Event Details Performance & Broadcast On July 4, 1975, Marc Bolan and T. Rex filmed a vibrant promotional performance of their single “New York City” (from the album Futuristic Dragon) for the Bay City Rollers’ popular children’s pop music TV series Shang-a-Lang. The track captured classic mid-70s glam energy with its catchy chorus and Bolan’s playful lyrics. Additional Notes Shang-a-Lang was produced by Muriel Young for Granada Television and ran for 20 episodes in 1975. Muriel Young later asked Marc Bolan to do his own TV show in 1977. Line-up in the clip: • Marc Bolan – vocals & guitar • Steve Currie – bass • Davy Lutton – drums • Dino Dines – keyboards • Gloria Jones – clavinet & backing vocals Broadcast Date: The performance aired on August 11, 12 1975 (Episode 18 of Shang-a-Lang). Episode 18 Content: • Bay City Rollers – Angel Baby, Hey Beautiful Dreamer, Give a Little Love • Sparks – Get in the Swing (on video) • T.Rex – New York City (on video) • Him & Us dancers performed to Nicky Rolfe – Miss Mistrust

This printed advertisement from the Yarmouth Mercury, Gorleston Herald and North Norfolk Advertiser, published on Friday, July 18, 1975, promotes Marc Bolan and T. Rex performing live at Tiffany’s Nightclub, Great Yarmouth, on Wednesday, July 23, 1975. Publication: Yarmouth Mercury / Gorleston Herald / North Norfolk Advertiser Date: July 18 1975 Country: United Kingdom Section / Pages: Entertainment / Concert  Venue: Tiffany’s Nightclub, Great Yarmouth Date: Wednesday, July 23, 1975 Time: 8 p.m. till late Tickets: Available directly from Tiffany’s Telephone: 57018 This advert captures Marc Bolan’s mid‑1970s touring period, when T. Rex were performing smaller, more intimate venues following their earlier stadium‑sized glam‑rock success. The Tiffany’s show formed part of Bolan’s summer circuit across seaside towns, reflecting his enduring popularity and connection with British audiences even as the glam era began to fade Source: Yarmouth Mercury, Gorleston Herald and North Norfolk Advertiser, Great Yarmouth, Norfolk, England, July 18 1975. All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Sounds news piece from July 1975 announces Marc Bolan’s long‑awaited return to live performance in Britain after a two‑year break. The article highlights his new band lineup and upcoming tour dates, marking a fresh chapter for the T. Rex frontman as he re‑enters the mid‑1970s rock scene. Publication: Sounds Date: July 5 1975 Country: United Kingdom THE STORY The article reports that Bolan will resume live gigs with a new band and stage show, beginning with concerts across major British cities. It lists venues including Manchester, Birmingham, and London’s Hammersmith Odeon, with additional dates planned for Chelmsford and York. The piece notes that Bolan’s return follows a two‑year absence from touring, during which he focused on recording and television appearances. The accompanying photograph shows Bolan performing on stage, guitar in hand, alongside another musician — a visual reminder of his enduring energy and charisma. CONTEXT AND NOTES By mid‑1975, Bolan was seeking to revive his career after the decline of T. Rex’s early‑1970s chart dominance. His return to live performance represented a renewed commitment to reconnecting with audiences and reclaiming his glam‑rock legacy. The Sounds coverage reflects the anticipation surrounding his comeback, positioning Bolan as a veteran artist ready to reinvent himself amid a changing musical landscape. WHAT THE CLIPPING SHOWS Headline: “Bolan’s Back on the Road” Tour announcement detailing venues and dates Photograph of Bolan performing live Adjacent short news items on other artists, including Ray Thomas, Sister Sledge, and Procol Harum All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A punchy, funky glam-rock single from T. Rex’s later period, “New York City” captured Marc Bolan’s love for the Big Apple with a strong groove and infectious energy. Released during the band’s mid-70s phase, it entered the UK chart on July 12, 1975 and peaked at No.15. RELEASE DETAILS Artist: T. Rex Label: T. Rex Date: June 20, 1975 Catalogue: MARC 10 Format: 7" Vinyl Single Country: UK A-Side: “New York City” Written by: Marc Bolan Produced by: Marc Bolan B-Side: “Chrome Sitar” Written by: Marc Bolan Produced by: Marc Bolan TRACK LIST UK 7" Commercial Single (MARC 10) A. New York City B. Chrome Sitar LINKED RELEASES / VARIANTS Main Commercial – MARC 10 (Stereo) Promo copies exist PERSONNEL Marc Bolan — vocals, guitar Steve Currie — bass Bill Legend — drums Gloria Jones — backing vocals Dino Dines — keyboards International Issues Australia New York City — 7", 45 RPM, Single — T. REX – T.REX-10897 — Australia · 1975 France New York City — 7", 45 RPM, Single — T. Rex – REX 3556 — France · 1975 Germany New York City — 7", 45 RPM, Single — Ariola – 16 197 AT — Germany · 1975 Ireland New York City — 7", 45 RPM, Single — EMI – MARC 10 — Ireland · 1975 Japan New York City — 7", 45 RPM, Single — EMI – EMR-10842 — Japan · 1975 New Zealand New York City — 7", 45 RPM, Single — EMI – MARC 10 — New Zealand · 1975 Spain New York City — 7", 45 RPM, Single — Ariola – 16.197-A — Spain · 1975 THE STORY Released on June 20, 1975 on the T. Rex label (MARC 10), “New York City” / “Chrome Sitar” was a strong mid-70s single from the album Futuristic Dragon. Recorded in Hollywood, the A-side is a funky, upbeat ode to the city, while the B-side “Chrome Sitar” showcases Bolan’s experimental side. The single entered the UK chart in July 1975 and peaked at No.15, spending 8 weeks on the chart. CONTEXT & NOTES This release came during T. Rex’s evolving sound phase, blending glam with funk and soul elements. It was one of several 1975 singles that kept Bolan in the charts. Multiple international variants were released, reflecting the band’s ongoing global popularity. RELATED MATERIAL T. Rex (1976) Futuristic Dragon (Album) For other relevant posts, see the tags at the foot of the page. SOURCES Discogs, 45cat, 45worlds, Official Charts, Wikipedia All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Released on September 26, 1975, T. Rex Disco Party, subtitled Bolan's Jive In '75, was issued as a 7-inch extended-play single by EMI Records on the T. Rex Wax Co. label. The release arrived during a period when Marc Bolan was actively reshaping T. Rex's sound, incorporating stronger disco, soul and R&B influences into the band's music. Appearing between Bolan's Zip Gun and Futuristic Dragon, the EP captured Bolan's growing interest in dance-oriented rhythms and contemporary musical trends. While retaining elements of T. Rex's glam rock identity, the release reflected a broader musical palette that embraced funk, soul and disco-inspired production. The subtitle Bolan's Jive In '75 reinforced the upbeat, dancefloor-friendly nature of the record. The inclusion of two cover versions, one featuring Gloria Jones, further demonstrated the influence of soul and R&B on Bolan's mid-1970s work. RECORDING The tracks were recorded at Music Recorders Inc. in Hollywood during 1975. Following his professional split from longtime producer Tony Visconti in 1974, Marc Bolan assumed a greater production role. His approach favoured a harder and more futuristic sound, representing a deliberate change from the production style that had helped define T. Rex's earlier chart successes. The participation of Gloria Jones on "Dock of the Bay" highlighted her increasingly important role within the band's creative circle during this period. Record Mirror advertisement promoting "Dreamy Lady" appeared on October 4, 1975. STYLE & THEMES The release combined glam rock with elements of disco, soul and R&B. "Dreamy Lady" blended Bolan's distinctive lyrical style with a more dance-oriented arrangement, while the cover selections reflected his affection for classic rock and soul recordings. Together, the three tracks document a period of musical experimentation in which T. Rex sought to adapt to changing tastes while maintaining the band's individual identity. TRACK‑BY‑TRACK NOTES • Dreamy Lady — An original Marc Bolan composition combining glam rock with a more rhythm-driven and danceable approach. Its disco influences reflected the direction Bolan was exploring during 1975. • Do You Wanna Dance? — A reinterpretation of Bobby Freeman's 1958 rock and roll classic, reworked with the energy and style of mid-1970s T. Rex. • Dock of the Bay — A cover of the Otis Redding and Steve Cropper composition performed by Gloria Jones. Her soulful vocal performance brought a different character to the release and reflected her strong influence on T. Rex's evolving sound. Country:Japan Catalogue:EMR-10877 Date: Dec 20 1975 RELEASE HISTORY Issued on September 26, 1975, the EP was released in the United Kingdom by EMI Records under the T. Rex Wax Co. imprint. The release followed Bolan's Zip Gun and preceded Futuristic Dragon, documenting a transitional period in the band's career. Around this time Bolan had returned to the United Kingdom following a period spent living abroad and was making regular television appearances to promote T. Rex's latest recordings. Country:Japan Catalogue:EMR-10877 Date: Dec 20 1975 CHARTS & CERTIFICATIONS UK Singles Chart — Peak: 30 — Weeks: 5 PERSONNEL Marc Bolan — vocals, guitar, songwriter, producer Gloria Jones — vocals on "Dock of the Bay" PRODUCTION Produced by Marc Bolan Label: EMI Records / T. Rex Wax Co. Catalogue numbers: • MARC 11 RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format T. Rex T. Rex Disco Party (Bolan's Jive In '75) T. Rex Wax Co. / EMI Records United Kingdom MARC 11 September 26, 1975 7" EP T. Rex T. Rex Disco Party T. Rex Ireland MARC 11 September 26, 1975 7" EP T. Rex T. Rex Disco Party T. Rex Japan EMR-10877 December 20, 1975 7" EP TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 7" EP MARC 11 A. Dreamy Lady B1. Do You Wanna Dance? B2. Dock of the Bay NOTES • Also known as Bolan's Jive In '75.• Released as a three-track extended-play single. • Reflected Marc Bolan's growing interest in disco, soul and R&B influences. • Recorded at Music Recorders Inc., Hollywood. • Bolan handled production following his split with Tony Visconti. • Gloria Jones performed "Dock of the Bay" and played an increasingly significant role in T. Rex's mid-1970s recordings. • "Dreamy Lady" was praised for its danceable character and disco-infused sound.• The release is now regarded as an important document of T. Rex's stylistic transition during 1975. • A contemporary advertisement appeared in Record Mirror on October 4, 1975.• Rolan Bolan, son of Marc Bolan and Gloria Jones, was born during the same period in September 26, 1975. SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The July 20, 1973 edition of Bravo Magazine features an exclusive report on T. Rex recording their new album in Munich at the Arabella House studio. Publication: Bravo Magazine Date: July 20, 1973 Country: Germany Location: Germany Section: Exclusive Studio Report THE STORY The two-page spread follows T. Rex (Marc Bolan, Mickey Finn, Steve Currie, and Bill Legend) during sessions in Munich. It includes quotes from the band about the new album, the studio atmosphere, and their experiences working there. CONTEXT AND NOTES This feature captures T. Rex during the recording of material for Tanx (released in 1974). Bravo’s exclusive access shows the band’s strong popularity in Germany at the time. FEATURE HIGHLIGHTS Event: Studio session report Era: 1973 (Tanx recording period) Tone: Behind-the-scenes, enthusiastic Photography: Multiple black & white and colour photos of the band in the studio WHAT THE CLIPPING SHOWS Bold headline “JETZT MACHEN T. REX IHRE HITS IN MÜNCHEN” Photos of Marc Bolan, Mickey Finn, Steve Currie, and the studio Detailed German-language report on the recording sessions Classic Bravo magazine two-page spread layout RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. SOURCES Bravo Magazine, July 20, 1973 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This episode of The Midnight Special featured T. Rex performing both "Hot Love" and "Bang A Gong (Get It On)" for American television audiences. Hosted by Seals & Crofts, the programme showcased a diverse range of artists, with Marc Bolan and T. Rex delivering one of the night's most memorable rock performances. The Midnight Special (NBC Television) Date: September 28, 1973 Country: United States T. Rex appeared as special guests on Season 2, Episode 3 of The Midnight Special, a late-night music television programme broadcast on NBC. Hosted by Seals & Crofts and announced by Wolfman Jack, the episode also featured performances by Paul Butterfield's Better Days, Ramblin' Jack Elliott, Arlo Guthrie, Leo Kottke and Uriah Heep. Marc Bolan led T. Rex through a performance of "Hot Love" before delivering "Bang A Gong (Get It On)", the song that had become the group's biggest hit in the United States. Originally released in Britain as "Get It On", the title had been altered for the American market to avoid confusion with another song of the same name. By the time of this appearance, the track had become closely identified with T. Rex's American breakthrough. The performances captured Bolan's charismatic stage presence and demonstrated the visual style that had helped establish T. Rex as one of the leading acts of the glam rock era. Broadcast before a live studio audience, the appearance introduced the group to a nationwide television audience and remains one of the best-known surviving American television performances by T. Rex. The programme provided American viewers with a rare opportunity to see T. Rex performing live on national television. Bolan's flamboyant image, distinctive vocals and engaging stage manner translated effectively to the television format, helping reinforce the group's growing reputation beyond the concert stage. CONTEXT AND NOTES The Midnight Special was one of the most important American music television programmes of the 1970s, presenting major rock, pop and folk artists to national audiences. T. Rex's appearance came during a period when the band was continuing efforts to build on the American success achieved with "Bang A Gong (Get It On)". The performances of both "Hot Love" and "Bang A Gong (Get It On)" showcased different aspects of the group's appeal, from the earlier UK hit that helped launch Bolan's stardom to the song that became synonymous with T. Rex's breakthrough in America. The appearance remains an important visual record of Marc Bolan and T. Rex during their international peak, preserving the band's television presence for future generations of fans and researchers. FEATURE HIGHLIGHTS Event: T. Rex performs "Hot Love" and "Bang A Gong (Get It On)" on The Midnight Special Era: 1973 T. Rex American television era Tone: Energetic and performance-focused Photography: Live television performance footage featuring Marc Bolan and T. Rex WHAT THE CLIPPING SHOWS • T. Rex appearing as guests on The Midnight Special • Live performances of "Hot Love" and "Bang A Gong (Get It On)" • Marc Bolan performing before a live American television audience All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Mobile Register column from August 19 1973 features an extended interview with Marc Bolan, conducted backstage after T. Rex’s appearance as the opening act for Three Dog Night. Written by Lee Moore, the piece captures Bolan’s wit, charm, and reflections on fame, music, and his evolving career during the height of the glam‑rock era. Publication: The Mobile Register Date: 19 August 1973 Country: United States Moore’s column opens with a lively description of Bolan’s energy and charisma, noting his “small and slight” frame, frizzy hair, and quick humour. The interview unfolds conversationally, with Bolan discussing his American tour, the challenges of breaking into the U.S. market, and his success with Get It On — the only record he says he truly wanted to hit in America. He speaks candidly about his ambitions beyond music, expressing interest in writing books, film scores, and directing movies. Bolan also comments on his collaboration with Ringo Starr on Born to Boogie, joking that the film’s eccentricity was “Ringo’s department.” He reflects on his image as a teen idol, insisting he’d rather be known as a musician than a pop celebrity, and humorously contrasts his artistic goals with the commercial expectations of the American music scene. Throughout, Bolan’s personality shines — self‑aware yet playful, philosophical yet grounded — revealing a performer who balanced glamour with genuine creative curiosity. CONTEXT AND NOTES This interview took place during T. Rex’s 1973 U.S. tour, when Bolan was promoting Tanx and performing alongside Three Dog Night. The conversation offers rare insight into Bolan’s thoughts on fame and artistry at a time when glam rock was reshaping pop culture. Moore’s column, part of his regular “Rock & Roll” series, presents Bolan as both a British phenomenon and a thoughtful artist navigating American audiences. The piece also reflects the regional press’s growing fascination with British acts, capturing how Bolan’s flamboyant style and philosophical musings intrigued Southern readers far from London’s glitter scene. FEATURE HIGHLIGHTS Event: Backstage interview with Marc Bolan during T. Rex’s U.S. tour Era: 1973 – Glam Rock / American Tour Era Tone: Conversational, humorous, and insightful Photography: Illustrated column header featuring caricature of Lee Moore; text‑only interview WHAT THE CLIPPING SHOWS Full‑page Rock & Roll column featuring Marc Bolan interview Discussion of Born to Boogie, Get It On, and Bolan’s creative ambitions Commentary on British versus American music culture All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Bravo magazine image from September 6 1973 captures Marc Bolan and Mickey Finn of T. Rex performing live under vivid red stage lighting. The photograph radiates the intimate, electric atmosphere of the band’s glam‑rock peak, emphasizing Bolan’s charisma and Finn’s rhythmic energy. Publication: Bravo Magazine Date: September 6, 1973 Country: Germany The image shows Bolan seated with an acoustic guitar, singing passionately into a microphone while Finn accompanies him on percussion. Both wear matching outfits featuring bold red lips printed on their shirts — a signature visual motif of T. Rex’s theatrical style. The warm red lighting and close framing evoke the sensual, hypnotic mood of their live performances during the Tanx era. This photograph reflects the band’s effortless blend of rock and glamour, with Bolan’s curls and Finn’s sleek look embodying the visual allure that defined early‑1970s pop culture. CONTEXT AND NOTES By 1973, T. Rex were international icons, riding the success of The Slider and Tanx. Their concerts had evolved into immersive experiences, combining raw musicianship with flamboyant presentation. Bravo magazine frequently featured Bolan, recognizing his influence on European youth culture and his role as a symbol of glam‑rock’s golden age. FEATURE HIGHLIGHTS Event: Live performance photograph of T. Rex Era: 1973 – Tanx / Glam Rock Era Tone: Energetic, intimate, and atmospheric Photography: Red‑lit stage shot of Marc Bolan and Mickey Finn WHAT THE CLIPPING SHOWS Marc Bolan performing with acoustic guitar and microphone Mickey Finn accompanying on percussion Distinctive red lighting and matching lip‑print shirts All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Bravo magazine spread from September 6 1973 presents a vibrant photo collage titled “Das Star‑Album: T. Rex.” The feature celebrates Marc Bolan and Mickey Finn at the height of their glam‑rock fame, combining live performance shots, candid portraits, and playful imagery that capture the band’s magnetic stage presence and flamboyant style. Publication: Bravo Magazine Date: September 6, 1973 Country: Germany The layout bursts with color and energy, showcasing Bolan and Finn in concert and offstage moments. Central images depict Bolan performing under bright lights with his signature Les Paul guitar, while smaller frames show Finn at the congas and the duo posing with a cat. The right‑hand column, titled “Die Steckbriefe der T. Rex,” lists biographical details of the band members in German, including birth dates and hometowns. The spread’s design — red, green, orange, and blue borders against a black background — mirrors the exuberant aesthetic of early‑1970s pop magazines. It reflects Bravo’s role in popularizing British glam acts across Europe, presenting T. Rex as both musical innovators and fashion icons. CONTEXT AND NOTES By 1973, T. Rex were international superstars following the success of The Slider and Tanx. Their imagery blended rock attitude with playful surrealism, appealing to fans drawn to Bolan’s charisma and Finn’s cool elegance. Bravo’s “Star‑Album” series offered readers collectible photo features of major artists, and this edition immortalized T. Rex’s dynamic chemistry and visual flair. FEATURE HIGHLIGHTS Event: Bravo “Star‑Album” photo feature on T. Rex Era: 1973 – Tanx / Glam Rock Era Tone: Vibrant, celebratory, and fan‑oriented Photography: Live performance and studio portraits of Marc Bolan and Mickey Finn All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Lincoln Star concert preview from August 19 1973 announces a joint performance by Three Dog Night and T. Rex at Pershing Auditorium. The article highlights Three Dog Night’s chart success with Shambala and introduces Marc Bolan’s British group T. Rex to local readers, describing Bolan as a “combination of stupefying voice and peacockery.” Publication: The Lincoln Star Date: 19 August 1973 Country: United States The preview promotes the evening’s concert, noting that Three Dog Night will headline with support from Marc Bolan and T. Rex. It lists Three Dog Night’s lineup — Danny Hutton, Chuck Negron, Cory Wells, Mike Allsup, Jimmy Greenspoon, Jack Ryland, and Floyd Sneed — and celebrates their commercial success, boasting fourteen gold records and over $30 million in sales. The piece introduces T. Rex as an English pop group formerly known as Tyrannosaurus Rex, emphasizing Bolan’s flamboyant stage persona and noting that Tanx is their latest album. The tone is promotional and informative, aimed at building anticipation for the show while giving American readers a glimpse of Bolan’s distinctive glam‑rock style. CONTEXT AND NOTES This clipping captures a moment from T. Rex’s 1973 U.S. tour, when the band supported Three Dog Night across several dates. The pairing reflected Bolan’s attempt to break deeper into the American market following his massive British success. The description of Bolan’s “peacockery” mirrors how U.S. press often viewed glam rock — as theatrical and exotic compared to mainstream American rock. The concert at Pershing Auditorium was part of a Midwest run that also included Davenport and Des Moines, marking one of T. Rex’s final major U.S. appearances before returning to Britain later that year. FEATURE HIGHLIGHTS Event: Concert preview for Three Dog Night and T. Rex at Pershing Auditorium Era: 1973 – Glam Rock / U.S. Tour Era Tone: Promotional, descriptive, and enthusiastic Photography: Text‑only concert notice WHAT THE CLIPPING SHOWS Announcement of joint concert featuring Three Dog Night and T. Rex Introduction of Marc Bolan’s group to American readers Mention of Tanx as T. Rex’s newest album All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Diana magazine issue from September 8 1973 spotlights Marc Bolan on its cover with the headline “Super Size Marc Pin‑Up Today.” The edition combines pop culture, beauty, and fashion, presenting Bolan as a glamorous icon of early‑1970s style and music. The cover photograph shows him in a garden setting beside a classical statue, dressed in flared jeans and a red‑and‑black ensemble — a perfect reflection of his bohemian charm. Publication: Diana Magazine Date: September 8, 1973 Country: United Kingdom The cover promotes a special fold‑out pin‑up of Marc Bolan, underscoring his popularity among young readers and his crossover appeal between music and fashion. Inside, the full‑page poster captures Bolan at his most charismatic — standing before a microphone, wearing a satin shirt and embroidered guitar strap, his expression intense and magnetic. The magazine’s tagline “Beauty · Songwords · Fashion” situates Bolan within the broader youth‑culture aesthetic of the time, blending pop stardom with personal style and romantic imagery. His presence in Diana, a publication aimed primarily at teenage girls, highlights his status as both a musical innovator and a heart‑throb of the glam‑rock era. CONTEXT AND NOTES By 1973, Bolan was at the height of his fame with T. Rex, following hits like 20th Century Boy and The Groover. His image — curls, glitter, and velvet — defined the glam movement’s visual language. Diana’s feature reflects how Bolan transcended rock audiences to become a mainstream cultural figure, admired for his flamboyant confidence and romantic mystique. FEATURE HIGHLIGHTS Event: Diana magazine cover and pin‑up feature on Marc Bolan Era: 1973 – Glam Rock Peak / T. Rex Superstardom Tone: Stylish, youthful, and celebratory Photography: Full‑color cover portrait and stage‑performance pin‑up WHAT THE CLIPPING SHOWS Diana magazine cover featuring Marc Bolan in a garden setting Interior full‑page pin‑up of Bolan performing on stage Emphasis on beauty, music, and fashion as intertwined elements of 1970s pop culture All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Cover & Seven- Page Poster Magazine Printed in Holland

This Daily Mirror picture exclusive reveals Marc Bolan's dramatic new appearance on his twenty-sixth birthday. Famous for the shoulder-length curls that had become one of the defining images of glam rock, Bolan unveiled a significantly shorter hairstyle and spoke about changing both his look and his public image. Publication: Daily Mirror Date: October 1, 1973 Country: United Kingdom Presented under the headline "A Star Is Shorn", the feature showcases Marc Bolan's new hairstyle in a series of exclusive photographs. The article reports that the T. Rex star had dramatically cut back the shoulder-length curls that had become one of his most recognisable trademarks. According to the report, Bolan had become tired of his long hair and wanted a change. He explained that he found maintaining the style increasingly boring and admitted that he had been considering cutting it for some time. The transformation was carried out by his wife June, who clipped away the famous curls that had helped define the Bolan image throughout the height of Bolanmania. Bolan described feeling liberated by the change and joked that the new look made him feel like a twentieth-century Huckleberry Finn. The article also notes that fans in America had already seen the shorter hairstyle during the recent tour, while British audiences would soon experience the new image in person. Despite abandoning the famous curls, the feature makes clear that Bolan was not completely parting with them. The article reports that the cut locks had been carefully preserved on a silver platter in the Bolan household, serving as a reminder of one of the most famous hairstyles in rock music. The report concludes with Bolan declaring that "Glam rock is dead", a statement that further underlined his desire to move away from old expectations and embrace a fresh direction. CONTEXT AND NOTES Published on Marc Bolan's twenty-sixth birthday, the feature captures an important image change during a transitional period in his career. By late 1973, T. Rex had already enjoyed several years at the forefront of British popular music, and Bolan appeared keen to refresh his appearance and challenge perceptions of his place within the glam rock movement. The article is significant because it documents one of the most visible changes in Bolan's public image. The haircut was treated as headline news, reflecting both his popularity and the cultural importance attached to his distinctive appearance during the early 1970s. FEATURE HIGHLIGHTS Event: Marc Bolan unveils a dramatically shortened hairstyle Era: 1973 T. Rex era Tone: Light-hearted and image-focused Photography: Exclusive portrait photographs showing Marc Bolan's new haircut WHAT THE CLIPPING SHOWS • Marc Bolan revealing a dramatically shorter hairstyle • Discussion of why he decided to cut his famous curls • References to his recent American tour • Bolan declaring that "Glam rock is dead All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This letter to the editor, published on August 29 1973 in The Evening Press (Binghamton, New York), defends T. Rex against what the writer calls an unfair concert review. The author, Boni Swingle, criticizes reporter David Bourdon for his coverage of a show featuring T. Rex and Three Dog Night, arguing that his article was biased, dismissive, and failed to capture the band’s artistry or fan enthusiasm. Publication: Press and Sun‑Bulletin / The Evening Press Date: 29 August 1973 Country: United States Swingle’s letter expresses frustration with Bourdon’s review, claiming that journalists should report objectively rather than impose personal opinions. The writer defends T. Rex’s reputation as a No. 1 group in England and suggests that American nationalism may have influenced the critic’s negative stance. She points out that Bourdon ignored key details of Marc Bolan’s performance — his red eye makeup, powdered hair, and theatrical flair — and instead focused on superficial aspects. Swingle argues that Bourdon should have spoken directly with Bolan to understand his artistry, describing Marc as approachable and misunderstood. The letter concludes with a call for more musically knowledgeable and neutral reporting, emphasizing that readers are capable of forming their own judgments. CONTEXT AND NOTES This passionate defense of T. Rex reflects the tension between American and British perceptions of glam rock in the early 1970s. While T. Rex were adored in the UK, U.S. critics often struggled to appreciate their mix of pop glamour and rock ’n’ roll swagger. Swingle’s letter captures the voice of devoted fans who felt alienated by dismissive press coverage. It also highlights the growing divide between rock journalism and fandom — a moment when readers began challenging critics’ authority and demanding fairer representation of artists like Bolan, whose theatrical style was redefining rock performance. FEATURE HIGHLIGHTS Event: Reader’s letter responding to a concert review of T. Rex and Three Dog Night Era: 1973 – Glam Rock / U.S. Tour Era Tone: Defensive, passionate, and articulate Photography: Text‑only newspaper letter WHAT THE CLIPPING SHOWS Letter to the editor defending T. Rex against biased concert criticism Mentions of Marc Bolan’s stage appearance and fan perspective Commentary on journalistic fairness and cultural bias All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Lincoln Journal Star concert review from August 1973 covers a performance at Pershing Auditorium featuring Three Dog Night and T. Rex. Written by Holly Spence, the piece praises the headliners’ crowd‑pleasing set while offering a critical take on Marc Bolan’s flamboyant style and stage presence. Publication: Lincoln Journal Star Date: August 20 1973 Country: United States The article describes a packed Pershing Auditorium, with nearly 10,000 fans cheering for Three Dog Night. The reviewer notes that most of the audience came for the American group rather than the second‑billed act, T. Rex, whose “English electronic rock” sound didn’t seem to appeal to the same crowd. Three Dog Night’s set included hits such as Shambala, Family of Man, Black and White, Mama Told Me Not to Come, Eli’s Comin’, One is the Loneliest Number, and Joy to the World. The review commends their versatility and connection with fans, calling them “the star” of the evening. T. Rex’s performance is described as quieter but visually striking, with Bolan portrayed as “a strutting peacock” adopting “flashy Alice Cooperisms.” His flamboyant manner and guitar theatrics are noted, though the reviewer criticizes the music as “tedious” apart from Born to Boogie. The piece concludes with mention of local Lincoln band Friends, who opened the show, and a complaint about long delays between sets due to microphone issues. CONTEXT AND NOTES By 1973, T. Rex were global glam‑rock icons, but their U.S. touring success lagged behind their British fame. This review reflects the cultural divide between American mainstream rock audiences and Bolan’s glitter‑drenched style. The pairing with Three Dog Night — a polished, radio‑friendly act — highlights the contrast between glam’s theatricality and America’s preference for familiar rock sounds. The article captures a snapshot of Bolan’s attempt to conquer the American market, facing mixed reactions despite his confident stage persona. FEATURE HIGHLIGHTS Event: Three Dog Night / T. Rex concert at Pershing Auditorium Era: 1973 – U.S. Tour / Glam Rock Expansion Tone: Critical, descriptive, and comparative Photography: None included; text‑only review with “Review” icon WHAT THE CLIPPING SHOWS Review of Three Dog Night and T. Rex concert in Lincoln, Nebraska Praise for Three Dog Night’s crowd‑pleasing hits Commentary on Marc Bolan’s flamboyant performance and audience reception All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The August 25, 1973 edition of Melody Maker features a detailed and somewhat critical review of T. Rex’s concert at the Santa Monica Civic in Los Angeles, highlighting the contrast between their massive UK success and a more subdued American reception. Publication: Melody Maker Date: August 25, 1973 Country: United Kingdom Location: London Section: Concert Review THE STORY The review describes the atmosphere at the Santa Monica Civic, noting the audience’s polite but not overwhelming response. It discusses Marc Bolan’s stage presence, the band’s performance style, and reflects on the challenges T. Rex faced breaking through in the US market despite their UK dominance. CONTEXT AND NOTES This review captures T. Rex during their 1973 US tour, a period when the band was adjusting to life after the peak of T. Rextasy in Britain. It offers an interesting American perspective on Bolan’s glam rock spectacle and the evolving US rock scene. FEATURE HIGHLIGHTS Event: US concert review Era: 1973 (T. Rex Glam Rock era) Tone: Observational, mixed, detailed Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Detailed account of the Santa Monica Civic concert Commentary on Marc Bolan’s performance and the audience reaction Reflections on T. Rex’s American tour experience and career trajectory Byline by Peter Jay Philbin RELATED MATERIAL January 6, 1973 Record Mirror New Year predictions January 20, 1973 Popswop magazine cover February 1, 1973 Circus Magazine interview February 10, 1973 NME tour announcement February 17, 1973 Disc and Record Mirror features March 3, 1973 Melody Maker “The Godfathers of Rock” and “20th Century Boy” advert March 10, 1973 Melody Maker “Tanx for the memory” album review For other relevant posts, see the tags at the foot of the page. SOURCES Melody Maker, August 25, 1973 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Quad‑City Times report from August 1973 covers a major outdoor concert at the Mississippi Valley Fairgrounds in Davenport, Iowa, featuring Three Dog Night and T. Rex. The event drew an estimated 12,000 fans and became one of the largest rock gatherings in the region that year. Publication: Quad‑City Times / Times‑Democrat Date: August 21 1973 Country: United States Written by Linda Anderson and Ron Haines, the article describes how fans began arriving as early as 4:30 p.m., with steady crowds continuing until Three Dog Night took the stage five hours later. Advance ticket sales reached 8,000, with another 4,000 paying $6 at the gate. The concert was promoted by Sunrise Celebration Inc. and supported by 42 off‑duty police officers, deputies, and highway patrol troopers to manage traffic and crowd control. Despite minor arrests for drug‑related offenses, the audience was largely orderly and enthusiastic. T. Rex performed before Three Dog Night, and midway through their set, a 15‑foot light standard began to topple. Stagehands quickly secured it while the band continued playing, underscoring the professionalism of the performers. Three Dog Night finally appeared at 9:15 p.m. to a tremendous ovation. The article contrasts the excitement of concertgoers with the mixed reactions of nearby residents — some thrilled to listen from their rooftops, others retreating indoors to escape the amplified sound. CONTEXT AND NOTES By 1973, Three Dog Night were among America’s most popular touring acts, while T. Rex were introducing U.S. audiences to their British glam‑rock style. This Davenport show exemplified the scale and spectacle of early‑1970s rock concerts, combining mass attendance, elaborate staging, and cross‑Atlantic appeal. The report captures the cultural tension between youthful exuberance and suburban quiet — a hallmark of the era’s expanding live‑music scene. FEATURE HIGHLIGHTS Event: Three Dog Night and T. Rex live at Mississippi Valley Fairgrounds Era: 1973 - American Tour / Glam Rock Crossover Era Tone: Reportorial, energetic, and community‑focused Photography: None - text‑only coverage of crowd and performance details WHAT THE CLIPPING SHOWS Coverage of the 12,000‑person concert in Davenport, Iowa Details of T. Rex's set and stage incident before Three Dog Night's performance Crowd reaction and local community response to the event All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The September 1, 1973 edition of Melody Maker features an in-depth interview with Marc Bolan in which he addresses criticism of his recent performances, discusses his determination to continue, and shares plans for new material and tours. Publication: Melody Maker Date: September 1, 1973 Country: United Kingdom Location: London Section: Major Interview / Feature THE STORY Marc Bolan responds to negative reviews from his recent US tour, asserting his commitment to performing and creating music. He talks about his energy levels, new guitar techniques, upcoming recordings, and dismisses suggestions that he might retire or slow down. The piece includes a striking photo of Bolan and additional venue advertisements. CONTEXT AND NOTES This feature comes during a period when T. Rex were facing some critical backlash in America while still commanding huge popularity in the UK. Bolan’s defiant tone reflects his resilience and drive during the later phase of the glam era. FEATURE HIGHLIGHTS Event: In-depth personal interview Era: 1973 (T. Rex Glam Rock era) Tone: Defiant, candid, determined Photography: Black & white portrait of Marc Bolan performing WHAT THE CLIPPING SHOWS Bold headline “Why Marc won’t be giving up” Large photo of Marc Bolan on stage Detailed interview text covering criticism, live performances, and future plans Byline by Chris Welch RELATED MATERIAL February 17, 1973 Disc and Record Mirror features March 3, 1973 Melody Maker “The Godfathers of Rock” and “20th Century Boy” advert March 10, 1973 Melody Maker “Tanx for the memory” album review August 25, 1973 Melody Maker Los Angeles concert review For other relevant posts, see the tags at the foot of the page. SOURCES Melody Maker, September 1, 1973 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Hot Rock Greatest Hits was a French double-album compilation released by CBS in 1976. Issued as a 2LP collection, the album assembled a broad selection of recordings spanning T. Rex's most commercially successful period. The compilation combined major hit singles, popular album tracks and later recordings, creating one of the most extensive T. Rex retrospective collections available in France during the mid-1970s. The release was distributed by CBS and CBS Disques and packaged as a four-sided overview of Marc Bolan and T. Rex from their glam rock peak through to their later recordings. The compilation consisted of previously released studio recordings by T. Rex. The featured material originated from numerous recording sessions spanning the group's most successful years and included tracks first released on singles and albums throughout the early to mid-1970s. No new recordings were made for this compilation. Existing T. Rex masters licensed from Wizard Artists Ltd. were assembled for release as a French-exclusive double album package. STYLE & THEMES Hot Rock Greatest Hits presents a comprehensive survey of the glam rock sound that established T. Rex as one of the defining acts of the 1970s. The collection balances major chart hits including Hot Love, Get It On, Telegram Sam, Metal Guru, Children Of The Revolution and 20th Century Boy with album favourites such as Mambo Sun, Buick Mackane, The Slider, Teenage Dream and Life's A Gas. The compilation documents Marc Bolan's evolution from concise hit singles to more ambitious album recordings while maintaining the distinctive hooks, boogie rhythms and glam rock style that became synonymous with T. Rex. TRACK-BY-TRACK NOTES • Hot Love — One of T. Rex's breakthrough UK number one singles. • Metal Guru — Major hit from the band's peak commercial period. • 20th Century Boy — One of Marc Bolan's most enduring recordings. • One Inch Rock — Earlier composition reflecting T. Rex's transitional period. • Ride A White Swan — Landmark recording that launched the band's commercial breakthrough. • Mambo Sun — Classic track from The Slider era. • Girl — Popular album recording. • Mad Donna — Later-period T. Rex recording. • Get It On — International breakthrough hit. • The Groover — Stand-alone hit single. • The Motivator — Recording associated with the Tanx period. • Tenement Lady — Album track from the mid-1970s catalogue. • Broken Hearted Blues — Lesser-known album selection. • Life Is Strange — Recording from the later T. Rex years. • Buick Mackane — One of the band's best-known album tracks. • Chariot Choogle — Popular glam rock recording. • Jeepster — Signature hit single. • Truck-On (Tyke) — Distinctive single from the Tanx period. • Children Of The Revolution — Non-album classic. • Mister Mister — Mid-1970s T. Rex recording. • The Slider — Title track from one of the band's most celebrated albums. • Life's A Gas — Widely regarded Marc Bolan composition. • Shock Rock — Short studio recording representative of the band's later style. • Born To Boogie — Associated with the Born To Boogie era. • Woodland Rock — Fan-favourite album track. • Telegram Sam — Major UK hit single. • Solid Gold Easy Action — Another of the group's classic chart successes. • Light Of Love — Recording from the American period. • Jitterbug Love — Album favourite. • Spanish Midnight — Later-period recording. • Teenage Dream — One of Bolan's most acclaimed compositions. • I Really Love You Babe — Mid-1970s album track. • Zip Gun Boogie — Recording from the Bolan's Zip Gun era. RELEASE HISTORY The album was released in France in 1976 by CBS under catalogue number REX 88189. The compilation was issued as a double LP set comprising two individual records identified by catalogue numbers REX 81264 and REX 81265. The release was manufactured in France and distributed by CBS and CBS Disques PERSONNEL Marc Bolan — vocals, guitar, songwriter T. Rex — performances Tony Visconti — producer Wizard Artists Ltd. — phonographic rights PRODUCTION Produced by Tony Visconti Label: CBS Catalogue Number: REX 88189 Barcode: Recorded At: Various recording sessions NOTES • French double-album compilation released in 1976. • Issued by CBS under catalogue number REX 88189. • Distributed by CBS and CBS Disques. • Manufactured in France. • Printed by Montreuil Offset. • Features material spanning T. Rex's major hit-making years. • Contains many of Marc Bolan's best-known singles and album tracks. • LPs carry the individual catalogue numbers REX 81264 and REX 81265. • Rights society credited as SACEM / SACD / SDRM / SGDL. • Phonographic rights credited to Wizard Artists Ltd. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Hot Rock Greatest Hits CBS France REX 88189 1976 2LP, Compilation TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 2LP REX 88189 LP1 Side One: Hot Love • Metal Guru • 20th Century Boy • One Inch Rock • Ride A White Swan • Mambo Sun • Girl • Mad Donna LP1 Side Two: Get It On • The Groover • The Motivator • Tenement Lady • Broken Hearted Blues • Life Is Strange • Buick Mackane • Chariot Choogle LP2 Side One: Jeepster • Truck-On (Tyke) • Children Of The Revolution • Mister Mister • The Slider • Life's A Gas • Shock Rock • Born To Boogie • Woodland Rock LP2 Side Two: Telegram Sam • Solid Gold Easy Action • Light Of Love • Jitterbug Love • Spanish Midnight • Teenage Dream • I Really Love You Babe • Zip Gun Boogie SOURCES ES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.