The March 1973 edition of New Musical Express (NME) includes a nostalgic publicity photo of a young Marc Bolan, highlighting his early days and upcoming appearance in the film Born to Boogie. Publication: NME (New Musical Express) Date: March 1973 Country: United Kingdom Location: London Section: Photo Feature / All Time Greats THE STORY The piece presents a classic black & white portrait of Marc Bolan from his pre-fame days, noting his time as a tank-driver and an 18-month “seminar among wizards” in Paris. It teases his starring role in the forthcoming film Born to Boogie. CONTEXT AND NOTES T his retrospective-style feature appeared during the absolute peak of T. Rextasy. NME used such archival photos to remind readers of Bolan’s rapid rise from underground folkie to glam superstar, while promoting the Ringo Starr-directed film. FEATURE HIGHLIGHTS Event: Archival photo feature / film promotion Era: 1973 (T. Rex Glam Rock peak) Tone: Nostalgic, playful Photography: Classic early portrait of Marc Bolan WHAT THE CLIPPING SHOWS Atmospheric black & white portrait of a young Marc Bolan Caption “ALL TIME GREATS” with text about his past and Born to Boogie Reference to his time as a tank-driver and Paris “seminar among wizards” RELATED MATERIAL February 17, 1973 Record Mirror “The Starmakers No. 3: Tony Visconti” March 2, 1973 Melody Maker “20th Century Boy” single review March 3, 1973 Melody Maker “20th Century Boy” single review March 3, 1973 Melody Maker “The Godfathers of Rock” March 10, 1973 Melody Maker “Tanx for the memory” album review March 11, 1973 BRAVO Essen concert review April 14, 1973 Sounds “Born to Boogie” film advert For other relevant posts, see the tags at the foot of the page. SOURCES NME (New Musical Express), March 1973 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A cut signature from Marc Bolan, attractively matted and displayed alongside a colour photograph. RELEASE / PUBLICATION DETAILS Artist: Marc Bolan Title: Signed Cut Signature in Matted Display Date: Undated (circa 1970s) Format / Type: Matted Display (Signature + Photo) Country: United Kingdom DESCRIPTION A cut signature from Marc Bolan in blue ballpoint ink on a pink/pinkish card, measuring approximately 4" x 3". The signature is neatly matted with a colour photograph of Bolan and presented in a white mat to an overall size of 13.5" x 20.5". CONTEXT & NOTES Marc Bolan signatures from the T. Rex era are highly sought after by glam rock collectors. This example is presented in a professional display format, making it a striking piece of music memorabilia. PACKAGING / ARTWORK HIGHLIGHTS Professionally matted display Includes colour photograph of Marc Bolan WHAT THE SLEEVE SHOWS The display features Bolan’s distinctive signature in blue ink on a small card, mounted below a striking colour portrait of the artist with his iconic curly hair and stage persona. RELATED MATERIAL See tags at foot of page. SOURCES Heritage Auctions, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The duo made their international debut at 'The First Holiness Kitschgarden For The Liberation Of Love And Peace In Colours!!!' festival, held on June 21-22, 1968, at the Houtrusthallen in The Hague. The lineup also featured Cream, Traffic, Small Faces, Family, and The Move.

The June 21, 1990 edition of the Hereford Times features a nostalgic “Flashback” article on Marc Bolan and T. Rex, highlighting his purchase of a Herefordshire mansion and his rise to fame. Publication: Hereford Times Date: June 21, 1990 Country: United Kingdom Location: Hereford Section: Flashback / Nostalgia THE STORY The article recounts how Marc Bolan bought William and Mary-style William & Mary mansion in Herefordshire. It details his superstardom, the mansion’s history, and his tragic death in 1977. CONTEXT AND NOTES This local retrospective was published 13 years after Bolan’s death. It connects the glam rock star to the Herefordshire area through his ownership of the historic property. FEATURE HIGHLIGHTS Event: Nostalgic flashback feature Era: 1990 (Reflection on 1970s glam) Tone: Nostalgic, local interest Photography: Archival photo of Marc Bolan + photo of the mansion WHAT THE CLIPPING SHOWS Bold “Flashback....” header Photo of Marc Bolan and the Herefordshire mansion Detailed story about Bolan’s purchase of the property Local connection to T. Rex’s success RELATED MATERIAL (T. Rex 1970s features) For other relevant posts, see the tags at the foot of the page. SOURCES Hereford Times, June 21, 1990 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 20, 1996 edition of the Evening Standard features an article highlighting the relative obscurity of Steve Peregrin Took, the original percussionist and co-founder of Tyrannosaurus Rex alongside Marc Bolan Publication: Evening Standard Date: June 20, 1996 Country: United Kingdom Location: London Section: Arts THE STORY The piece discusses Steve Peregrin Took’s tragic life and death, his departure from the band, and the efforts of fans (including Susan Hibberd) to restore his place in rock history. It contrasts his forgotten status with Marc Bolan’s enduring fame. CONTEXT AND NOTES This retrospective was published 16 years after Took’s death in 1980. It reflects on the often-overlooked contributions of the original Tyrannosaurus Rex lineup and the cult following that still remembers him. FEATURE HIGHLIGHTS Event: Biographical feature Era: 1996 (Reflection on 1960s–70s era) Tone: Melancholic, appreciative Photography: Archival photo of Steve Peregrin Took and group photo with Eddie Izzard WHAT THE CLIPPING SHOWS Bold headline “Rock’s least hot name” Archival photo of Steve Peregrin Took Detailed story about his life, departure from T. Rex, and legacy Typical Evening Standard arts page layout RELATED MATERIAL June 3, 1968 Royal Festival Hall Concert (with Took in the band) For other relevant posts, see the tags at the foot of the page. SOURCES Evening Standard, June 20, 1996 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The June 21, 1970 edition of the Chicago Tribune reviews Tyrannosaurus Rex’s album A Beard of Stars, praising its whimsical, poetic style and mystical imagery. Publication: Chicago Tribune Date: June 21, 1970 Country: United States Location: Chicago, Illinois Section: Music Review THE STORY The review describes the album as filled with lilting paeans to Pan and the Priests of Peace, noting its light, Donovan-ish style that feels removed from harsh reality. It highlights Marc Bolan and Mickey Finn’s use of exotic instruments. CONTEXT AND NOTES This American review was published during Tyrannosaurus Rex’s acoustic folk-psych phase, just before their transition to electric glam as T. Rex. It reflects the mixed but intrigued critical reception their whimsical sound received in the US. FEATURE HIGHLIGHTS Event: Album review Era: 1970 (A Beard of Stars era) Tone: Appreciative, descriptive Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Review of A Beard of Stars on Blue Thumb Records Praise for the album’s poetic and mystical qualities Mention of Marc Bolan and Mickey Finn’s instrumentation Typical newspaper album review layout RELATED MATERIAL (Tyrannosaurus Rex 1970 album reviews) For other relevant posts, see the tags at the foot of the page. SOURCES Chicago Tribune, June 21, 1970 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Tyrannosaurus Rex’s legendary “Lion And Unicorn” tour concert at Manchester’s historic Free Trade Hall on Saturday, February 22, 1969, promoted by NEMS Enterprises, with David Bowie opening the show performing his experimental one-man mime act depicting China’s invasion of Tibet. Publication: Original Concert Poster + Signed Tour Programme Date: February 22, 1969 Country: United Kingdom Location: Free Trade Hall, Manchester THE STORY Marc Bolan and Steve Peregrin Took brought their mystical acoustic psychedelic folk sound to Manchester as part of the “Lion And Unicorn” tour. The striking poster, designed by Hipgnosis and printed by Hastings Printing Co., prominently features a dramatic Tyrannosaurus Rex illustration. David Bowie opened the evening with a one-man mime routine about China’s invasion of Tibet, which reportedly received boos and heckles from parts of the audience. The tour programme was signed inside by Mickey Finn and Marc Bolan, and on the rear cover by John Peel. CONTEXT AND NOTES This concert captured Tyrannosaurus Rex at the peak of their enchanted, percussive folk phase, just before the electric transformation into T. Rex. The “Lion And Unicorn” theme reflected Bolan’s fascination with myth and fantasy. Bowie’s experimental opening act highlighted the eclectic underground scene of the late 1960s. The signed programme and striking poster make this a highly desirable piece of British rock memorabilia. FEATURE HIGHLIGHTS Event: Lion And Unicorn Tour Concert Era: 1969 (Psychedelic Folk / Underground Rock) Tone: Promotional concert poster and signed programme Photography: Dramatic dinosaur illustration on poster; band portraits in programm WHAT THE CLIPPING SHOWS The poster features a large Tyrannosaurus Rex illustration against a red background with full venue, date, and ticket price details. The tour programme includes signed pages by Mickey Finn, Marc Bolan, and John Peel, along with band information and tour credits. RELATED MATERIAL For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

On June 11 1969, Marc Bolan recorded a rare and intimate poetry session at Broadcasting House, London for BBC Radio’s Nightride. This broadcast featured Bolan reading his own poetic works with spoken chat, showcasing his lyrical and mystical side. RECORDING & BROADCAST DETAILS Artist: Marc Bolan Studio: Broadcasting House, London Recorded: Wednesday, June 11 1969 Show: Nightride (BBC Radio) Broadcast Date: Wednesday, June 11 1969 TRACK LISTING A Star of Youth: Poem With Chat (1:04) A Ship Of Rhythm: Poem With Chat (1:36) The Winged Man With Eyes Downcast To The Moon: Poem With Chat (0:54) THE STORY This special Nightride session highlights Marc Bolan’s poetic talents outside the usual band format. The spoken-word pieces with chat offer a personal and introspective glimpse into his creative mind during the peak psychedelic-folk era of Tyrannosaurus Rex. CONTEXT & NOTES Recorded and broadcast on the same day, these poetic recitations are a fascinating addition to Bolan’s BBC archive, revealing the literary and spiritual influences behind his songwriting. RELATED MATERIAL Tyrannosaurus Rex (May 5 1969) – BBC Top Gear Session Tyrannosaurus Rex (June 11 1968) – BBC Top Gear Session For other relevant posts, see the tags at the foot of the page. SOURCES Wikipedia, Discogs and 45cat, Marc Bolan Featuring John's Children, Tyrannosaurus Rex, Marc Bolan & T. Rex – Marc Bolan At The BBC (Radio Sessions And Broadcasts 1967 -1977). All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A vibrant psychedelic poster promotes “Flight to Lowlands Paradise Two,” featuring Tyrannosaurus Rex (Marc Bolan & Steve Peregrin Took) at the landmark one-day festival held at the Margriethal – Jaarbeurs in Utrecht, Holland on December 28, 1968. Publication: Paradise II Festival Poster Date: December 28, 1968 Country: Netherlands Location: Utrecht Section: Concert Promotion / Festival Poster THE STORY The colourful poster advertises one of the Netherlands’ first major pop/psychedelic festivals, with Tyrannosaurus Rex performing alongside other underground and experimental acts. The event, inspired by London’s 14-Hour Technicolor Dream, combined live music, art, and countercultural happenings. CONTEXT AND NOTES This appearance marked one of Tyrannosaurus Rex’s earliest international shows during their psychedelic folk phase with Steve Peregrin Took. The “Flight to Lowlands Paradise” festival was a pioneering event in Dutch music history, organised by Utrecht artist Bunk Bessels, and helped introduce the band’s unique sound to a European audience. FEATURE HIGHLIGHTS Event: International festival performance / Concert poster Era: 1968 (Early Tyrannosaurus Rex / Psychedelic Folk) Tone: Psychedelic, exuberant, underground Photography: Striking full-colour psychedelic poster art with bold graphics and illustrations WHAT THE CLIPPING SHOWS Bold psychedelic title “Flight to Lowlands Paradise Two” with “Sh’boom!” motif Prominent billing for Tyrannosaurus Rex Surreal, cosmic artwork featuring stars, explosions, and illustrative figures Date and venue details: December 28, 1968 at Margriethal – Jaarbeurs, Utrecht RELATED MATERIAL This December 28, 1968 Paradise II festival poster captures Tyrannosaurus Rex on their first major Dutch outing with Steve Peregrin Took and connects with the 1968 album reviews and earlier UK single coverage in the scrapbook. For other relevant posts, see the tags at the foot of the page. All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A celebratory three-page spread in Record Mirror (January 14, 1978) announcing Marc Bolan and T. Rex’s dominant victory in the 1977 Readers’ Poll, with Bolan winning Best Male Singer, Best Dressed Artist, and T. Rex taking Best Group and Best Album for Dandy In The Underworld. THE STORY WHAT THE CLIPPING SHOWS Publication: Record Mirror Date: January 14, 1978 Country: United Kingdom Section: Readers’ Poll Results / Major Feature Marc Bolan and T. Rex swept the Record Mirror Readers’ Poll, with Bolan winning multiple top categories and the band securing Best Group and Best Album. The feature celebrates his enduring popularity and the success of Dandy In The Underworld, highlighting his status as a readers’ favourite even after the peak of glam. Large “MARC” headline with striking portrait of Bolan. Full poll results tables showing T. Rex and Bolan winning Best Group, Best Male Singer, Best Dressed Artist, and Best Album. Multiple photos and celebratory text across three pages. Classic 1978 Record Mirror poll feature design. CONTEXT AND NOTES FEATURE HIGHLIGHTS Published on January 14, 1978, this major poll results spread came shortly after Marc Bolan’s death in September 1977. It stands as a touching posthumous tribute, showing the deep affection fans still held for him and T. Rex, with Dandy In The Underworld recognized as the top album. Event: 1977 Record Mirror Readers’ Poll results Era: 1978 (Posthumous tribute) Tone: Celebratory, respectful, fan-focused Photography: Iconic portraits of Marc Bolan and poll graphics RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The October 30, 1965 edition of London Life features an early profile on young singer Marc Bolan, noting that his stage name originated from a typing error on his Decca contract and announcing his debut single “The Wizard,” due for release on November 15. Publication: London Life Date: October 30, 1965 Country: United Kingdom Location: London Section: Pop Music Feature THE STORY The piece explains how Bolan’s manager originally intended the name “Bolam,” but a typing error on the contract turned it into “Bolan.” Rather than correct it, they kept the new name. It highlights his forthcoming debut single “The Wizard,” described as an eerie, self-written lyric, and includes a striking portrait of the young artist. CONTEXT AND NOTES This is one of the very earliest press mentions of Marc Bolan (still pre-Tyrannosaurus Rex), capturing him on the cusp of his recording career. The accidental name change would become one of the most enduring elements of his iconic identity as he transitioned from folk/pop to the electric glam sound that defined the 1970s. FEATURE HIGHLIGHTS Event: Early career profile / Debut single announcement Era: 1965 (Pre-T. Rex / Early Folk-Pop era) Tone: Intriguing, light-hearted, observational Photography: Atmospheric black & white portrait of a young Marc Bolan in a high-collared coat WHAT THE CLIPPING SHOWS Prominent black & white portrait of Marc Bolan Text explaining the “misprint” origin of the name Bolan Announcement of his first Decca single “The Wizard” releasing November 15 Early glimpse of Bolan’s emerging artistic persona All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This broadcast represents one of the earliest professional captures of the embryonic Tyrannosaurus Rex sound, preserving the intimate, cross-legged club atmosphere that defined their underground reputation in 1968. Venue: BBC Radio 1 – Top Gear Date: Recorded March 11, 1968 Broadcast March 24 & May 5, 1968 Country: United Kingdom Format: Six-Track Session with Spoken Chat Overview A rare surviving BBC session capturing Marc Bolan and Steve Peregrin Took at their earliest and most mystical. Recorded at BBC Studio 1, 201 Piccadilly, this Top Gear appearance documents the duo’s pre-electric, pre-glam identity — a hypnotic blend of acoustic incantation, bongos, pixiephone, and Bolan’s tremulous early vocal style. John Peel, already an admirer, split the session across two broadcasts, helping introduce Tyrannosaurus Rex to a national audience. • BBC transcription logs listing six tracks recorded at Studio 1, 201 Piccadilly on March 11, 1968. • Broadcast notes showing two air dates:   – March 24, 1968 (tracks 1‑13 & 1‑14)   – May 5, 1968 (tracks 1‑15 to 1‑18) • Peel’s handwritten or typed cues introducing several songs with chat. • Track titles and timings preserved exactly as logged:    – 1‑13 “Knight” (with chat) – 2:26    – 1‑14 “Frowning Atahuallpa” (with chat) – 4:41   – 1‑15 “Strange Orchestras” – 1:53   – 1‑16 “Afghan Woman” (with chat) – 2:04    – 1‑17 “Deborah” (with chat) – 3:13    – 1‑18 “Mustang Ford” (with chat) – 3:17 • Notes indicating Peel’s practice of spreading sessions across multiple programmes. • Layout typical of BBC session documentation: monospaced type, precise timings, and minimal commentary. The Story Behind It In March 1968, Tyrannosaurus Rex were still an underground phenomenon — a Ladbroke Grove duo performing cross‑legged on club floors, weaving mystical folk‑psych spells. Their Top Gear session was pivotal: John Peel championed them relentlessly, sensing that Bolan’s lyrical world and Took’s percussive textures were unlike anything else on British radio. Recorded on March 11, the session captured six songs, several with Peel’s conversational introductions and Bolan’s whimsical asides. Two weeks later, Peel aired the first pair of tracks; the remaining four followed in early May, a testament to how strongly he believed in the duo. The performances reveal the embryonic Tyrannosaurus Rex sound that would soon define My People Were Fair and Prophets, Seers & Sages: • sparse yet intense • mystical yet playful • rooted in folk but reaching toward something stranger This session stands as one of the earliest professional recordings of the group — a rare document of Bolan’s formative songwriting and Took’s rhythmic imagination. Source Details Marc Bolan Featuring John's Children, Tyrannosaurus Rex, Marc Bolan & T. Rex – Marc Bolan At The BBC (Radio Sessions And Broadcasts 1967 -1977) Label: Universal Music Catalogue – 534 309-2 Format: 6 x CD, Compilation Box Set Related Material • Tyrannosaurus Rex (March 14, 1968) BBC Night Ride Session • Tyrannosaurus Rex (April 19, 1968) “Biggest Ever” – Manchester Evening News • Tyrannosaurus Rex (May 11, 1968) Middle Earth – Advert • Tyrannosaurus Rex (1968) My People Were Fair – Album Sessions • Additional entries listed in the tag index All original broadcast material and documentation remain the property of the British Broadcasting Corporation. This scrapbook entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

The December 1, 1968 edition of Beat Instrumental magazine reviews Tyrannosaurus Rex’s second album Prophets, Seers & Sages, Etc., praising the duo’s continued artistic growth and the quality of the material. Publication: Beat Instrumental Date: December 1, 1968 Country: United Kingdom Location: London Section: Album Review THE STORY The review notes that Marc Bolan and Steve Took are “getting better all the time,” highlighting the variety of moods across the tracks, Steve’s strong drumming, Bolan’s falsetto vocals, and the evocative, strange lyrics. Special mention is made of the album cover as a work of art. It lists the tracks on both sides of the record. CONTEXT AND NOTES This review covers Tyrannosaurus Rex’s sophomore album Prophets, Seers & Sages, The Angels of the Ages, released on Regal Zonophone. It reflects the band’s growing confidence and cult following in the underground scene just months after their debut. FEATURE HIGHLIGHTS Event: Second album review Era: 1968 (Early Tyrannosaurus Rex / Psychedelic Folk) Tone: Positive, appreciative, detailed Photography: Black & white album cover image of Marc Bolan and Steve Took WHAT THE CLIPPING SHOWS Album title “Prophets, Seers & Sages, Etc.” with full cover photo Positive commentary on the duo’s development and musical variety Track listing for both sides of the record Praise for the cover artwork and overall artistic quality RELATED MATERIAL This December 1, 1968 Beat Instrumental review of Prophets, Seers & Sages, Etc. follows naturally from the November 9, 1968 Record Mirror review of the debut album and the various April 1968 single reviews. For other relevant posts, see the tags at the foot of the page. All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The April 25, 1968 edition of the Leicester Mercury includes a short review of Tyrannosaurus Rex’s single “Debora,” describing the duo’s “way out, distant sound” while noting its commercial potential, with Marc Bolan credited as the writer. Publication: Leicester Mercury Date: April 25, 1968 Country: United Kingdom Location: Leicester Section: Music / Singles Review THE STORY The brief review portrays Tyrannosaurus Rex (Marc Bolan and Steve Peregrin Took) as an unconventional act with an obscure yet promising style. It highlights “Debora” as a commercial number written by Bolan and mentions the B-side “Child Star,” also on the Regal Zonophone label. CONTEXT AND NOTES This review comes from the very early days of Tyrannosaurus Rex, shortly after their formation and first single releases. “Debora” marked one of their initial steps into the UK underground and psychedelic folk scene, showcasing Bolan’s shift toward a more mystical, acoustic sound before the full electric glam explosion. FEATURE HIGHLIGHTS Event: Debut-era single review Era: 1968 (Early Tyrannosaurus Rex / Psychedelic Folk) Tone: Curious, cautiously optimistic Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Headline “TYRANNOSAURUS REX / Debora.” Short critical assessment of the band’s “way out, distant sound” Mention of Marc Bolan as the songwriter Reference to the B-side “Child Star” (Regal Zonophone) RELATED MATERIAL This April 25, 1968 Leicester Mercury review of “Debora” captures Tyrannosaurus Rex in their earliest phase and connects nicely with the October 1965 London Life piece on the origin of Bolan’s name and the September 1967 Lincolnshire Echo mention of his appearances on John Peel’s The Perfumed Garden. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Tyrannosaurus Rex’s second album, Prophets, Seers & Sages The Angels of the Ages, released just four months after their debut, deepened Marc Bolan’s mystical psychedelic folk vision with richer acoustic arrangements and Steve Peregrin Took’s eclectic percussion. RELEASE / PUBLICATION DETAILS Artist: Tyrannosaurus Rex Title: Prophets, Seers & Sages The Angels of the Ages Date: November 1, 1968 Label: Regal Zonophone Format / Type: LP Vinyl Album (Mono & Stereo editions) Country: United Kingdom Catalogue: Stereo: SLRZ 1005 Mono: LRZ 1005 TRACK LIST Side A Deboraarobed Stacey Grove Wind Quartets Conesuala Trelawny Lawn Aznageel The Mage The Friends Side B Salamanda Palaganda Our Wonderful Brownskin Man O Harley (The Saltimbanques) Eastern Spell The Travelling Tragition Juniper Suction Scenescof Dynasty THE STORY Recorded between May and August 1968 at Trident Studios in London, this album expanded the duo’s sound following the success of their debut. Produced by Tony Visconti, it features Bolan’s poetic songwriting paired with Took’s wide array of percussion instruments. Released on November 1, 1968, it continued the band’s exploration of myth, magic, and whimsy in the British underground scene. CONTEXT & NOTES As the rapid follow-up to My People Were Fair…, the album reached UK #44. It marked continued growth in Bolan’s songcraft and the duo’s rising profile, coming shortly after signing with Blackhill Enterprises and amid Bolan’s relationship with June Child. No singles were taken from the album, though “One Inch Rock” (non-LP) was a contemporary hit. PERSONNEL Marc Bolan – vocals, guitar, songwriting Steve Peregrin Took – bongos, African talking drum, pixiphone, Chinese gong, assorted percussion, vocals PRODUCTION Produced by: Tony Visconti (Straight Ahead Productions) Engineered by: Malcolm Toft Photography by: Pete Sanders CHARTS UK Albums Chart: Peak #44 PACKAGING / ARTWORK HIGHLIGHTS Iconic black-and-white front cover photograph of Bolan and Took in a field with ritual objects Textured flipback sleeve Mono and Stereo variants WHAT THE SLEEVE SHOWS The front cover displays Marc Bolan in a long cape and Steve Peregrin Took standing on grass with ceremonial items at their feet. The back cover features a dramatic statue photograph, full track listing, production credits, and personal thanks. The design perfectly captures the mystical, woodland aesthetic of late-1960s psychedelic folk. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, rockfiles, 45 World, Wikipedia. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The April 19, 1968 edition of the Manchester Evening News features a review and profile of Tyrannosaurus Rex, noting their unusual name and describing their debut single “Debora” while highlighting their first public appearance at Hyde Park. Publication: Manchester Evening News Date: April 19, 1968 Country: United Kingdom Location: Manchester Section: Music Review / Pop Column THE STORY The piece explains the meaning of the band’s name (“King of the Lizards”) and introduces Marc Bolan (aged 21) and Steve Took (aged 20). It mentions their underground club performances and the single “Debora” on Regal-Zonophone, describing its repetitive chorus, lightning guitar work, and Bolan’s almost falsetto vocal. CONTEXT AND NOTES This regional review appears during the very early days of Tyrannosaurus Rex as they transitioned from the underground scene to wider recognition. It reflects the curiosity surrounding their eccentric, poetic style just as their debut single was released. WHAT THE CLIPPING SHOWS Headline referencing “Biggest ever” and the band’s unusual name Background on Marc Bolan and Steve Took Mention of their Hyde Park appearance and underground gigs Description of the sound of “Debora” (Regal-Zonophone) FEATURE HIGHLIGHTS Event: Early single review and band profile Era: 1968 (Early Tyrannosaurus Rex / Psychedelic Folk) Tone: Curious, descriptive, light-hearted Photography: Text-based review (no photo in clipping) RELATED MATERIAL This April 19, 1968 Manchester Evening News review of Tyrannosaurus Rex pairs perfectly with the Widnes Weekly News feature from the same date, as well as the March 23, 1968 Middle Earth Club poster and the April 25 Leicester Mercury review of “Debora”. For other relevant posts, see the tags at the foot of the page. All magazine scans, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

New Musical Express report on T. Rex cancelling a Sheffield Fiesta show after Marc Bolan objected to inflated admission prices, highlighting the band’s commitment to affordable concerts for fans. Publication: New Musical Express Date: Week Ending March 20, 1971 Country: United Kingdom Section: News / Touring Report THE STORY WHAT THE CLIPPING SHOWS T. Rex pulled out of a Sheffield Fiesta performance after discovering the venue’s admission charges were too high. Publicist B.P. Fallon confirmed that Marc Bolan found the prices ridiculous and refused to play, reinforcing the band’s policy of enforcing maximum ticket prices in all contracts. The article notes this follows a successful cut-price UK tour, with another planned for May. • Headline: “REX DROPS DATE IN ‘OVERCHARGING’ ROW” • Detailed news report on the Sheffield cancellation • Statements from publicist B.P. Fallon • Context on the band’s low-price philosophy CONTEXT AND NOTES RELATED MATERIAL This March 1971 NME report highlights Marc Bolan’s principled stance on ticket pricing during T. Rex’s rapid rise. As the band’s popularity surged, Bolan actively fought against exploitative pricing, aiming to keep shows accessible to young fans — a defining aspect of early T. Rextasy. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Touring news / Cancellation report Era: 1971 (Glam breakthrough / T. Rextasy) Tone: Principled, supportive of the band Photography: N/A • New Musical Express, Week Ending March 20, 1971 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The June 30, 1972 edition of the Manchester Evening News features a review of a new Marc Bolan single in the “Single Spin” column, noting its strong vocal trademarks and appeal. Publication: Manchester Evening News Date: June 30, 1972 Country: United Kingdom Location: Manchester Section: Music / Single Reviews THE STORY The review discusses a re-released or new Bolan track from Track Records, praising its originality, guitar work, and vocal performance. It also mentions other releases by The Who and Ray Charles. CONTEXT AND NOTES This review was published during the peak of T. Rextasy. It reflects the mainstream press’s ongoing interest in Marc Bolan’s output even as he flooded the market with material. FEATURE HIGHLIGHTS Event: Single review E ra: 1972 (Electric Warrior peak) Tone: Positive, observant Photography: Text-based column (no photo in clipping) WHAT THE CLIPPING SHOWS “Single Spin” column header Review of a Marc Bolan single Mention of The Who and other releases Typical newspaper music column layout RELATED MATERIAL June 17, 1972 Daily Mirror “The Secret Past of Marc Bolan” June 20, 1972 Daily Mirror “The Marc of success” For other relevant posts, see the tags at the foot of the page. SOURCES Manchester Evening News, June 30, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

On June 17 1967, BBC Light Programme’s Saturday Club broadcast a dynamic session by John’s Children, featuring early recordings and an interview with bassist John Hewlett. This appearance captured the band during their short but influential run in the London underground scene. RECORDING & BROADCAST DETAILS Artist: John’s Children Studio: The Playhouse Theatre, Northumberland Avenue, London Recorded: Tuesday, June 6 1967 Show: Saturday Club (BBC Light Programme) Broadcast Date: Saturday, June 17 1967 TRACK LISTING Jagged Time Lapse (2:38) Written-By – Geoff McClelland Interview With John Hewlett (0:53) Interviewee – John Hewlett The Perfumed Garden Of Gulliver Smith (2:46) Daddy Rolling Stone (2:12) Written-By – Otis Blackwell, P. Townshend* Hot Rod Mama (3:11) THE STORY This session showcases John’s Children at a pivotal moment — raw, energetic, and full of the proto-punk attitude that would later influence the glam and punk movements. The band, which briefly included a young Marc Bolan, delivered powerful performances of “Jagged Time Lapse,” “Hot Rod Mama,” and the mod classic “Daddy Rolling Stone,” along with a rare interview segment with bassist John Hewlett. CONTEXT & NOTES Recorded just days before broadcast, this Saturday Club session is a key document of John’s Children’s brief but fiery career. The inclusion of an interview adds historical value, giving insight into the band during the height of the British psychedelic and mod scene in 1967. RELATED MATERIAL John’s Children – Early Singles & Sessions Marc Bolan – Pre-T. Rex Years For other relevant posts, see the tags at the foot of the page. SOURCES Prince Vault, Wikipedia, sleevographia2, Discogs and 45cat. All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

On June 11 1968, Tyrannosaurus Rex recorded a mystical and intimate session at BBC Studio 1, 201 Piccadilly, London for Top Gear. The session was broadcast in two parts during the summer of 1968. RECORDING & BROADCAST DETAILS Artist: Tyrannosaurus Rex (Marc Bolan & Steve Peregrin Took) Studio: BBC Studio 1, 201 Piccadilly, London Recorded: Tuesday, June 11 1968 Show: Top Gear (BBC Radio 1) Broadcast Dates: Sunday, July 14 1968 (tracks 1-19 to 1-22) Sunday, August 25 1968 (track 1-23) TRACK LISTING Stacey Grove (With Chat) (1:53) 1-One Inch Rock (With Chat) (1:43) Salamanda Palaganda (With Chat) (2:06) Eastern Spell (With Chat) (1:35) Wind Quartets (With Chat) (2:53) THE STORY This session captures Tyrannosaurus Rex at their most enchanting psychedelic-folk peak. Marc Bolan’s poetic lyrics and distinctive vocal delivery, accompanied by Steve Peregrin Took’s percussion and the duo’s signature “With Chat” spoken segments, create a whimsical and otherworldly atmosphere typical of their late-1960s sound. CONTEXT & NOTES These recordings showcase the band’s early BBC radio work, full of the mystical charm and underground appeal that defined their pre-glam era. The multiple broadcast dates helped spread their unique sound to a wider audience during a highly creative period for the duo. RELATED MATERIAL Tyrannosaurus Rex – The Prophets, Seers & Sages: The Angels of the Ages (1968 Album) Tyrannosaurus Rex – Early BBC Sessions For other relevant posts, see the tags at the foot of the page. SOURCES Wikipedia, Discogs and 45cat, Marc Bolan Featuring John's Children, Tyrannosaurus Rex, Marc Bolan & T. Rex – Marc Bolan At The BBC (Radio Sessions And Broadcasts 1967 -1977). All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.