Article Context & Main Highlights “Pop Stars’ Wives” Feature Publication: Sarasota Journal (Sarasota, Florida) Date: Wednesday, July 3, 1974 In-depth profile on June Bolan (née Child), wife of Marc Bolan, presented as part of a series on the wives of pop stars. The article portrays June as both a loving wife and an essential built-in manager who played a key role in supporting Marc’s career and personal life. Key Content Notable Details June Bolan is described as a former secretary in a theatrical agency who married Marc in 1970. The piece details their meeting, early relationship, and how June adapted to life with a rising superstar. She handled much of Marc’s day-to-day affairs, including travel, finances, and emotional support during his hectic schedule. The article includes anecdotes about their life together in London, her role in keeping him grounded, and her own personality — noted as intelligent, practical, and deeply devoted. It highlights the challenges of being married to a pop idol, including public attention and the demands of fame. The piece also touches on Marc’s personality, his rise from Tyrannosaurus Rex to T.Rex stardom, and June’s perspective on their marriage. This 1974 feature captures a moment when T.Rex’s fame was still strong but beginning to evolve. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

This short Bravo news item reports on T. Rex's plans for a major American tour. The brief update informs readers that Marc Bolan and the group were preparing for an extensive series of United States dates as part of continuing efforts to strengthen their position in the American market. Publication: Bravo Date: October 3, 1974 Country: Germany Appearing in the magazine's "Pop-Telegramme" news section, the item reports that T. Rex intended to begin a major American tour at the end of October. According to the report, the tour was expected to include approximately thirty appearances across the United States. The article notes that T. Rex hoped to build on existing American interest while promoting current material. The brief report presents the tour as an important part of Marc Bolan's ongoing efforts to expand the group's profile beyond Europe. Although only a small news item, the piece reflects the continuing interest of the European music press in T. Rex's activities and highlights the significance attached to the American market during this period of the band's career. CONTEXT AND NOTES Published during the Light Of Love era, the report captures T. Rex at a time when Marc Bolan was actively pursuing renewed success in America. Short news items such as this were a regular feature of Bravo, providing readers with updates on current artist activities, tours and recording projects. The item demonstrates that international touring remained a central focus for T. Rex during late 1974 and that American concert appearances were viewed as an important step in the group's future plans. FEATURE HIGHLIGHTS Event: Announcement of a planned American tour Era: 1974 Light Of Love era Tone: Informative and news-focused Photography: No accompanying T. Rex photograph; brief news item within the "Pop-Telegramme" section WHAT THE CLIPPING SHOWS • Brief Bravo news report on T. Rex • Plans for a major American tour beginning in late October • Approximately thirty projected concert appearances • Marc Bolan's continuing efforts to expand T. Rex's American profile All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Disco 45 review from August 1974 covers T. Rex’s single Light of Love, offering a candid assessment of Marc Bolan’s latest release. The piece situates the track within Bolan’s evolving sound, acknowledging its charm while noting it doesn’t quite match the band’s earlier triumphs. Publication: Disco 45 Magazine Date: August 16 1974 Country: United Kingdom Appearing in the magazine’s Reviews – 45’s & LP’s section, the write‑up opens with a frank tone: “We’re gonna be really frank: this isn’t quite as tremendous as we’d hoped.” The reviewer describes Light of Love as “very much in a T. Rex bag,” highlighting Bolan’s familiar glam‑rock flair but suggesting the single lacks the explosive energy of earlier hits like Get It On or Metal Guru. Despite this, the review remains positive, calling the track “not at all bad” and praising Bolan’s consistency in delivering catchy, polished pop. The writer notes that while the song doesn’t return to the old style of Ride a White Swan, it still carries Bolan’s unmistakable melodic touch and should appeal to fans who appreciate his signature groove. The verdict is measured but affectionate — a recognition of Bolan’s enduring appeal even as his sound matured beyond the glam‑rock peak of the early ’70s. CONTEXT AND NOTES Released in July 1974, Light of Love marked a transitional moment for T. Rex, bridging the lush production of Tanx and the funk‑infused experimentation of Zinc Alloy and the Hidden Riders of Tomorrow. The single later appeared on the U.S. album Light of Love, which compiled tracks from Zinc Alloy and new material. This Disco 45 review reflects the shifting critical mood around Bolan — admiration tempered by nostalgia for his earlier glam‑rock brilliance. It captures the magazine’s straightforward, fan‑friendly tone, balancing critique with enthusiasm for one of Britain’s most charismatic performers. FEATURE HIGHLIGHTS Event: Release of Light of Love single Era: 1974 – Post‑Glam Transition / Funk‑Influenced Phase Tone: Honest, conversational, and mildly nostalgic Photography: None on the review page; the issue’s cover features a color portrait of Marc Bolan with tousled hair and striped shirt, reflecting his mid‑’70s image All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This short Bolton Evening News item from September 5 1974 notes the release of a Marc Bolan maxi‑single featuring three early tracks — Hippy Gumbo, Jasper C. Debussy, and The Perfumed Garden. The piece highlights the nostalgic appeal of Bolan’s pre‑T. Rex material, offering all three songs together for 50 pence. Publication: The Bolton News  Evening News Date: September 5, 1974 Country: United Kingdom The brief column celebrates Bolan’s return to his roots with a reissue of early recordings originally released under his own name before the rise of T. Rex. These tracks, drawn from his late‑1960s psychedelic period, showcase the whimsical and poetic style that preceded his glam‑rock fame. The mention of the low price — “three Bolan records all on one disc for 50p” — reflects the era’s marketing of collectible vinyl singles to fans eager for rare material. CONTEXT AND NOTES By 1974, Bolan was on a wave of success following The Slider and Tanx, yet interest in his earlier work persisted. This maxi‑single offered listeners a glimpse of his formative songwriting, bridging the gap between his psychedelic beginnings and the glittering pop persona that defined mid‑’70s T. Rex. Regional press items like this one often served as informal record‑shop recommendations, helping sustain Bolan’s visibility across local music scenes. FEATURE HIGHLIGHTS Event: Release of Marc Bolan maxi‑single featuring early tracks Era: 1974 – Post‑Slider / Glam Rock Era Tone: Informative, nostalgic, and promotional Photography: Text‑only clipping; no accompanying image WHAT THE CLIPPING SHOWS Mention of Marc Bolan’s new maxi‑single release Listing of three early songs: Hippy Gumbo, Jasper C. Debussy, The Perfumed Garden Reference to the 50p retail price All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This vibrant 1974 concert poster promotes a rare double bill featuring ZZ Top and T. Rex for their “Only N.Y. Area Appearance” at the Capitol Theatre in Portchester, New York. Publication: Original Concert Poster Date: November 16, 1974 Country: United States Location: Portchester, New York Section: Concert Promotion (Poster) THE STORY The green-and-white poster, presented by Eddie Claridge, advertises ZZ Top (fresh off Tres Hombres) with special guests T. Rex (on tour behind Zinc Alloy and the Hidden Riders of Tomorrow). It includes ticket prices, box office information, and a charming cartoon illustration of cowboys outside a “Chuck Wagon” scene. CONTEXT AND NOTES This show represents a fascinating crossover between American Southern rock and British glam. ZZ Top was rising rapidly in the US, while Marc Bolan’s T. Rex continued to deliver their glitter-rock sound. Double bills like this were rare and highly memorable for fans of both acts. FEATURE HIGHLIGHTS Event: Concert promotional poster Era: 1974 (T. Rex Glam / ZZ Top Southern Rock era) Tone: Bold, fun, collectible Photography: Green-and-white graphic illustration WHAT THE CLIPPING SHOWS Large bold green text “ZZ TOP” with “T-REX” as special guest Ornate green border and “EDDIE CLARIDGE PRESENTS” header Cartoon illustration of cowboys and a “Chuck Wagon” scene Venue details: Saturday Nov. 16, 9:00 PM, Capitol Theatre, Portchester N.Y. Ticket prices ($5.50 advance / $6.00 day of show) and outlet list RELATED MATERIAL This 1974 ZZ Top & T. Rex double bill poster is a standout piece of 70s rock memorabilia and complements other Marc Bolan / T. Rex entries in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

This Sunday Oregonian concert review contrasts a disappointing T. Rex performance with what the reviewer considered a triumphant headline appearance by Blue Öyster Cult. While acknowledging Marc Bolan's celebrity status and stage presence, the article portrays T. Rex as struggling to generate excitement during a Portland concert appearance. This Sunday Oregonian concert review contrasts a disappointing T. Rex performance with what the reviewer considered a triumphant headline appearance by Blue Öyster Cult. While acknowledging Marc Bolan's celebrity status and stage presence, the article portrays T. Rex as struggling to generate excitement during a Portland concert appearance. Publication: The Sunday Oregonian Date: October 20, 1974 Concert Date: October 18, 1974 Country: United States Written by John Wendeborn, the review covers a sold-out concert at the Paramount Northwest before an audience of approximately 3,000 people. The article notes that Portland group Doogy opened the show before T. Rex took the stage. Marc Bolan is introduced as the leader of the six-piece group known as T. Rex, formerly Tyrannosaurus Rex. The reviewer is highly critical of the performance, describing T. Rex's set as an hour of heavy rock that contained only occasional moments of excitement. Bolan is said to have looked uncomfortable for much of the performance, while the band is portrayed as working harder than necessary to make the material effective. A handful of theatrical touches are mentioned, including Marc Bolan being elevated above the stage on the points of a giant illuminated star and the use of explosions during the set. The reviewer acknowledges these elements but argues that excitement was not generated through theatrics alone. Despite criticism of the performance, the review recognises Bolan's continuing celebrity status by referring to him as “Mr. Star Syndrome.” The second half of the article focuses on Blue Öyster Cult, who had topped the bill. By comparison, the reviewer praises that group's musicianship, stage presentation and performance, ultimately describing them as the highlight of the evening. CONTEXT AND NOTES Published on October 20, 1974, the review covers a concert held at Portland's Paramount Northwest on October 18, 1974. The clipping captures a difficult period in T. Rex's American career. While Bolan remained a recognised star because of his earlier success, some American critics were noticeably less enthusiastic than British writers had been during the height of Bolanmania. The review is particularly notable for documenting T. Rex's stage presentation during the period. References to the illuminated star, pyrotechnic effects and larger touring band show how the live show had evolved from the earlier Tyrannosaurus Rex era. FEATURE HIGHLIGHTS Event: T. Rex performance at Paramount Northwest, Portland Concert Date: October 18, 1974 Publication Date: October 20, 1974 Era: 1974 T. Rex period Tone: Critical concert review Photography: Concert photograph of Marc Bolan performing live with guitar WHAT THE CLIPPING SHOWS • Review of a sold-out Portland concert attended by approximately 3,000 people • Marc Bolan leading T. Rex during a six-piece stage show • References to illuminated star effects and stage explosions • Description of Bolan as “Mr. Star Syndrome” • Comparison between T. Rex and Blue Öyster Cult • Contemporary American reaction to a 1974 T. Rex concert performance All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Article Context & Main Highlights Key Content Publication: The Northern Echo (Yorkshire edition) Date: Tuesday, August 12, 1975 “Shang-a-Lang” TV listing for the popular children’s pop music series featuring a promotional performance by Marc Bolan and T. Rex. Episode 18 of Shang-a-Lang (produced by Muriel Young for Granada Television) included a vibrant performance of T. Rex’s single “New York City” from the album Futuristic Dragon. The show also featured the Bay City Rollers and Sparks. Notable Details Marc Bolan performed with his classic mid-70s glam line-up: Steve Currie (bass), Davy Lutton (drums), Dino Dines (keyboards), and Gloria Jones (clavinet & backing vocals). The energetic track captured Bolan’s playful style and catchy glam boogie. This appearance aired during the height of T. Rex’s continued popularity, and Muriel Young later invited Bolan to host his own show in 1977. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This TV Times feature from September 6 1975 spotlights Marc Bolan, who was appearing on ITV’s Pop Quest that week. The article, titled “Marking Time with Bolan,” reflects on his evolution from teenage model to glam‑rock icon, capturing his confidence, style, and plans for the future. Publication: TV Times Date: September 6 1975 Country: United Kingdom Written in a reflective tone, the article traces Bolan’s journey from his early days as a 13‑year‑old chosen by photographer Don McCullin as “the face of the new youth” to his fame as the leader of T. Rex. It describes his enduring “thin, white‑faced, elfin qualities” and his success, noting homes in Monte Carlo and London, a Rolls‑Royce, and a chauffeur. Bolan discusses his upcoming film Obsession, in which he plays a “mentally unbalanced sexual pervert and drug pusher,” and mentions the forthcoming birth of his child with Gloria Jones, to be named Rolan Bolan. He expresses pride in his independence, saying, “I’ve always believed in myself. I’ve never been a follower. I’ve always been a leader.” The accompanying photograph shows Bolan reclining in his Chelsea home, dressed in a silver jacket, blue shirt, and multicolored striped trousers — a vivid portrait of his flamboyant glam‑rock persona. CONTEXT AND NOTES By 1975, Bolan was re‑emerging after a quieter period, preparing for new projects and television appearances. His feature in TV Times coincided with his Pop Quest guest spot, reaffirming his status as a charismatic figure in British pop culture. The article’s tone blends admiration with curiosity, portraying Bolan as both eccentric and self‑assured, a star intent on longevity beyond the glam‑rock boom. FEATURE HIGHLIGHTS Event: TV Times profile of Marc Bolan during his Pop Quest appearance Era: 1975 – Post‑T. Rex / Glam Rock Era Tone: Reflective, confident, and stylish Photography: Color portrait of Bolan in his Chelsea home, wearing flamboyant glam attire WHAT THE CLIPPING SHOWS TV Times article “Marking Time with Bolan” Discussion of Bolan’s career, family, and upcoming film Obsession Photograph of Bolan in colorful glam‑rock fashion All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A Mayfair Suite advertisement published in the Evening Chronicle announces T. Rex as one of the venue's forthcoming attractions, with the group scheduled to appear at the Newcastle venue on Friday, October 17, 1975. Publication: Evening Chronicle Publication Date: September 19, 1975 Country: United Kingdom Event Date: October 17, 1975 THE STORY Published under the heading “The Mayfair Suite – Forthcoming Attractions”, this newspaper advertisement lists T. Rex among a series of forthcoming performances at The Mayfair Suite, Newgate Street, Newcastle. T. Rex are prominently billed for: Friday 17th October – T. REX Admission for the T. Rex appearance is listed as £1 before 10 p.m. and £1.20 after. The advert provides a concise contemporary record of the scheduled Newcastle appearance, placing T. Rex within the Mayfair Suite's autumn programme. Although the advertisement promotes several other forthcoming attractions, this Chronicle focuses solely on the T. Rex section of the cutting. CONTEXT AND NOTES The clipping is an advance concert advertisement rather than a review, so the two dates are kept distinct: it was published on September 19, 1975, while the advertised T. Rex performance was scheduled for October 17, 1975. No further information about the T. Rex performance is given in the supplied advert. FEATURE HIGHLIGHTS Event: T. Rex at The Mayfair SuiteEra: 1975Tone: PromotionalPhotography: None, text-only newspaper advertisement WHAT THE CLIPPING SHOWS • T. Rex advertised for Friday, October 17, 1975 • Venue: The Mayfair Suite, Newgate Street, Newcastle • Admission: £1 before 10 p.m. • Admission after 10 p.m.: £1.20 • Advance newspaper promotion published September 19, 1975 All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The 2 August 1975 issue of Melody Maker publishes a reader’s letter under the heading “Bolan’s still a teen hero!” Publication: Melody Maker Date: August 2, 1975 The letter writer recalls that when they were 15 or 16 the superior figures in British pop were Marc Bolan and David Bowie, with Gary Glitter and Bryan Ferry emerging. The writer expresses pleasure at the re-emergence of Marc Bolan, noting that while today’s 15-year-olds lack a clear star figure to look up to, Bolan’s return is welcome. A second short letter from Gary Staley comments on T. Rex looking like making the singles chart once again, praising the new single as a marked improvement even if not as instantly likeable as “Hot Love” or “Metal Guru.” CONTEXT AND NOTES The letters reflect fan enthusiasm for Bolan’s continued relevance in 1975 and optimism about T. Rex’s chart prospects. FEATURE HIGHLIGHTS Event: Readers’ letters Era: 1975 (late T. Rex period) Tone: Supportive, nostalgic Photography: Text-based (no photo in clipping) WHAT THE CLIPPING SHOWS Headline “Bolan’s still a teen hero!” Letter praising Bolan’s return as a teen idol figure Additional reader comment on the new T. Rex single Comparison with earlier hits “Hot Love” and “Metal Guru” All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Bravo feature presents a rare and intimate look at Marc Bolan away from the stage, focusing on his new role as a father. Accompanied by exclusive family photographs, the article introduces readers to Marc, Gloria Jones and their newborn son Rolan, revealing a more personal side of the T. Rex star than fans were accustomed to seeing. Publication: Bravo Date: October 31, 1975 Country: Germany Published under the headline "Marc Bolan als zärtlicher Vater" ("Marc Bolan as a Tender Father"), the feature centres on the recent arrival of Marc Bolan and Gloria Jones's son, Rolan. The article presents some of the first published family photographs following the child's birth and focuses on the adjustments Bolan was making as a new parent. Dominating the spread is a large family portrait showing Marc and Gloria holding their newborn son. Additional photographs include more intimate family moments, contrasting strongly with the glamorous and theatrical image associated with T. Rex performances. The article explains that Bolan was deeply affected by becoming a father and describes the happiness shared by both parents following Rolan's arrival. Rather than concentrating on music, publicity or touring, the feature places emphasis on family life and the personal significance of the birth. Readers are given an insight into everyday life away from the stage, with Bravo portraying Bolan as a devoted father who was enjoying spending time with his young family. The article highlights the contrast between the flamboyant rock star seen in public and the private individual at home. Throughout the feature, the focus remains firmly on family happiness and the importance of the new arrival. The accompanying photographs reinforce the warm and personal tone, creating one of the most intimate portraits of Marc Bolan published during the 1970s. FEATURE HIGHLIGHTS Event: Marc Bolan introduced as a new father Era: 1975 T. Rex era Tone: Warm and family-focused Photography: Exclusive family photographs featuring Marc Bolan, Gloria Jones and baby Rolan WHAT THE CLIPPING SHOWS • Feature titled "Marc Bolan als zärtlicher Vater" • Early family photographs of Marc Bolan, Gloria Jones and Rolan • Coverage of the birth of Marc and Gloria's son • A rare look at Marc Bolan's private family life CONTEXT AND NOTES Published during a transitional period in Marc Bolan's career, the feature offers a rare departure from the usual coverage of records, tours and celebrity. Instead, Bravo presents him in a domestic setting, highlighting a side of his life largely unseen by fans. The article is significant because it documents an important personal milestone and provides one of the most prominent family features published about Bolan during his lifetime. The photographs and accompanying text capture a moment of happiness and stability amid the pressures of fame and public attention. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This full-page EMI advertisement promotes T. Rex's new single "Dreamy Lady". Presented under the banner “T. Rex Disco Party”, the advert reflects Marc Bolan's increasing embrace of dance-oriented rhythms during 1975 while highlighting a three-track release designed to capture the party atmosphere of the era. Publication: Record Mirror & Disc Date: October 4, 1975 Country: United Kingdom This full-page advertisement announces the release of "Dreamy Lady" and describes it as “The New Single T. Rex Disco Party.” The design is dominated by a stylised cartoon illustration of two dancing figures positioned within a geometric diamond-shaped frame, reinforcing the dancefloor theme suggested by the title. The advert identifies the release as MARC 11 and promotes three featured tracks. Cut 1 is "Dreamy Lady", while Cut 2 is "Do You Wanna Dance?" and Cut 3 is "Dock Of The Bay." The presentation emphasises the variety of material included on the release and highlights the party-oriented nature of the package. Across the bottom of the page appears the slogan "Bolan's Jive In '75", linking the single directly to Marc Bolan's continuing efforts to reinvent T. Rex during the mid-1970s. Rather than using a photograph, the advertisement relies entirely on graphic artwork and bold typography to create impact. The minimalist black-and-white design stands in contrast to many contemporary record advertisements, placing the focus firmly on the single title and the idea of a T. Rex dance party. CONTEXT AND NOTES Published during the latter part of 1975, the advert reflects Bolan's growing interest in soul, funk and dance influences. While retaining the identity of T. Rex, releases from this period increasingly incorporated contemporary dance rhythms and a more upbeat style. The advertisement is also notable for its use of the phrase “Disco Party”, illustrating how record companies were connecting artists with the rapidly expanding disco culture of the mid-1970s. It serves as a contemporary example of how Marc Bolan and T. Rex were marketed during this transitional phase of the group's career. FEATURE HIGHLIGHTS Event: Promotion of the single "Dreamy Lady" Era: 1975 T. Rex dance-orientated period Tone: Promotional Photography: No photographs; stylised dancing cartoon artwork WHAT THE CLIPPING SHOWS • Full-page EMI advertisement for "Dreamy Lady" • “T. Rex Disco Party” promotional campaign • Featured tracks: • "Dreamy Lady" • "Do You Wanna Dance?" • "Dock Of The Bay" • "Bolan's Jive In '75" slogan All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Article Context & Main Highlights Key Content Publication: The Mail (Millom and South Copeland edition) / North Western Evening Mail Date: Friday, August 15, 1975 “Shang-a-Lang” TV listing promoting the popular children’s pop music series Shang-a-Lang, featuring a performance by Marc Bolan and T. Rex. The episode includes Bay City Rollers with Marc Bolan and Sparks. It aired on Saturday, August 16, 1975 (Episode 18). T. Rex performed their single “New York City” from the album Futuristic Dragon. Notable Details This was part of the vibrant mid-1970s glam and pop crossover on Granada Television’s Shang-a-Lang, produced by Muriel Young. Bolan appeared with his regular line-up (Steve Currie, Davy Lutton, Dino Dines, Gloria Jones). The show captured the fun, high-energy spirit of the era and helped keep T. Rex visible to a younger audience. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

This newspaper advert, published on Friday, July 11, 1975, promotes the upcoming Marc Bolan and T. Rex concert at Leas Cliff Hall, Folkestone, scheduled for Saturday, July 26 at 8 p.m. The notice announces a “Sensational Appearance” by Bolan and his band, supported by Quiklik, with tickets priced at £1.30, available from the venue box office and usual agents. Publication: East Kent Times and Mail (Ramsgate, Kent, England) Date: July 11 1975 Country: United Kingdom Title: Leas Cliff Hall Concert Advert The advert’s bold typography and centered layout reflect the straightforward promotional style of mid‑1970s British concert advertising, emphasizing Bolan’s name and the star symbols flanking T. Rex. CONTEXT AND NOTES This Folkestone performance was part of Bolan’s 1975 British tour promoting New York City, marking his return to live UK stages after time spent in America. The Leas Cliff Hall show exemplified the intimate yet high‑energy venues chosen for his comeback period. Source: East Kent Times and Mail, Ramsgate, Kent, England, July 11 1975. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

Publication: Great Yarmouth Mercury (The Yarmouth Mercury, Gorleston Herald and North Norfolk Advertiser) Date: Friday, August 8, 1975 Article Context & Main Highlights “Another ‘White swan’ needed by Marc?” Concert review of Marc Bolan and T. Rex’s recent appearance at Tiffany’s in Great Yarmouth. Key Content The reviewer notes a significant drop in audience numbers compared to two years earlier when T. Rex would have sold out the venue. Bolan, who had spent time in America with limited new British releases, performed to a smaller but loyal crowd of fans. Notable Details The new T. Rex line-up (two keyboards, bass, drums, and Bolan) delivered a heavier, less repetitive sound. They played many old hits which went down well, but notably omitted “Ride a White Swan” despite requests. The latest single “New York City” was included. The reviewer suggests Bolan needs a stronger hit to regain his previous level of success. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

A punchy, funky glam-rock single from T. Rex’s later period, “New York City” captured Marc Bolan’s love for the Big Apple with a strong groove and infectious energy. Released during the band’s mid-70s phase, it peaked at No.15 on the UK chart. RELEASE DETAILS Artist: T. Rex Label: T. Rex Date: June 20, 1975 Catalogue: MARC 10 Format: 7" Vinyl Single Country: UK A-Side: “New York City” Written by: Marc Bolan Produced by: Marc Bolan B-Side: “Chrome Sitar” Written by: Marc Bolan Produced by: Marc Bolan TRACK LIST UK 7" Commercial Single (MARC 10) A. New York City B. Chrome Sitar LINKED RELEASES / VARIANTS Main Commercial – MARC 10 (Stereo) Promo copies exist PERSONNEL Marc Bolan — vocals, guitar Steve Currie — bass Bill Legend — drums Gloria Jones — backing vocals Dino Dines — keyboards International Issues Australia New York City — 7", 45 RPM, Single — T. REX – T.REX-10897 — Australia · 1975 France New York City — 7", 45 RPM, Single — T. Rex – REX 3556 — France · 1975 Germany New York City — 7", 45 RPM, Single — Ariola – 16 197 AT — Germany · 1975 Ireland New York City — 7", 45 RPM, Single — EMI – MARC 10 — Ireland · 1975 Japan New York City — 7", 45 RPM, Single — EMI – EMR-10842 — Japan · 1975 New Zealand New York City — 7", 45 RPM, Single — EMI – MARC 10 — New Zealand · 1975 Spain New York City — 7", 45 RPM, Single — Ariola – 16.197-A — Spain · 1975 THE STORY Released on June 20, 1975 on the T. Rex label (MARC 10), “New York City” / “Chrome Sitar” was a strong mid-70s single from the album Futuristic Dragon. Recorded in Hollywood, the A-side is a funky, upbeat ode to the city, while the B-side “Chrome Sitar” showcases Bolan’s experimental side. The single entered the UK chart in July 1975 and peaked at No.15, spending 8 weeks on the chart. CONTEXT & NOTES This release came during T. Rex’s evolving sound phase, blending glam with funk and soul elements. It was one of several 1975 singles that kept Bolan in the charts. Multiple international variants were released, reflecting the band’s ongoing global popularity. RELATED MATERIAL T. Rex (1976) Futuristic Dragon (Album) For other relevant posts, see the tags at the foot of the page. SOURCES Discogs, 45cat, 45worlds, Official Charts, Wikipedia All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Bravo magazine spread from September 11 1975 presents a vivid photographic profile of Marc Bolan, capturing his transformation through a series of striking images. The feature celebrates Bolan’s flamboyant stage persona and his evolution as one of England’s most charismatic rock figures. Publication: Bravo Date: September 11 1975 Country: Germany The double‑page layout showcases Bolan in multiple poses and outfits, from glitter‑covered close‑ups to dynamic live shots with his guitar. The accompanying German text describes Bolan’s changing image and enduring appeal, noting his influence and continued success in England. The headline typography—bold pink and white—emphasizes his name as both icon and performer, while the collage of photos charts his visual metamorphosis from early glam sparkle to mature rock star confidence. THE STORY The article visually narrates Bolan’s journey through fame, showing him in concert, in studio portraits, and in candid moments. Each photograph reflects a different facet of his personality: the performer, the dreamer, and the style innovator. The text highlights his magnetic presence and the fascination surrounding him in Europe, particularly Germany, where his popularity remained strong. CONTEXT AND NOTES By 1975, Marc Bolan had moved beyond the peak of T. Rexmania into a more refined phase of his career. Bravo’s feature demonstrates how his image continued to captivate audiences, symbolizing the glam era’s lasting impact. The spread serves as both tribute and visual chronicle of Bolan’s artistry and enduring allure. FEATURE HIGHLIGHTS Event: Marc Bolan photographic feature Era: 1975 – Post‑T. Rex Glam Legacy Tone: Celebratory and visual Photography: Full‑colour collage of  portraits and live shots showing Bolan’s  style and stage energy WHAT THE CLIPPING SHOWS  Marc Bolan in a series of portraits and  performance images - German text describing his career and  visual transformation - Large headline and layout emphasizing his status as a glam rock icon All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Bravo Disco feature celebrates Marc Bolan's continuing popularity in Germany and reflects on his remarkable rise from underground musician to international pop star. Accompanied by a contemporary portrait photograph, the article presents Bolan as one of the defining figures of the glam rock era while examining his success with T. Rex. tion: Bravo Disco Date: October 16, 1975 Country: Germany Under the headline “Marc Bolan wurde Popstar Nr. 1” ("Marc Bolan Became Pop Star Number One"), the feature looks back at the career of the T. Rex leader and the extraordinary success he achieved during the first half of the 1970s. The article recounts how Bolan developed from a performer with cult appeal into one of the most recognisable faces in popular music. Particular attention is given to the emergence of T. Rex as a major chart force and the intense fan following that accompanied the rise of Bolanmania throughout Europe. A portrait photograph of Bolan accompanies the feature, presenting him in the distinctive style that had become synonymous with his public image. The article discusses his musical achievements and his influence on contemporary pop culture, highlighting the appeal that continued to make him a favourite subject in youth-oriented magazines. The piece appears within the “England & Amerika” section of Bravo Disco, placing Bolan alongside other leading international artists covered in the issue. Although relatively brief, the article serves as a reminder of his status as one of the most important British stars of the decade. CONTEXT AND NOTES Published in late 1975, the feature arrived during a period when Marc Bolan was rebuilding momentum following the peak years of Bolanmania. While musical trends were changing, publications such as Bravo Disco continued to regard him as a significant figure whose influence extended beyond chart positions alone. The article reflects the strong support Bolan retained in continental Europe, particularly in Germany, where T. Rex continued to enjoy a loyal following. Its appearance in a major youth music publication demonstrates the enduring fascination with both the artist and the phenomenon he helped create. FEATURE HIGHLIGHTS Event: Retrospective feature on Marc Bolan's rise to stardom Era: 1975 T. Rex era Tone: Celebratory and biographical Photography: Contemporary portrait photograph of Marc Bolan WHAT THE CLIPPING SHOWS • Feature titled “Marc Bolan wurde Popstar Nr. 1” • Overview of Bolan's rise to fame with T. Rex • Discussion of his popularity and influence • Portrait photograph of Marc Bolan • Coverage within Bravo Disco's international music section All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The 8 August 1975 edition of the Daily Record features a large photograph of Marc Bolan under the headline “WHO’S A PRETTY BOY, THEN!” Publication: Daily Record Date: August 8, 1975 Country: United Kingdom The piece describes Marc Bolan as “the lovely, lively lad who likes to apply rouge to his cheeks” and notes that he has just given out a message to those who thought he and T. Rex were not quite as big as they were. It states that his new single “New York City,” written by himself, is not only selling in New York City but in every city in the world. The song is called Bolan and T. Rex at their best, inspired by a walk through a park in New York where Marc saw a woman with a frog. “New York City” is sung by Marc without a frog in his throat and is certain for the top. T. Rex are set for a British tour in the autumn, and later in the year Marc will make a film with David Niven called “The Obsession.” CONTEXT AND NOTES The short feature promotes the new single and upcoming activities while playfully highlighting Bolan’s glamorous image. FEATURE HIGHLIGHTS Event: Promotional feature Era: 1975 (late T. Rex period) Tone: Light-hearted, promotional Photography: Large colour portrait of Marc Bolan WHAT THE CLIPPING SHOWS Large photograph of Marc Bolan Headline “WHO’S A PRETTY BOY, THEN!” Details of the single “New York City” Mentions of an autumn British tour and a planned film with David Niven All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Eastern Evening News article, published on Monday, July 28, 1975, reviews Marc Bolan’s comeback performance with T. Rex at Tiffany’s in Yarmouth. The piece captures Bolan’s return to the British stage after two years in America' Publication: Eastern Evening News (Norwich, Norfolk, England) Date: July 28 1975 Country: United Kingdom Title: Marc May Need a ‘White Swan’ to Ride Back The review opens with a description of Bolan’s loyal fans raising their arms as he began his set, noting that his new T. Rex lineup faced the challenge of regaining the heights of earlier success. The writer suggests Bolan might benefit from targeting a more mature audience, recalling his late‑1960s acclaim with Tyrannosaurus Rex. The concert received acclaim as a “superb” performance, showcasing revitalized renditions of classic hits and exceptional audience engagement. The setlist featured standout numbers such as "Whatever Happened to the Teenage Dream", "New York City", "Hot Love", and "Get It On". Despite technical issues with the P.A. system and occasional vocal imbalance, Bolan’s energy and guitar work impressed the crowd. The article describes fans climbing on tables to catch a glimpse of him, with several carried off after attempting to touch the singer — a faint echo of his earlier hysteria‑filled shows. CONTEXT AND NOTES This review highlights Bolan’s transitional phase in 1975, as he sought to reinvent himself amid changing musical tastes. His performance at Tiffany’s marked a symbolic return to live British venues, blending nostalgia with renewed ambition. Source: Eastern Evening News, Norwich, England, July 28 1975. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.