Issued during the final phase of John's Children's recording career, "Come And Play With Me In The Garden" and "Sarah Crazy Child" represent recordings from the group's late-1967 sessions produced by Simon Napier-Bell. Unlike commercially released copies, the surviving test pressings provide a fascinating insight into the manufacturing process before the single reached production. Several distinct preview and test-pressing variations are known, each showing different combinations of typed, handwritten and stamped information. These rare advance copies are among the most sought-after John's Children artefacts from the Marc Bolan era. One example featuring the distinctive yellow-centre format achieved £495 at auction on 13 May 2008. Sold at auction for £495 on May 13, 2008. RECORDING Both tracks were recorded at Spot Studios, South Molton Street, London. Production was handled by Simon Napier-Bell. Marc Bolan did not participate in the recording of "Come And Play With Me In The Garden", the A-side release. The recordings originated from the band's final months as an active recording unit. Sold at auction for £495 on May 13, 2008. STYLE & THEMES "Come And Play With Me In The Garden" continues the psychedelic pop approach the group had developed during 1967, while "Sarah Crazy Child" reflects the more adventurous and eccentric musical direction associated with John's Children's later recordings. The songs capture the experimental atmosphere surrounding the group during its closing chapter. TRACK-BY-TRACK NOTES • Come And Play With Me In The Garden — A-side recording produced during the band's final recording sessions. • Sarah Crazy Child — Companion B-side and one of the last releases associated with the group. RELEASE HISTORY A number of surviving preview and test pressings demonstrate that the single underwent several stages before final manufacture. The supplied examples reveal handwritten preview discs, typed test labels, Track Records-stamped variants and yellow-centre test pressings. Together they provide evidence of multiple preparation stages prior to commercial release. CHARTS & CERTIFICATIONS No chart information supplied. CERTIFICATIONS None. AWARDS None. PERSONNEL John's Children — performers Simon Napier-Bell — producer PRODUCTION Recorded at: Spot Studios, South Molton Street, London Produced by: Simon Napier-Bell Label: Track Record Format: Test Pressing / Preview Record NOTES • Recorded at Spot Studios in South Molton Street, London. • Produced by Simon Napier-Bell. • Marc Bolan did not contribute to the A-side recording. • The surviving test pressings show a number of manufacturing and label variations. • One version uses entirely handwritten titles and artist credits on both sides with "Preview Record - Not For Sale" added by hand. • Another example combines typed titles with handwritten amendments and dating notes. • One supplied example carries a handwritten date of 21st July, indicating manufacture prior to release. • Some copies feature blue TRACK RECORDS ownership stamps applied across the lower section of the labels. • Typed-label examples exist with the track titles neatly prepared but lacking later handwritten additions. • A particularly distinctive variant uses a yellow background visible through the push-out centre area. • The yellow-centre version realised £495 at auction on 13 May 2008. • Several test pressings include handwritten side designations such as "A Side" and "B Side". • All examples bear "Preview Record - Not For Sale" wording, confirming their pre-release status. • The supplied images demonstrate that no two surviving examples appear completely identical in presentation. • These differences make individual test pressings important collector variations in their own right. RELEASE VARIANTS TABLE Artist Title Label Country Date Format John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Handwritten Test Pressing John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Typed Test Pressing John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Typed Test Pressing with TRACK RECORDS Stamp John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Yellow-Centre Test Pressing John's Children Come And Play With Me In The Garden / Sarah Crazy Child Track Record UK July 1967 Dated Preview Copy (21st July) TRACKLIST TABLE (ALL FORMATS) Format Tracklisting Test Pressing Side 1: Come And Play With Me In The Garden Side 2: Sarah Crazy Child This single by John's Children appeared in the United Kingdom during July 1967 on the Track Record label under catalogue number 604005. One source lists the release date as the fourteenth of that month while another places it on the twenty-first. The disc was issued in a hurry following the withdrawal of an earlier Marc Bolan-composed track titled Midsummer Nights Scene. Musically the A-side amounts to little more than a reworking of a previous John's Children B-side called Remember Thomas A'Beckett. The resulting limited commercial performance has left the single among the more difficult John's Children 45s to locate, even in standard form. Certain copies were housed in a particularly scarce picture sleeve. Marc Bolan is noted as having taken no part in the creation of the A-side. Run-out etchings on the UK pressing read 604005A▼2111 on the first side and 604005B//1121 on the second. The tracks were captured at Spot Studios, located on South Molton Street in London. TRACK‑BY‑TRACK NOTES • Come And Play With Me In The Garden This side represents a reworking of the earlier John's Children recording • Sara, Crazy Child — Songwriting credit is assigned to Bolan. RELEASE HISTORY The United Kingdom edition appeared on Track Record as catalogue 604005 in July 1967, with sources citing either the fourteenth or the twenty-first of the month. German pressings followed the same year on Polydor under catalogue 59 116, including both a standard mono single and a promotional version. An advance white-label edition was also prepared in the United Kingdom on the Snb label as catalogue 001. Some UK copies are known to have been supplied with a very rare picture sleeve. The single's hurried appearance after the withdrawal of Midsummer Nights Scene, combined with its status as a rewrite of an earlier B-side and subsequent weak sales, has made even ordinary copies comparatively scarce. PERSONNEL John's Children — performers PRODUCTION Produced by Simon Napier Bell Label: Track Record (UK); Polydor (Germany); Snb (UK advance) NOTES Some copies of the UK edition were issued in a very rare picture sleeve. The single was rushed into release after the withdrawal of the Marc Bolan-penned Midsummer Nights Scene. Its character as a rewrite of the earlier B-side Remember Thomas A'Beckett, together with poor sales, has left it one of the hardest John's Children 45s to obtain even without the picture sleeve. Run-out etchings on the Track Record pressing are Side 1: 604005A▼2111 and Side 2: 604005B//1121. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format John's Children Come And Play With Me In The Garden Track Record UK 604005 July 14, 1967 7" Single John's Children Come And Play With Me In The Garden Track Record UK 604005 July 21, 1967 7" Single John's Children Come And Play With Me In The Garden Polydor Germany 59 116 1967 7" Single, 45 RPM John's Children Come And Play With Me In The Garden Polydor Germany 59 116 1967 7", 45 RPM, Single, Mono John's Children Come And Play With Me In The Garden Snb (2) UK 001 1967 7", 45 RPM, Advance, Single, White Label John's Children Come And Play With Me In The Garden / Sara, Crazy Child Polydor Germany 59 116 1967 7", 45 RPM, Promo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 7" 604005 A. Come And Play With Me In The Garden B. Sara, Crazy Child 7" 59 116 A. Come And Play With Me In The Garden B. Sara, Crazy Child 7" 001 A. Come And Play With Me In The Garden B. Sara, Crazy Child SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided SPOT acetate preserves Jasmine '49, recorded during Marc Bolan and Steve Peregrin Took's August 1967 recording sessions at Spot Studios, London. The acetate forms part of a remarkable group of twelve recordings completed during two sessions that helped lay the foundations for the music that would shortly emerge under the Tyrannosaurus Rex name. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton Street, London. The acetate survives with a handwritten title and artist credit on a SPOT Studios label. STYLE & THEMES Jasmine '49 belongs to one of the most important recording periods in Bolan's early career. According to the supplied source, these sessions saw the emergence of Bolan's distinctive "Baa Baa Black Sheep" vocal style that would become a key characteristic of early Tyrannosaurus Rex recordings. TRACK-BY-TRACK NOTES • Jasmine '49 • Blank. PRODUCTION Producer: Simon Napier Bell Studio: Spot Studios Location: South Molton Street, London Artist: Marc Bolan with Steve Peregrin Took Format: Single-Sided Acetate Date: August 1967 NOTES • Recorded during the August 1967 Spot Studios sessions. • Produced by Simon Napier Bell. • Recorded with Steve Peregrin Took. • Issued as a single-sided SPOT acetate. • Features handwritten title and artist information. • One of twelve songs recorded during the sessions. • Represents an important stage in Bolan's musical evolution. TRACKLIST TABLE Format Tracklisting Single-Sided Acetate Side One • Jasmine '49 SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided SPOT acetate preserves Jasper C. Debussy, one of twelve recordings completed by Marc Bolan and Steve Peregrin Took during two recording sessions held at Spot Studios during August 1967. These sessions represent a key turning point in Bolan's artistic development and document the earliest stages of the musical partnership that would soon become Tyrannosaurus Rex. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton Street, London. Jasper C. Debussy was one of twelve songs recorded during the August 1967 sessions. The surviving acetate carries a handwritten title and artist identification on a yellow SPOT Studios label. STYLE & THEMES The August 1967 sessions marked a significant creative step for Marc Bolan. According to the supplied source, it was during these recordings that Bolan began developing the distinctive "Baa Baa Black Sheep" vocal style that became a defining feature of early Tyrannosaurus Rex recordings. TRACK-BY-TRACK NOTES • Jasper C. Debussy PRODUCTION Producer: Simon Napier Bell Studio: Spot Studios Location: South Molton Street, London Artist: Marc Bolan with Steve Peregrin Took Format: Single-Sided Acetate Date: August 1967 NOTES • One of twelve songs recorded during two August 1967 sessions. • Recorded with Steve Peregrin Took. • Produced by Simon Napier Bell. • Issued as a single-sided SPOT acetate. • Features handwritten title and artist information. • Represents the formative Tyrannosaurus Rex period. TRACKLIST TABLE Format Tracklisting Single-Sided Acetate Side One • Jasper C. Debussy SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This rare single-sided SPOT acetate preserves Lunacy's Back, one of twelve songs recorded by Marc Bolan and Steve Peregrin Took during the August 1967 Spot Studios sessions. The acetate survives as an important document from the period immediately preceding the creation of Tyrannosaurus Rex and offers a glimpse into Bolan's rapidly developing songwriting style. RECORDING The recording was produced by Simon Napier Bell. Recording took place at Spot Studios, South Molton Street, London. The surviving acetate carries a handwritten title and artist credit on a SPOT Studios label. Unlike the other supplied acetates, the label also features a distinctive doodle above the song title. STYLE & THEMES Lunacy's Back originates from one of the most creative periods of Bolan's pre-Tyrannosaurus Rex career. The August 1967 sessions marked the point at which Bolan began adopting the vocal approach later associated with classic early Tyrannosaurus Rex recordings. TRACK-BY-TRACK NOTES SIDE ONE • Lunacy's Back SIDE TWO • Blank. PRODUCTION Producer: Simon Napier Bell Studio: Spot Studios Location: South Molton Street, London Artist: Marc Bolan with Steve Peregrin Took Format: Single-Sided Acetate Date: August 1967 NOTES • Recorded during August 1967. • Produced by Simon Napier Bell. • Recorded with Steve Peregrin Took. • Issued as a single-sided SPOT acetate. • Features handwritten title and artist information. • The supplied label includes a distinctive doodle. • One of twelve songs completed during the August 1967 sessions. • Represents the formative stages of the Tyrannosaurus Rex sound. TRACKLIST TABLE Format Tracklisting Single-Sided Acetate Side One • Lunacy's Back SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

An original 7-inch acetate pressing of the 1969 T. Rex single Pewter Suitor. The acetate features London Disc-Cutting labels with the track title written in blue biro and personal handwritten notes in red felt pen attributed to Marc Bolan. The inscription was written for broadcaster John Peel, with the acetate being one of a number of records reportedly sent to him with personal messages from Marc Bolan during the late 1960s. The handwritten annotations provide a rare surviving example of the correspondence and working relationship between Bolan and Peel during the formative Tyrannosaurus Rex era. ITEM DETAILS FIELD DETAILS Artist T. Rex Title Pewter Suitor Format 7-Inch Acetate Studio London Disc-Cutting Year 1969 Label Notes Handwritten by Marc Bolan Track Title Written in blue biro Personal Message Written in red felt pen Intended Recipient John Peel Condition Excellent, a couple of light hairline and paper marks Sold Date July 29, 2025 Source Omega Auctions NOTES This acetate is notable not only for its rarity as an early T. Rex pressing, but also for the personal annotations written on the label. Records sent directly to John Peel with handwritten notes from Marc Bolan seldom appear on the market and provide an unusual glimpse into their professional and personal association. The acetate was described as having bright, clean labels and an excellent lacquer playing surface. As one of several known examples sent to Peel, it represents an important piece of T. Rex archive history from the late 1960s. Released on January 17, 1969, Pewter Suitor was the fourth UK single by Tyrannosaurus Rex and followed the group's growing success on Regal Zonophone. Issued during the prolific period between the release of the band's first two albums, the single showcased Marc Bolan's continuing development as a songwriter and lyricist. Although the record did not enter the UK Singles Chart, it remains a key release from the duo's early period and is regarded as one of the more distinctive non-album singles from the Tyrannosaurus Rex catalogue. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both the A-side and B-side were issued in mono. The recordings reflect the continuing creative partnership between Marc Bolan, Steve Peregrin Took and Tony Visconti during the group's most productive early period. STYLE & THEMES "Pewter Suitor" combines the whimsical imagery, acoustic instrumentation and mystical atmosphere that had become Tyrannosaurus Rex trademarks by early 1969. The B-side, "War Lord Of The Royal Crocodiles", continues Bolan's fascination with fantasy, mythology and surreal storytelling, themes that featured prominently throughout the group's early recordings. Together, the two songs capture the unique blend of folk, poetry and imagination that separated Tyrannosaurus Rex from their contemporaries. T REX - PEWTER SUITOR 7" ACETATE (HAND WRITTEN LABEL BY MARC BOLAN). An incredible to see 7" acetate pressing of T Rex's 1969 single Pewter Suitor, labels feature hand-written notes about the release for John Peel written by Marc Bolan (London Disc-Cutting labels are bright and clean. Track names written in blue biro. Notes by Marc Bolan for John written in red felt pen. Lacquer playing surface is Ex, displays a couple of hairline/ wispy paper marks). One of a number of records sent to John Peel with personal handwritten messages from Marc Bolan on the label TRACK-BY-TRACK NOTES SIDE ONE • Pewter Suitor (3:09) – A melodic Tyrannosaurus Rex composition featuring Bolan's distinctive lyrical imagery and acoustic style. SIDE TWO • War Lord Of The Royal Crocodiles – A fantasy-inspired recording reflecting the whimsical storytelling that characterised the group's early work. RELEASE HISTORY The single was released by Regal Zonophone on January 17, 1969 under catalogue number RZ 3016. Commercial copies were issued with Regal Zonophone's standard red centre labels. Despite failing to chart, the release became a favourite among collectors and remains an important part of the duo's recorded legacy. The single also received releases in additional territories including France and the Netherlands. PERSONNEL Marc Bolan — vocals, guitar Steve Peregrin Took — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Mono Catalogue Number: RZ 3016 Publisher: Essex International / Lupus Music Ltd. NOTES • Released on January 17, 1969. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in mono. • Commercial copies featured Regal Zonophone's standard red centre labels. • The single failed to chart in the UK. • The promotional issue used the title "Warlord Of The Royal Crocodiles" as a single word. Dorset Echo Dorset Evening Echo Weymouth, Dorset, England · Tuesday, January 21, 1969 • Standard commercial copies used the title "War Lord Of The Royal Crocodiles" as two words. • The release is one of the last Tyrannosaurus Rex singles before the group's sound began evolving towards later developments. • No authentic picture sleeve was issued with the original UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The fan-club sleeve is not an original 1969 issue. RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 17, 1969 7" Single RZ 3016 UK 1969 7" Promo Single RZ 3016 INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1969 Stateside 2C 006 90026 Netherlands 1969 Stateside HSS 1339 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3016 Side One • Pewter Suitor (3:09) Side Two • War Lord Of The Royal Crocodiles RUN-OUT ETCHINGS Side Matrix / Runout Side One 7XCAR 6956-2 / 1 KT A Side Two 7XCAR 6957-2 / 1 KT A SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy B-side listed as "Warlord Of The Royal Crocodiles" Commercial Issue B-side listed as "War Lord Of The Royal Crocodiles" Standard Red Label Issue Original UK commercial pressing 1990s Fan Club Sleeve Unofficial commemorative sleeve produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

An original Pye Records advanced promotion acetate for the unreleased Marc Bolan album Hard On Love. The acetate is handwritten with the title Hard On Love and Marc Bolan's name, with catalogue references 2406 101 A and 2406 101 B appearing on the respective labels. The lot also includes original legal documentation relating to proceedings between Marc Bolan and Track Records Ltd. The accompanying paperwork consists of copies of affidavits associated with the dispute, adding significant historical interest and provenance to the acetate. According to the auction description, the record was presented in excellent condition with only a few light surface marks visible on both sides. NOTES Unreleased Marc Bolan acetates rank among the most desirable pieces of T. Rex-related record memorabilia. This example is further enhanced by the inclusion of period legal documentation connected to Marc Bolan and Track Records Ltd., providing additional context to the era in which the acetate was created. The combination of an unreleased album acetate and original legal paperwork makes this a particularly unusual archive piece, bringing together both recording history and music industry documentation in a single collection. This represents Marc Bolan’s unreleased 1972 album Hard On Love. Bolan placed an injunction preventing its release at the time, feeling the material did not represent him at the time (1972). The material was later issued in 1974 as The Beginning Of Doves. ITEM DETAILS FIELD DETAILS Artist Marc Bolan Title Hard On Love Format Advanced Promotion Acetate Record Company Pye Records Ltd. Type Unreleased LP Acetate Catalogue Reference 2406 101 A / 2406 101 B Speed 33⅓ rpm Additional Material Original Legal Affidavits Related Parties Marc Bolan and Track Records Ltd. Condition Excellent, light surface marks Sold Date July 29, 2025 Source Omega Auctions All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The July 27, 1974 edition of the Evening Despatch reviews Marc Bolan’s The Beginning of Doves, looking back at the early Tyrannosaurus Rex period. Publication: Evening Despatch Date: July 27, 1974 Country: United Kingdom The review notes that the album brings back happy memories of the days when Tyrannosaurus Rex were a small cult band. It praises Marc’s trembling, almost unintelligible vocals backed by acoustic guitar and Steve Peregrine Took on percussion and flutes. The lyrics are described as good Tolkien-like entertainment, especially on numbers such as “One Inch Rock.” The tracks date from before Tony Blackburn refused to play their singles because he could not say Tyrannosaurus Rex. Most of the numbers were not on any albums except for a few listed titles, with 20 tracks in total. CONTEXT AND NOTES The piece presents the album as a reminder of Marc Bolan’s pre-T. Rex cult period, highlighting the acoustic sound and the contrast with his later commercial success. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A syndicated entertainment news item reports on two major Marc Bolan archive releases planned for late 1981, highlighting a comprehensive Australian retrospective and a newly assembled collection of 1960s acoustic recordings. Published four years after Bolan's death, the article reflects the continuing interest in his music and legacy. Publication: The Albert Lea Evening Tribune Publication Date: October 10, 1981 Country: USA Event Date: October 1981 This short entertainment column announces two forthcoming Marc Bolan releases aimed at preserving and reintroducing different phases of his musical career. The article reports that EMI Records Australia was preparing to issue 20th Century Boy, a three‑record, 64‑track anthology spanning Bolan's career from his earliest recordings through the T. Rex years. The extensive collection was designed to provide a broad overview of his evolution as a songwriter, performer and recording artist. The piece also reports that former manager Simon Napier‑Bell had uncovered a collection of previously recorded acoustic performances dating from the late 1960s. These recordings were being prepared for release under the title You Scare Me To Death, featuring newly added backing from accompanying musicians. According to the article, the release was expected to become available as an import before the end of the month. The writer describes Bolan as “England's answer to Jim Morrison”, underlining the enduring fascination with his career and influence several years after his death. CONTEXT AND NOTES Published in October 1981, the article provides contemporary evidence of the growing effort to catalogue and preserve Marc Bolan's recorded legacy. During the early 1980s, record companies increasingly turned to archive releases, compilations and previously unreleased recordings to satisfy continuing demand from collectors and long‑time followers. The article is particularly significant because it documents the original promotion of both 20th Century Boy, the major Australian retrospective, and You Scare Me To Death, a release built around much earlier recordings from Bolan's pre‑Tyrannosaurus Rex years. FEATURE HIGHLIGHTS Event: Announcement of two major Marc Bolan archive releases Era: 1981 – Posthumous archive release period Tone: Informative and retrospective Photography: Small promotional portrait of Marc Bolan accompanying the article WHAT THE CLIPPING SHOWS Announcement of the 20th Century Boy three‑LP compilation Coverage of the forthcoming You Scare Me To Death release Reference to material recorded during the late 1960s Mention of Simon Napier‑Bell and archive tape discoveries Evidence of continuing commercial interest in Marc Bolan's catalogue Contemporary American newspaper coverage of Bolan archive projects All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

20th Century Boy is a triple-album compilation issued in Australia by EMI in 1981. Released under catalogue number MARC 1, the collection presents a broad retrospective of Marc Bolan's recording career, beginning with solo recordings from 1965–67, continuing through the Tyrannosaurus Rex years, the classic T. Rex era, and concluding with recordings from the final years of T. Rex. The compilation combines commercially released material, rare recordings, interview segments and associated projects, creating an extensive overview of Bolan's musical development. The compilation draws together recordings originally issued between 1965 and 1977. Material is divided into distinct chronological sections covering Marc Bolan's pre-Tyrannosaurus Rex recordings, the John's Children period, Tyrannosaurus Rex recordings, T. Rex recordings from 1970 onwards, and later recordings associated with projects including Dib Cochran & The Earwigs and Big Carrot. STYLE & THEMES The collection traces the evolution of Marc Bolan's music from early beat and pop-influenced recordings through psychedelic folk, acoustic fantasy-based material, glam rock, rock and roll, and later pop-rock recordings. The compilation provides a chronological overview of the changing styles and sounds associated with Bolan's career. TRACK-BY-TRACK NOTES • Disc One focuses on Marc Bolan's early solo recordings from 1965–67 and recordings with John's Children during 1967. • Disc Two documents the Tyrannosaurus Rex years between 1968 and 1970, featuring key recordings from the duo's formative period. • Disc Three traces the rise of T. Rex from 1970 onwards, including major singles and later studio recordings through to the final years of Bolan's career. RELEASE HISTORY Released in Australia during 1981 by EMI, 20th Century Boy was issued as a corrected edition triple LP compilation. The release was packaged in a multi-fold cover and included three fold-out inserts containing photographs, notes and discographical information. The compilation had originally been issued with an error in which "Wind Cheetah" appeared in place of "By The Light Of The Magical Moon". This pressing was issued as the corrected edition. PERSONNEL Marc Bolan John's Children Tyrannosaurus Rex T. Rex Dib Cochran & The Earwigs Big Carrot PRODUCTION Composed By: Marc Bolan Producer: Jim Economides (tracks A1-A4) Producer: Simon Napier-Bell (tracks A5-A13) Producer: Tony Visconti (tracks B1-E4) Producer: Marc Bolan (tracks E3-F10) Record Company: EMI Records Australia Phonographic Copyright: EMI (Australia) Limited Made By: EMI (Australia) Limited Manufactured By: EMI Group Of Companies Distributed By: EMI Group Of Companies RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format Marc Bolan 20th Century Boy EMI Australia MARC 1 1981 3 × LP, Compilation, Repress, Corrected Edition TRACKLIST TABLE Format Catalogue Tracklisting 3LP MARC 1 LP1 – Side A A1. The Wizard (#1) A2. Beyond The Rising Sun (#1) A3. The Third Degree A4. San Francisco Poet A5. Hippy Gumbo (#1) A6. Misfit A7. The Perfumed Garden Of Gulliver Smith A8. Jasper C. Debussy A9. Hot Rod Momma (#1) A10. Mustang Ford (#1) A11. Desdemona (#1) A12. Sara Crazy Child (#2) A13. Midsummer Night's Scene A14. Interview Segment 3LP MARC 1 LP1 – Side B B1. Child Star B2. Debora B3. Demon Queen B4. One Inch Rock (#2) B5. Catblack (The Wizard's Hat) (#2) B6. Pewter Suitor B7. King Of The Rumbling Spires B8. Do You Remember? B9. By The Light Of The Magical Moon B10. Once Upon The Seas Of Abyssinia B11. Blessed Wild Apple Girl B12. Find A Little Wood B13. Interview Segment 3LP MARC 1 LP2 – Side C C1. Oh Baby C2. Beltane Walk C3. Ride A White Swan C4. Hot Love C5. Get It On (Bang A Gong) C6. Jeepster C7. Planet Queen C8. Telegram Sam C9. Metal Guru 3LP MARC 1 LP2 – Side D D1. Chariot Choogle D2. Baby Strange D3. Children Of The Revolution D4. Jitterbug Love D5. Sunken Rags D6. Solid Gold Easy Action D7. Born To Boogie D8. 20th Century Boy D9. Highway Knees D10. The Groover D11. Christmas Messages 3LP MARC 1 LP3 – Side E E1. Squint Eye Mangle (Instrumental) E2. Truck On (Tyke) E3. Teenage Dream E4. Venus Loon E5. Light Of Love E6. Think Zinc E7. Zip Gun Boogie E8. New York City E9. Dreamy Lady 3LP MARC 1 LP3 – Side F F1. London Boys F2. Solid Baby F3. I Love To Boogie F4. Laser Love F5. City Port (With Gloria Jones) F6. The Soul Of My Suit F7. Dandy In The Underworld (#2) F8. Celebrate Summer F9. Crimson Moon F10. Teen Riot Structure F11. Interview Segment NOTES Multi-fold cover. Triple album format. Includes three 12" × 24" fold-out inserts containing photographs, notes and discography. This corrected edition was issued after an earlier pressing substituted "Wind Cheetah" in place of "By The Light Of The Magical Moon". On this corrected edition, B9 is listed as "By the Light Of The Magical Moon". Compilation copyright: ℗ 1981 EMI Australia Ltd. RELATED RELEASES • The Wizard • Hippy Gumbo • Mustang Ford • Desdemona • Ride A White Swan • Hot Love • Electric Warrior • The Slider • Tanx • Dandy In The Underworld All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Sounds reports on criticism aimed at the rising cost of major rock concerts, with Atomic Rooster leader Vincent Crane publicly attacking ticket prices charged for Christmas appearances by T. Rex and Led Zeppelin. The issue also includes news of a proposed T. Rex animated television series and advertisements for the band's Christmas Sundown concerts. Publication: Sounds Publication Date: December 23, 1972 Country: United Kingdom Event Date: December 22–23, 1972 (T. Rex Christmas Sundown Concerts) This edition of Sounds places T. Rex at the centre of a debate about concert ticket prices during the Christmas concert season. Under the headline “Rooster's Crane Slams Zep & Rex”, Atomic Rooster keyboard player Vincent Crane criticises the cost of tickets being charged for major festive rock shows. The article specifically references T. Rex's Christmas Sundown performances, arguing that ticket prices had risen significantly compared with the band's earlier policy of keeping admission costs low. A reader's comment elsewhere on the page echoes the complaint, asking what had happened to Marc Bolan's previous commitment to affordable ticket prices. Alongside the news story are several advertisements promoting T. Rex's Christmas concerts: Sundown Edmonton – Friday, December 22, 1972 Sundown Brixton – Saturday, December 23, 1972 Performances scheduled at 5:00 pm and 8:30 pm The page also contains a separate report revealing plans for a proposed T. Rex animated cartoon series. According to the article, Marc Bolan was developing an animated television project featuring the group. The series would utilise story concepts and creative ideas already developed by Bolan, with the intention of producing the project independently before offering it to television companies both in Britain and abroad. CONTEXT AND NOTES Published during the final week before Christmas 1972, this page captures T. Rex at the height of Bolanmania. The Christmas Sundown concerts were among the most anticipated events of the festive season and attracted considerable attention from fans and the music press alike. The proposed cartoon project is particularly interesting, showing Bolan exploring creative opportunities beyond music, film and publishing. Had it progressed, it would have represented one of the earliest British attempts to build an animated television series around a contemporary rock group. The page also reflects growing discussion within the music industry about rising concert prices as major bands began performing increasingly large and expensive live productions FEATURE HIGHLIGHTS Event: T. Rex Christmas Sundown concerts and animated series announcement Era: 1972 – Peak Bolanmania period Tone: News-based, promotional and controversial Photography: News photograph of Vincent Crane together with multiple T. Rex concert advertisements WHAT THE CLIPPING SHOWS Headline: “Rooster's Crane Slams Zep & Rex” Debate over rising concert ticket prices Advertisements for T. Rex Christmas Sundown concerts Edmonton Sundown performance on December 22, 1972 Brixton Sundown performances on December 23, 1972 Report on a planned T. Rex animated cartoon series Reader correspondence discussing Marc Bolan's ticket pricing policy All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A BBC radio listing highlights a special Radio 1 programme dedicated to Marc Bolan, featuring archive BBC performances and interviews marking the continuing legacy of the T. Rex frontman sixteen years after his passing. Publication: Huddersfield Daily Examiner Date: Friday, October 8, 1993 Country: United Kingdom This television and radio listings feature promotes a special BBC Radio 1 programme dedicated to Marc Bolan, scheduled for broadcast at 2.00pm. The listing announces “In Session”, described as a selection of tracks recorded for the BBC by Marc Bolan, alongside archive interviews featuring some of the singer's closest friends. A photograph of Bolan accompanies the listing under the caption: “Rocker Marc Bolan, who died in 1977, is remembered on Radio 1 at 2.00pm.” The programme forms part of Radio 1’s Saturday afternoon schedule, which also includes shows presented by Gary Davies, Claire Sturgess, Adrian Juste, and later Johnnie Walker. CONTEXT AND NOTES The listing demonstrates the enduring popularity of Marc Bolan and T. Rex in the United Kingdom during the 1990s. More than fifteen years after his passing, Radio 1 continued to celebrate Bolan’s contribution to British popular music through archive broadcasts and retrospective programming. The use of BBC session recordings and interview material provided listeners with a chance to revisit both Bolan’s music and his personality. FEATURE HIGHLIGHTS Event: BBC Radio 1 Marc Bolan retrospective broadcast Era: 1993 – Retrospective appreciation period Tone: Commemorative, informative Photography: Black‑and‑white promotional portrait of Marc Bolan WHAT THE CLIPPING SHOWS BBC Radio 1 listing for a Marc Bolan special at 2.00pm Archive BBC performances by Marc Bolan Interviews featuring some of Bolan’s closest friends Photograph and caption commemorating Bolan’s legacy apbook, Huddersfield Daily Examiner, 1993, BBC Sessions, T. Rex, Legacy Era All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Sound Track Of The Motion Picture Born To Boogie was released in 1991 by Marc On Wax as a soundtrack album connected to the film Born To Boogie. Issued as a double album, the release compiled music associated with the motion picture and combined live performances, film material and soundtrack recordings connected to Marc Bolan and T. Rex. RECORDING The album was issued as a 2 × LP soundtrack release and later appeared in several additional formats including CD and cassette editions. The material was presented as the official soundtrack to the motion picture Born To Boogie. STYLE & THEMES The release combines rock, stage and screen material, glam rock and soundtrack recordings. The track selection focuses on key T. Rex recordings including "Jeepster", "Baby Strange", "Cosmic Dancer", "Telegram Sam", "Hot Love", "Get It On" and "Children Of The Revolution". RELEASE HISTORY Released in the United Kingdom during 1991 by Marc On Wax, the soundtrack was issued under catalogue number MARC LP 514 as a double LP set. The release was later issued on CD, cassette, VHS and Laserdisc formats in various territories. ALBUM DETAILS Released: 1991 Country: UK Label: Marc On Wax Catalogue Number: MARC LP 514 South Wales EchoCardiff, South Glamorgan, Wales · Monday, March 11, 1991 NOTES Issued with a 12" × 12" booklet. The soundtrack was released as a double album and accompanied the motion picture Born To Boogie. RELATED RELEASES Born To Boogie (Film) Jeepster Baby Strange Cosmic Dancer Telegram Sam Hot Love Get It On Chariot Choogle RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax UK MARC LP 514 1991 2 × LP, Album Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax UK MARC CD 514 1991 CD, Album Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax UK MARC MC 514 1991 Cassette, Album Marc Bolan & T. Rex Born To Boogie The Movie Picture Music International Europe MVN 99 1267 3 1991 VHS, PAL Marc Bolan & T. Rex Born To Boogie - The Movie Vap Japan VPLR-70161 1991 Laserdisc Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax Japan TECX-25024 1992 CD, Album Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax / EastWest Europe 9031-75796-2 1992 CD, Album, Remastered Marc Bolan & T. Rex The Sound Track Of The Motion Picture Born To Boogie Marc On Wax Japan TECX-25024 1992 CD, Album, Promo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 2LP MARC LP 514 LP1 – Side A A1. Jeepster A2. Baby Strange A3. Spaceball Ricochet A4. Cosmic Dancer 2LP MARC LP 514 LP1 – Side B B1. Telegram Sam B2. Hot Love B3. Get It On 2LP MARC LP 514 LP2 – Side C C1. The Tea Party 2LP MARC LP 514 LP2 – Side D D1. Runway D2. I Looked To The Left D3. Some People Like To Rock D4. Chariot Choogle D5. Some People Like To Roll D6. Children Of The Revolution (Strings) All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Dandy In The Underworld was reissued in Japan on November 4, 2015, by Imperial Records as part of a series of high-quality catalogue restorations devoted to Marc Bolan and T. Rex. Issued in HR Cutting format, the release presented what is widely regarded as the final great studio album of Bolan's career. Originally released in 1977, Dandy In The Underworld arrived after several years in which changing musical tastes and shifting commercial fortunes had moved T. Rex away from the dominant position they had occupied during the height of T. Rextasy. Rather than representing a decline, however, the album revealed a revitalised songwriter rediscovering confidence and creative focus. Today, many fans and critics view Dandy In The Underworld as one of the strongest albums in the entire T. Rex catalogue. It combined the energy and imagination of Bolan's early successes with the experience gained throughout a decade of recording, resulting in an album that successfully balanced contemporary sounds with the unique qualities that had always defined his work. The record would ultimately become the final studio album released during Marc Bolan's lifetime and therefore occupies a particularly important place within the T. Rex story. RECORDING The album was assembled using a variety of musicians and recording sessions that reflected the changing nature of T. Rex during the late 1970s. Marc Bolan remained firmly at the centre of the project, serving as writer, producer, vocalist and guitarist. Around him was assembled a diverse collection of contributors including Herbie Flowers, Steve Currie, Tony Newman, Davey Lutton, Dino Dines, Gloria Jones, Miller Anderson, Chris Mercer and Bud Beadle. The sessions reflected Bolan's determination to modernise his sound without abandoning the melodic instincts that had always distinguished T. Rex recordings. Horn arrangements, keyboards, synthesizers and layered backing vocals all contributed to a richer and more contemporary production style. The resulting album sounds far more assured than many of the records that immediately preceded it and captured a creative resurgence that would soon be reflected in the band's improving live performances and growing media profile. STYLE & THEMES Dandy In The Underworld blends glam rock, pop, soul and contemporary rock influences into one of the most varied records in the T. Rex catalogue. Lyrically, the album frequently explores themes of identity, fame, survival and reinvention. Bolan appears increasingly self-aware throughout the record, often reflecting on his own experiences while retaining the imaginative and poetic language that had characterised his work since the Tyrannosaurus Rex era. Musically, the album moves effortlessly between energetic rock songs, melodic pop recordings and more reflective moments. The arrangements are polished without sacrificing spontaneity, while Bolan's vocals convey confidence and maturity. The album title itself can be interpreted as a statement of resilience, presenting the image of an outsider determined to survive and thrive despite changing circumstances. TRACK-BY-TRACK NOTES • Dandy In The Underworld — The title track and opening statement. Featuring guest vocals from Steve Harley, the song immediately establishes the album's themes of reinvention and self-belief. • Crimson Moon — One of the most atmospheric compositions from Bolan's later years, driven by strong melodies and evocative imagery. • Universe — Features vocals from Colin Jacas and provides one of the album's more reflective moments. • I'm A Fool For You Girl — Soul-influenced recording featuring flute and violin textures that broaden the album's musical palette. • I Love To Boogie — One of the defining T. Rex singles of the late period and among the band's final major hit recordings. • Visions Of Domino — A concise and energetic rocker that later became a concert favourite. • Jason B. Sad — Features guitar contributions from Miller Anderson and showcases Bolan's gift for character-driven songwriting. • Groove A Little — Infectious groove-based performance demonstrating the album's contemporary feel. • The Soul Of My Suit — One of the most distinctive recordings in the later T. Rex catalogue. • Hang-Ups — A witty and melodic track balancing humour with strong musicianship. • Pain And Love — A reflective composition featuring Marc Bolan himself on bass and percussion. • Teen Riot Structure — One of the album's most ambitious recordings, enhanced by Bud Beadle's flute work. BONUS TRACKS • Celebrity Summer — Valuable addition to the Japanese reissue. • Underground World Dandy (Single Version) — Alternate single presentation of material associated with the album period. THE COMEBACK ALBUM By 1977, many observers viewed Dandy In The Underworld as a comeback record. The album arrived alongside a renewed media profile, successful television appearances and increasingly strong concert performances. Songs from the album quickly became central components of T. Rex live sets, helping to rebuild momentum around the band. The confidence evident throughout the record suggests that Bolan had entered a new creative phase and many listeners believe Dandy In The Underworld pointed towards an exciting future direction. Tragically, that future was never fully realised. As a result, the album carries an additional emotional significance for fans, standing as the final complete studio statement from one of Britain's most distinctive songwriters. LEGACY Over the decades, Dandy In The Underworld has undergone substantial critical reappraisal. Many modern listeners now rank the album alongside the strongest releases of Bolan's career, viewing it as a successful fusion of the classic T. Rex sound with contemporary influences. The record demonstrates that Marc Bolan remained an inventive and relevant artist throughout the final chapter of his career. The album also serves as a fitting conclusion to the remarkable story that began with Tyrannosaurus Rex in the late 1960s and evolved into one of the defining acts of the glam rock era. RELEASE HISTORY Originally released in 1977. Reissued by Imperial Records in Japan on November 4, 2015, as an HR Cutting CD edition featuring the original album along with two bonus tracks. PERSONNEL Marc Bolan — guitar, vocals, producer Steve Harley — guest vocals on Dandy In The Underworld Colin Jacas — vocals on Universe Gloria Jones — vocals Alfalpha — vocals Herbie Flowers — bass Steve Currie — bass Tony Newman — drums Davey Lutton — drums Dino Dines — keyboards, synthesizer Miller Anderson — guitar Chris Mercer — tenor saxophone Bud Beadle — baritone saxophone, flute Scott Edwards — bass Paul Humphrey — drums Steve Gregory — flute J. Long — violin PRODUCTION Label: Imperial Records Catalogue Number: TECI-20709 Format: CD Country: Japan Released: November 4, 2015 Edition: HR Cutting Reissue Manufacturer: Teichiku Records Co., Ltd. Producer: Marc Bolan NOTES • Japanese HR Cutting reissue. • Originally released in 1977. • Includes two bonus tracks. • Manufactured by Teichiku Records Co., Ltd. • Features Japanese liner notes. • Regarded by many fans as Marc Bolan's final great studio album. • Contains the hit single I Love To Boogie. • Captures T. Rex during a significant late-career revival. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Dandy In The Underworld Imperial Records Japan TECI-20709 November 4, 2015 CD, HR Cutting Reissue TRACKLIST TABLE Format Catalogue Tracklisting CD TECI-20709 • Dandy In The Underworld • Crimson Moon • Universe • I'm A Fool For You Girl • I Love To Boogie • Visions Of Domino • Jason B. Sad • Groove A Little • The Soul Of My Suit • Hang-Ups • Pain And Love • Teen Riot Structure CD TECI-20709 Bonus Tracks • Celebrity Summer • Underground World Dandy (Single Version) SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

. Rex was reissued in 2016 by Rhino Records and Reprise Records as a newly remastered 45th Anniversary Edition of the band's 1970 album. Originally released as the first album under the shortened T. Rex name, it marked the important transition from the Tyrannosaurus Rex era into the electric sound that would soon lead to the group's commercial breakthrough. This remastered edition was released in the United States and expanded the original album with two bonus tracks, "Ride A White Swan" and "Summertime Blues". RECORDING The album was recorded at Trident Studios and produced by Tony Visconti. The recordings feature Marc Bolan and Mickey Finn, combining acoustic and electric textures that bridge the gap between the psychedelic folk sound of Tyrannosaurus Rex and the glam rock style that would soon define T. Rex. The 2016 edition was newly remastered by Bill Inglot and Dan Hersch at D2 Mastering. STYLE & THEMES T. Rex combines folk rock and emerging glam rock influences, presenting mystical imagery, fantasy themes and melodic songwriting. Tracks such as "Jewel", "Beltane Walk" and "One Inch Rock" demonstrate the increasingly accessible direction of Marc Bolan's writing, while longer pieces such as "The Wizard" retain links to the g roup's earlier psychedelic style. RELEASE HISTORY Released in the United States during 2016, this 45th Anniversary Edition was issued by Rhino Records and Reprise Records as a newly remastered compact disc. The release includes the complete original album together with two bonus recordings. PERSONNEL Marc Bolan — guitar, vocals, bass organ Mickey Finn — drums, bass, vocals, pixiephone Howard Kaylan and Mark Volman — backing vocals (track 12) PRODUCTION Producer — Tony Visconti Engineer — Roy T. Baker Remastered By — Bill Inglot Remastered By — Dan Hersch Reissue Producers — Bill Inglot, Steve Woolard Art Direction & Reissue Design — Rachel Gutek Original Design — Graphreaks Photography — Peter Sanders Product Manager — Helen Owens NOTES • Newly remastered 45th Anniversary Edition. • Released in 2016. • Includes two bonus tracks. • Recorded at Trident Studios. • Remastered at D2 Mastering. • Manufactured and marketed by Rhino Entertainment Company. • ℗ Rhino Entertainment Company. • © Rhino Entertainment Company. • Jewel case with 8-page lyric booklet. • Barcode: 081227943332. RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex T. Rex Rhino Records / Reprise Records US R2 556808 2016 CD, Album, Reissue, Remastered TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting CD R2 556808 1. The Children Of Rarn 2. Jewel 3. The Visit 4. Childe 5. The Time Of Love Is Now 6. Diamond Meadows 7. Root Of Star 8. Beltane Walk 9. Is It Love? 10. One Inch Rock 11. Summer Deep 12. Seagull Woman 13. Suneye 14. The Wizard 15. The Children Of Rarn CD R2 556808 Bonus Tracks 16. Ride A White Swan 17. Summertime Blues Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Born To Boogie: The Motion Picture was issued on Blu-ray by Edsel Records in 2016, bringing one of the most important visual documents of the glam rock era back into circulation. Originally released in 1972, the film captured Marc Bolan and T. Rex at the absolute height of their fame during the period often described as "T. Rextasy." Directed by Ringo Starr, the film combined concert footage, specially staged sequences and behind-the-scenes material into a unique cinematic portrait of Marc Bolan and his band. Unlike a conventional concert film, Born To Boogie blended live performance, fantasy, humour and documentary-style footage, reflecting the creativity and larger-than-life image that surrounded T. Rex during the early 1970s.. By the time the film was made, T. Rex had become Britain's most successful rock act. The group had enjoyed an astonishing run of hit singles and albums, while Bolan had become one of the most recognisable figures in popular music. The film therefore serves not only as a concert document but also as a record of one of the defining cultural moments of the glam rock movement. PRODUCTION The film was directed by Ringo Starr and centred around T. Rex's famous Wembley Empire Pool concerts held on March 18, 1972. In addition to the Wembley performances, the production included exclusive studio footage and specially staged sequences featuring Marc Bolan. One of the best-known sections of the film presents an informal jam session involving Marc Bolan, Ringo Starr and Elton John. Rather than simply documenting a concert, the filmmakers attempted to capture the atmosphere, excitement and imagination surrounding T. Rex during their peak years. The result remains one of the most distinctive music films of the decade. The 2016 Blu-ray edition restored the film in high definition and supplemented it with a substantial collection of bonus materials designed to provide additional historical context. THE FILM At its core, Born To Boogie functions as a celebration of Marc Bolan's extraordinary success during 1971 and 1972. The Wembley Empire Pool performances show a band performing in front of thousands of devoted fans, with songs such as Jeepster, Hot Love, Telegram Sam and Get It On demonstrating why T. Rex became one of the most important British bands of the era. The film's greatest strength is its ability to capture the atmosphere surrounding the group. The audience reaction, stage presentation and confidence of the performances preserve a moment when T. Rex stood at the very centre of British popular culture. Interwoven with the concert footage are a variety of sequences that reflect Marc Bolan's playful and imaginative outlook. These sections help distinguish Born To Boogie from many other concert films released during the period. VISUAL STYLE The film embraces the colourful spectacle of glam rock and preserves many of the visual elements associated with Bolan's public image during the early 1970s. Costumes, lighting and stage presentation all contribute to the film's distinctive appearance, while the Wembley footage captures the scale of the band's success. The Blu-ray presentation allows viewers to appreciate details that were not always visible in earlier home-video editions, making the 2016 release particularly significant for collectors and long-time fans. PERSONNEL Marc Bolan — vocals, guitar, performer Steve Currie — bass Bill Legend — drums Mickey Finn — percussion Ringo Starr — director Elton John — featured performer Mark Paytress — annotation Keith Morris — photography Jools Williamson — CD/Blu-ray issue design and scans John Kosh — original graphic design Phil Kinrade — mastering PRODUCTION Label: Edsel Records Catalogue Number: EDSR 2502 Format: Blu-ray Region: Region 0 Country: Europe Released: 2016 Video Format: High Definition 1080p Audio: DTS HD Stereo, Mono & 5.1 Subtitles: English, French, Spanish, Italian, German LEGACY More than fifty years after its original release, Born To Boogie remains one of the most important visual records of Marc Bolan's career. The film captures a brief period when T. Rex dominated the British charts and helped define an entire musical movement. For many fans, it represents the definitive screen document of the classic T. Rex era. Because relatively little professionally filmed concert footage exists from the band's peak years, Born To Boogie continues to occupy a unique position within the T. Rex archive. The 2016 Blu-ray edition helped preserve that legacy by making the film available in high definition and expanding the original package with a range of supplementary material. SPECIAL FEATURES The 2016 Blu-ray edition includes a number of bonus features alongside the main film presentation. These include: • Original theatrical trailer. • "The Premier" version. • The complete Matinee Show. • Telegram Sam 2016 promotional video. • Newspaper cuttings gallery. • Apple outtakes. The additional content extends the running time considerably and offers further insight into the creation, promotion and historical significance of the project. RELEASE HISTORY Originally released in 1972. Reissued by Edsel Records in Europe during 2016 as a Region 0 Blu-ray edition featuring the restored film and extensive bonus material. The release formed part of a wider programme of T. Rex archival releases issued during the mid-2010s. NOTES • High-definition Blu-ray edition released in 2016. • Directed by Ringo Starr. • Documents the Wembley Empire Pool concerts of March 18, 1972. • Includes the celebrated jam session featuring Marc Bolan, Ringo Starr and Elton John. • Features both the main feature presentation and a substantial collection of bonus material. • Includes previously unpublished photographs by Keith Morris. • Contains annotations by Mark Paytress. • Region 0 Blu-ray release. • Packaged with restored artwork. • Catalogue number: EDSR 2502. • Barcode: 740155250232. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format Marc Bolan & T. Rex Born To Boogie: The Motion Picture Edsel Records Europe EDSR 2502 2016 Blu-ray, Region 0 TRACKLIST / FEATURES TABLE Format Catalogue Content Blu-ray EDSR 2502 Main Feature • Born To Boogie: The Motion Picture Blu-ray EDSR 2502 Extra Features • Original Theatrical Trailer • The Premier Version • The Matinee Show • Telegram Sam 2016 Promo Video • Newspaper Cuttings Gallery • Apple Outtakes Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Slider was reissued in 2016 by Code 90 as part of the label's European reissue programme. Originally released in 1972, the album followed the massive success of Electric Warrior and became one of the defining recordings of the glam rock era. Featuring hit singles such as "Metal Guru" and "Telegram Sam", the album showcased Marc Bolan and T. Rex at the height of their commercial and creative powers. Produced by Tony Visconti, The Slider featured the classic T. Rex line-up of Marc Bolan, Steve Currie, Bill Legend and Mickey Finn. The album combined Bolan's songwriting with Visconti's production approach to create one of the group's best-known and most celebrated releases. STYLE & THEMES The Slider is firmly rooted in glam rock, blending powerful electric guitar riffs, driving rhythms and memorable melodies. Songs such as "Metal Guru", "Baby Strange", "Telegram Sam" and "Ballrooms Of Mars" helped define the sound and image of early-1970s glam rock. RELEASE HISTORY Released in Europe during 2016, this CD reissue was issued by Code 90 under licence from Wizard (Bahamas) Ltd. The release reproduces the original thirteen-track album and was manufactured in the European Union. PERSONNEL Marc Bolan — vocals, guitar, composer Steve Currie — bass Bill Legend — drums Mickey Finn — hand percussion, congas, vocals PRODUCTION Producer — Tony Visconti Label — Code 90 Catalogue Number — NINETY 12 Licensed From — Wizard (Bahamas) Ltd. Marketed By — Demon-Edsel Glass Mastered At — Optimal Media GmbH NOTES • European CD reissue. • Released in 2016. • Licensed from Wizard (Bahamas) Ltd. • Manufactured in the European Union. • Jewel case with 8-page lyric booklet. • ℗ 1972 Wizard (Bahamas) Ltd. • © 2006 Demon Music Group Ltd. • Barcode: 740155301224. MATRIX / RUNOUTS Matrix / Runout: Demon Music Group NINETY12 AG20279-01 Mastering SID Code: IFPI L575 Mould SID Code (Variant 1): IFPI 9709 Mould SID Code (Variant 2): IFPI 9721 RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex The Slider Code 90 Europe NINETY 12 2016 CD, Album, Reissue TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting CD NINETY 12 1. Metal Guru 2. Mystic Lady 3. Rock On 4. The Slider 5. Baby Boomerang 6. Spaceball Ricochet 7. Buick McKane 8. Telegram Sam 9. Rabbit Fighter 10. Baby Strange 11. Ballrooms Of Mars 12. Chariot Choogle 13. Main Man Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Cockpit Theatre (Music In The Round 1971) was released by Easy Action Records on November 1, 2016. The release presented the long-lost and previously unedited London Weekend Television broadcast recorded at the Cockpit Theatre on December 8, 1971. Released: 2016 BACKGROUND Catch A Bright Star is a limited-edition archival live release issued by Easy Action Records in 2016. The album documents T. Rex during June 1972, a period when Marc Bolan and his band stood at the absolute centre of British popular culture. The recordings originate from Marc Bolan's own quarter-inch tape reels and capture performances from the summer tour that followed the explosive success of Electric Warrior and coincided with the peak of the phenomenon known as "T. Rextasy." By this point, T. Rex had become one of the most successful acts in Britain, drawing huge audiences and generating levels of fan devotion comparable to Beatlemania a decade earlier. Unlike larger archival collections that present complete concerts, Catch A Bright Star focuses on a concise selection of performances that showcase the group's power as a live act. The result is a snapshot of T. Rex at the precise moment when Marc Bolan's influence on British rock culture was at its greatest. RECORDING The recordings featured on Catch A Bright Star were sourced directly from Marc Bolan's own ¼-inch tape reels. Captured during the June 1972 tour, the performances document the group shortly after the release of The Slider and during a period when T. Rex dominated the singles charts and concert halls throughout Britain. The importance of these recordings lies not only in their historical value but also in their provenance. Being sourced from Bolan's own tapes gives the release particular significance within the T. Rex archive and provides a direct connection to one of the most celebrated periods of the band's career. THE T. REXTASY ERA By the summer of 1972, Marc Bolan had become the leading figure of the glam rock movement. The success of songs such as Hot Love, Get It On, Telegram Sam and Metal Guru had elevated T. Rex from cult favourites to national superstars. Every appearance, interview and concert generated extraordinary media coverage and enthusiastic audience response. The performances preserved on Catch A Bright Star reflect this remarkable moment. The band sound confident, energetic and entirely comfortable performing before audiences who knew every song. The atmosphere captured throughout the album serves as a reminder of how powerful T. Rex had become as a live attraction during their commercial peak. STYLE & PERFORMANCE The performances reveal a tougher and more expansive approach than the corresponding studio recordings. While Marc Bolan's studio work was often concise and economical, the live versions allow the band greater freedom. Songs are stretched, guitar passages are expanded and the rhythm section is given more room to drive the performances forward. Steve Currie's bass playing provides a powerful foundation throughout the recordings, while Bill Legend and Mickey Finn contribute the distinctive rhythmic style that helped define the classic T. Rex sound. The result is an energetic live document that balances tightly constructed pop songs with the excitement of concert performance. TRACK-BY-TRACK NOTES • Jeepster — One of T. Rex's defining recordings and a reliable live highlight that demonstrates the band's ability to transform a familiar hit into a larger concert experience. • Cadilac — The Tyrannosaurus Rex-era composition becomes a powerful glam-rock showcase, illustrating Bolan's connection to his earlier material. • Baby Strange — A fast-paced favourite featuring the confidence and swagger that characterised T. Rex at their peak. • Debora — A link to Marc Bolan's psychedelic folk origins and one of the oldest songs retained in the live repertoire. • Spaceball Ricochet — One of the most atmospheric pieces in the set and a reminder of the continuing influence of The Slider material in concert. • Telegram Sam — A major crowd-pleaser and one of the band's most recognisable performances of the early 1970s. SIGNIFICANCE Although relatively brief compared with larger live collections, Catch A Bright Star occupies an important place within the T. Rex archive. The release captures the group during the most commercially successful period of their existence and presents performances sourced from recordings directly associated with Marc Bolan himself. For collectors and long-time followers, the album provides another valuable glimpse into the reality of T. Rex on stage during the height of their fame, complementing releases such as Born To Boogie and other concert documents from the period. It also highlights the remarkable strength of the band's live performances, an aspect of T. Rex often overshadowed by their extraordinary chart success. RELEASE HISTORY Released in the United Kingdom in 2016 by Easy Action Records. The album was issued as a limited-edition clear vinyl LP and included a photographic insert. The release formed part of Easy Action's continuing programme of archival Marc Bolan and T. Rex recordings. PERSONNEL Marc Bolan — vocals, guitar Steve Currie — bass Bill Legend — drums Mickey Finn — percussion PRODUCTION Label: Easy Action Catalogue Number: EARS072LP Format: LP Country: UK Edition: Limited Edition Clear Vinyl Source: Marc Bolan's Original ¼-Inch Tape Reels NOTES • Limited-edition clear vinyl release. • Issued by Easy Action Records in 2016. • Recordings sourced from Marc Bolan's own ¼-inch tape reels. • Recorded during the June 1972 tour. • Documents T. Rex during the height of "T. Rextasy." • Includes photographic insert. • Features live recordings from the classic T. Rex line-up. • One of several Easy Action archival releases devoted to previously unavailable T. Rex recordings. TAGS RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Catch A Bright Star Easy Action UK EARS072LP 2016 LP, Limited Edition, Clear Vinyl TRACKLIST TABLE Format Catalogue Tracklisting LP EARS072LP Side One • Jeepster • Cadilac • Baby Strange LP EARS072LP Side Two • Debora • Spaceball Ricochet • Telegram Sam All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

In 2015, Spirit Music Group issued a newly remastered digital edition of Futuristic Dragon, making Marc Bolan's 1976 studio album available in downloadable MP3 format. The release formed part of a broader programme of catalogue restoration and introduced a remastered version of one of the most fascinating and misunderstood albums in the T. Rex canon. Originally released during a period when musical fashions were changing rapidly, Futuristic Dragon arrived at a time when Marc Bolan was attempting to reinvent both himself and T. Rex. While glam rock's commercial dominance had faded from its early-1970s peak, Bolan remained determined to push forward creatively rather than simply recreate previous successes. The album occupies a unique position within the T. Rex story. It sits between the transitional experiments of Bolan's Zip Gun and the acclaimed comeback album Dandy In The Underworld, documenting a songwriter still searching for new directions while retaining the melodic instincts that had made him one of Britain's most successful rock stars. Over time, Futuristic Dragon has gained a substantial cult following and is now frequently cited as one of the most innovative releases of Bolan's later career.. RECORDING Marc Bolan produced the album himself and wrote every track included in the original programme. The recordings brought together a talented supporting cast that included longtime T. Rex bassist Steve Currie and drummer Davy Lutton. Gloria Jones contributed backing vocals and clavinet, helping to strengthen the soul influences that had increasingly entered Bolan's music during the mid-1970s. Additional string arrangements were provided by Jimmie Haskell, whose contributions added depth and sophistication to several recordings. The album also reflects Bolan's growing interest in studio technology. In addition to his vocals and guitar work, he used Moog synthesizer textures that contributed to the record's futuristic atmosphere and distinctive character. STYLE & THEMES The title Futuristic Dragon perfectly summarises the album's unusual blend of science fiction imagery, fantasy themes and modern pop music. Where earlier T. Rex albums often drew upon boogie, blues and glam rock foundations, this record embraces a broader stylistic palette. Elements of soul, pop, orchestral arrangements and synthesizer textures sit alongside the band's traditional guitar-driven sound. Throughout the album, Bolan projects a sense of reinvention. The songs often focus on movement, travel, city life, futuristic imagery and larger-than-life characters. The result is an album that sounds ambitious, colourful and frequently unpredictable. Far from being a nostalgic return to past glories, Futuristic Dragon presents an artist actively attempting to redefine himself. PERSONNEL Marc Bolan — vocals, guitar, Moog synthesizer, producer, songwriter Gloria Jones — backing vocals, clavinet Steve Currie — bass Davy Lutton — drums Jimmie Haskell — strings PRODUCTION Label: Spirit Music Group Format: Digital Download Encoding: MP3 320 kbps Country: USA Released: August 21, 2015 Producer: Marc Bolan NOTES • Digital remastered edition released in 2015. • Issued by Spirit Music Group. • Available as thirteen MP3 files. • Encoded at 320 kbps. • Produced entirely by Marc Bolan. • Features contributions from Gloria Jones, Steve Currie, Davy Lutton and Jimmie Haskell. • Includes the opening track Futuristic Dragon (Introduction). • Released in the United States as a digital download. RELATED RELEASES • Bolan's Zip Gun • Futuristic Dragon (Original 1976 LP) • Dandy In The Underworld • The Final Cuts • Born To Boogie (The Soundtrack Album) TRACK-BY-TRACK NOTES • Futuristic Dragon (Introduction) — Atmospheric opening piece establishing the album's conceptual mood. • Jupiter Liar — A strong rocker that combines familiar T. Rex swagger with modern mid-1970s production techniques. • Chrome Sitar — One of the most distinctive tracks in the catalogue, merging exotic textures with futuristic imagery. • All Alone — A more reflective performance that provides contrast to the album's louder moments. • New York City — One of Bolan's most successful later-period recordings and a standout track from the era. • My Little Baby — A concise pop-rock performance built around an infectious melody. • Calling All Destroyers — Energetic and aggressive, becoming one of the album's most enduring fan favourites. • Theme For A Dragon — A brief instrumental-style piece linking several of the album's conceptual ideas. • Sensation Boulevard — Strong melodic craftsmanship combined with contemporary production. • Ride My Wheels — A fast-moving rocker that reflects the album's recurring themes of momentum and movement. • Dreamy Lady — One of the album's most commercial recordings and a popular favourite among collectors. • Dawn Storm — Atmospheric and dramatic, demonstrating Bolan's continuing lyrical imagination. • Casual Agent — Closing the programme with another character-based song that reflects Bolan's fascination with larger-than-life personalities. SIGNIFICANCE The reassessment of Futuristic Dragon has been one of the most interesting developments in modern T. Rex scholarship. For many years, discussion of the album tended to focus on its position outside the band's commercial peak. More recent listeners, however, have increasingly appreciated its originality and willingness to take risks. The record demonstrates that Marc Bolan remained creatively restless throughout the 1970s. Rather than repeating established formulas, he continued experimenting with arrangements, sounds and ideas even when commercial expectations suggested a safer approach. Today the album is widely regarded as an essential part of understanding Bolan's artistic development during the final phase of T. Rex. RELEASE HISTORY Originally issued in 1976, Futuristic Dragon was digitally remastered and released by Spirit Music Group on August 21, 2015. The release was distributed as a thirteen-track MP3 download encoded at 320 kbps and featured newly remastered audio. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Futuristic Dragon Spirit Music Group USA None August 21, 2015 13 × MP3 Files, Remastered, 320 kbps T. Rex Futuristic Dragon Imperial Records Japan TECI-20708 2016 CD Reissue TRACKLIST TABLE Format Tracklisting Digital Download • Futuristic Dragon (Introduction) • Jupiter Liar • Chrome Sitar • All Alone • New York City • My Little Baby • Calling All Destroyers • Theme For A Dragon • Sensation Boulevard • Ride My Wheels • Dreamy Lady • Dawn Storm • Casual Agent SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Midnight Court At The Lyceum is a live Tyrannosaurus Rex archive release issued in February 1998. Released by NMC Music and Burning Airlines, the album documents performances recorded during 1969 and presents material captured at the Lyceum in London and the Brøndby Club in Copenhagen. The release was made available in both single-CD and expanded 2CD editions and was subsequently issued as a remastered limited-edition box set. RECORDING The recordings were made at the Lyceum, London on April 11, 1969 and at the Brøndby Club, Copenhagen on January 25, 1969. The release presents live performances from the Marc Bolan and Steve Peregrin Took era of Tyrannosaurus Rex. The 1998 edition was issued in remastered form. STYLE & THEMES The album captures Tyrannosaurus Rex during the group's formative psychedelic folk period. The performances feature Marc Bolan compositions drawn from the band's early catalogue and showcase the duo's acoustic stage presentation. The set documents many of the songs that helped establish Tyrannosaurus Rex prior to the transition into T. Rex. TRACK-BY-TRACK NOTES • Unicorn / Hot Rod Mama — Opening performance combining two early Tyrannosaurus Rex compositions. • Afghan Woman — Live rendition from the 1969 recordings. • Debora — One of the group's best-known early songs. • Mustang Ford — Performance drawn from the archival concert tapes. • Stacey Grove — Live recording from the 1969 performances. • Salamanda Palaganda — Included from the Lyceum and Copenhagen recordings. • Wind Quartets — Archive concert performance. • One Inch Rock — Early Tyrannosaurus Rex favourite. • Chariots Of Silk — Live interpretation of the Bolan composition. • Seal Of Seasons — Recorded during the 1969 performances. • Conesuala — Included in the remastered release. • Nijinsky Hind — Live version from the surviving recordings. • Once Upon The Seas Of Abyssinia — Performance from the 1969 concerts. • Do You Remember — Tyrannosaurus Rex live recording. • The Wizard — Early Marc Bolan composition performed live. • Eastern Spell — Included in the archive set. • Strange Orchestras — Closing performance on the supplied track listing. RELEASE HISTORY The album was released in February 1998. The release was issued in CD and expanded 2CD configurations. A remastered limited-edition box set version was also released during 1998. PERSONNEL Marc Bolan — vocals, guitar, songwriter Steve Peregrin Took — percussion, vocals PRODUCTION Label: NMC Music Label: Burning Airlines Catalogue Number: PILOT 28 Barcode: 5018524154104 Recorded At: Lyceum, London Recorded At: Brøndby Club, Copenhagen NOTES • Recorded at the Lyceum, London on April 11, 1969. • Additional recordings sourced from the Brøndby Club, Copenhagen on January 25, 1969. • Released in both CD and expanded 2CD editions. • Remastered for the 1998 release. • Limited-edition box set edition issued in the UK. RELATED RELEASES • My People Were Fair And Had Sky In Their Hair... But Now They're Content To Wear Stars On Their Brows RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format Tyrannosaurus Rex Midnight Court At The Lyceum NMC Music UK PILOT 28 February 1998 2CD, Album, Remastered Tyrannosaurus Rex Midnight Court At The Lyceum NMC Music UK PILOT 28 1998 2CD, Album, Stereo, Remastered, Limited Edition, Box Set Tyrannosaurus Rex Midnight Court At The Lyceum NMC Music UK PILOT 28 1998 CD, Album, Remastered TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting CD PILOT 28 Unicorn / Hot Rod Mama • Afghan Woman • Debora • Mustang Ford • Stacey Grove • Salamanda Palaganda • Wind Quartets • One Inch Rock • Chariots Of Silk • Seal Of Seasons • Conesuala • Nijinsky Hind • Once Upon The Seas Of Abyssinia • Do You Remember • The Wizard • Eastern Spell • Strange Orchestras 2CD PILOT 28 Disc One: Unicorn / Hot Rod Mama • Afghan Woman • Debora • Mustang Ford • Stacey Grove • Salamanda Palaganda • Wind Quartets • One Inch Rock • Chariots Of Silk • Seal Of Seasons • Conesuala • Nijinsky Hind • Once Upon The Seas Of Abyssinia • Do You Remember • The Wizard • Eastern Spell • Strange Orchestras SOURCES ES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The Ultimate Collection is a compilation album issued by Telstar on September 16, 1991. Released in the United Kingdom on CD, LP and cassette, the collection brought together key recordings from throughout Marc Bolan's career with Tyrannosaurus Rex and T. Rex. The compilation combines major hit singles with notable album tracks, offering a broad overview of Bolan's musical journey from the late 1960s through the glam rock era.. RECORDING The album consists of previously released studio recordings originally recorded by Tyrannosaurus Rex and T. Rex. The collection spans material from both the psychedelic folk period and the band's chart-dominating glam rock years. STYLE & THEMES The compilation presents the evolution of Marc Bolan's songwriting, beginning with acoustic and mystical Tyrannosaurus Rex recordings before moving into the electric boogie and glam rock sound that made T. Rex internationally successful. The track selection balances major chart hits with deeper catalogue favourites. TRACK-BY-TRACK NOTES • 20th Century Boy — Opening the compilation with one of Bolan's signature recordings. • Metal Guru — Classic UK hit single. • I Love To Boogie — Late-period T. Rex favourite. • Deborah — Early Tyrannosaurus Rex classic. • New York City — Hit single from the latter part of Bolan's career. • Telegram Sam — UK chart-topper. • Hot Love — One of T. Rex's defining recordings. • Dreamy Lady — Mid-1970s single release. • One Inch Rock — Early Marc Bolan composition. • The Soul Of My Suit — Included from the later catalogue. • London Boys — Non-album single. • Ride A White Swan — The breakthrough T. Rex hit. • Get It On — International success and one of Bolan's best-known recordings. • Light Of Love — Mid-1970s hit recording. • Children Of The Revolution — Stand-alone glam rock anthem. • Jeepster — Essential Electric Warrior era classic. • Laser Love — Later-period single. • Zip Gun Boogie — Title track from the Bolan's Zip Gun era. • The Groover — Non-album hit single. • King Of The Rumbling Spires — Transitional recording from the Tyrannosaurus Rex period. • Plateau Skull — Early Marc Bolan composition. • Truck On (Tyke) — Hit single from 1973. • Solid Gold Easy Action — Glam-era favourite. • Teenage Dream — One of Bolan's most celebrated later compositions. RELEASE HISTORY The album was released by Telstar on September 16, 1991. Issued on CD, LP and cassette, the compilation was marketed as a career-spanning retrospective covering both Tyrannosaurus Rex and T. Rex recordings. This chronicle covers the CD edition only. CHARTS & CERTIFICATIONS PERSONNEL Marc Bolan — vocals, guitar, songwriter PRODUCTION Label: Telstar Catalogue Number: TCD 2539 Barcode: 5014469525399 Format: CD Album Country: UK NOTES • Released on September 16, 1991. • Covers material from both Tyrannosaurus Rex and T. Rex. • Issued by Telstar on CD, LP and cassette. • This entry relates specifically to the CD edition (TCD 2539). • Includes 24 tracks spanning Marc Bolan's career. RELEASE VARIANTS TABLE (CD EDITION) Artist Title Label Country Cat No. Date Format Marc Bolan And T. Rex The Ultimate Collection Telstar UK TCD 2539 September 16, 1991 CD Album TRACKLIST TABLE No. Title 1 20th Century Boy 2 Metal Guru 3 I Love To Boogie 4 Deborah 5 New York City 6 Telegram Sam 7 Hot Love 8 Dreamy Lady 9 One Inch Rock 10 The Soul Of My Suit 11 London Boys 12 Ride A White Swan 13 Get It On 14 Light Of Love 15 Children Of The Revolution 16 Jeepster 17 Laser Love 18 Zip Gun Boogie 19 The Groover 20 King Of The Rumbling Spires 21 Plateau Skull 22 Truck On (Tyke) 23 Solid Gold Easy Action 24 Teenage Dream All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.