This Evening Sentinel article from August 1971 captures the electrifying atmosphere of T. Rex’s concert at Trentham Gardens, where 2,500 fans danced, clapped, and cheered as Marc Bolan and his band delivered a high‑energy performance that confirmed their dominance of the British rock scene. Publication: Evening Sentinel Date: August 23 1971 Country: United Kingdom The report describes how T. Rex “exploded into rock numbers” at Trentham Gardens, thrilling a packed ballroom with hits like Ride A White Swan, Hot Love, and Get It On. Marc Bolan’s charisma and musicianship are praised, particularly his acoustic solo that brought the hall to silence before erupting into applause. The article highlights Bolan’s command of both acoustic and electric guitar, supported by Mickey Finn on bongos, Steve Currie on bass, and Bill Legend on drums. Their dynamic set demonstrated why T. Rex had “rocketed to the top of English and international charts.” Backstage, Bolan dismissed claims that the band had “gone commercial,” insisting, “We grew musically, but we never changed. We got played more, and people took to our sound.” The piece also mentions Gentle Giant, who shared the bill, and notes that T. Rex’s new album Electric Warrior was due for release within two weeks. CONTEXT AND NOTES By August 1971, T. Rex were at the height of their glam‑rock fame, bridging pop accessibility with rock sophistication. The Trentham Gardens show exemplified Bolan’s ability to transform a local venue into a national event, drawing thousands of fans and press coverage across the Midlands. The article’s tone reflects the excitement of Britain’s early 1970s rock boom, when T. Rex’s glitter‑charged performances redefined youth culture and live music spectacle. FEATURE HIGHLIGHTS Event: T. Rex live at Trentham Gardens,  Staffordshire Era: 1971 – Electric Warrior / Glam Rock Peak Era Tone: Energetic, celebratory, and  reportorial Photography: Text‑only column layout  with no images, focused on performance details WHAT THE CLIPPING SHOWS Coverage of T. Rex’s Trentham Gardens concert with 2,500 fans in  attendance Quotes from Marc Bolan defending  the band’s musical growth Mention of upcoming album Electric  Warrior and support act Gentle Giant All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A swaggering, riff-driven glam-rock stomper, “Truck On (Tyke)” captures Marc Bolan in full late-’73 mode — funky, loose, and leaning into the heavier, groove-based direction that defined T. Rex’s post-peak evolution. RELEASE DETAILS Artist: T. Rex Label: T. Rex (distributed by CBS) Date: November 16, 1973 Catalogue: MARC 6 Catalogue: REX 1948 Format: 7" Vinyl Single Country: UK A-Side: “Truck On (Tyke)” Written by: Marc Bolan Produced by: Marc Bolan B-Side: “Sitting Here” Written by: Marc Bolan Produced by: Marc Bolan TRACK LIST UK 7" Commercial Single (MARC 6) A. Truck On (Tyke) B. Sitting Here LINKED RELEASES / VARIANTS Main Commercial – MARC 6 (Stereo) PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Steve Currie — bass Bill Legend — drums Released on November 16, 1973 as a standalone single following “The Groover,” “Truck On (Tyke)” / “Sitting Here” marked another step in Marc Bolan’s shift toward a funkier, groove-oriented sound. The A-side delivers a gritty, swaggering glam-funk rocker with a muscular riff, while the B-side offers a more reflective contrast. The single entered the UK chart in late November, peaking at No.13 and spending 7 weeks on the chart. CONTEXT & NOTES This transitional single bridged the high-glam era with the denser, funk-leaning textures of the Tanx / Zinc Alloy period. UK variants include both push-out centre and solid centre pressings, usually housed in a standard T. Rex company sleeve. It remains a strong fan favourite from Bolan’s mid-1970s output. International Issues Limited international details available beyond strong European distribution typical of the era. RELATED MATERIAL T. Rex (1973) The Groover (Single) T. Rex (1973) Tanx (Album) T. Rex (1974) Teenage Dream (Single) SOURCES Discogs, 45worlds, Official Charts, Wikipedia. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Cambridge Evening News article from August 1971 celebrates T. Rex’s meteoric rise to the top of the UK charts with their hit single Get It On. The piece highlights Marc Bolan’s transformation from whimsical folk poet to electrifying rock star, marking the band’s breakthrough into mainstream success. Publication: Cambridge Evening News Date: August 18 1971 Country: United Kingdom Under the headline “T. Rex Leap to the Top Spot,” the article notes that Bolan and his band are “just about the most unlikely pop stars” to achieve consecutive number‑one hits. It contrasts their earlier days as Tyrannosaurus Rex, known for acoustic songs about pixies and fantasy, with their new electric sound — “sheer rock and roll, a chunky number with Bolan growling the suggestive lyrics.” The writer situates T. Rex’s success within the broader evolution of rock, observing how trends from Beatlemania to psychedelia have come and gone, yet Bolan’s music remains rooted in the enduring spirit of rock. The piece concludes that, despite experimentation, true stars “never strayed too far from it.” CONTEXT AND NOTES Released in July 1971, Get It On (retitled Bang a Gong (Get It On) in the U.S.) became one of T. Rex’s defining hits, cementing their role as pioneers of glam rock. The single’s success followed Hot Love and propelled Bolan into pop superstardom, blending swagger, sensuality, and simplicity into a new sound that shaped the decade. This Cambridge Evening News feature captures the excitement of that moment — the shift from underground cult act to chart‑topping phenomenon — and reflects Britain’s fascination with Bolan’s glittering reinvention. FEATURE HIGHLIGHTS Event: T. Rex reach No. 1 with Get It On Era: 1971 – Early Glam Rock Breakthrough Tone: Celebratory, analytical, and nostalgic Photography: None included; text‑only column under The Pop Scene heading All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Plain Dealer column from August 1972 reviews T. Rex’s album The Slider alongside other summer releases, praising Marc Bolan’s infectious rock rhythm and lyrical flair. The piece situates Bolan’s work within the broader pop landscape of the early ’70s, highlighting his growing influence in both the UK and the US. Publication: The Plain Dealer Date: August 18 1972 Country: United States Under the heading “Discotakes,” the writer names The Slider as the “surprise album of the month,” describing Bolan’s music as “hypnotic” and “infectious.” The review notes that T. Rex had recently toured England and the United States, performing at venues such as Carnegie Hall and the Yorktown Theatre in Parma. The article highlights standout tracks including Ballroom of Mars, Baby Strange, Telegram Sam, and Main Man, observing that Bolan’s lyrics are rich with allegory and surreal imagery. The writer compares Bolan’s lyrical style to American Pie, remarking that “Freud would have had a hard time with T. Rex.” The review concludes by praising Bolan’s ability to combine rhythm and poetry, calling The Slider “strange, hypnotic, infectious,” and noting that its timing and energy make it one of the season’s most enjoyable releases. CONTEXT AND NOTES Released in July 1972, The Slider marked T. Rex’s creative peak, following the success of Electric Warrior. The album’s blend of glam‑rock swagger and introspective lyricism solidified Bolan’s reputation as a leading figure in the movement. This Plain Dealer review reflects the growing American fascination with Bolan’s style — a mix of mysticism, sexuality, and pop accessibility — and captures the excitement surrounding his transatlantic success. FEATURE HIGHLIGHTS Event: Release of The Slider album Era: 1972 – Glam Rock Peak / T. Rextasy Era Tone: Enthusiastic, poetic, and reflective Photography: None included; text‑only column within the newspaper’s music section All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A deep archival dive into 1975 featuring rare radio broadcasts, studio outtakes, jingles, TV performances, and home demos. The Gilded Cage We Call ’75 showcases Marc Bolan & T. Rex during a highly creative and transitional year, with guest appearances from Gloria Jones and Flo & Eddie. RELEASE / PUBLICATION DETAILS Artist: T. Rex Title: The Gilded Cage We Call ’75 Date: August 1, 2025 Label: Solid Gold Records Format / Type: 2CD Compilation Country: UK Catalogue: SG005CD TRACK LIST Disc 1 Deep Beneath An Ancient Shadow (#I) Funky London Childhood London Boys Introduction Capital Radio 20th Century Boy Interview New York City Interview You Damaged The Soul Of My Suit Interview Get It On Capital (Radio Jingle) Dawn Storm (Diff Lyrics, Feb ’75 Mix) Savage Beethoven Brain Police Billy Super Duper Flo & Eddie King Of The Mountain Cometh (Acoustic Home Demo) Depth Charge (#I&II, Piano/Vocal) Swahili Boogie Woogie Piccadilly (Radio Jingle) New York City 20th Century Boy Teen Riot Structure (1975 Home Demo) King Of The Rumbling Spires (1975 Home Demo) Universe (Let's Face The Music And Dance) Futuristic Dragon Deep Beneath An Ancient Shadow (#II) THE STORY Compiled from 1975 radio sessions (Capital Radio, Piccadilly), unreleased studio recordings, TV appearances, and intimate home demos, this 2CD set paints a vivid picture of Marc Bolan’s creative output during a pivotal year. CONTEXT & NOTES All royalties go to the Light Of Love Foundation for the Marc Bolan School of Music & Film. A 4-panel gatefold digisleeve with 12-page booklet featuring rare images and notes. PERSONNEL Marc Bolan – Vocals, Guitar Gloria Jones – Vocals Flo & Eddie – Vocals Classic T. Rex members and session musicians of the period PRODUCTION Compiled from 1975 broadcasts and recordings. Artwork by Les Clark & Carlton. PACKAGING / ARTWORK HIGHLIGHTS 4-panel gatefold digisleeve 12-page booklet with photos and liner notes Striking cover image of Marc Bolan with guitar WHAT THE SLEEVE SHOWS Front cover: Iconic live photo of Marc Bolan holding a guitar under stage lights with “T.REX” title and “The Gilded Cage We Call ’75” subtitle. RELATED MATERIAL Bolan Boogie – The Best of T. Rex (2024) Bolan B-Sides (2025) Studio Albums 1970–1977 (2025) SOURCES Solid Gold Records, Discogs, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The July 29, 1974 edition of the Norwich Evening News reviews the album Beginning of Doves, a collection of early Marc Bolan tracks from his pre-T. Rex days. Publication: Norwich Evening News Date: July 29, 1974 Country: United Kingdom Location: Norwich Section: Music Review THE STORY Reviewer Colin Cross praises the album, noting that while most people now know Marc Bolan as the leader of T. Rex, this LP showcases his earlier work when he was much better than he is now. He highlights tracks such as “Jasper C. Debussy”, “Hippy Gumbo”, “One Inch Rock”, “Cat Black”, and “Sarah Crazy Child”, describing Bolan as a “mystical wandering minstrel” on many of the recordings. CONTEXT AND NOTES This review appeared as T. Rex’s commercial peak had passed. The compilation Beginning of Doves gave fans a chance to rediscover Bolan’s underground psychedelic folk roots from the Tyrannosaurus Rex era, including first takes and between-song comments. FEATURE HIGHLIGHTS Event: Album review Era: 1974 (Retrospective) Tone: Appreciative, nostalgic Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Bold headline “Bolan L.P.” Positive review by Colin Cross Track highlights from Bolan’s early career Reflection on his transition from underground artist to glam superstar All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The July 26, 1969 edition features an interview with Marc Bolan of Tyrannosaurus Rex discussing underground music, exposure, and the band’s philosophy. Publication: Music Magazine / Press Date: July 26, 1969 Country: United Kingdom Location: UK Section: Interview / Feature THE STORY Marc Bolan talks about the challenges underground groups face in getting exposure, the band’s transformation, and their approach to music. He emphasizes staying true to their artistic vision rather than chasing commercial success. CONTEXT AND NOTES T his interview captures Tyrannosaurus Rex in their late acoustic/psychedelic phase, just before their shift to electric glam as T. Rex. Bolan’s comments reflect the underground scene’s frustrations with mainstream media. FEATURE HIGHLIGHTS Event: Artist interview Era: 1969 (Late acoustic era) Tone: Thoughtful, artistic Photography: Photo of Marc Bolan and Steve Peregrin Took WHAT THE CLIPPING SHOWS Bold headline “Underground groups are those which don’t get exposure” Interview with Marc Bolan Discussion of the music industry and the band’s identity Typical late-1960s music press layout RELATED MATERIAL July 26, 1969 review of “King Of The Rumbling Spires” For other relevant posts, see the tags at the foot of the page. SOURCES Music Press, July 26, 1969 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

“Memories of Beatlemania were brought back to me on the Pier on Friday last week when about seven young girls were carried, half‑fainting, across the stage at Marc Bolan’s appearance with T. Rex.” — Jenni Inness, Hastings & St Leonards Observer, July 26 1975 Event: Marc Bolan and T. Rex perform at the Hastings Pier Ballroom, Friday July 25 1975, 8 p.m. – 11.45 p.m. Part of the short UK coastal tour following the Isle of Man and Great Yarmouth dates. Supported by Stallion, with vocalist John Wilde. Licensed bar and buffet available. Setlist: • Jeepster • 20th Century Boy • Teenage Dream • Zip Gun Boogie • New York City • The Soul of My Suit • Hot Love • Get It On Photographs: Marc Bolan performing live on stage in a vivid geometric shirt, playing a Fender Stratocaster under red stage lighting photos by Joe Bowieaddick Chronicle Note: The Hastings Pier Ballroom concert captured Bolan’s enduring magnetism amid changing musical tides. Press coverage likened the crowd’s fervour to Beatlemania, underscoring his continued hold on fans even as T. Rex entered its mid‑70s phase. Advert / Ephemera: Ticket: Pink paper, numbered 1267 — £1.25 in advance / £1.50 at door. Newspaper Advert: Hastings & St Leonards Observer, July 19 1975 — “First Time in the South – Marc Bolan plus T. Rex – Licensed Bar 8.0 – 11.45 pm • Buffet • Tickets £1.25 in  advance.” Review: Marc’s Fans Stay True by Jenni Inness — describes intense fan reaction, comparisons to Beatlemania, and Stallion’s support set. Surrounding Dates: • July 12, 1975 – Palace Lido, Douglas, Isle of Man • July 23, 1975 – Tiffany’s Nightclub, Great Yarmouth • July 26, 1975 –  Leas Cliff Hall, Folkestone SOURCES 'There Was A Time - Marc Bolan a Chronology' Cliff McLenehan, ninebattles . com All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

“A tight, high‑energy mid‑summer appearance, mixing classic T. Rex hits with Bolan’s evolving mid‑70s sound. Event: Marc Bolan & T. Rex perform at Tiffany’s Nightclub, Great Yarmouth, as part of a short UK run during summer 1975. The refreshed line‑up delivers a compact, high‑impact set blending early glam staples with newer mid‑70s material. Setlist: • Jeepster • 20th Century Boy • Teenage Dream • Zip Gun Boogie • New York City • The Soul of My Suit • Hot Love • Get It On Advert: Black‑and‑white newspaper listing published July 18, 1975, announcing the concert at Tiffany’s, Great Yarmouth — “Tickets now available from Tiffanys.” Venue telephone number 57018 appears in the header, confirming local booking details. Chronicle Note: The Great Yarmouth concert stands as the defining moment of this brief 1975 circuit — a confident showcase of Bolan’s renewed stage presence and the evolving sound of T. Rex during this transitional period. Surrounding Dates: • July 12, 1975 – Palace Lido, Douglas, Isle of Man • July 25, 1975 – Hastings Pier Ballroom, Hastings • July 26, 1975 – Leas Cliff Hall, Folkestone SOURCES 'There Was A Time - Marc Bolan a Chronology' Cliff McLenehan, All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Classic Rock Magazine (Louder) publishes a new feature exploring the creation of Marc Bolan’s 1971 T. Rex classic Get It On, its chart success, its musical inspirations, and the song’s later influence on Prince. Includes Bolan’s own 1971 reflections, studio details from Trident, and the track’s reintroduction to new audiences. Classic Rock Magazine (via LouderSound) reports on the story behind Marc Bolan’s 1971 T. Rex single Get It On, released on 2 July 1971 and now regarded as one of the defining records of the glam‑rock era. The article contrasts Bolan’s earlier single Hot Love — half of which consists of the repeated “La, la, la” refrain — with the sophistication and vivid imagery of Get It On. Bolan drew inspiration from Chuck Berry’s Little Queenie, echoing the ad‑libbed line “...and meanwhile, I’m still thinking” as the track fades out. The song was recorded at Trident Studios in London and produced by Tony Visconti, who would soon find greater success with David Bowie. The session featured notable contributors: Rick Wakeman performing piano glissandos for £9, Ian McDonald (King Crimson) layering four saxophone tracks, and Mark Volman and Howard Kaylan (The Turtles) providing backing vocals. Get It On became the perfect summer single of 1971, spending four weeks at No.1 in the UK and reaching No.10 in the USA, where it was retitled Bang A Gong (Get It On) due to an existing song with the same name. The article notes how the 1985 cover by The Power Station reintroduced Bolan’s song to a new generation, though Bolan himself did not live to see it, having passed in 1977 at age 29. His legacy, the feature argues, is secured by the golden run of early‑70s singles — with Get It On standing as one of his most accomplished works. LouderSound highlights that Get It On directly inspired Prince twice, first with Cream and again with Peach. Bolan’s lyric “you’re dirty‑sweet and you’re my girl” is mirrored in Prince’s “you’re filthy‑cute and baby you know it,” underscoring Bolan’s lasting influence on him. The feature closes with Bolan’s own 1971 comment to Record Mirror: “I honestly believe Get It On was one of the best things I’ve ever done. The only kind of criticism I’m going to accept about it is that if someone can say, ‘Well, that’s out of tune or the guitar work is crap.’ OK, but I know it isn’t.”

This Bravo magazine chart from July 1972 celebrates T. Rex’s Metal Guru reaching number one in the Bravo Musicbox, voted by readers across Germany, Austria, and Switzerland. The page captures the height of Marc Bolan’s glam‑rock dominance, with Metal Guru leading an international mix of pop and rock hits. Publication: Bravo Magazine Date: July 26 1972 Country: Germany THE STORY The Bravo Musicbox lists the top 20 singles chosen by 3,000 readers, with Metal Guru at the top, followed by Christian Anders’ Es fährt ein Zug, Daniel Boone’s Beautiful Sunday, and Don McLean’s American Pie. The chart reflects the diverse musical tastes of early‑1970s Europe, blending British glam, American folk‑rock, and German schlager. Beneath the main rankings, the page includes separate sections for England and America hit parades, plus a list of the week’s most popular LPs — led by T. Rex’s Electric Warrior. The design features artist photos and bold typography under the arching headline “Von Euch Gewählt – Die Bravo Musicbox,” meaning “Chosen by You – The Bravo Musicbox.” CONTEXT AND NOTES By mid‑1972, Metal Guru had become one of T. Rex’s biggest European hits, topping charts across several countries. Bravo’s reader‑voted Musicbox was a key indicator of youth trends, showing Bolan’s immense popularity among German fans. The inclusion of Electric Warrior as the top LP underscores T. Rex’s dual success in singles and albums, cementing their position as glam‑rock icons. FEATURE HIGHLIGHTS Event: Metal Guru reaches number one in Bravo Musicbox Era: 1972 – Glam Rock Peak / Electric Warrior Era Tone: Celebratory, chart‑focused, and fan‑driven Photography: Black‑and‑white artist portraits of T. Rex, Christian Anders, Daniel Boone, and Don McLean All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

"The Groover" is a high-energy glam rock single that marked the end of T. Rex’s unbroken run of UK Top 10 hits. Released as a standalone non-album single on the band’s own T. Rex Wax Co. imprint, it reached No.4 in the UK — still a strong success but signalling the beginning of a commercial softening as newer glam acts like Slade and David Bowie dominated the charts. It remains a fan favourite for its crunching riff and infectious groove. RELEASE DETAILS Artist: T. Rex Label: Odeon (Toshiba Records) Date: July 20, 1973 Catalogue: EOR-10390 Format: 7" Vinyl Single Country: Japan A-Side: “The Groover” B-Side: “Midnight” Written by: Marc Bolan Produced by: Tony Visconti UK 7" Commercial Single (EOR-10390) A. The Groover B. Midnight Note: Copies were also pressed in Holland to meet demand. Dutch exports can be distinguished by “Made in Holland” on the labels instead of “Gt. Britain”. Rolling Stone, full page advert June 3, 1973 PERSONNEL Marc Bolan – lead vocals, guitar, backing vocals Mickey Finn – congas Steve Currie – bass guitar Bill Legend – drums Tony Visconti – producer, backing vocals Chart Performance (UK OCC): Entered: June 16, 1973 Peak: 4 (June 23, 1973) Weeks on chart: 9 Top 10: 4 weeks THE STORY “The Groover” and its B-side “Midnight” were first recorded on March 20, 1973 at Rosenberg Studios in Copenhagen, with later overdubs in London. The original master tape (later released on archival compilations) features several extra minutes of Bolan’s closing guitar solo as the song evolves into a jam. A promotional video was shot on May 3, 1973 featuring Bolan prancing in a film studio intercut with live clips. The track delivers a heavy, chugging guitar-driven sound with a powerful Bolan vocal performance and a memorable extended guitar solo in the original master (later trimmed for the single). It has a raw, danceable energy typical of peak-era T. Rex but with a slightly heavier edge. B-Sides The UK 7" carried one non-album B-side, often regarded as strong enough to have been an A-side itself. “Midnight” Recorded: Rosenberg Studios, Copenhagen — March 20, 1973 (with London overdubs) A moody, atmospheric track with strong melodic hooks Showcases a more reflective side of Bolan’s songwriting while still fitting the glam sound International Issues Australia The Groover — 7", 45 RPM, Single — T. Rex — Australia · 1973 Austria The Groover — 7", 45 RPM, Single — Ariola — Austria · 1973 Belgium The Groover — 7", 45 RPM, Single — EMI — Belgium · 1973 Brazil The Groover — 7", 45 RPM, Single — T. Rex — Brazil · 1973 Denmark The Groover — 7", 45 RPM, Single — T. Rex — Denmark · 1973 France The Groover — 7", 45 RPM, Single — T. Rex — France · 1973 Germany The Groover — 7", 45 RPM, Single — Ariola — Germany · 1973 Greece The Groover — 7", 45 RPM, Single — T. Rex — Greece · 1973 Hungary The Groover — 7", 45 RPM, Single — Pepita — Hungary · 1973 Ireland The Groover — 7", 45 RPM, Single — T. Rex — Ireland · 1973 Israel The Groover — 7", 45 RPM, Single — CBS — Israel · 1973 Italy The Groover — 7", 45 RPM, Single — T. Rex — Italy · 1973 Japan The Groover — 7", 45 RPM, Single — T. Rex — Japan · 1973 Lebanon The Groover — 7", 45 RPM, Single — T. Rex — Lebanon · 1973 Netherlands The Groover — 7", 45 RPM, Single — Ariola — Netherlands · 1973 New Zealand The Groover — 7", 45 RPM, Single — T. Rex — New Zealand · 1973 Norway The Groover — 7", 45 RPM, Single — T. Rex — Norway · 1973 South Africa The Groover — 7", 45 RPM, Single — T. Rex — South Africa · 1973 Spain The Groover — 7", 45 RPM, Single — Ariola — Spain · 1973 Sweden The Groover — 7", 45 RPM, Single — T. Rex — Sweden · 1973 Yugoslavia The Groover — 7", 45 RPM, Single — T. Rex — Yugoslavia · 1973 SOURCES Discogs, 45cat, Official Charts, Wikipedia. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. All rights to the music, artwork, and trademarks belong to their respective copyright holders.

A second performance of "New York City" by T. Rex was recorded for BBC Top of the Pops on July 16, 1975, and aired the following day. The segment showed Marc Bolan miming to the single-release version, dressed in a white sailor suit, with Eric Hall in costume as the Frog. The performance was part of a lively broadcast hosted by Dave Lee Travis, with choreography by Flick Colby and musical direction from Johnny Pearson. Broadcast: Top of the Pops – BBC TV Date: July 17 1975 Country: United Kingdom Section / Pages: Performance Listing Title: T. Rex – New York City (Second Performance) This performance marked T. Rex’s continued television presence during the mid‑1970s, showcasing Bolan’s playful stage persona and the band’s enduring chart appeal. The sailor‑suit styling and whimsical “Frog” character added theatrical flair, aligning with Bolan’s glam‑era visual storytelling. PERFORMANCES FEATURED Artist Song Type Chart # The Goodies Black Pudding Bertha (The Queen Of Northern Soul) Mimed 19 Tammy Wynette D.I.V.O.R.C.E. Mimed repeat 16 The Sensational Alex Harvey Band Delilah Mimed NEW Adrian Baker Sherry Mimed 47 Sister Sledge Mama Never Told Me Mimed repeat 20 Carl Douglas Love, Peace And Happiness Mimed NEW T. Rex New York City Mimed 30 Susan Cadogan Love Me Baby Mimed 43 David Essex Rolling Stone Mimed repeat 11 Lynsey De Paul Rhythm And Blue Jean Baby Mimed NEW Typically Tropical Barbados Pan’s People Routine 5 Bay City Rollers Give A Little Love Mimed repeat 1 CREDITS Role Contributor Presenter Dave Lee Travis Director Johnny Pearson Producer Stanley Appel Executive Producer Robin Nash Sound Laurie Taylor Choreographer Flick Colby Featuring Top of the Pops Orchestra Source: BBC Top of the Pops Performance Archive, July 17 1975, UTube and 'There Was A Time - Marc Bolan a Chronology' Cliff McLenehan. All broadcast footage, images, and text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The definitive and most detailed chronicle of Marc Bolan’s life and career is back in stock and available to order. There Was A Time – Marc Bolan: A Chronology by Cliff McLenehan is widely regarded as the essential “go-to” reference book on Bolan and T. Rex. Book Details Format: Beautiful 280mm x 235mm perfect paperback (304 pages) Features: Full-colour throughout with fold-out front and back covers Illustrations: More than 100 rare concert ads, posters, flyers, and images This updated and expanded edition has been completely redesigned and is now the most comprehensive Bolan chronology available. It has received excellent praise from fans and critics alike for its depth and presentation. Perfect for: Longtime T. Rex and Marc Bolan fans Music historians and collectors Anyone wanting the most detailed day-by-day account of Bolan’s journey If you’re a Marc Bolan enthusiast, this is an essential addition to your collection. order here Marc Bolan 'There Was A Time' - Easy Action

Just Dropped “Ride A White Swan (’MARC’ version)”, taken from the upcoming 1974-1977 box set, is out now on all streaming platforms! 🔗 https://trexbolan.lnk.to/RideAWhiteSwan Enjoy the Ride 🦢 #TRex #RideAWhiteSwan

The October 23, 1965 edition of the Evening Standard features a profile by Maureen Cleave on the young Marc Bolan, playfully titled “Knit yourself a pop singer,” with additional comments from Mike (likely Mike Pruslin) on how to create a pop star image. Publication: Evening Standard Date: October 23, 1965 Country: United Kingdom Location: London Section: Pop Music Feature THE STORY The article presents a light-hearted, tongue-in-cheek guide to making a pop singer, using Marc Bolan as the prime example. It includes quotes and insights into Bolan’s early image, ambitions, and the music industry’s approach to creating stars in the mid-1960s. CONTEXT AND NOTES This is one of the very earliest significant press profiles of Marc Bolan, appearing just before his first single releases. It captures him at the beginning of his career, still developing the distinctive persona that would later explode as T. Rex. FEATURE HIGHLIGHTS Event: Early career profile / Image feature Era: 1965 (Pre-Tyrannosaurus Rex / Early Solo) Tone: Witty, playful, observational Photography: Portrait of Marc Bolan with Mike (likely Pruslin) WHAT THE CLIPPING SHOWS Bold headline “Knit yourself a pop singer” Detailed text by Maureen Cleave on Marc Bolan RELATED MATERIAL This October 23, 1965 Evening Standard feature is one of the earliest major profiles of Marc Bolan and pairs closely with the October 30, 1965 London Life piece on the origin of his stage name (the “misprint”). For other relevant posts, see the tags at the foot of the page. SOURCES Evening Standard, October 23, 1965, by Maureen Cleave All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

THE RELEASE Label: T. Rex Format: 7" Vinyl Single Country: UK Catalogue: MARC 8 Release Date: July 5, 1974 TRACK LIST A-Side Light Of Love (Marc Bolan) B-Side Explosive Mouth (Marc Bolan) Produced by: Marc Bolan Taken from the album Bolan's Zip Gun with the B-side “Explosive Mouth” from Zinc Alloy and the Hidden Riders of Tomorrow. This was the first T. Rex single produced solely by Marc Bolan without Tony Visconti and marked the beginning of a commercial decline as it became the first single to miss the UK Top 20. WHAT THE LABEL SHOWS Navy Red T. Rex on EMI labels feature full credits. Test pressings come as white labels, while promo copies are four-prong with demonstration markings. Commercial releases include both four-prong and solid centre variants, housed in a Wax Co. company red and cream sleeve. VARIANTS & PACKAGING • Test Pressing – White Label • Promo – Four Prong, Demonstration stamped • Commercial 1 – Four Prong Centre • Commercial 2 – Solid Centre • Sleeve: Printed T.REX Wax Co. Company bag (as shown above) CHART DATA UK Singles Chart: Peak #22 First Chart Date: 13/07/1974 Weeks on Chart: 5 Chart Run: 34 → 22 → 23 → 24 → 47 CONTEXT AND NOTES “Light of Love” is a 1974 single by T. Rex. The track is taken from the album Bolan's Zip Gun whilst its B-side, “Explosive Mouth”, features on the 1974 album Zinc Alloy and the Hidden Riders of Tomorrow. In the US, both songs appeared on the US-only compilation album Light of Love. Rolling Stone magazine's Ken Barnes praised the single's "upbeat" and "economical" sound in a 1974 review, claiming Bolan's new output to be "fresh and attractive". It appeared as the closing track on the end credits for the Vince Vaughn film Delivery Man (2013). INTERNATIONAL VARIANTS Australia – T. REX – T.REX-10563 (1974) Belgium – EMI – 4C006-95719 (1974) France – CBS – REX 2608 (1974) Germany – Ariola – 13 565 AT (1974) Ireland – T. Rex – MARC 8 (1974) Italy – T. REX – 3C 006-95719 (1974) Japan – EMI – EMR-10610 (1974) Promo – EMI – EMR-10610 (1974) New Zealand – T. Rex – MARC 8 (1974) South Africa – T. Rex – MARCJ 8 (1974) PERSONNEL Personnel (Bolan's Zip Gun) Marc Bolan – vocals, guitar, DMS (Dartmouth Music Synthesizer) and Moog Mickey Finn – hand percussion Dino Dines – keyboards Gloria Jones – backing vocals, clavinet Steve Currie – bass guitar Harry Nilsson – backing vocals Davy Lutton – drums Paul Fenton – additional drums on "Solid Baby" Bill Legend – drums on "Till Dawn" SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts. RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All images and original artwork remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Publication: Melody Maker Date: Saturday, July 3, 1971 STARLIGHT ROOMS, BOSTON Tel. (0205) 3579 Saturday, July 3rd T. REX Special guests: SUPERTRAMP D.J. Ricky Tee Doors: 7 to 12 Price: 50p Bars, etc. This advert appeared in Melody Maker on the exact day of the show. It captures T.Rex in the crucial summer of 1971, right as “Get It On” was released (July 2) and beginning its ascent to Number One. The band was transitioning from underground favourites to mainstream glam rock superstars. Supporting act Supertramp (then in their early progressive rock phase) adds extra historical interest to this early UK provincial gig. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The July 1972 edition of POP Magazine features Marc Bolan on the cover with the headline “LIVE POSTER PINK FLOYD” and prominent coverage of T. Rex. Publication: POP Magazine Date: July 1972 Country: Germany Location: Germany Section: Front Cover THE STORY The cover highlights T. Rex live coverage alongside Pink Floyd, with additional features on Marc Bolan, Leonard Cohen, and other topics. CONTEXT AND NOTES This German teen magazine cover reflects T. Rex’s massive popularity across Europe in 1972 during the height of T. Rextasy. FEATURE HIGHLIGHTS Event: Magazine cover feature Era: 1972 (T. Rextasy peak) Tone: Colourful, teen-oriented Photography: Striking colour photo of Marc Bolan performing WHAT THE CLIPPING SHOWS Bold orange “POP” masthead Large colour photo of Marc Bolan singing and playing guitar Teasers for T. Rex live, Pink Floyd poster, and Leonard Cohen interview Classic early-1970s European teen magazine cover design RELATED MATERIAL T. Rex (July 1, 1972) NME News Page Feature – New Musical Express Marc Bolan (July 29, 1972) Psychedelic Illustration – Romeo Magazine T. Rex (July 1972) “Live at Wembley” Concert Feature – POP Magazine For other relevant posts, see the tags at the foot of the page. SOURCES POP Magazine, July 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A swaggering, riff-driven glam-rock stomper, “Truck On (Tyke)” captures Marc Bolan in full late-’73 mode — funky, loose, and leaning into the heavier, groove-based direction that defined T. Rex’s post-peak evolution. RELEASE DETAILS Artist: T. Rex Label: T. Rex (distributed by EMI) Date: November 16, 1973 Catalogue: MARC 6 Format: 7" Vinyl Single Country: UK Genre: Glam Rock Style: Glam, Funk Rock A-Side: “Truck On (Tyke)” Written by: Marc Bolan Produced by: Marc Bolan B-Side: “Sitting Here” Written by: Marc Bolan Produced by: Marc Bolan TRACK LIST UK 7" Commercial Single (MARC 6) A. Truck On (Tyke) B. Sitting Here LINKED RELEASES / VARIANTS Main Commercial – MARC 6 (Stereo) Promo copies exist PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Steve Currie — bass Bill Legend — drums THE STORY Released on November 16, 1973 as a standalone single following “The Groover,” “Truck On (Tyke)” / “Sitting Here” marked another step in Marc Bolan’s shift toward a funkier, groove-oriented sound. The A-side delivers a gritty, swaggering glam-funk rocker with a muscular riff, while the B-side offers a more reflective contrast. The single entered the UK chart in late November, peaking at No.13 and spending 7 weeks on the chart. CONTEXT & NOTES This transitional single bridged the high-glam era with the denser, funk-leaning textures of the Tanx / Zinc Alloy period. UK variants include both push-out centre and solid centre pressings, usually housed in a standard T. Rex company sleeve. It remains a strong fan favourite from Bolan’s mid-1970s output. International Issues Limited international details available beyond strong European distribution typical of the era. RELATED MATERIAL T. Rex (1973) The Groover (Single) T. Rex (1973) Tanx (Album) T. Rex (1974) Teenage Dream (Single) For other relevant posts, see the tags at the foot of the page. SOURCES Discogs, 45worlds, Official Charts, Wikipedia All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.