This rare single-sided SPOT acetate preserves Jasper C. Debussy, one of twelve recordings completed by Marc Bolan and Steve Peregrin Took during two recording sessions held at Spot Studios during August 1967. These sessions represent a key turning point in Bolan's artistic development and document the earliest stages of the musical partnership that would soon become Tyrannosaurus Rex. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Stud

This rare single-sided SPOT acetate preserves Lunacy's Back, one of twelve songs recorded by Marc Bolan and Steve Peregrin Took during the August 1967 Spot Studios sessions. The acetate survives as an important document from the period immediately preceding the creation of Tyrannosaurus Rex and offers a glimpse into Bolan's rapidly developing songwriting style. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton Street

This rare single-sided SPOT acetate preserves Jasmine '49, recorded during Marc Bolan and Steve Peregrin Took's August 1967 recording sessions at Spot Studios, London. The acetate forms part of a remarkable group of twelve recordings completed during two sessions that helped lay the foundations for the music that would shortly emerge under the Tyrannosaurus Rex name. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton

This rare double-sided acetate preserves two recordings from Marc Bolan's productive post-Hippy Gumbo recording period. Featuring Jasmine '49 and Horrible Breath, the disc captures material recorded during the Simon Napier Bell sessions that helped shape Bolan's musical direction immediately before the emergence of Tyrannosaurus Rex. Unlike the commercial Hippy Gumbo single, these recordings remained unreleased at the time and survive through a small number of reference aceta

This rare 8-inch double-sided acetate documents the brief but significant period when Marc Bolan was working with John's Children following his departure from the group as an official member. The acetate couples Hippy Gumbo with Desdemona, two recordings closely associated with Bolan's creative partnership with the band during 1967. Surviving examples are particularly important because they preserve recordings from a period that bridged Bolan's work with John's Children and h

In the late autumn of 1966, a young Marc Bolan released his third and final solo single before forming Tyrannosaurus Rex. “Hippy Gumbo” was a quirky, upbeat pop track with a strong beat-group feel and a touch of the whimsical, poetic style that would soon define his work with Tyrannosaurus Rex. Backed with “Misfit,” this Parlophone 7" single marked the end of Bolan’s early solo period and the beginning of his journey into the acoustic folk-rock sound that would lead to glam s

This rare single-sided EMIDISC acetate preserves an early pre-Tyrannosaurus Rex recording of Hippy Gumbo, one of the most important songs from Marc Bolan's 1966 recording sessions with producer Simon Napier Bell. The acetate is particularly notable because it features an original hand-drawn doodle by Marc Bolan on the label itself, transforming the disc from a simple studio reference recording into a unique piece of Bolan memorabilia. The surviving artwork makes this one of t

This rare single-sided EMIDISC acetate preserves an early recording of Misfit, the B-side that would later accompany Hippy Gumbo on Marc Bolan's first Parlophone single. Produced by Simon Napier Bell and recorded at De Lane Lea Studios, Kingsway, London, the acetate documents Bolan's songwriting during the crucial transitional period immediately before the formation of Tyrannosaurus Rex. Together with the surviving Hippy Gumbo acetate, it forms part of an important group of s