support act Grims Hot House Promotional slogan "It's All Happening At Glastonbury" Contemporary evidence of Tyrannosaurus Rex touring activity in Somerset Promotion published one day before the concert All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A small but historically significant local newspaper advertisement promoting a Tyrannosaurus Rex appearance at Glastonbury Town Hall. Published during the duo's formative years, the advert captures Marc Bolan and Steve Peregrin Took as they continued to build their reputation through a relentless schedule of club, university and dance hall appearances across Britain. Publication: Evening Post Publication Date: October 5, 1968 Country: United Kingdom Event Date: October 5, 1968 This compact advertisement appeared in Bristol's Evening Post to promote a Tyrannosaurus Rex performance at Glastonbury Town Hall on Saturday, October 5, 1968. The advert announces: TYRANNOSAURUS REX! with admission priced at 10 shillings and support provided by Grim's Hot House. Despite its modest size, the advert demonstrates the growing visibility of Tyrannosaurus Rex during 1968 as Marc Bolan and Steve Peregrin Took developed a loyal following through appearances at town halls, clubs, colleges and universities throughout the United Kingdom. The advert also promotes the following week's attraction at the venue, providing a snapshot of the diverse live music circuit operating in Britain during the late 1960s. CONTEXT AND NOTES October 1968 was an important period for Tyrannosaurus Rex. The group had already begun attracting national attention through radio exposure, television appearances and growing press coverage. Concert advertisements such as this illustrate how Tyrannosaurus Rex were promoted before the arrival of major chart success. At this stage, the duo remained very much part of Britain's underground and progressive music circuit, performing in venues ranging from student unions and folk clubs to municipal halls and regional theatres. The advert also serves as evidence of Tyrannosaurus Rex's appearance in Glastonbury several years before Marc Bolan would become one of Britain's biggest rock stars. FEATURE HIGHLIGHTS Event: Tyrannosaurus Rex live appearance Era: 1968 – Early Tyrannosaurus Rex period Tone: Concert promotion Photography: None – text-based newspaper advertisement WHAT THE CLIPPING SHOWS Tyrannosaurus Rex advertised at Glastonbury Town Hall Performance date of October 5, 1968 Admission price of 10 shillings Support act listed as Grim's Hot House Contemporary regional newspaper promotion Evidence of Tyrannosaurus Rex touring activity during 1968 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Lancashire Evening Telegraph competition offered readers the chance to win The Essential Collection - Marc Bolan & T. Rex. The 24-track collection is promoted alongside a special Jimi Hendrix release, with the newspaper highlighting classic T. Rex recordings including “20th Century Boy”, “Ride A White Swan” and “Children Of The Revolution”. Publication: Lancashire Evening Telegraph Date: October 18, 2000 Country: United Kingdom Published under the large headline “SUPER CDS TO BE WON”, the competition gave readers the opportunity to choose between two CD releases, one devoted to Jimi Hendrix and the other to Marc Bolan and T. Rex. The Bolan prize is identified as The Essential Collection - Marc Bolan & T. Rex. The newspaper states that UMTV was re-promoting the collection and describes the release as containing 24 Marc Bolan and T. Rex tracks. Three songs are specifically highlighted in the promotional text: “20th Century Boy”, “Ride A White Swan” and “Children Of The Revolution”. These are presented as examples of the recordings included in the compilation. An image of The Essential Collection artwork appears prominently in the upper-right section of the advertisement. The competition entry form asks readers to answer a Jimi Hendrix question, provide their name and address, and indicate which of the two CDs they would prefer to receive. Completed entries were to be sent to the newspaper's competitions department, with a closing date of October 25. CONTEXT AND NOTES The clipping documents the continued promotion of Marc Bolan and T. Rex recordings in 2000 through The Essential Collection. Rather than being a conventional album review or editorial feature, the piece is a newspaper competition built around the two featured CD releases. The description places emphasis on the breadth of the Bolan and T. Rex collection, identifying 24 tracks and selecting three familiar recordings to represent its contents. FEATURE HIGHLIGHTS Event: Competition to win The Essential Collection - Marc Bolan & T. Rex Era: 2000 T. Rex compilation period Tone: Promotional and competition-focused Photography: Reproduction of The Essential Collection CD artwork WHAT THE CLIPPING SHOWS • Competition offering The Essential Collection - Marc Bolan & T. Rex • Collection described as featuring 24 Marc Bolan and T. Rex tracks • Specific mention of “20th Century Boy”, “Ride A White Swan” and “Children Of The Revolution” • Album artwork reproduced alongside the competition details All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Date: Circa 1980s Item: Original Sukita poster Size: 50 × 36 cm An original T. Rex / Marc Bolan poster featuring photography by Sukita, dating from circa the 1980s.

One of the major European rock festivals of 1970, the Holland Pop Festival (also known as Kralingen Music Festival or Stamping Ground) was held in the Kralingse Bos, Rotterdam. Often called the “European Woodstock,” it attracted around 100,000 people and featured an impressive line-up including Tyrannosaurus Rex, Pink Floyd, Jefferson Airplane, Santana, The Byrds, and many others. EVENT DETAILS Event: Holland Pop Festival (Kralingen Music Festival) Date: June 26–28, 1970 Location: Kralingse Bos, Rotterdam, Netherlands Organiser: Foundation "Holland Pop Festival" Tyrannosaurus Rex Performance Date: Saturday, June 27, 1970 LINE-UP Friday, June 26 It's a Beautiful Day Jefferson Airplane Stone the Crows Santana The Flock Canned Heat Hot Tuna Pentangle Quintessence East of Eden (billed but did not perform) Saturday, June 27 The Byrds Family Dr. John the Night Tripper Country Joe McDonald Tyrannosaurus Rex Renaissance (billed but did not perform) Third Ear Band Al Stewart Tata Mirando Gypsy Orchestra CCC Folk & Blues Inc. Supersister Sunday, June 28 Mungo Jerry Art Ensemble of Chicago John Surman Han Bennink Caravan Fairport Convention Fotheringay Soft Machine Pink Floyd CONTEXT & NOTES The festival took place almost a year after Woodstock and featured a strong international line-up. Tyrannosaurus Rex performed on the second day during their acoustic folk-rock period, just before their transformation into the electric glam band T. Rex. A documentary film titled Stamping Ground (also known as Love and Music) was released in 1971, and a triple LP boxset of the festival was issued in 2010. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. SOURCES Wikipedia, Festival Archives, Discogs, Official Festival Documentation All images, artwork, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Tyrannosaurus Rex’s fourth studio album A Beard of Stars marked a pivotal transition from acoustic psychedelic folk toward an emerging electric sound, featuring the arrival of Mickey Finn and Marc Bolan’s growing confidence with electric guitar. RELEASE / PUBLICATION DETAILS Artist: Tyrannosaurus Rex Title: A Beard of Stars Date: March 13, 1970 Label: Regal Zonophone Format / Type: Album Country: United Kingdom Catalogue: SLRZ 1013 THE STORY Recorded at Trident Studios with producer Tony Visconti, A Beard of Stars was the first album to feature Mickey Finn after Steve Peregrin Took’s departure. The record blends the duo’s established mystical folk sound with Bolan’s increasing use of electric guitar, marking a clear step toward the electric glam rock that would define T. Rex. CONTEXT & NOTES This album represents the final chapter of the Tyrannosaurus Rex era before the name was shortened to T. Rex. It reached #21 on the UK Albums Chart and was praised for its tasteful electric elements. The cover photography by Pete Sanders is iconic of the band’s woodland-mystic aesthetic. PERSONNEL Marc Bolan – lead vocals, acoustic & electric guitars, chord organ, bass Mickey Finn – Moroccan clay drums, tabla, finger cymbals, bass, backing vocals PRODUCTION Produced by: Tony Visconti Engineered by: Malcolm Toft Photography by: Pete Sanders CHARTS UK Albums Chart: Peak #21 Australia (Kent Music Report): Peak #27 PACKAGING / ARTWORK HIGHLIGHTS Pete Sanders photography of Bolan (front) and Finn (back) Fully laminated sleeve with lyric insert Regal Zonophone label TRACK LIST Side A Prelude A Day Laye The Woodland Bop Fist Heart Mighty Dawn Dart Pavilions Of Sun Organ Blues By The Light Of A Magical Moon Wind Cheetah Side B A Beard Of Stars Great Horse Dragon’s Ear Lofty Skies Dove Elemental Child WHAT THE SLEEVE SHOWS The front cover features a striking black-and-white photograph of Marc Bolan, while the back shows Mickey Finn. The sleeve includes a lyric insert and maintains the band’s mystical, fairy-tale imagery. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Regal Zonophone archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The March 14, 1970 edition of Melody Maker features a promotional advert for Tyrannosaurus Rex’s new album A Beard of Stars, showcasing the duo’s mystical acoustic folk-rock sound. Publication: Melody Maker Date: March 14, 1970 Country: United Kingdom Location: London Section: Album Advertisement THE STORY The advert displays striking portraits of Marc Bolan and Steve Peregrin Took, promoting their latest stereo album on Regal Zonophone. It highlights the poetic, imaginative style that defined the band’s early work. CONTEXT AND NOTES A Beard of Stars was the final album released under the Tyrannosaurus Rex name. It marked the end of their acoustic psychedelic folk period and laid the groundwork for the electric glam transformation into T. Rex later that year. FEATURE HIGHLIGHTS Event: Album promotional advertisement Era: 1970 (Tyrannosaurus Rex acoustic era) Tone: Artistic, mystical Photography: Dual atmospheric portraits of Bolan and Took WHAT THE CLIPPING SHOWS Bold “TYRANNOSAURUS REX – A BEARD OF STARS” headline Large black & white portraits of Marc Bolan and Steve Peregrin Took Album details: Regal Zonophone SLRZ 1013, stereo EMI / Essex Music credits RELATED MATERIAL Early Tyrannosaurus Rex acoustic era entries (1968–1970) For other relevant posts, see the tags at the foot of the page. SOURCES Melody Maker, March 14, 1970 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Tags: Tyrannosaurus Rex, T. Rex Scrapbook, Melody Maker, 1970, Album Advertisement

Released on October 9, 1970, Ride A White Swan became the first release issued under the name T. Rex and marked the beginning of Marc Bolan's transformation from the folk-psychedelic world of Tyrannosaurus Rex into the streamlined electric sound that would soon dominate the British charts. Issued on Fly Records as catalogue number BUG 1, the single became the breakthrough record that launched T. Rex into mainstream success. The release reached No. 2 on the UK Singles Chart and became the foundation upon which the phenomenon later known as T. Rextasy would be built. Recorded at Trident Studios in Soho, London, and produced by Tony Visconti, the single paired the now-classic "Ride A White Swan" with "Is It Love" and "Summertime Blues" on the reverse side. The single represented the first official T. Rex recording to be released following Marc Bolan's decision to shorten the group's name from Tyrannosaurus Rex. STYLE & THEMES "Ride A White Swan" introduced the stripped-down electric boogie style that would become the hallmark of T. Rex's early 1970s success. The single bridged the gap between the mystical acoustic Tyrannosaurus Rex period and the glam-rock revolution that followed, making it one of the most important transitional records in Marc Bolan's catalogue. TRACK-BY-TRACK NOTES • Ride A White Swan (2:15) — The debut T. Rex single and the record that launched the group's commercial breakthrough. • Is It Love (2:36) — Included on the flip side of the original release. • Summertime Blues (2:44) — Additional B-side track featured on the original configuration. RELEASE HISTORY Released in the United Kingdom on October 9, 1970 through Fly Records. The single subsequently received releases throughout Europe, North America, Asia, Australia, New Zealand, Africa and South America, becoming the first globally distributed T. Rex single. A numbered UK reissue appeared in 2007 through Universal Music TV and Fly Records. CHARTS United Kingdom • UK Singles Chart: No. 2 PRODUCTION Artist: T. Rex Producer: Tony Visconti Studio: Trident Studios, St. Anne's Court, Soho, London Label: Fly Records Catalogue Number: BUG 1 NOTES • First release issued under the shortened T. Rex name. • Reached No. 2 in the UK Singles Chart and became the group's first major commercial success. • Recorded at Trident Studios in Soho, London. • Produced by Tony Visconti. • The original UK issue carried catalogue number BUG 1. • Contrary to popular belief, the earliest UK pressings used mustard-coloured labels. • Fly Records later utilised lilac-coloured labels originally acquired from the defunct Immediate Records. • The switch to lilac labels occurred as sales increased and additional pressings were required. • The Irish edition was issued on the Regal Zonophone label rather than Fly Records. • Multiple UK pressing variations exist, including solid-centre and push-out-centre editions. • Run-out etchings differ between mustard-label and lilac-label pressings. • The release received more than thirty documented international variations. • The single marked the beginning of the commercial era that would soon produce Hot Love, Get It On, Telegram Sam and other major hits. • Widely regarded as the starting point of T. Rex's transition into one of the defining acts of the glam rock era. RELEASE VARIANTS TABLE Country Label Catalogue Number Format UK Fly Records BUG 1 7" Single UK Fly Records BUG 1 Mustard Label Variant UK Fly Records BUG 1 Lilac Label Variant UK Fly Records BUG 1 Solid Centre Variant UK Fly Records BUG 1 Push-Out Centre Variant UK & Ireland Fly Records BUG 1 Solid Centre Variant Ireland Regal Zonophone BUG-1 7" Single Ireland Fly Records BUG-1 UK Label Variant Australia Parlophone A-9335 7" Single Australia Parlophone A-9335 Promo Canada Reprise 0982 7" Single USA Reprise 0982 Promo Single Argentina Odeon Pops DTOA/M 5104 7" Single Denmark Stateside 6E 006-92148 7" Single Finland Stateside 5E 006-92148M 7" Single France CBS 5381 7" Single Germany Ariola 14 773 AT 7" Single Greece Columbia SCMG 478 7" Single Japan Blue Thumb HIT-1857 7" Single Japan Odeon OR-2762 7" Single Lebanon Parlophone MOL49 7" Single Netherlands Stateside 5C 006-92148 7" Single New Zealand Parlophone NZP 3392 7" Single Norway Stateside 7E 006-92148 7" Single Portugal Stateside 8E 006-92329 M 7" Single Singapore / Malaysia / Hong Kong Columbia EAC-1047 7" Single South Africa Stateside JSS 1312 7" Single Spain Ariola 14.912-AS 7" Single Sweden Stateside 4E 006-92148 M 7" Single Scandinavia Cherry Red / Planet Records CHERRY 29 7" Single Yugoslavia Various Various 7" Single UK Universal Music TV / Fly 1744372 Numbered Reissue (2007) TRACKLIST TABLE UK Format Catalogue Number Tracklisting Original UK 7" Single BUG 1 Side 1: Ride A White Swan (2:15) Side 2a: Is It Love (2:36) Side 2b: Summertime Blues (2:44) SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Rockfiles, Official Marc Bolan archives, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Melody Maker advertisement promotes Tyrannosaurus Rex's single "By The Light Of The Magical Moon". Featuring a publicity photograph of Marc Bolan and Steve Peregrin Took, the advert supported the duo's first single release following the departure of Took's predecessor from the group and continued Tyrannosaurus Rex's association with Regal Zonophone. Publication: Melody Maker Date: January 17, 1970 Country: United Kingdom This small but eye-catching advertisement promotes Tyrannosaurus Rex's single "By The Light Of The Magical Moon", released on Regal Zonophone RZ 3025. The advert features a black-and-white publicity photograph of Marc Bolan and Steve Peregrin Took, seated together with percussion equipment visible in the foreground. Above the image appears the band's name in large bold lettering, while the single title and catalogue number are displayed to the right. The design is characteristically simple, relying on the duo's image and the distinctive Tyrannosaurus Rex name rather than extensive promotional text. The advertisement reflects the band's established visual identity during their final fully acoustic period before the musical changes that would eventually lead to the emergence of T. Rex. Appearing in Melody Maker, the advert was aimed directly at the paper's music-focused readership and formed part of Regal Zonophone's promotion for the latest Tyrannosaurus Rex release. CONTEXT AND NOTES Released in early 1970, "By The Light Of The Magical Moon" followed "King Of The Rumbling Spires" and arrived during a period of transition for Marc Bolan. While the group still retained the mystical folk-psychedelic characteristics that had defined their late-1960s work, Bolan was already beginning to explore ideas that would soon lead to a more commercial direction. The advertisement captures one of the final chapters of the original Tyrannosaurus Rex era before the transformation into T. Rex later in 1970. FEATURE HIGHLIGHTS Event: Promotion of "By The Light Of The Magical Moon" Era: Final Tyrannosaurus Rex period Tone: Promotional Photography: Publicity photograph of Marc Bolan and Steve Peregrin Took WHAT THE CLIPPING SHOWS • Advertisement for "By The Light Of The Magical Moon" • Regal Zonophone catalogue number RZ 3025 • Photograph of Marc Bolan and Steve Peregrin Took • Contemporary music paper promotion • Early 1970 Tyrannosaurus Rex publicity campaign Released on January 16, 1970, By The Light Of A Magical Moon was the first Tyrannosaurus Rex single to feature Mickey Finn following the departure of Steve Peregrin Took. Issued on Regal Zonophone under catalogue number RZ 3025, the single marked the beginning of a new chapter in the group's history. Although the release failed to chart in the UK, it remains a significant recording in the Tyrannosaurus Rex catalogue, documenting the first officially released recordings featuring the Bolan and Finn partnership that would continue through the remainder of the Tyrannosaurus Rex era and into the early T. Rex years. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both sides were issued in stereo. An AdVision single-sided acetate of the A-side is known to exist and survives as one of the more desirable pre-release variants associated with the single. STYLE & THEMES "By The Light Of A Magical Moon" retains the fantasy imagery, mystical atmosphere and poetic lyricism associated with Tyrannosaurus Rex while hinting at the more focused songwriting that would soon emerge on later releases. "Find A Little Wood" complements the A-side with the whimsical and pastoral qualities that remained central to Marc Bolan's writing during this period. Together the two tracks capture the transitional phase between the original Tyrannosaurus Rex sound and the more streamlined direction that followed. TRACK-BY-TRACK NOTES • By The Light Of A Magical Moon – The first Tyrannosaurus Rex single featuring Mickey Finn and one of the final Regal Zonophone releases before the group's transformation into T. Rex. • Find A Little Wood – A companion piece reflecting the band's trademark blend of fantasy, folk and lyrical imagination. RELEASE HISTORY The single was released by Regal Zonophone on January 16, 1970 under catalogue number RZ 3025. Most copies were mistakenly issued with the title printed as "By The Light Of The Magical Moon" rather than the correct title "By The Light Of A Magical Moon". Correctly titled copies are considerably scarcer than the misprinted version. Commercial copies were issued with Regal Zonophone's red centre labels and were available in both push-out and solid-centre formats. CHARTS Chart Peak Position UK Singles Chart Did Not Chart PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Stereo Catalogue Number: RZ 3025 Publisher: Essex International NOTES • Released on January 16, 1970. • First Tyrannosaurus Rex single to feature Mickey Finn. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in stereo. • The single failed to chart in the UK. • The correct title is "By The Light Of A Magical Moon". • Most copies were mistakenly pressed with the title "By The Light Of The Magical Moon". • Correctly titled copies are significantly more difficult to locate than the common misprinted version. • Promotional copies were also issued bearing the incorrect title. • Both push-out and solid-centre commercial variants were manufactured. • A solid-centre version exists with the correct title. • An AdVision single-sided acetate of the A-side is known. • No original picture sleeve was issued with the UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The Paul Johnson sleeve is not an original 1970 issue. Melody Maker Jan 17, 1970 RELATED RELEASES • Tyrannosaurus Rex (July 25, 1969) – King Of The Rumbling Spires / Do You Remember Single UK: 7" • Tyrannosaurus Rex (1970) – A Beard Of Stars Album UK: LP • T. Rex (1970) – Ride A White Swan Single UK: 7" RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 16, 1970 7" Single, Push-Out Centre RZ 3025 UK January 16, 1970 7" Single, Solid Centre RZ 3025 UK 1970 Promo Single RZ 3025 UK 1970 AdVision Single-Sided Acetate Unknown INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1970 Stateside 2C 006-91133 M Germany 1970 Polydor 200 1011 / 2001 011 Germany 1970 Polydor Promo 200 1011 / 2001 011 Netherlands 1970 Stateside 5C 006-91133 M Scandinavia 1970 Polydor 200 1011 / 2001 011 Australia 1970 Festival Records FK-3521 New Zealand 1970 Festival Records FK-3521 Canada 1972 Blue Thumb Records BTA 212X USA 1972 Blue Thumb Records BTA 212 UK 2014 A&M Records Reissue 376 713-4 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3025 Side One • By The Light Of A Magical Moon Side Two • Find A Little Wood RUN-OUT ETCHINGS Side Matrix / Runout Side One 7YCAR 6975-1U / 1 I M Side Two 7YCAR 6976-1U / 1 KT P SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Usually carries incorrect title Push-Out Centre Standard UK issue Solid Centre Standard UK issue Correct Title Variant Scarcer pressing with "A Magical Moon" Misprinted Variant Uses "The Magical Moon" AdVision Acetate Single-sided acetate of the A-side 1990s Fan Club Sleeve Produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Western Daily Press article featuring an early review and interview snippet with Marc Bolan of Tyrannosaurus Rex following their performance at Weston-super-Mare. Publication: Western Daily Press Date: March 5, 1970 Country: United Kingdom Section: Entertainment / Music News THE STORY WHAT THE CLIPPING SHOWS The article reports on Tyrannosaurus Rex’s performance at the Winter Gardens Pavilion in Weston-super-Mare. It mentions their new sound equipment, a brand-new song “Jewel” written by Marc Bolan only two days earlier, and includes comments from Bolan about his upcoming American tour and his thoughts on the film Easy Rider. • Headline referencing an amusing poster advertising Tyrannosaurus Rex (Tyran, Nosau, Rus and Rex) • Hand-drawn cartoon illustration of a face with glasses • Detailed review and quotes from correspondent Mark Ashley CONTEXT AND NOTES RELATED MATERIAL This early 1970 piece captures Tyrannosaurus Rex during their transition from psychedelic folk to electric rock, just before their major breakthrough as T. Rex. It shows Marc Bolan’s growing confidence and his candid views on touring and culture. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Newspaper review & interview Era: 1970 (Pre-glam / Electric transition) Tone: Amused, observational Photography: Hand-drawn cartoon illustration • Western Daily Press, March 5, 1970 • Contribution by Mark Ashley All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The March 28, 1970 edition of New Musical Express features an in-depth interview/profile with Tyrannosaurus Rex titled “Really We’re Just Pop,” in which Marc Bolan and Steve Peregrin Took discuss their music, image, and artistic philosophy. Publication: New Musical Express (NME) Date: March 28, 1970 Country: United Kingdom Location: London Section: Major Feature / Interview THE STORY The article explores the duo’s unique sound and identity, with Bolan and Took addressing perceptions of their work, their roots in the underground scene, and their desire to be seen simply as pop musicians despite their experimental and poetic style. It includes several photographs of the band. CONTEXT AND NOTES This NME feature comes during the promotion of the album A Beard of Stars, marking the final phase of Tyrannosaurus Rex before the shift to electric glam rock as T. Rex. It captures the band reflecting on their identity at a pivotal career moment. FEATURE HIGHLIGHTS Event: Major band interview and profile Era: 1970 (Late Tyrannosaurus Rex / Transition to Glam) Tone: Reflective, candid, engaging Photography: Multiple black & white images of Marc Bolan and Steve Peregrin Took WHAT THE CLIPPING SHOWS Bold headline “TYRANNOSAURUS REX: ‘Really We’re Just Pop’” In-depth text discussing the band’s music, audience, and philosophy Several atmospheric photos of Marc Bolan and Steve Peregrin Took Quotes addressing their image and artistic direction RELATED MATERIAL This March 28, 1970 NME feature on Tyrannosaurus Rex connects directly with the March 14, 1970 Disc and Music Echo advertisement for A Beard of Stars and shows the band’s evolving identity in early 1970. For other relevant posts, see the tags at the foot of the page. SOURCES New Musical Express, March 28, 1970 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

"Oh Baby" was released on September 4, 1970 under the name Dib Cochran And The Earwigs, one of several pseudonyms used by Marc Bolan during the transitional period between his Tyrannosaurus Rex years and the emergence of T. Rex as a major chart act. Issued by Bell Records in the United Kingdom, the single appeared only days before T. Rex began their meteoric rise to commercial success. Although it failed to chart, the record has since become an important collector's item due to its connection with Bolan and its place within the development of his songwriting after the release of "Ride A White Swan". The release showcased Bolan experimenting with a different identity while continuing to refine the blend of pop melody and eccentric lyrical style that would soon make him one of Britain's biggest stars. Both songs were written by Marc Bolan under the Dib Cochran pseudonym. Production was credited to Dib Cochran, making this one of the few releases from the period to carry Bolan's alternate identity throughout the credits. The accompanying Earwigs project was another of Bolan's short-lived studio concepts, issued alongside several obscure recordings from the same era. STYLE & THEMES "Oh Baby" combines bright early-1970s pop with elements of the whimsical songwriting style that characterised Bolan's late Tyrannosaurus Rex recordings. "Universal Love" continues the psychedelic and romantic themes present throughout much of Bolan's work during the period. Both tracks offer a fascinating glimpse into the creative bridge between Tyrannosaurus Rex and the chart-dominating T. Rex years. TRACK-BY-TRACK NOTES • Oh Baby — The sole A-side issued under the Dib Cochran And The Earwigs name. • Universal Love — Exclusive B-side credited solely to The Earwigs. RELEASE HISTORY The single was released in the United Kingdom on September 4, 1970 by Bell Records under catalogue number BLL 1121. Despite receiving an official commercial release, the record did not chart and remained relatively obscure for many years. With Marc Bolan's later success, the single became highly sought after by collectors interested in his pre-fame and pseudonymous recordings. CHARTS & CERTIFICATIONS UNITED KINGDOM No chart entry recorded. CERTIFICATIONS No certifications recorded. AWARDS No awards recorded. PERSONNEL Marc Bolan (as Dib Cochran) — writer, producer, performer PRODUCTION Produced by Dib Cochran Label: Bell Records Catalogue Number: BLL 1121 Country: United Kingdom NOTES • Released under the pseudonym Dib Cochran And The Earwigs rather than Marc Bolan's own name. • Issued during a crucial transitional period in Bolan's career as T. Rex was beginning to evolve from the earlier Tyrannosaurus Rex project. • Both sides of the single were written by Marc Bolan. • Production was also credited to Dib Cochran, continuing the pseudonymous concept throughout the release. • The record appeared on Bell Records shortly before T. Rex achieved major commercial success with "Ride A White Swan" and the beginning of the glam-rock era. • Unlike later T. Rex singles, the release failed to chart and remained little known outside dedicated fan circles. • Over time the single became one of the more collectible Marc Bolan-related releases because of its rarity and unusual artist credit. • "Universal Love" was credited to The Earwigs alone, creating an unusual distinction between the two sides of the disc. • The release is frequently cited as one of the most notable examples of Bolan's experimentation with alternate identities and side projects. • Its historical importance lies less in chart success and more in documenting Bolan's artistic development immediately before his breakthrough years. RELEASE TABLE Artist Title Label Country Catalogue Date Format Dib Cochran And The Earwigs Oh Baby Bell Records UK BLL 1121 September 4, 1970 7" Single TRACKLIST TABLE Format Catalogue Tracklisting 7" Single BLL 1121 A. Oh Baby B. Universal Love SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Event Details Line-up & Highlights On Saturday, July 4, 1970, Tyrannosaurus Rex performed at the Blues at the Eyrie open-air festival at Bedford Town Football Ground. This was a pivotal transitional gig for Marc Bolan’s band. They were evolving from their psychedelic folk roots toward the heavier electric sound that would soon spark the glam rock explosion. Main Acts: • Deep Purple (headliners) • Chicken Shack • Tyrannosaurus Rex • Medicine Head, Principal Edwards Magic Theatre, Skin Alley + others Compèred by John Peel. Deep Purple Setlist Speed King Hush (Joe South cover) Into the Fire Child in Time Wring That Neck Mandrake Root Paint It Black (The Rolling Stones cover) Drum Solo Encore: Black Night Lucille (Little Richard cover) All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Bravo Musik Express page from September 1970 includes a short studio update announcing the upcoming Tyrannosaurus Rex maxi‑single featuring Ride a White Swan and Summertime Blues. The note appears in Dieter Stiegls’ Aus den Studios column, alongside news on Elvis Presley, Mary Hopkin, and Thunderclap Newman. Publication: Bravo Musik Express Date: 4 September 1970 Country: Germany The column reports that Tyrannosaurus Rex were preparing a “kleine gedankliche Platte” (a small conceptual record) containing Ride a White Swan and Summertime Blues, described as the three songs of their forthcoming maxi‑single. This brief mention marks the transitional moment when Marc Bolan’s duo was evolving from acoustic mysticism toward electric glam rock. The surrounding page features reviews of new LPs by Donovan, Brian Auger, and James Last, plus a full‑page spotlight on Mungo Jerry, whose In the Summertime had become a European sensation. The layout — notebook‑style with torn edges and collage graphics — reflects Bravo’s lively pop‑journalism aesthetic. CONTEXT AND NOTES By September 1970, Ride a White Swan was poised to launch T. Rex into mainstream success, soon reaching the UK Top 10 and defining the glam rock sound. Bravo’s early coverage of the single demonstrates Germany’s growing interest in British pop innovation. The Musik Express section, curated by Dieter Stiegls, served as a weekly roundup of studio news, giving readers a glimpse of upcoming releases before they hit the charts. FEATURE HIGHLIGHTS Event: Announcement of Tyrannosaurus Rex’s Ride a White Swan maxi‑single Era: 1970 – Transition from Folk to Glam Rock Tone: Informative, anticipatory, and concise Photography: Collage layout with artist portraits (Elvis Presley, Mary Hopkin, Mungo Jerry) WHAT THE CLIPPING SHOWS Bravo Musik Express column mentioning Tyrannosaurus Rex’s upcoming maxi‑single Contextual placement among other studio updates and LP reviews Early documentation of Marc Bolan’s shift toward electric glam rock All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. Marc Bolan, T. Rex Scrapbook, Bravo Magazine, 1970, Ride a White Swan (Single)

This short Melody Maker news item announces the forthcoming release of T. Rex's first single for the newly formed Fly Records label. The report provides details of the release, the label's structure and the tracks selected for what was described as a unique triple A-side single. Publication: Melody Maker Date: October 3, 1970 Country: United Kingdom Under the headline "Rex Single", the article reports that one of the first releases on the new Fly Records label would be a T. Rex single scheduled for release on October 9, 1970. The news item explains that Fly Records was jointly owned by Track Records and Essex Music, with each company holding a fifty percent share. The new label had taken the place of Regal Zonophone and would handle releases by artists including Procol Harum, Joe Cocker, The Move and T. Rex. Particular attention is given to the forthcoming T. Rex release, which is described as a triple A-side disc. The three featured tracks are listed as: • Ride A White Swan• Is It Love?• Summertime Blues The article also notes that The Move's debut Fly Records single would be "When Alice Gets Back To The Farm." Although brief, the report marks an important moment in the history of T. Rex, documenting the beginning of the group's relationship with Fly Records and the release that would soon launch Marc Bolan's rise to major chart success. CONTEXT AND NOTES Published days before the release of "Ride A White Swan", the article captures T. Rex at the start of a new phase in their career. The move to Fly Records would prove significant, with the single becoming the record that initiated the transformation from the underground Tyrannosaurus Rex into the chart-dominating T. Rex. The item also documents the early ambitions of Fly Records, outlining the artists who would form part of the label's catalogue following its launch. FEATURE HIGHLIGHTS Event: Announcement of T. Rex's first Fly Records single Era: 1970 transition from Tyrannosaurus Rex to T. Rex Tone: Informative and industry-focused Photography: No photographs included in the clipping WHAT THE CLIPPING SHOWS • Announcement of T. Rex's first Fly Records release • Release date of October 9, 1970 • Triple A-side tracks: • Ride A White Swan • Is It Love? • Summertime Blues • Details of the newly formed Fly Records label All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

John & Tony Smith present T. Rex in concert at City Hall, Sheffield on Monday, May 17, 1971. Publication / Source: Concert Promotion Poster Date: May 17, 1971 Country: United Kingdom Section: Live Concert Poster THE STORY WHAT THE CLIPPING SHOWS Promotional poster for T. Rex’s performance at City Hall, Sheffield on Monday, May 17, 1971. All seats priced at 40p. Bookable in advance from Wilson Peck Ltd. The poster features dramatic black-and-white live performance photos of the band. • Bold red “T.REX” headline with “MAY 1971” • High-contrast live action shots of Marc Bolan and the band • Venue, date, time, and ticket price details • Presented by John & Tony Smith CONTEXT AND NOTES RELATED MATERIAL This May 17, 1971 poster captures T. Rex during their explosive rise. With major hits dominating the charts, the Sheffield City Hall show was part of a busy spring schedule as the band transitioned to larger venues and prepared for even greater success. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Concert poster Era: 1971 (Glam breakthrough) Tone: Dynamic, high-energy Photography: Striking black-and-white live shots • John & Tony Smith Promotion, May 17, 1971 • Designer: David Arnott All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The April 29, 1971 edition of Disco 45 Songbook features T. Rex on the cover and a full-page profile of Marc Bolan inside, celebrating the band’s breakthrough year. Publication: Disco 45 Songbook Date: April 29, 1971 Country: United Kingdom Location: UK Section: Cover + Feature THE STORY The cover shows a striking photo of Marc Bolan and bandmate, while the inside feature details T. Rex’s rapid rise, “Hot Love” topping the charts, and Bolan’s journey from folk to glam stardom. CONTEXT AND NOTES This issue captures T. Rex at the beginning of their massive commercial breakthrough. “Hot Love” had just hit No. 1, and the band was transitioning from underground favourites to mainstream pop icons. FEATURE HIGHLIGHTS Event: Magazine cover & profile feature Era: 1971 (Glam breakthrough) Tone: Celebratory, fan-oriented Photography: Black & white portraits of Marc Bolan WHAT THE CLIPPING SHOWS Bold “DISCO 45” masthead with red starburst “5P” price Cover photo of Marc Bolan and bandmate Full-page inside feature with guitar performance photo Text detailing Bolan’s career and T. Rex’s success RELATED MATERIAL July 3, 1971 Melody Maker “Get It On” advertisement For other relevant posts, see the tags at the foot of the page. SOURCES Disco 45 Songbook, April 29, 1971 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

John & Tony Smith present T. Rex in concert at City Hall, Newcastle on Thursday, May 20, 1971. Publication / Source: Concert Promotion Poster Date: May 20, 1971 Country: United Kingdom Section: Live Concert Poster THE STORY WHAT THE CLIPPING SHOWS Promotional poster for T. Rex’s performance at City Hall, Newcastle on Thursday, May 20, 1971. All seats priced at 60p. Bookable in advance from the box office. The poster features striking pink-tinted live performance images of the band. • Bold pink “T.REX” headline with “MAY 1971” • Dramatic pink-tinted live action shots of Marc Bolan and the band • Venue, date, time, and ticket price details • Presented by John & Tony Smith The poster measures 100cm x 76.5cm (39.5 inches x 30 inches). The item originally comes from the archive of designer David Arnott. CONTEXT AND NOTES RELATED MATERIAL This May 20, 1971 poster captures T. Rex during their explosive 1971 rise. With chart-topping hits and growing fan hysteria, the Newcastle City Hall show was part of a packed spring schedule as the band moved toward larger venues and international tours. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Concert poster Era: 1971 (Glam breakthrough) Tone: Dynamic, high-energy Photography: Striking pink-tinted live shots • John & Tony Smith Promotion, May 20, 1971 • Designer: David Arnott All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.