This EMI Records press release was issued to promote Tyrannosaurus Rex's new single "By The Light Of A Magical Moon". Although the document itself is undated, it accompanied the release of the single and formally introduced Mickey Finn as Marc Bolan's new musical partner following the departure of Steve Peregrin Took. Document: EMI Records Press Release Associated Release Date: January 16, 1970 Country: United Kingdom Label: Regal Zonophone Catalogue Number: RZ 3025 THE PRESS RELEASE Issued on EMI Records letterhead, the press release announces the arrival of "By The Light Of A Magical Moon" / "Find A Little Wood", describing it as the first Tyrannosaurus Rex single since the departure of Steve Took during the previous summer. The document explains that Marc Bolan had been joined by Mickey Finn, identified as a former artist whom Bolan met in a London restaurant. EMI presents Finn as the new partner in Tyrannosaurus Rex and outlines the background to the line-up change. The release recounts the group's rise through recordings including "Deborah", "One Inch Rock", "Pewter Suitor" and "King Of The Rumbling Spires", noting that the duo had also completed three successful albums and toured Britain with David Bowie. According to the text, following Marc and Steve's first American appearances during July 1969, the pair decided to go their separate ways. The release states that Marc subsequently met and rehearsed with Mickey Finn, creating the new Tyrannosaurus Rex line-up. EMI also reveals that the first album by the revised Tyrannosaurus Rex was expected during the spring of 1970. As with previous releases, both sides of the single were written by Marc Bolan and produced by Tony Visconti. The document concludes with a standard press office contact reference for journalists seeking further information. CONTEXT AND NOTES Although the press release itself carries no date, it was clearly prepared to support the release of "By The Light Of A Magical Moon", issued on January 16, 1970. The document is historically important because it constitutes one of the earliest official introductions of Mickey Finn as a member of Tyrannosaurus Rex. It also provides EMI's contemporary explanation of the transition from the Bolan/Took partnership to the Bolan/Finn era. Viewed in hindsight, the release marks the beginning of the final Tyrannosaurus Rex period before the shortening of the name to T. Rex and the commercial breakthrough that followed later in 1970. SINGLE DETAILS Field Details Artist Tyrannosaurus Rex Title By The Light Of A Magical Moon / Find A Little Wood Label Regal Zonophone Catalogue Number RZ 3025 Country UK Release Date January 16, 1970 Format 7" Single Producer Tony Visconti TRACKLIST Side Title Side 1 By The Light Of A Magical Moon Side 2 Find A Little Wood FEATURE HIGHLIGHTS Document Type: EMI promotional press release Purpose: Launch of the new Tyrannosaurus Rex single Notable Announcement: Introduction of Mickey Finn Producer: Tony Visconti Future Plans Mentioned: New Tyrannosaurus Rex album expected in Spring 1970 WHAT THE PRESS RELEASE SHOWS • First official introduction of Mickey Finn as Marc Bolan's new partner • Explanation of Steve Took's departure • Promotion of "By The Light Of A Magical Moon" • Summary of Tyrannosaurus Rex's achievements to date • Confirmation that Marc Bolan wrote both sides of the single • Announcement of a forthcoming Tyrannosaurus Rex album Tags: Tyrannosaurus Rex, Marc Bolan, Mickey Finn, By The Light Of A Magical Moon, Find A Little Wood, Regal Zonophone, Tony Visconti, EMI Records, UK Singles, 1970 COPY Released on January 16, 1970, By The Light Of A Magical Moon was the first Tyrannosaurus Rex single to feature Mickey Finn following the departure of Steve Peregrin Took. Issued on Regal Zonophone under catalogue number RZ 3025, the single marked the beginning of a new chapter in the group's history. Although the release failed to chart in the UK, it remains a significant recording in the Tyrannosaurus Rex catalogue, documenting the first officially released recordings featuring the Bolan and Finn partnership that would continue through the remainder of the Tyrannosaurus Rex era and into the early T. Rex years. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both sides were issued in stereo. An AdVision single-sided acetate of the A-side is known to exist and survives as one of the more desirable pre-release variants associated with the single. STYLE & THEMES "By The Light Of A Magical Moon" retains the fantasy imagery, mystical atmosphere and poetic lyricism associated with Tyrannosaurus Rex while hinting at the more focused songwriting that would soon emerge on later releases. "Find A Little Wood" complements the A-side with the whimsical and pastoral qualities that remained central to Marc Bolan's writing during this period. Together the two tracks capture the transitional phase between the original Tyrannosaurus Rex sound and the more streamlined direction that followed. TRACK-BY-TRACK NOTES • By The Light Of A Magical Moon – The first Tyrannosaurus Rex single featuring Mickey Finn and one of the final Regal Zonophone releases before the group's transformation into T. Rex. • Find A Little Wood – A companion piece reflecting the band's trademark blend of fantasy, folk and lyrical imagination. RELEASE HISTORY The single was released by Regal Zonophone on January 16, 1970 under catalogue number RZ 3025. Most copies were mistakenly issued with the title printed as "By The Light Of The Magical Moon" rather than the correct title "By The Light Of A Magical Moon". Correctly titled copies are considerably scarcer than the misprinted version. Commercial copies were issued with Regal Zonophone's red centre labels and were available in both push-out and solid-centre formats. CHARTS Chart Peak Position UK Singles Chart Did Not Chart PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Stereo Catalogue Number: RZ 3025 Publisher: Essex International NOTES • Released on January 16, 1970. • First Tyrannosaurus Rex single to feature Mickey Finn. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in stereo. • The single failed to chart in the UK. • The correct title is "By The Light Of A Magical Moon". • Most copies were mistakenly pressed with the title "By The Light Of The Magical Moon". • Correctly titled copies are significantly more difficult to locate than the common misprinted version. • Promotional copies were also issued bearing the incorrect title. • Both push-out and solid-centre commercial variants were manufactured. • A solid-centre version exists with the correct title. • An AdVision single-sided acetate of the A-side is known. • No original picture sleeve was issued with the UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The Paul Johnson sleeve is not an original 1970 issue. Melody Maker Jan 17, 1970 RELATED RELEASES • Tyrannosaurus Rex (July 25, 1969) – King Of The Rumbling Spires / Do You Remember Single UK: 7" • Tyrannosaurus Rex (1970) – A Beard Of Stars Album UK: LP • T. Rex (1970) – Ride A White Swan Single UK: 7" RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 16, 1970 7" Single, Push-Out Centre RZ 3025 UK January 16, 1970 7" Single, Solid Centre RZ 3025 UK 1970 Promo Single RZ 3025 UK 1970 AdVision Single-Sided Acetate Unknown INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1970 Stateside 2C 006-91133 M Germany 1970 Polydor 200 1011 / 2001 011 Germany 1970 Polydor Promo 200 1011 / 2001 011 Netherlands 1970 Stateside 5C 006-91133 M Scandinavia 1970 Polydor 200 1011 / 2001 011 Australia 1970 Festival Records FK-3521 New Zealand 1970 Festival Records FK-3521 Canada 1972 Blue Thumb Records BTA 212X USA 1972 Blue Thumb Records BTA 212 UK 2014 A&M Records Reissue 376 713-4 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3025 Side One • By The Light Of A Magical Moon Side Two • Find A Little Wood RUN-OUT ETCHINGS Side Matrix / Runout Side One 7YCAR 6975-1U / 1 I M Side Two 7YCAR 6976-1U / 1 KT P SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Usually carries incorrect title Push-Out Centre Standard UK issue Solid Centre Standard UK issue Correct Title Variant Scarcer pressing with "A Magical Moon" Misprinted Variant Uses "The Magical Moon" AdVision Acetate Single-sided acetate of the A-side 1990s Fan Club Sleeve Produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

SOURCE DETAILS Event: Aachen Open Air Pop Festival Location: Hauptstadion, Aachen, West Germany Dates: July 10–12, 1970 Attendance: 30,000–40,000 Organisers: Golo Goldschmitt, Walter Reiff, Karl‑August Hohmann Main Investor: Coca‑Cola Ticket Prices: DM 15 (single day), DM 40 (three‑day pass) FESTIVAL CONTEXT The Aachen Open Air Pop Festival — commonly known as the Soersfestival — was one of West Germany’s major early‑1970s open‑air rock gatherings. Conceived by three local students, the event faced significant resistance due to the expected influx of European hippies and freaks, yet ultimately unfolded smoothly despite a heavy police presence. Weather remained favourable throughout, and the festival became known for its strong organisation and eclectic lineup. SUNDAY LINE‑UP (July 12, 1970) • Pink Floyd • Tyrannosaurus Rex • Amon Düül II • Hardin & York • Krokodil • Raw Material • Champion Jack Dupree • Fairport Convention (advertised, did not appear) • Van der Graaf Generator (cancelled due to finishing time) ARCHIVAL NOTES Tyrannosaurus Rex’s appearance at Aachen is historically significant: It marks one of the last major European festival dates under the Tyrannosaurus Rex name. It captures Bolan and Finn at the threshold of their transformation into T. Rex, just months before Ride a White Swan reshaped their trajectory. The festival’s scale and diverse audience helped broaden their continental reach during a crucial artistic pivot TYRANNOSAURUS REX – PERFORMANCE OVERVIEW Tyrannosaurus Rex appeared on Sunday, July 12, sharing the bill with Pink Floyd, Amon Düül II, Hardin & York, Krokodil, Raw Material, Champion Jack Dupree and others. By mid‑1970, Marc Bolan and Mickey Finn were transitioning from their earlier acoustic mysticism toward a more electric, rhythmic sound — a shift that would soon culminate in the birth of T. Rex and the glam era. Their Aachen performance sits at a pivotal moment: the final months of the Tyrannosaurus Rex identity, just before Bolan’s transformation into a mainstream pop phenomenon. The duo’s set would have reflected this transitional period — still rooted in the intimate, percussive charm of their early work, yet increasingly confident, rhythmic, and audience‑focused. Aachen placed them before a large continental crowd, helping expand their European profile ahead of the seismic changes of late 1970 and 1971. SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts 'There Was A Time - Marc Bolan a Chronology' Cliff McLenehan allopach.wordpress.com All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The March 30, 1970 edition of the Greenock Telegraph reviews Tyrannosaurus Rex’s new album A Beard of Stars, noting the duo’s development and praising Marc Bolan’s guitar work alongside Mickey Finn’s percussion. Publication: Greenock Telegraph Date: March 30, 1970 Country: United Kingdom Location: Greenock, Scotland Section: Records on Release / Album Review THE STORY The short review highlights A Beard of Stars as showing “a couple of developments” for Tyrannosaurus Rex. It mentions Mickey Finn’s new bongo playing and Marc Bolan’s strong guitar, while giving a generally positive assessment of the album’s progress. CONTEXT AND NOTES This regional Scottish press review captures the final months of Tyrannosaurus Rex’s acoustic era. Released just weeks after the album, it reflects the growing interest in Bolan’s evolving sound on the cusp of the band’s transformation into electric glam rockers T. Rex. FEATURE HIGHLIGHTS Event: Album review Era: 1970 (Tyrannosaurus Rex acoustic era) Tone: Observational, mildly positive Photography: Text-based review WHAT THE CLIPPING SHOWS “Records on Release” column header Brief review of A Beard of Stars mentioning Bolan’s guitar and Finn’s bongos Context within new releases by Paul McCartney, The Cream, and others Typical regional newspaper music column layout RELATED MATERIAL March 14, 1970 Melody Maker “A Beard of Stars” album advert Early Tyrannosaurus Rex acoustic era features (1968–1970) For other relevant posts, see the tags at the foot of the page. SOURCES Greenock Telegraph, March 30, 1970 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Publication: Bucks Examiner Date: 13 March 1970 Country: United Kingdom Section / Page: Discorder / Disc Review Column Format: Regional Album Review Overview A rare and revealing regional‑press reaction to A Beard of Stars, offering an unfiltered, small‑town perspective on Marc Bolan and Mickey Finn’s final Tyrannosaurus Rex album. The Bucks Examiner’s Discorner column approaches the record with curiosity, admiration, and bewilderment — praising its lyrical beauty while questioning its musical direction. This is one of the few surviving non‑London reviews of the album, making it a valuable snapshot of how Bolan’s evolving mysticism landed outside the major music‑press ecosystem. What the Clipping Shows • Small regional‑press column titled “Discorner”, typical of early‑1970 local‑paper design. • Brief review referencing the album’s sleeve dedication — Bolan’s mythic lore invoking “Priests of Peace,” “Horse Lords,” and “the King of the Rumbling Spires.” • Mentions of Marc Bolan and Mickey Finn by name. • Description of the album as “complex,” with “very beautiful” lyrics but questionable musical execution. • Early‑1970 typography: narrow columns, justified text, minimal graphic elements. • Tone: puzzled, earnest, and unpretentious — a critic encountering Bolan’s myth‑language without the context of London’s underground scene. Related posts • T.Rex – Glam Slam Guide • A Beard of Stars – Album: Mar. 1970 • A Beard of Stars – Advert: Mar. 1970 • Additional entries listed in the scrapbook tag index Source Details Publication: Bucks Examiner Date: 13 March 1970 Format: Album Review (Discorner Column) Provenance Notes: • Based on a rare regional‑press clipping • Summary only — no copyrighted text reproduced • Contextualised from the surviving excerpt The Story Behind It In early 1970, Tyrannosaurus Rex were in a state of metamorphosis. Bolan’s writing had grown more electric, more symbolic, and more ambitious, while Mickey Finn’s presence was reshaping the duo’s sound. A Beard of Stars would become the final Tyrannosaurus Rex album before the transformation into T. Rex and the glam‑rock explosion that followed. The Bucks Examiner’s review captures this moment from outside the London bubble. The critic opens with Bolan’s sleeve dedication — a swirl of invented lore and mythic imagery — and admits confusion, suggesting that those fluent in Bolan’s symbolic language will gain more from the album than the average listener. The column describes the record as: • “A complex album” • A collection of short underground‑folk songs • Lyrically “very beautiful” • Musically lacking “strength” or “quality” This reaction is emblematic of the period. Bolan’s shift toward electric textures and mystical imagery was beginning to alienate some folk‑scene purists while attracting a new audience that would soon propel him into superstardom. The Bucks Examiner’s perspective — critical yet sincere — is historically valuable. It reminds us that even legendary albums were once heard through the ears of listeners who didn’t yet know what was coming. All original newspaper text and artwork remain the property of their respective copyright holders. This scrapbook entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

Melody Maker cover story on Marc Bolan and T. Rex’s rapid rise as “Hot Love” surges in the charts and the band prepares for their first American tour. Publication: Melody Maker Date: March 6, 1971 Country: United Kingdom Section: Cover Story / Feature THE STORY WHAT THE CLIPPING SHOWS Marc Bolan addresses accusations of “selling out” as T. Rex achieves major chart success with “Hot Love” following “Ride a White Swan”. He defends artistic growth, celebrates the band’s expanding audience, and expresses confidence in their new direction. John Peel praises the breakthrough, and the article announces T. Rex’s upcoming US tour. • Bold headline: “BOLAN BOOMS WITH COSMIC ROCK!” • Large close-up portrait of Marc Bolan • Detailed article discussing chart success, artistic evolution, and upcoming tour CONTEXT AND NOTES RELATED MATERIAL This March 1971 Melody Maker cover captures T. Rex at a pivotal moment — riding high on back-to-back hits and transitioning from cult favourites to mainstream stars. Bolan’s confident defence of their new sound marks the beginning of the full T. Rextasy era. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Major cover feature interview Era: 1971 (Glam breakthrough / T. Rextasy begins) Tone: Triumphant, defensive, forward-looking Photography: Striking close-up portrait of Marc Bolan • Melody Maker, March 6, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The March 5, 1971 edition of the Fulham & Hammersmith Chronicle features Jackie Hearn’s enthusiastic review of T. Rex’s new single “Hot Love”, praising it as a strong follow-up to “Ride a White Swan”. Publication: Fulham & Hammersmith Chronicle Date: March 5, 1971 Country: United Kingdom Location: London Section: Singles Review THE STORY Jackie Hearn writes that life is easier now that the band has shortened their name to T. Rex. She describes “Hot Love” as even better than “Ride a White Swan”, calling it a return to good old rock and roll that is instantly commercial and likely to bombard the charts. She also notes the strong B-sides as good value for money. CONTEXT AND NOTES This early review was published just as T. Rex were exploding in popularity. “Hot Love” became their first UK No. 1 single, marking the beginning of T. Rextasy. The local London paper’s positive coverage reflects the growing excitement around the band in their home city. FEATURE HIGHLIGHTS Event: Single review Era: 1971 (Glam breakthrough) Tone: Enthusiastic, supportive WHAT THE CLIPPING SHOWS Headline “Singles” with Jackie Hearn’s review column Positive comments on “Hot Love” (Fly label) Comparison to “Ride a White Swan” Praise for the commercial appeal and B-sides RELATED MATERIAL July 3, 1971 Melody Maker “Get It On” advertisement For other relevant posts, see the tags at the foot of the page. SOURCES Fulham & Hammersmith Chronicle, March 5, 1971 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Fulham Chronicle singles review praising T. Rex’s follow-up single “Hot Love” as a joyous return to classic rock ’n’ roll energy. Publication: Fulham Chronicle Date: March 5, 1971 Country: United Kingdom Section: Singles Review THE STORY WHAT THE CLIPPING SHOWS Jackie Hearn reviews “Hot Love” as even better than “Ride a White Swan”, praising its rock ’n’ roll roots and comparing Marc Bolan’s sound to Little Richard and Elvis. The review notes the band’s name change to T. Rex and highlights the value-for-money B-side pairing. • Headline and review text for T. Rex’s “Hot Love” • Positive commentary on the single’s commercial appeal and nostalgic energy • Context of the band’s breakthrough CONTEXT AND NOTES RELATED MATERIAL This March 5, 1971 local London review captures the exact moment T. Rex were transitioning from cult favourites to mainstream chart contenders. “Hot Love” would soon reach No. 1, marking the beginning of full-scale T. Rextasy. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Singles review Era: 1971 (Glam breakthrough) Tone: Enthusiastic, nostalgic Photography: N/A • Fulham Chronicle, March 5, 1971 • Writer: Jackie Hearn All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Evening Post advertisement for Sheffield’s Club Fiesta “Festival of Pop” week, featuring T. Rex headlining on Thursday night. Publication: Evening Post Date: March 8, 1971 Country: United Kingdom Section: Concert Advertisement / Event Listing THE STORY WHAT THE CLIPPING SHOWS Advertisement promoting a week-long “Festival of Pop” at Club Fiesta, Arundel Gate, Sheffield. T. Rex headline on Thursday, supported by a rotating bill that includes The Kinks, The Equals, Southern Comfort, Curved Air, Wild Angels, and Desmond Dekker. • Bold “CLUB FIESTA” header • Week-long schedule with T. Rex on Thursday • Venue address and booking information • Supporting acts and special rates listed CONTEXT AND NOTES RELATED MATERIAL This March 8, 1971 listing captures T. Rex during their rapid rise. With “Ride a White Swan” climbing the charts and “Hot Love” imminent, the Club Fiesta appearance was one of the last opportunities to see the band in a mid-sized club setting before their popularity demanded larger halls. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Multi-act festival advertisement Era: 1971 (Glam breakthrough) Tone: Energetic, accessible Photography: Text-based advert • Evening Post, March 8, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A promotional advertisement for T. Rex performing at Birmingham Town Hall on February 16, 1971, as part of the Apollo Best One Price Concerts series. Publication: New Musical Express (or similar music press) Date: February 13, 1971 (advert date) Country: United Kingdom Location: Birmingham Section: Concert Advertisement THE STORY The advert lists T. Rex headlining at Town Hall, Birmingham on February 16th, with tickets priced at 60p / 12/-. It is part of a larger Apollo concerts listing that also includes Black Widow and The Kinks. CONTEXT AND NOTES This concert took place during T. Rex’s breakthrough year. “Ride a White Swan” was climbing the charts, and “Hot Love” was about to be released. The show was one of several UK dates as the band transitioned to their electric four-piece lineup and built momentum toward T. Rextasy. FEATURE HIGHLIGHTS Event: Concert advertisement Era: 1971 (Glam breakthrough) Tone: Promotional Photography: Text-based advert (no photo in clipping) WHAT THE CLIPPING SHOWS Bold “T. REX” listing under “APOLLO BEST ONE PRICE CONCERTS” Venue: Town Hall, Birmingham Date: February 16th Ticket price: 60p / 12/- Part of a block advert with Black Widow (Guildford) and The Kinks (Bristol) RELATED MATERIAL March 5, 1971 Fulham & Hammersmith Chronicle “Hot Love” review For other relevant posts, see the tags at the foot of the page. SOURCES New Musical Express / Apollo Concerts advertisement, February 1971 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Apollo Promotions advertisement for T. Rex’s concert at Birmingham Town Hall on February 16, 1971, listed alongside Black Widow and The Kinks shows. Publication: New Musical Express Date: February 13, 1971 Country: United Kingdom Section: Concert Advertisement THE STORY WHAT THE CLIPPING SHOWS Advertisement promoting T. Rex’s appearance at Birmingham Town Hall on February 16, 1971, as part of the Apollo Best One Price Concerts series. Tickets priced at 60p / 12/-. The ad also includes Black Widow at Guildford and The Kinks at Bristol. • Apollo Best One Price Concerts header • Bold “T. REX” listing with venue and date • Ticket prices clearly displayed • Block advert layout with Black Widow and The Kinks CONTEXT AND NOTES RELATED MATERIAL This February 13, 1971 advert appears during T. Rex’s rapid rise following the success of “Ride a White Swan”. The Apollo series emphasised affordable pricing, aligning with the band’s growing appeal to a wide audience during their early glam breakthrough. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Concert advertisement Era: 1971 (Glam breakthrough) Tone: Straightforward, promotional Photography: Text-based advert • New Musical Express, February 13, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A festive T. Rex promotional page celebrates the Christmas season with advertisements for the band's December Sundown concerts, the release of Born To Boogie, the current album The Slider, and the new single Solid Gold Easy Action, presenting Marc Bolan's world as a complete multimedia phenomenon at the height of Bolanmania. Publication: Unknown Publication Date: December 1972 Country: United Kingdom Event Date: December 22–23, 1972 THE STORY Presented under the headline “Happy T‑Rexmas”, this full‑page promotional feature brings together several major T. Rex projects and releases into a single festive advertisement. Prominently featured are the band's Christmas Sundown appearances: Edmonton Sundown – December 22, 1972 Brixton Sundown – December 23, 1972 The page also promotes the recently released film Born To Boogie, using the now‑famous image of Marc Bolan seated on a tiger alongside cinema advertising for the Oscar cinema in Brewer Street, London. Alongside the film promotion, attention is drawn to the new single “Solid Gold Easy Action” and the continuing success of The Slider album. The combined advertisements present T. Rex not simply as a successful recording act, but as a cultural phenomenon encompassing records, concerts and film. The overall design adopts a seasonal theme, wishing readers a “Happy T‑Rexmas” and a “Supersonic New Year from Marc & The Dudes.” CONTEXT AND NOTES Published during December 1972, this page captures T. Rex at one of the most commercially successful moments of Marc Bolan's career. During this period, T. Rex dominated the British music press through record releases, sold‑out concerts and the launch of Born To Boogie. The page acts as a perfect snapshot of late‑1972 Bolanmania, showing how multiple T. Rex projects were being promoted simultaneously. It also serves as contemporary documentation of the Edmonton and Brixton Sundown Christmas concerts which became key events in the band's festive schedule. FEATURE HIGHLIGHTS Event: T. Rex Christmas promotion campaign Era: 1972 – Peak Bolanmania period Tone: Celebratory, festive and promotional Photography: Promotional images of Marc Bolan including the Born To Boogie tiger artwork, a live concert photograph and a studio publicity portrait WHAT THE CLIPPING SHOWS “Happy T‑Rexmas” seasonal promotion Edmonton Sundown concert – December 22, 1972 Brixton Sundown concert – December 23, 1972 Promotion for Born To Boogie Advertisement for The Slider album Promotion for the single Solid Gold Easy Action All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Publication: Various / Unknown Date: Unknown Country: United Kingdom PHOTOGRAPH Two-page scrapbook spread combining several colour and black-and-white cuttings. The left page contains four photographs, including full-length images, a large close-up portrait and a seated image. The right page contains a large picture feature headed “T. REXTASY”, built around a large red-tinted photograph surrounded by several smaller live performance images featuring guitars, microphones and stage equipment. No date or publication name is clearly visible on the surviving spread. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

One of T. Rex’s most powerful and enduring glam rock anthems, “20th Century Boy” was released as a standalone single at the height of T. Rexmania and remains a defining Marc Bolan classic. RELEASE DETAILS Artist: T. Rex Label: T. REX Records (EMI) Date: March 2, 1973 Catalogue: MARC 4 Format: 7" Vinyl Single Country: United Kingdom Genre: Glam Rock Style: Glam, Hard Rock A-Side: “20th Century Boy” Written by: Marc Bolan Produced by: Tony Visconti B-Side: “Free Angel” Written by: Marc Bolan Produced by: Tony Visconti TRACK LIST UK 7" Single (MARC 4) A. 20th Century Boy B. Free Angel PERSONNEL Marc Bolan – vocals, guitar Mickey Finn – percussion, vocals Steve Currie – bass Bill Legend – drums Tony Visconti – production LINKED RELEASES / VARIANTS Main Commercial: MARC 4 (Solid centre & push-out centre pressings) Promo: MARC 4 (Promo labels) 7", 45 RPM, Single, Solid Centre — T. Rex – MARC 4 — UK — 1973 7", 45 RPM, Single, Push-Out Centre — T. Rex – MARC 4 — UK — 1973 7", 45 RPM, Single, Promo — T. Rex – MARC 4 — UK — 1973 Picture Disc, Limited Edition — Demon Records – DEMSING013 — UK — 2023 International Variants: Various picture sleeves issued worldwide THE STORY Recorded in Tokyo on December 3, 1972 with overdubs in England, “20th Century Boy” was issued as a standalone single on March 2, 1973. Although considered for the Tanx album, it was ultimately held back. The riff-driven rocker became an instant glam anthem. CONTEXT & NOTES “20th Century Boy” peaked at No. 3 in the UK (three consecutive weeks) and reached No. 1 in Ireland. It was revived in 1991 via a Levi’s advert and has appeared in films such as The Truman Show. The B-side “Free Angel” was recorded during early Tanx sessions. RELATED MATERIAL T. Rex (1973) Tanx album T. Rex (1973) “The Groover” single SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Publication: Date: 1972 Country: United Kingdom Item: Original photo poster Size: 77 × 55 cm MEMORABILIA An original T. Rex / Marc Bolan poster dating from 1972, featuring a photograph credited to Tony Russell. The large colour poster features a live performance image, with the performer holding a guitar and raising one arm above their head. The Tony Russell photo credit is printed along the lower edge of the poster. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

BRAVO Musicbox chart page highlighting the Top 20 hits in German-speaking Europe, including T. Rex’s “Hot Love” climbing the rankings alongside major international acts. Publication: Bravo Date: April 26, 1971 Country: Germany Section: BRAVO Musicbox / Chart Page THE STORY WHAT THE CLIPPING SHOWS The BRAVO Musicbox presents the Top 20 singles based on reader votes, with T. Rex’s “Hot Love” appearing at No. 17. The chart reflects the diverse tastes of German, Austrian, and Swiss youth, featuring Creedence Clearwater Revival, George Harrison, Lynn Anderson, Mungo Jerry, and other major acts of the era. Additional sections include the LP-Parade and comparative charts for England and America. • Bold “BRAVO MUSICBOX” masthead • Top 20 singles list with artist, song title, and label numbers • T. Rex at No. 17 with “Hot Love” • LP-Parade and international charts (England / America) • Colourful 1971 design with artist photos CONTEXT AND NOTES RELATED MATERIAL This April 26, 1971 chart page captures a transitional moment in European pop. T. Rex’s “Hot Love” was rising rapidly, signalling the early spread of glam rock across the continent. The BRAVO Musicbox, driven by reader votes, offers a valuable window into what young audiences were actually listening to in Germany, Austria, and Switzerland. For more similar posts, check out the tags at the bottom of the page. n April 1971, BRAVO’s Musicbox served as one of the most influential youth‑driven charts in German‑speaking Europe. Unlike official sales charts, the Musicbox reflected reader votes, giving insight into what teenagers in Germany, Austria, and Switzerland were actually listening to. The page shows a moment when rock, pop, and emerging singer‑songwriters were all competing for attention. Creedence Clearwater Revival, George Harrison, Lynn Anderson, and Mungo Jerry dominate the upper ranks, while T. Rex’s “Hot Love” appears at No. 17 — a sign of the glam wave that was about to explode. The LP‑Parade reveals the era’s heavyweights: Deep Purple, Black Sabbath, Led Zeppelin, and George Harrison’s All Things Must Pass. Meanwhile, the England and America charts show how different markets responded to the same global hits. This page stands as a cultural time capsule of early‑’70s listening habits, capturing the shift from late‑’60s rock into the more diverse and experimental sounds of the new decade. FEATURE HIGHLIGHTS SOURCES Event: Weekly chart feature Era: 1971 (Early glam breakthrough) Tone: Youth-oriented, vibrant Photography: Small artist portraits • Bravo Magazine, April 26, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Whitstable Times news item announcing that Bill Legend has joined T. Rex as drummer for their upcoming British tour, with Mickey Finn shifting focus to vocals and bongos. Publication: Whitstable Times Date: April 23, 1971 Country: United Kingdom Section: News / Band Update In spring 1971, T. Rex — still operating as a duo of Marc Bolan and Mickey Finn — were gaining rapid momentum following the success of “Ride a White Swan.” To support their growing live commitments, they expanded the line-up by bringing in drummer Bill Legend and bassist Steve Currie. “Drummer Bill Legend, formerly with Legend, has joined T. Rex for their tour of Britain next month.” Mickey Finn was to concentrate on vocals and bongos, while the new rhythm section gave the band a fuller, more powerful sound as they prepared to headline their own tour. The group was scheduled to return from America on May 3rd to begin the British dates. This modest local-news item quietly documents one of the most important line-up stabilisations in T. Rex’s history — the formation of the classic four-piece that would soon dominate the charts with the full glam sound. THE STORY WHAT THE CLIPPING SHOWS Drummer Bill Legend (formerly of Legend) has joined T. Rex for their forthcoming British tour. Mickey Finn will concentrate on vocals and bongos. The band had earlier been joined by bassist Steve Currie and are scheduled to return from America on May 3rd. • Headline: “Drummer for T. Rex” • Brief, matter-of-fact announcement of the line-up change • Mention of Steve Currie’s recent arrival and upcoming tour dates CONTEXT AND NOTES RELATED MATERIAL This April 23, 1971 news snippet captures a pivotal moment in T. Rex’s development. As “Ride a White Swan” propelled them into the mainstream, the addition of Bill Legend and Steve Currie completed the classic four-piece line-up that would soon power the full glam explosion. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Line-up announcement Era: 1971 (Glam breakthrough) Tone: Straightforward, factual Photography: N/A • Whitstable Times, April 23, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

When the two English beat wizards first toured with “Ride a White Swan,” they needed reinforcements. Enter drummer Will Legend and bassist Steve Currie – the boys who turned the cosmic whisper into a full-on glam roar. More early T.Rex lineup scoops added weekly.Hello, pop fans, here's a little surprise. The famous T. Rex are no longer just Marc Bolan and Mickey Finn. When the two English beat wizards first went on tour with their hit "Ride a White Swan," they needed reinforcements for their sound. They recruited drummer Will Legend and bassist Steve Currie. Who these two boys in the shadow of T. Rex are, what they think about their bosses (and vice versa), you'll find out here… THE STORY WHAT THE CLIPPING SHOWS The article introduces drummer Bill Legend and bassist Steve Currie as the new members joining Marc Bolan and Mickey Finn. It explores who they are, how they joined T. Rex, and their impressions of working with the band as they transitioned to a fuller live sound. • Colour photos of the newly expanded four-piece line-up • Marc Bolan with guitar • Mickey Finn on congas • Bill Legend and Steve Currie featured prominently • Classic early glam styling against bold backdrops CONTEXT AND NOTES RELATED MATERIAL This November 1970 feature captures the precise moment T. Rex evolved from the acoustic duo Tyrannosaurus Rex into the electric four-piece glam band that would dominate the charts. “Ride a White Swan” had just broken through, and the expanded line-up gave them the power needed for larger stages. T. Rex (October 29, 1970) "T.REX IN CONCERT - For Rex Friends" - Melody Maker T. Rex (December 26, 1970) "T. Rex: stimulating stuff" - Sounds T. Rex (December 12, 1970) "Marc: ‘TOTP For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Band line-up introduction feature Era: 1970 (Electric transition / Breakthrough) Tone: Youthful, informative, excited Photography: Colour studio shots of the full band • BRAVO Magazine, November 22, 1970 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

New Musical Express feature in which Marc Bolan discusses his defiant attitude, the success of “Hot Love”, upcoming American tour, and his views on fame and the music industry. Publication: New Musical Express Date: March 20, 1971 Country: United Kingdom Section: Feature / Interview THE STORY WHAT THE CLIPPING SHOWS Marc Bolan speaks candidly about his success, the rapid rise of T. Rex, the importance of self-discipline, and his refusal to compromise his vision. He addresses criticism, the American tour, and his determination to maintain artistic control while enjoying mainstream success. • Bold headline: “Bolan the Defiant” • Large photo of Marc Bolan • Byline: Nick Logan • Extensive interview covering fame, music, and personal philosophy CONTEXT AND NOTES RELATED MATERIAL This March 1971 NME feature captures Marc Bolan at the height of early T. Rextasy, just after “Hot Love” topped the charts. It shows Bolan’s confident, defiant stance as the band transitioned from cult favourites to one of Britain’s biggest acts. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: In-depth feature interview Era: 1971 (Glam breakthrough / T. Rextasy) Tone: Bold, introspective, defiant Photography: Striking portrait of Marc Bolan • New Musical Express, March 20, 1971 • Writer: Nick Logan All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The June 16, 1972 edition of The Jersey Journal advertises T. Rex in concert on Sunday, August 13th at the Capitol Theatre in Passaic, New Jersey, with tickets priced at $3.50, $4.50, and $5.50. Publication: The Jersey Journal Date: June 16, 1972 Country: United States Location: Jersey City, New Jersey Section: Entertainment / Concert Advertisement THE STORY The ad promotes T. Rex as part of the summer concert series, alongside other major acts like Chicago, Alice Cooper, The Beach Boys, and Deep Purple. It lists ticket prices and encourages fans to purchase tickets early for the Capitol Theatre show. CONTEXT AND NOTES By mid-1972 T. Rex were at the height of their glam rock success in the UK and gaining strong momentum in the US. This advertisement reflects their growing American touring presence following hits like “Bang a Gong (Get It On).” FEATURE HIGHLIGHTS Event: Concert advertisement Era: 1972 (T. Rex Glam Rock peak) Tone: Promotional, exciting Photography: Bold typography with decorative summer festival graphic WHAT THE CLIPPING SHOWS Large summer music fair header with Roosevelt Stadium and other venues Specific listing for T. Rex on Sunday, August 13th at Capitol Theatre, Passaic, NJ Ticket prices: $3.50, $4.50, $5.50 Part of a larger summer concert series ad RELATED MATERIAL This June 16, 1972 The Jersey Journal concert ad for T. Rex pairs well with other 1971–1972 T. Rex tour advertisements and reviews in the scrapbook. For other relevant posts, see the tags at the foot of the page. SOURCES The Jersey Journal, June 16, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 3, 1972 edition of The Sacramento Bee features an in-depth article on T. Rex, examining their rapid rise, musical style, and growing popularity in America. Publication: The Sacramento Bee Date: June 3, 1972 Country: United States Location: Sacramento, California Section: Music Scene THE STORY The piece explores T. Rex’s background, Marc Bolan’s transformation from Tyrannosaurus Rex, their UK success, and their distinctive glam rock sound. It discusses upcoming releases and a potential film. CONTEXT AND NOTES This American feature was published as T. Rex were breaking through in the US with “Bang a Gong (Get It On)”. It reflects the growing international interest in British glam rock during 1972. FEATURE HIGHLIGHTS Event: Band profile Era: 1972 (Electric Warrior breakthrough) Tone: Analytical, enthusiastic Photography: Text-based article (no photo in clipping) WHAT THE CLIPPING SHOWS Bold headline “The ‘T. Rex’ Brand Of Pop” Detailed analysis of T. Rex’s music and career Discussion of their appeal to American audiences Typical newspaper music column layout RELATED MATERIAL June 17, 1972 Daily Mirror “The Secret Past of Marc Bolan” June 20, 1972 Daily Mirror “The Marc of success” For other relevant posts, see the tags at the foot of the page. SOURCES The Sacramento Bee, June 3, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. Tags: T. Rex, T. Rex Scrapbook, Sacramento Bee, 1972, Music Feature