In August 2015, Spirit Music Group released a newly remastered digital edition of The Slider, making one of the defining albums of the glam rock era available as a high-quality digital download. Originally issued in 1972, The Slider followed the enormous success of Electric Warrior and arrived at a time when Marc Bolan and T. Rex were the biggest rock phenomenon in Britain. By the summer of 1972, T. Rex had achieved a level of popularity few artists experience. The frenzy known as "T. Rextasy" was at its peak, with chart-topping singles, sold-out tours and devoted fans helping transform Marc Bolan into one of the most recognisable figures in popular culture. Rather than simply attempting to recreate the success of Electric Warrior, Bolan expanded upon its formula. The result was an album that retained the glamour, confidence and immediacy of its predecessor while offering a more sophisticated and ambitious musical vision. Today, The Slider is widely regarded as one of the greatest albums of the 1970s and remains one of the most important releases in the entire T. Rex catalogue.. RECORDING Recording sessions took place at Le Château d'Hérouville in France and Rosenberg Studio in Copenhagen. Produced by Tony Visconti, the album brought together the classic T. Rex line-up of Marc Bolan, Steve Currie, Bill Legend and Mickey Finn. The sessions also benefitted from the vocal contributions of Howard Kaylan and Mark Volman, whose harmonies added texture and depth to several tracks. Visconti's production combined powerful rhythm arrangements, layered backing vocals and sweeping orchestral passages to create an album that sounded larger and more expansive than previous T. Rex releases. The chemistry between Visconti and Bolan reached one of its creative peaks during these sessions. The album would go on to become one of the strongest artistic statements of the glam rock movement. STYLE & THEMES The Slider combines rock and roll, pop, glam rock and orchestral arrangements into a richly textured listening experience. The album explores themes of fame, fantasy, romance, identity and celebrity while retaining the poetic imagery that had characterised Marc Bolan's songwriting since the Tyrannosaurus Rex era. There is also a notable contrast running throughout the record. Hard-driving rockers such as Telegram Sam and Rabbit Fighter sit alongside atmospheric pieces such as Ballrooms Of Mars and Spaceball Ricochet. The result is an album that balances commercial appeal with artistic ambition. Many listeners consider The Slider to be darker and more reflective than Electric Warrior, while still maintaining the energy and excitement that made T. Rex one of the defining bands of the period. TRACK-BY-TRACK NOTES • Metal Guru — Opening the album with one of the band's most celebrated singles, the track combines infectious melodies with the mystical imagery that became a Bolan trademark. • Mystic Lady — Dreamlike and atmospheric, featuring some of the album's most elegant arrangements. • Rock On — A confident rocker that demonstrates Bolan's gift for memorable hooks. • The Slider — The title track remains one of the defining songs of the T. Rex catalogue. • Baby Boomerang — A melodic and accessible album favourite highlighting Bolan's songwriting strength. • Spaceball Ricochet — Often regarded as one of the band's finest recordings, balancing power and atmosphere in equal measure. • Buick McKane — One of the most recognisable deep cuts in the catalogue and a concert favourite. • Telegram Sam — A major hit single and one of the most important recordings of the glam rock era. • Rabbit Fighter — Hard-edged rocker showcasing the band's growing confidence. • Baby Strange — Compact, energetic and among the most beloved tracks in the T. Rex discography. • Ballrooms Of Mars — Frequently cited as one of Marc Bolan's greatest compositions, combining lyrical imagination with a majestic arrangement. • Chariot Choogle — Driving glam-rock anthem packed with energy. • Main Man — The dramatic closing track that brings the album to a powerful conclusion. RELATED RELEASES • Electric Warrior • Tanx • Born To Boogie • The Slider (Original 1972 LP) • Zinc Alloy And The Hidden Riders Of Tomorrow COMMERCIAL SUCCESS When The Slider was released, T. Rex were at the height of their influence and popularity. The album consolidated the extraordinary success established by Electric Warrior and helped confirm Marc Bolan as the central figure of the glam rock movement. The associated singles became staples of radio and television while continuing the remarkable run of chart success that had begun with Ride A White Swan. The album remains one of the key recordings responsible for defining the sound and visual style of early 1970s glam rock. LEGACY More than fifty years after its original release, The Slider continues to receive widespread acclaim from critics, musicians and fans. The record captures Marc Bolan at the height of his creative powers and represents one of the finest examples of glam rock ever recorded. Its influence can be heard across generations of artists who drew inspiration from Bolan's songwriting, stage presence and unique aesthetic. For many listeners, The Slider stands alongside Electric Warrior as the essential T. Rex studio album and one of the defining records of the decade. The 2015 digital remaster introduced the album to a new audience while preserving one of the crown jewels of the T. Rex catalogue. RELEASE HISTORY Originally released in 1972. Digitally remastered and reissued by Spirit Music Group in the United States on August 21, 2015, as a 13-track MP3 album encoded at 320 kbps. PERSONNEL Marc Bolan — vocals, guitar, composer Steve Currie — bass Bill Legend — drums Mickey Finn — percussion, congas, vocals Howard Kaylan — backing vocals Mark Volman — backing vocals Tony Visconti — producer, string arrangements Dominique Blanc-Francard — engineer Freddy Hansson — engineer Ringo Starr — photography PRODUCTION Label: Spirit Music Group Format: Digital Download Country: USA Released: August 21, 2015 Encoding: MP3, 320 kbps Producer: Tony Visconti Recording Studios: Le Château d'Hérouville, France / Rosenberg Studio, Copenhagen NOTES • Digital remastered edition released in 2015. • Issued by Spirit Music Group. • Available as 13 MP3 files encoded at 320 kbps. • Originally released in 1972. • Produced by Tony Visconti. • Recorded in France and Denmark. • Features the hit singles Metal Guru and Telegram Sam. • Includes photography by Ringo Starr. • Reissue design by Brandon Seavers RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex The Slider Spirit Music Group USA None August 21, 2015 13 × MP3 Files, Remastered, 320 kbps TRACKLIST TABLE Format Tracklisting Digital Download Tracks 1-13 • Metal Guru • Mystic Lady • Rock On • The Slider • Baby Boomerang • Spaceball Ricochet • Buick McKane • Telegram Sam • Rabbit Fighter • Baby Strange • Ballrooms Of Mars • Chariot Choogle • Main Man SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Light Of Love was reissued on April 18, 2015 by Demon Records as a special Record Store Day release. Originally issued during T. Rex's mid-1970s period, the album reflected Marc Bolan's continued movement towards a more soulful and rhythm-driven sound while retaining the melodic hooks that had made T. Rex one of the biggest acts of the glam rock era. This edition was produced as a 180-gram picture disc exclusively for Record Store Day 2015. RECORDING All tracks were written and produced by Marc Bolan. The album brought together material associated with the Bolan's Zip Gun era and represented one of the final major studio projects released during Bolan's lifetime. STYLE & THEMES Light Of Love combines pop rock, funk, soul and glam rock influences. The album demonstrates Marc Bolan's interest in American soul music and groove-oriented arrangements while preserving his distinctive songwriting style and vocal delivery. Tracks such as "Light Of Love", "Teenage Dream" and "Solid Baby" remain among the strongest recordings from his later period. TRACK-BY-TRACK NOTES • Light Of Love — Title track and lead single. • Solid Baby — One of the best-known songs from Bolan's later catalogue. • Precious Star — Soul-influenced pop recording. • Token Of My Love — Mid-tempo album track. • Space Boss — Glam-styled rocker. • Think Zinc — Reworking of material from the Zinc Alloy era. • Till Dawn — Melodic late-period recording. • Teenage Dream — Widely regarded as one of Marc Bolan's finest later compositions. • Girl In The Thunderbolt Suit — Compact pop-rock track. • Explosive Mouth — Energetic glam recording. • Venus Loon — Closing track on the Record Store Day edition. RELEASE HISTORY Released in the United Kingdom on April 18, 2015 as part of Record Store Day. The release was issued by Demon Records as a 180-gram picture disc LP and manufactured in the European Union. PERSONNEL Marc Bolan — vocals, guitar, songwriter, producer PRODUCTION Producer — Marc Bolan Written By — Marc Bolan Label — Demon Records Catalogue Number — DEMREC74 Licensed From — Spirit Services Holdings s.a.r.l. Marketed By — Demon Records Record Company — Demon Music Group Ltd. NOTES • Record Store Day 2015 exclusive release. • Released April 18, 2015. • 180-gram picture disc. • LP reissue. • Made in the European Union. • Licensed from Spirit Services Holdings s.a.r.l. • ℗ Spirit Services Holdings s.a.r.l. • © Demon Music Group Ltd. • All tracks written and produced by Marc Bolan. RELATED RELEASES • Bolan's Zip Gun • Zinc Alloy And The Hidden Riders Of Tomorrow • Futuristic Dragon • Dandy In The Underworld • Tanx RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Number Date Format T. Rex Light Of Love Demon Records UK DEMREC74 April 18, 2015 LP, Picture Disc, Record Store Day, 180 Gram TRACKLIST TABLE Format Catalogue Tracklisting LP DEMREC74 Side One • Light Of Love (3:12) • Solid Baby (2:35) • Precious Star (2:50) • Token Of My Love (3:39) • Space Boss (2:49) • Think Zinc (3:22) LP DEMREC74 Side Two • Till Dawn (3:01) • Teenage Dream (5:00) • Girl In The Thunderbolt Suit (2:17) • Explosive Mouth (2:24) • Venus Loon (2:58) SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A small but historically significant local newspaper advertisement promoting a Tyrannosaurus Rex appearance at Glastonbury Town Hall. Published during the duo's formative years, the advert captures Marc Bolan and Steve Peregrin Took as they continued to build their reputation through a relentless schedule of club, university and dance hall appearances across Britain. Publication: Evening Post Publication Date: October 5, 1968 Country: United Kingdom Event Date: October 5, 1968 This compact advertisement appeared in Bristol's Evening Post to promote a Tyrannosaurus Rex performance at Glastonbury Town Hall on Saturday, October 5, 1968. The advert announces: TYRANNOSAURUS REX! with admission priced at 10 shillings and support provided by Grim's Hot House. Despite its modest size, the advert demonstrates the growing visibility of Tyrannosaurus Rex during 1968 as Marc Bolan and Steve Peregrin Took developed a loyal following through appearances at town halls, clubs, colleges and universities throughout the United Kingdom. The advert also promotes the following week's attraction at the venue, providing a snapshot of the diverse live music circuit operating in Britain during the late 1960s. CONTEXT AND NOTES October 1968 was an important period for Tyrannosaurus Rex. The group had already begun attracting national attention through radio exposure, television appearances and growing press coverage. Concert advertisements such as this illustrate how Tyrannosaurus Rex were promoted before the arrival of major chart success. At this stage, the duo remained very much part of Britain's underground and progressive music circuit, performing in venues ranging from student unions and folk clubs to municipal halls and regional theatres. The advert also serves as evidence of Tyrannosaurus Rex's appearance in Glastonbury several years before Marc Bolan would become one of Britain's biggest rock stars. FEATURE HIGHLIGHTS Event: Tyrannosaurus Rex live appearance Era: 1968 – Early Tyrannosaurus Rex period Tone: Concert promotion Photography: None – text-based newspaper advertisement WHAT THE CLIPPING SHOWS Tyrannosaurus Rex advertised at Glastonbury Town Hall Performance date of October 5, 1968 Admission price of 10 shillings Support act listed as Grim's Hot House Contemporary regional newspaper promotion Evidence of Tyrannosaurus Rex touring activity during 1968 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Easy Action is an archival T. Rex collection bringing together rare recordings, alternate versions, studio outtakes, rehearsals and associated material drawn from some of the group's most celebrated recording periods. 5 Classic Albums was released in 2016 by Spectrum Music and UMC as part of the long-running 5 Classic Albums budget box set series. The collection brings together five complete albums spanning the Tyrannosaurus Rex and T. Rex years, tracing Marc Bolan's artistic development from psychedelic folk storyteller to glam rock superstar. Presented in miniature replica card sleeves housed within a matching slipcase, the set contains five original albums spread across five compact discs. RECORDING The collection compiles previously issued studio albums originally released between 1968 and 1971. Included are four Tyrannosaurus Rex albums: • My People Were Fair And Had Sky In Their Hair... But Now They're Content To Wear Stars On Their Brows • Prophets, Seers & Sages: The Angels Of The Ages • Unicorn • A Beard Of Stars The fifth disc contains T. Rex's breakthrough glam rock masterpiece Electric Warrior. STYLE & THEMES The set showcases two distinct eras of Marc Bolan's career. The Tyrannosaurus Rex recordings feature acoustic instrumentation, exotic imagery, fantasy-inspired lyrics and folk-rock arrangements. Electric Warrior documents the transformation into T. Rex and the arrival of the glam rock sound that would dominate the early 1970s. RELEASE HISTORY Released throughout Europe in 2016, the collection formed part of the Spectrum Music 5 Classic Albums series. Each album is housed in an individual replica sleeve and presented inside a card slipcase. PERSONNEL Marc Bolan – vocals, guitar, songwriting Various personnel as originally credited on the included albums. PRODUCTION Label: Spectrum Music Label: UMC Series: 5 Classic Albums Catalogue Number: 5372260 Format: 5 × CD Box Set Country: Europe Glass Mastered At: Sony DADC, Southwater My People Were Fair And Had Sky In Their Hair... But Now They're Content To Wear Stars On Their Brows (1968) The first disc in the collection presents Tyrannosaurus Rex's debut album, a record that immediately established Marc Bolan as one of the most distinctive voices to emerge from the British underground scene of the late 1960s. Recorded with Steve Peregrin Took, the album introduced listeners to Bolan's unique creative universe, populated by mythical figures, exotic landscapes, fantastical imagery and highly original lyrical constructions. At a time when psychedelic music often relied upon lengthy instrumental excursions, Tyrannosaurus Rex instead embraced an intimate acoustic format built around guitar, percussion and imaginative storytelling. Songs such as Hot Rod Mama, Mustang Ford, Strange Orchestras and Graceful Fat Sheba demonstrated Bolan's fascination with folklore, fantasy and symbolism. The album's lengthy title quickly became part of Tyrannosaurus Rex mythology and reflected the group's refusal to conform to conventional musical expectations. While very different from the electric sound that would later make T. Rex famous, the debut album contains many of the characteristics that would remain central to Bolan's work throughout his career, including memorable melodies, unusual imagery and an unmistakable sense of individuality. The album remains one of the most important foundations of the Tyrannosaurus Rex catalogue and provides the starting point for the artistic journey documented throughout this collection. Prophets, Seers & Sages: The Angels Of The Ages (1968) The second disc features Prophets, Seers & Sages: The Angels Of The Ages, the group's second studio album and a release that further expanded the mystical and poetic universe Marc Bolan had begun constructing on the debut. Issued only months after My People Were Fair And Had Sky In Their Hair..., the album demonstrated remarkable creative productivity. Bolan's songwriting became increasingly ambitious and confident, blending acoustic folk frameworks with surreal imagery and stream-of-consciousness lyricism. Tracks including Deboraarobed, Stacey Grove, Conesuela, Salamanda Palaganda and Our Wonderful Brownskin Man illustrate the increasingly sophisticated relationship between Bolan's words and music. The performances retained the stripped-down duo format while exploring broader emotional and musical territory. The album also highlights the creative chemistry between Marc Bolan and Steve Peregrin Took, whose percussion work helped define the distinctive Tyrannosaurus Rex sound during this period. Together they created recordings unlike anything else being produced in Britain at the time. Viewed retrospectively, Prophets, Seers & Sages represents an important stage in Bolan's artistic development, refining the approach introduced on the debut while paving the way for the greater musical confidence displayed on Unicorn the following year. Unicorn (1969) The third disc presents Unicorn, an album that many listeners regard as the finest statement of the classic Tyrannosaurus Rex duo. By this point Marc Bolan had refined his songwriting considerably while retaining the dreamlike imagery and mystical atmosphere that characterised the group's earliest work. Songs such as Chariots Of Silk, She Was Born To Be My Unicorn and Cat Black (The Wizard's Hat) reveal a growing confidence in melody and structure, while longer pieces such as Like A White Star, Tangled And Far, Tulip That's What You Are demonstrate Bolan's increasingly ambitious artistic vision. The album captures Tyrannosaurus Rex at a pivotal moment. Although still deeply rooted in folk and psychedelic influences, traces of the more accessible songwriting style that would soon transform the group into a major commercial force were beginning to emerge. A Beard Of Stars (1970) Disc four presents what is arguably the bridge between Tyrannosaurus Rex and T. Rex. A Beard Of Stars remains one of the most significant albums in Marc Bolan's catalogue because it documents the moment when the acoustic psychedelic framework began giving way to a more electric and direct approach. The album features the final Tyrannosaurus Rex line-up before the group evolved into T. Rex and introduced a more contemporary rock sound. Tracks such as By The Light Of A Magical Moon, Great Horse, Dragon's Ear and Elemental Child reveal Bolan moving towards a stronger guitar-based style. At the same time, the album retains the fantasy-inspired poetry and folk influences that had defined the earlier records. Many fans and historians regard A Beard Of Stars as one of the most important transition albums of the period, documenting the final chapter of Tyrannosaurus Rex while foreshadowing everything that would follow. Electric Warrior (1971) The fifth and final disc contains Electric Warrior, the album that transformed T. Rex from a respected cult act into an international phenomenon. Released in 1971, the album became one of the defining recordings of the glam rock movement and remains among the most celebrated British rock albums of all time. Featuring classic recordings such as Mambo Sun, Cosmic Dancer, Jeepster, Get It On, Planet Queen and Life's A Gas, the album showcased Bolan at the height of his powers. The contrast between Electric Warrior and the preceding Tyrannosaurus Rex albums is one of the great stories in popular music. Within a few short years Bolan had evolved from underground folk poet to chart-dominating rock star, yet many of the themes, lyrical approaches and melodic ideas contained within the earlier work remained central to his songwriting. By concluding the box set with Electric Warrior, the collection tells the complete story of that transformation. SIGNIFICANCE What makes 5 Classic Albums particularly valuable is the way it places the Tyrannosaurus Rex and T. Rex periods alongside one another. Many retrospective collections focus exclusively on the hit-making years beginning with Ride A White Swan and continuing through the glam rock era. This set instead demonstrates that Marc Bolan's artistic development was gradual and deeply rooted in the imaginative world he created during the late 1960s. By assembling these five albums in chronological order, the collection allows listeners to experience that evolution in a way that individual reissues cannot. The set effectively functions as a concise musical biography covering one of the most important creative periods in Bolan's career. NOTES • Five complete albums across five compact discs. • Part of the 5 Classic Albums series. • Includes four Tyrannosaurus Rex albums and one T. Rex album. • Traces Marc Bolan's musical development from psychedelic folk to glam rock. • Presented in miniature replica album sleeves. • Housed in a card slipcase. • Manufactured in the European Union. • Glass mastered at Sony DADC Southwater. • Barcode: 600753722602. RELEASE HISTORY Released throughout Europe in 2016 by Spectrum Music and UMC, 5 Classic Albums formed part of the label's continuing series dedicated to major catalogue artists. The collection was issued as a five-CD box set, with each album housed in a miniature replica sleeve and presented together in a protective card slipcase. PERSONNEL Marc Bolan — vocals, guitar, songwriter Steve Peregrin Took — percussion, vocals (Tyrannosaurus Rex era recordings) Mickey Finn — percussion, vocals (later Tyrannosaurus Rex and T. Rex recordings) Tony Visconti — producer (Electric Warrior) PRODUCTION Label: Spectrum Music / UMC Catalogue Number: 5372260 / 0000600753722602 Series: 5 Classic Albums Format: 5 × CD Box Set Country: Europe Released: 2016 Packaging: Card Mini Replica Sleeves in Slipcase Manufacturing: Sony DADC, Southwater Sources Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Bolan's Zip Gun was reissued in Japan during 2016 by Imperial Records as part of a Japanese remastered reissue campaign covering the T. Rex catalogue. Originally released in 1975, the album captured Marc Bolan's continued exploration of groove-based rock, soul and pop influences during the mid-1970s. This Japanese edition featured newly remastered audio and was issued in stereo format for the domestic market. RECORDING Produced by Marc Bolan, the album presents the original Bolan's Zip Gun studio recordings together with two bonus tracks. The release retains the original album sequence while expanding the programme with the additional recordings "Satisfaction Pony" and "London Boys". STYLE & THEMES Unlike the classic glam-rock sound of T. Rex's earlier years, Bolan's Zip Gun reflects Marc Bolan's increasing interest in soul, rhythm-driven arrangements and contemporary pop influences. The album combines funk-inspired grooves with melodic songwriting and remains one of the most distinctive albums of Bolan's mid-1970s output. RELEASE HISTORY Released in Japan during 2016 by Imperial Records under catalogue number TECI-20707. The CD was issued as a remastered edition using a high-resolution master source and included two bonus tracks not present on the original album configuration. PERSONNEL Marc Bolan – vocals, guitar, songwriter, producer PRODUCTION Label: Imperial Records Catalogue Number: TECI-20707 Country: Japan Format: CD, Album, Reissue, Remastered, Stereo Producer: Marc Bolan Liner Notes: タバタユリコ Mastering Source: High Resolution Master Used NOTES • Japanese remastered reissue. • Released in 2016. • High Resolution Master source used. • Includes two bonus tracks. • Produced by Marc Bolan. • Issued by Imperial Records. • Barcode: 4988004137921. RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex Bolan's Zip Gun Imperial Records Japan TECI-20707 2016 CD, Album, Reissue, Remastered, Stereo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting CD TECI-20707 1. Light Of Love 2. Solid Baby 3. Precious Star 4. Token Of My Love 5. Space Boss 6. Think Zinc 7. Till Dawn 8. Girl In The Thunderbolt Suit 9. I Really Love You Babe 10. Golden Belt 11. Zip Gun Boogie 12. Satisfaction Pony 13. London Boys Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Newspaper advertisement promoting Tyrannosaurus Rex's appearance at Glastonbury Town Hall, capturing Marc Bolan and Steve Peregrin Took during their rapidly emerging underground success in Britain. Published the day before the performance, the advert provides contemporary evidence of one of the duo's early Somerset appearances. Publication: The Wells Journal Publication Date: October 4, 1968 Country: United Kingdom Event Date: October 5, 1968 This striking display advertisement promotes a forthcoming appearance by Tyrannosaurus Rex at Glastonbury Town Hall on Saturday, October 5, 1968. Dominated by the large headline: TYRANNOSAURUS REX! the advert announces admission at 10 shillings and confirms support from Grims Hot House. A promotional slogan beneath the billing proudly declares: "It's All Happening At Glastonbury" The advertisement demonstrates the growing profile of Marc Bolan and Steve Peregrin Took during 1968, a year that saw the duo become one of the most talked‑about acts on the British underground music scene. The bottom section of the advert also promotes the following week's attraction, a Blues Spectacular featuring Savoy Brown Blues Band, Duster Bennett, and the John Dummer Blues Band, providing a useful snapshot of the diverse live music circuit operating in Britain at the time CONTEXT AND NOTES Published one day before the concert, this advertisement documents Tyrannosaurus Rex during the period surrounding the release of Prophets, Seers & Sages: The Angels Of The Ages. By October 1968, the duo were building a reputation through a mixture of university dates, club appearances, theatre performances and regional concerts. While still some distance from the commercial success that would later accompany the abbreviated T. Rex name, Marc Bolan and Steve Took had already established themselves as key figures within Britain's psychedelic and progressive underground. The advert also highlights the importance of local town halls and civic venues in nurturing emerging artists during the late 1960s, allowing bands to reach audiences beyond major cities. FEATURE HIGHLIGHTS Event: Tyrannosaurus Rex live concert Era: 1968 – Early Tyrannosaurus Rex period Tone: Concert promotion Photography: None – advertisement artwork and typography only WHAT THE CLIPPING SHOWS Glastonbury Town Hall concert advertisement Tyrannosaurus Rex appearance on October 5, 1968 Admission price of 10 shillings Support act Grims Hot House Promotional slogan "It's All Happening At Glastonbury" Contemporary evidence of Tyrannosaurus Rex touring activity in Somerset Promotion published one day before the concert All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Born To Boogie (The Concerts, Wembley Empire Pool, 18th March 1972) is a significant archival live release documenting T. Rex at the height of "T. Rextasy." Issued by Edsel Records in 2016, the collection presents complete recordings from both the afternoon and evening concerts performed at London's Wembley Empire Pool on March 18, 1972. While the original Born To Boogie film and soundtrack have become central parts of the T. Rex story, this release differs by concentrating exclusively on the concert performances themselves. Rather than recreating the soundtrack album, the collection restores the Wembley appearances in a more complete form, allowing listeners to experience the events as they unfolded before a capacity audience. The release arrived during a renewed interest in the T. Rex archive and provided one of the most complete official documents of the group's live peak. By March 1972, Marc Bolan had become one of Britain's biggest rock stars, with successive hit singles, chart-topping albums and a fan phenomenon unlike anything seen since Beatlemania. RECORDING The performances were recorded at Wembley Empire Pool, London, on March 18, 1972. Two complete concerts are featured, consisting of the afternoon matinee show and the evening performance. Together they capture the classic T. Rex line-up in front of an enthusiastic audience during one of the group's most important concert engagements. The recordings feature Marc Bolan on vocals and guitar alongside Steve Currie, Bill Legend and Mickey Finn. The performances were originally associated with the filming of Born To Boogie, the concert film directed by Ringo Starr. Unlike many live albums assembled from multiple dates, this collection focuses entirely on a single historic day, documenting how the band evolved between the afternoon and evening performances. CONTEXT AND SIGNIFICANCE By the spring of 1972, T. Rex had already achieved an extraordinary run of success. Ride A White Swan, Hot Love, Get It On, Telegram Sam and Metal Guru had established Marc Bolan as the leading figure of the glam rock movement. The Wembley concerts represented the band's arrival at a level normally reserved for major international headliners. The atmosphere captured throughout the recordings reflects the extraordinary excitement surrounding the group at the time. The performances also demonstrate the strength of T. Rex as a live unit. While critics occasionally focused on Bolan's image and chart success, these recordings show a powerful concert band capable of stretching songs beyond their studio counterparts. Extended versions of Cadilac, Get It On and Telegram Sam reveal a heavier, more improvisational side of the group that was rarely documented on contemporary studio releases. STYLE AND PERFORMANCE The concerts balance material from across the T. Rex catalogue while focusing heavily on the group's most successful period. Songs from Electric Warrior sit comfortably alongside recent hit singles, with familiar favourites receiving energetic treatments designed for the large concert setting. The chemistry between Marc Bolan and the audience is evident throughout both performances. The screaming crowd becomes almost an additional instrument, underscoring the scale of T. Rex's popularity at the time. The inclusion of Eddie Cochran's Summertime Blues provides a reminder of the rock and roll influences that shaped Bolan's music, while the extended closing versions of Get It On demonstrate the band's ability to build excitement through repetition and improvisation. THE MATINEE SHOW The afternoon performance opens with an introduction by legendary DJ Emperor Rosko before launching into an expansive version of Cadilac. From there the band moves confidently through Jeepster, Baby Strange, Spaceball Ricochet and Girl, before delivering particularly strong performances of Cosmic Dancer and Telegram Sam. A jubilant rendition of Hot Love leads into an eleven-minute performance of Get It On, one of the centrepieces of the release. Following audience demands for more, Emperor Rosko returns before the band concludes the performance with a lively version of Summertime Blues. THE EVENING SHOW The evening concert largely follows the same structure while revealing subtle differences in tempo, atmosphere and audience response. Several performances are noticeably extended, particularly Spaceball Ricochet and Cosmic Dancer, giving the second show its own distinct identity. The crowd remains enthusiastic throughout, responding strongly to Jeepster, Telegram Sam and Hot Love. The evening version of Get It On once again serves as the climax of the concert, followed by Rosko's request for "one more time" and another powerful performance of Summertime Blues. Taken together, the two shows provide a fascinating snapshot of T. Rex during a single day at the height of their popularity. RELEASE HISTORY The collection was issued in Europe during 2016 as a two-CD set on Edsel Records. The release formed part of a broader programme of archival T. Rex releases and coincided with a Record Store Day vinyl edition issued by Demon Records. The package was presented in a six-panel digipak and included a twenty-page booklet featuring photographs, liner notes and historical background material. PERSONNEL Marc Bolan — vocals, guitar Steve Currie — bass Bill Legend — drums Mickey Finn — hand percussion, congas Emperor Rosko — concert introductions Tony Visconti — producer Mark Paytress — liner notes Tony Norman — liner notes Phil Kinrade — CD mastering Keith Morris — photography PRODUCTION Label: Edsel Records Catalogue Number: EDSK 7104 Format: 2 × CD Country: Europe Released: 2016 Mastering: Phil Kinrade Mastered At: Alchemy Mastering Package: Six-panel Digipak with 20-page booklet NOTES • Features complete matinee and evening Wembley Empire Pool concerts from March 18, 1972. • Distinct from the original Born To Boogie soundtrack album. • Includes introductions by Emperor Rosko. • Features performances associated with the filming of Born To Boogie. • Licensed from Startling Music Ltd. and Spirit Services Holdings s.a.r.l. • Includes a twenty-page booklet. • Artwork incorporates original design concepts by John Kosh. • Barcode: 740155710439. RELATED RELEASE RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format Marc Bolan & T. Rex Born To Boogie (The Concerts, Wembley Empire Pool, 18th March 1972) Edsel Records Europe EDSK 7104 2016 2 × CD Marc Bolan & T. Rex Born To Boogie - The Concerts, Wembley Empire Pool, 18th March 1972 Demon Records Europe DEMREC131 2016 2 × LP, Yellow Vinyl / Green Vinyl, Numbered Record Store Day Edition Marc Bolan & T. Rex Born To Boogie (The Concerts, Wembley Empire Pool, 18th March 1972) Yamaha Music Media Corporation Japan YMCP-10043 2016 2 × CD, Remastered TRACKLIST TABLE Format Catalogue Tracklisting Disc 1 EDSK 7104 The Matinee Show • Rosko's Intro • Cadilac • Jeepster • Baby Strange • Spaceball Ricochet • Girl • Cosmic Dancer • Telegram Sam • Hot Love • Get It On • 'Just One More Time?' • Summertime Blues Disc 2 EDSK 7104 The Evening Show • Rosko's Intro • Cadilac • Jeepster • Baby Strange • Spaceball Ricochet • Girl • Cosmic Dancer • Telegram Sam • Hot Love • Get It On • 'One More Time?' • Summertime Blues Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Futuristic Dragon was reissued in Japan during 2016 by Imperial Records as part of a programme of classic Marc Bolan and T. Rex catalogue releases. Originally issued in 1976, the album arrived during a period of reinvention for Bolan as he sought to reshape both his image and musical direction during the closing years of T. Rex. Although often overshadowed by the commercial dominance of Electric Warrior and The Slider, Futuristic Dragon has undergone considerable critical reappraisal over the years. Many listeners now regard the album as one of the most adventurous records in the later T. Rex catalogue, combining glam rock foundations with contemporary soul, pop and futuristic imagery. This Japanese CD edition preserved the original album configuration and utilised a high-resolution mastering source, introducing the album to a new generation of collectors and listeners. RECORDING Recorded during 1975 and 1976, Futuristic Dragon emerged from a period in which Marc Bolan was actively redefining the T. Rex sound. Rather than relying solely on the glam rock formula that had made him a superstar earlier in the decade, Bolan incorporated broader influences and more varied arrangements. The resulting album showcased a renewed confidence and creative ambition. While maintaining familiar T. Rex characteristics, the material embraced contemporary pop production and increasingly sophisticated studio techniques. The album also marked an important stepping stone toward the artistic resurgence that would culminate in Dandy In The Underworld the following year. STYLE & THEMES As its title suggests, Futuristic Dragon embraces themes of fantasy, futurism and reinvention. The record blends glam rock, pop rock, soul and rhythm-and-blues influences into a colourful and often theatrical listening experience. Throughout the album Bolan alternates between swaggering rockers, melodic pop songs and more atmospheric material. Many of the songs reveal a songwriter determined to explore new directions while retaining the distinctive lyrical style and melodic flair that had always defined his work. The album's futuristic imagery, references to dragons, space-age themes and larger-than-life personalities help create one of the most unique conceptual worlds in the T. Rex catalogue. TRACK-BY-TRACK NOTES • Futuristic Dragon — Ambitious title track establishing the album's central theme. • Jupiter Liar — Driving glam-rock performance with strong melodic hooks. • Chrome Sitar — One of the album's most distinctive and experimental recordings. • All Alone — Reflective composition contrasting with the album's more extroverted moments. • New York City — One of the most successful and recognisable songs from this period. • My Little Baby — Up-tempo rocker. • Calling All Destroyers — Energetic fan favourite that has become one of the album's best-known tracks. • Theme For A Dragon — Atmospheric companion piece linked to the album's concept. • Sensation Boulevard — Stylish mid-album rocker. • Ride My Wheels — Driving performance celebrating movement and freedom. • Dreamy Lady — Commercial and melodic highlight. • Dawn Storm — Reflective late-album composition. • Casual Agent — Character-driven performance showcasing Bolan's storytelling approach. • London Boys — One of the album's strongest rock tracks. • Laser Love — Futuristic pop-rock performance. • Life's An Elevator — Closing track bringing the album's themes full circle. PERSONNEL Marc Bolan — vocals, guitar, songwriter PRODUCTION Label: Imperial Records Catalogue Number: TECI-20708 Format: CD Country: Japan Released: 2016 Mastering: HR Cutting High Resolution Master NOTES • Japanese CD reissue released in 2016. • Originally released in 1976. • Utilises HR Cutting high-resolution mastering. • Includes Japanese liner notes. • Issued by Imperial Records. • Features the complete original sixteen-track album. • Obi barcode: 4988004137938. SIGNIFICANCE While Futuristic Dragon did not initially receive the acclaim accorded to earlier T. Rex classics, the album has steadily gained recognition for its originality and adventurous spirit. The record captures Marc Bolan at a fascinating point in his career. Rather than looking backwards, he was actively exploring new musical and visual ideas while attempting to adapt to changing musical trends. Viewed today, the album forms an important part of the narrative leading from the mid-1970s T. Rex period to the creative revival represented by Dandy In The Underworld. For many collectors, it stands as one of the most underrated albums in the entire T. Rex catalogue. RELEASE HISTORY Originally released in 1976, Futuristic Dragon was reissued in Japan during 2016 by Imperial Records. The reissue utilised an HR Cutting high-resolution mastering source and was issued in standard CD format with Japanese packaging and accompanying liner notes. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Futuristic Dragon Imperial Records Japan TECI-20708 2016 CD Reissue TRACKLIST TABLE Format Catalogue Tracklisting CD TECI-20708 Tracks 1-16 • Futuristic Dragon • Jupiter Liar • Chrome Sitar • All Alone • New York City • My Little Baby • Calling All Destroyers • Theme For A Dragon • Sensation Boulevard • Ride My Wheels • Dreamy Lady • Dawn Storm • Casual Agent • London Boys • Laser Love • Life's An Elevator Sources Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A little over a year after Marc Bolan’s death, the Telegraph and Argus revisits his life through the newly published book Marc Bolan: A Tribute. Written by Nick Kehoe, the feature concentrates on the personal recollections of those who knew Bolan, including Gloria Jones, June Bolan and Tony Visconti. Publication: Telegraph and Argus Date: October 17, 1978 Country: United Kingdom Under the headline “Marc Bolan legend” and the striking sub-heading “The Flower Child With A Knife Up His Sleeve,” Nick Kehoe examines the newly published book Marc Bolan: A Tribute, issued by Essex House Publishing. Rather than presenting a conventional chronological biography, the book is described as a collection of personal views and memories from people who knew Bolan closely. Contributors mentioned in the feature include his partner Gloria Jones, former wife June Bolan, producer Tony Visconti, and friends including Elton John, Ringo Starr and Steve Harley. The article recalls Bolan’s death in a car crash two weeks before his thirtieth birthday and considers how quickly the T. Rex star had become a rock legend. One particularly memorable description characterises Bolan as a “flower child with a knife up his sleeve,” referring to the determination behind his pursuit of success. Tony Visconti recalls working with Bolan on what was intended to become a major work titled The Children Of Rarn, which Bolan never completed. Visconti also describes discovering an old demo tape after Bolan’s death, recorded with Bolan accompanying himself only on acoustic guitar. Although the original recording quality was poor, studio techniques allowed the material to be cleaned up and supplemented before release on Cube Records. The feature closes by noting that Marc Bolan: A Tribute contains music to many of Bolan’s songs and was priced at £2.95. CONTEXT AND NOTES The article presents Bolan through the memories of people who worked and lived alongside him rather than attempting to recount his achievements in conventional biographical form. This gives the feature a personal perspective on both his ambition and musicianship. Particular attention is given to Tony Visconti’s recollections. The producer comments on Bolan’s limitations as a guitarist while also acknowledging his remarkable ability to create commercially successful music. The unfinished Children Of Rarn project and the rediscovered acoustic demo tape provide additional insight into material existing beyond Bolan’s familiar T. Rex recordings. FEATURE HIGHLIGHTS Event: Publication and review of Marc Bolan: A Tribute Era: 1978 – Early posthumous legacy period Tone: Retrospective, personal and candid Photography: Large black-and-white photograph captioned “Marc Bolan taking a break from filming his TV show.” WHAT THE CLIPPING SHOWS • Headline: “Marc Bolan legend” • Sub-heading: “The Flower Child With A Knife Up His Sleeve” • Feature written by Nick Kehoe • Coverage of the book Marc Bolan: A Tribute • Memories from Gloria Jones, June Bolan, Tony Visconti and other friends • Discussion of the unfinished Children Of Rarn • Reference to an early acoustic demo tape later worked on in the studio • Large photograph of Bolan taking a break during filming of his television show All newspaper scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Date: Circa 1980s Item: Original Sukita poster Size: 50 × 36 cm An original T. Rex / Marc Bolan poster featuring photography by Sukita, dating from circa the 1980s.

This Philadelphia Inquirer review of the film Billy Elliot opens with a direct reference to Marc Bolan and T. Rex, noting how Bolan's music helps establish the atmosphere of 1980s Britain. Reviewer Steven Rea highlights “Cosmic Dancer” as one of several Bolan recordings used throughout the film. Publication: The Philadelphia Inquirer Date: October 20, 2000 Country: United States In his review of Billy Elliot, critic Steven Rea immediately draws attention to Marc Bolan's presence within the film's soundtrack. The article opens with the lyric: “I was dancing when I was 12,” from “Cosmic Dancer,” one of Marc Bolan's best-known recordings with T. Rex. Rea notes that the song provides a fitting introduction to the story of a young boy who discovers a passion for ballet rather than boxing. The review explains that Bolan's music appears throughout the film and praises the way the songs contribute to the atmosphere of the story. Rea describes the inclusion of Bolan and T. Rex recordings as adding a dreamlike quality to the production. Set in northern England during 1984, Billy Elliot follows the struggles of a coal-miner's son who discovers an unexpected talent for dance. According to the review, Bolan's music helps connect the film's emotional and personal themes with the period setting. The article specifically observes that Marc Bolan's distinctive presence seems to hover over the film, giving the story an additional sense of imagination, freedom and escape. Although the review primarily focuses on the performances and narrative of Billy Elliot, the mention of “Cosmic Dancer” and the wider use of Bolan and T. Rex recordings demonstrates how strongly his music continued to resonate more than two decades after his passing. CONTEXT AND NOTES Released in 2000, Billy Elliot became one of the most acclaimed British films of its era. Music plays a central role throughout the production, and Marc Bolan's recordings are among the key tracks used to establish the film's period atmosphere. The review is notable because Bolan is mentioned in the opening paragraph and again later in the article, where his music is credited with helping to shape the emotional tone of the film. For Marc Bolan collectors, the clipping provides another example of his recordings continuing to find new audiences through cinema long after their original release. FEATURE HIGHLIGHTS Event: Review of Billy Elliot Era: 2000 retrospective use of Marc Bolan's music Tone: Positive film review Photography: Production image from Billy Elliot featuring scenes from the film WHAT THE CLIPPING SHOWS • Opening quotation from “Cosmic Dancer” • Reference to Marc Bolan and T. Rex music throughout Billy Elliot • Steven Rea describing Bolan's music as adding a dreamlike quality to the film • Discussion of the role music plays in establishing the story's period setting • Evidence of Marc Bolan's continuing cultural influence in 2000 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This simple but historically significant newspaper advertisement announces T. Rex's appearance at Southampton Guildhall on October 20, 1970. Published on the day of the performance, the advert captures the group during the crucial transitional period immediately following the breakthrough success of "Ride A White Swan", when Marc Bolan and Mickey Finn were beginning to establish T. Rex as a major force in British rock. Publication: Southern Evening Echo Date: October 20, 1970 Country: United Kingdom Published as a straightforward concert advertisement, the notice promotes T. REX IN CONCERT at Guildhall Southampton on the evening of Tuesday, October 20, 1970. The advert announces an 8 p.m. start and lists three ticket prices: 10 shillings, 8 shillings and 6 shillings. Advance tickets were available from the Information Bureau, The Junction, Southampton. The design is deliberately minimal, relying on the bold T. REX name to attract attention. No supporting acts are listed and no additional promotional claims are included. The emphasis is entirely on the appearance of Marc Bolan's rapidly rising group. The timing of the concert is particularly notable. By October 1970, T. Rex were undergoing a dramatic transformation from the acoustic Tyrannosaurus Rex of the late 1960s into the electric rock act that would dominate the British charts during the coming years. As such, the advert documents an appearance during one of the most important periods in Marc Bolan's career. FEATURE HIGHLIGHTS Event: T. Rex concert at Southampton Guildhall Concert Date: October 20, 1970 Era: Early T. Rex transition period Tone: Concert advertisement Venue: Southampton Guildhall WHAT THE CLIPPING SHOWS • T. Rex advertised at Southampton Guildhall • Concert date of October 20, 1970 • 8 p.m. start time • Ticket prices of 10/-, 8/- and 6/- • Advance booking through Southampton Information Bureau • Early concert promotion during T. Rex's transition from Tyrannosaurus Rex CONTEXT AND NOTES The clipping is significant because it captures T. Rex at a pivotal stage in their development. During 1970, the group was moving away from the earlier Tyrannosaurus Rex sound and embracing the electric style that would soon bring widespread commercial success. Unlike later T. Rex advertisements filled with photographs, slogans and chart references, this notice is notable for its simplicity. The band's name alone was considered sufficient to sell the event. The advert appeared on the day of the concert itself, serving as a final reminder to readers before the evening performance. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This issue of Disco 45 featured a full-page black-and-white pin-up of Marc Bolan. Captured during the height of Bolanmania, the photograph presents the T. Rex frontperson in a live performance setting and was intended as a collectible fan image rather than an editorial feature. Publication: Disco 45 Date: October 20, 1972 Country: United Kingdom This full-page pin-up presents Marc Bolan in concert during one of the most successful periods of his career with T. Rex. The photograph captures Bolan holding an electric guitar while standing beside a microphone. His distinctive curly hairstyle dominates the image, while stage lighting creates a bright halo effect around his hair, giving the photograph a dramatic concert atmosphere. Unlike an interview or magazine feature, the page contains no accompanying article. The focus is entirely on the photograph, with “MARC BOLAN” printed prominently beneath the image. The border carries repeated “DISCO” lettering, identifying the image as one of the magazine's collectible pin-up pages. Such photographs were a regular feature of youth and music publications during the early 1970s and were often removed from magazines for display by readers. The image shows Bolan smiling during performance, reinforcing the connection between the star and the excitement surrounding T. Rex concerts during the Bolanmania era. CONTEXT AND NOTES By October 1972, Marc Bolan had become one of Britain's most photographed music personalities. Publications such as Disco 45 regularly included large-format photographs, posters and pin-ups in response to enormous demand from fans. This page is a straightforward example of that format. The photograph is presented without editorial commentary, allowing the image itself to serve as the attraction. The stage setting, guitar and microphone clearly identify the photograph as a performance shot rather than a studio portrait, making it a strong visual reminder of T. Rex's live presence during 1972 FEATURE HIGHLIGHTS Event: Full-page Marc Bolan pin-up Era: 1972 Bolanmania era Tone: Fan-focused and collectible Photography: Black-and-white live performance photograph of Marc Bolan with electric guitar and microphone WHAT THE CLIPPING SHOWS • Full-page Marc Bolan pin-up • Live concert photograph • Marc Bolan with electric guitar and microphone • Repeated Disco 45 border design • Collectible poster-style presentation • No accompanying editorial content All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A colourful concert poster for T. Rex performing at the Halle Münsterland in Münster, Germany on Tuesday, February 1, 1972. Publication / Venue: Mama Concerts Presents Date: February 1, 1972 Country: Germany Location: Münster Section: Concert Poster THE STORY The poster features a vibrant psychedelic design with portraits of Marc Bolan and Mickey Finn, promoting the show at 20:00 Uhr. CONTEXT AND NOTES This German poster was issued during T. Rex’s early 1972 European tour, shortly after the success of “Hot Love” and during the rise of T. Rextasy. FEATURE HIGHLIGHTS Event: Concert poster Era: 1972 (Electric Warrior era) Tone: Psychedelic, colourful Photography: Stylized illustration WHAT THE CLIPPING SHOWS Bold “ELECTRIC T. REX WARRIORS” logo Psychedelic artwork with Marc Bolan portrait Venue and date: Halle Münsterland, Münster, 1. Februar, 20 Uhr Mama Concerts branding RELATED MATERIAL July 1, 1972 NME news page (Wembley speculation) For other relevant posts, see the tags at the foot of the page. SOURCES Concert Poster, February 1, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

BRAVO cover story and two-page report capturing the chaotic energy and fan hysteria of T. Rex’s London concerts during the peak of T. Rextasy. Publication: BRAVO Date: February 15, 1972 Country: Germany Section: Cover Story / Live Report THE STORY WHAT THE CLIPPING SHOWS Immersive report from a T. Rex concert in London, describing the intense atmosphere, Marc Bolan and Mickey Finn’s dynamic performance, and the close connection with screaming fans. The piece conveys the physical exhaustion, glitter, and electric excitement of the show. • Bold cover headline: “Marc und Mickey - let's go” • Dramatic red-tinted live photos of Marc Bolan and Mickey Finn performing • Sweat-drenched band members on stage with drums and microphones • Intense crowd energy and stage intimacy CONTEXT AND NOTES RELATED MATERIAL This February 1972 BRAVO feature captures T. Rex at the absolute height of their European fame. The report gives German readers a vivid sense of the raw power and intimacy of T. Rex live shows during the golden era of T. Rextasy. T. Rex (March 1–7, 1972) "Vorsicht, T. Rex - Fieber!" - BRAVO T. Rex (January 7, 1972) "Part Two of the T. Rex Story" - Sounds T. Rex (March 25– 1972) "The Concerned Genius at the T. Rex Concert"- New Musical Express For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Live concert report Era: 1972 (Peak T. Rextasy) Tone: Excited, immersive, fan-oriented Photography: High-drama stage shots • BRAVO Magazine, February 15, 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied. Tags: T.Rex, T.Rex Scrapbook, BRAVO Magazine, Live Concert, 1972, Marc Bolan, Mickey Finn, T. Rextasy BRAVO in London They give it their all until exhaustion: Marc Bolan (left) and Mickey Finn "Let's go!" Mare Bolan and Mickey Finn shouted to their friends as they kicked off their latest tour through London's boroughs. Now, half an hour into the concert in Brixton, someone tugs at my arm. I'm standing among two thousand T. Rex fans in the Sundown Theatre of London's Voreris. The girl tugging at me is named Susan. She's 14. We've never met before, but Susan says, "Can I climb onto your shoulders?" "Sure," I say, because Susan is only 1.40 meters tall, and in front of her is a wall of roaring fans; there are no seats. For half an hour, she's only listened to Mare, Mickey, Steve, and Bill. Now she can see the T. Rex better than anyone else Like all the other two thousand fans, Susan raises her right hand in a peace sign and waves towards the front of the stage, where Marc glitters in his silver suit. He stands there motionless, pauses, and stares intently at the audience. Then his features break into a friendly smile. He starts a new song. The fans cheer. The cheering is contagious. For everyone. The crowd surges ever closer to the brightly lit stage. T. Rex fan Susan (14) on the shoulders of BRAVO reporter Felix Unruh 11:15 PM: T. Rex have been playing for more than hours. The fans' enthusiasm has swept them away. Mickey doesn't even notice that he's smashed his hands bloody on the congas. I don't notice that Susan is still sitting on my shoulders. Many of the young fans can't take it anymore. Helpers pull the fainting ones out of the crowd. Mare is playing everything he's got: from "Hot Love" to "Metal Guru." This show, which Mare is now bringing to us, lasts another full hour. The concert ends in a shower of streamers, paper balls, and confetti. Busan gets off my shoulder, says thank you, and disappears. Outside, it's night. No more buses are running. A T. Rex concert is a Worth the walk. "I find nothing more beautiful than such concerts," says Mare afterwards. He is exhausted, doesn't want to eat or drink. The next afternoon at five there is another T. Rex concert. At nine o'clock in the evening the second one. Is Mare burning himself out? "I need this almost skin-to-skin contact with my audience. It grabs me when people get into it like today, when they shout, when they try to get really close to me. I hope it will be just as exciting in Germany. We are coming with 15 people, technicians included. It's a shame that we can't bring our large stage backdrop with us, the 5-meter-high name T. Rex in over a hundred flashing light bulbs. Unfortunately, it's too heavy for transport. But I promise it will be just as good as here in London." Mickey ties his hands and just says, "And just as exhausting." Felix Unruh BRAVO 15

New Musical Express technical column by Tony Tyler reviewing sound and performance aspects of a T. Rex concert, highlighting Marc Bolan as a “concerned genius”. Publication: New Musical Express Date: March 25–26, 1972 Country: United Kingdom Section: Technical / Concert Review THE STORY WHAT THE CLIPPING SHOWS Tony Tyler reviews the sound system and performance at a T. Rex concert. The piece praises Marc Bolan’s attention to detail, his use of PA systems, and his desire to deliver high-quality sound to the audience. It portrays Bolan as a perfectionist who is deeply concerned with the technical quality of his live shows. • Bold headline: “THE CONCERNED GENIUS AT THE T. REX CONCERT” • Large photo of Marc Bolan performing with guitar and microphone • Technical column layout with equipment discussion CONTEXT AND NOTES RELATED MATERIAL This 1972 article captures T. Rex at the height of their commercial success. It highlights Marc Bolan’s hands-on approach to live sound and his desire to give fans the best possible experience during the peak of T. Rextasy. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Technical concert review Era: 1972 (Glam Rock peak / T. Rextasy) Tone: Technical, appreciative Photography: Live performance shot of Marc Bolan • New Musical Express, March 25–26, 1972 • Column by Tony Tyler All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A positive review in the Worcester News praising T. Rex’s new single “Telegram Sam” as another high-energy hit from Marc Bolan, highlighting the band’s continued chart dominance and infectious glam rock sound. Publication: Worcester News Date: January 28, 1972 Country: United Kingdom Section: Music / Pop Singles Review THE STORY WHAT THE CLIPPING SHOWS The review celebrates “Telegram Sam” as a strong new release from T. Rex, noting its immediate impact, Marc Bolan’s songwriting, and the band’s ability to deliver catchy, stomping glam rock anthems. It acknowledges the single’s potential to match the success of previous hits. Bold headline “Telegram Sam lays on the message” with detailed review text. Includes discussion of the single’s sound, Bolan’s star power, and the band’s momentum. Classic early 1972 local newspaper music review layout. CONTEXT AND NOTES FEATURE HIGHLIGHTS Published on January 28, 1972, this review arrives as “Telegram Sam” was climbing the UK charts, becoming T. Rex’s third No. 1 single. It reflects the explosive popularity of glam rock and Bolan’s status as one of Britain’s most exciting pop stars at the time. Event: New single review Era: 1972 (T. Rex’s imperial glam phase) Tone: Enthusiastic, supportive Photography: Text-focused review with surrounding ads RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Disco 45 magazine cover and centrespread celebrating T. Rex as “1971’s Top Group”, featuring a large smiling portrait of Marc Bolan and a heart-shaped inset photo. Publication: Disco 45 Date: January 19721 Country: United Kingdom Section: Cover + Centrespread Feature THE STORY WHAT THE CLIPPING SHOWS Cover and centrespread honouring T. Rex as the standout act of 1971. The magazine celebrates their chart dominance with hits like “Hot Love”, “Get It On”, and the success of Electric Warrior, positioning the band as the ultimate teen idols of the year. • Bold “T.REX 1971’s Top Group” headline • Large, charismatic portrait of Marc Bolan • Heart-shaped inset photo of the band • Bright pink colour scheme and teen-magazine design CONTEXT AND NOTES RELATED MATERIAL This January 1972 cover perfectly encapsulates the joy and commercial triumph of T. Rextasy at the turn of the year. As a popular teen-oriented songbook magazine, Disco 45 used the cover to celebrate the band’s massive popularity among young readers during the peak of the glam rock explosion. For more similar posts, check out the tags at the bottom of the page. FEATURE HIGHLIGHTS SOURCES Event: Magazine cover + centrespread Era: 1971–1972 (Peak glam era) Tone: Celebratory, fan-oriented Photography: Charismatic studio portrait of Marc Bolan • Disco 45, January 1972 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The April 22, 1972 music press announces the upcoming release of The Golden Hits of T. Rex by Fly Records on May 5, compiling many of the band’s classic tracks from their early glam era. Mickey Finn featured on all but one track – T. Rex Golden Hits of T. Rex, Fly Records release, May 5 1972. Publication: Music Press (various) Date: April 22, 1972 Country: United Kingdom Location: London Section: Album Announcement / Feature THE STORY The feature highlights the forthcoming compilation album featuring hits such as “Ride A White Swan,” “Hot Love,” “Get It On,” “Jeepster,” and others. It notes that Mickey Finn plays on all but one track and mentions the simultaneous release on Precision Tapes (cartridge and cassette formats). CONTEXT AND NOTES By spring 1972 T. Rex were at the peak of their commercial success. This “Golden Hits” compilation capitalised on their popularity by collecting their biggest singles from the Fly Records period, helping cement their status during the height of T. Rextasy. FEATURE HIGHLIGHTS Event: Compilation album announcement Era: 1972 (T. Rex Glam Rock peak) Tone: Celebratory, promotional Photography: Black & white image of Mickey Finn on drums WHAT THE CLIPPING SHOWS Headline “T. Rex Oldies Album” Photo of Mickey Finn performing Announcement of The Golden Hits of T. Rex releasing May 5 on Fly Records Track highlights including “Ride A White Swan,” “Hot Love,” “Get It On,” “Jeepster” and more RELATED MATERIAL This April 22, 1972 album announcement for The Golden Hits of T. Rex connects with other 1971–1972 T. Rex tour ads and reviews in the scrapbook, documenting the band at the height of their fame. For other relevant posts, see the tags at the foot of the page. SOURCES Music Press clipping, April 22, 1972 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference

Article Context & Main Highlights Key Content Publication: New Musical Express (NME) Date: Week ending January 22, 1972 “REXMANIA” Release Date: Week ending January 22, 1972 Label: NME Country: United Kingdom Feature celebrating the explosion of T. Rex popularity, marking the start of “T.Rextasy”. Large photo and article on Marc Bolan and T. Rex performing at the Boston Gliderdrome. The piece highlights the intense fan hysteria, the band’s growing success in America, and the beginning of the massive T. Rex phenomenon that would define 1972. Notable Details The page captures Marc Bolan in full glam rock glory on stage, with fans reaching out in excitement. This edition reflects the rapid rise of T. Rex from UK chart dominators to an international glam rock sensation. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.