The November 24, 1973 edition of Music Star magazine features Marc Bolan on the cover with the excited headline “We Meet The New Marc At Last!!”, highlighting a major interview or photo feature inside. Publication: Music Star Date: November 24, 1973 Country: United Kingdom Location: London Section: Front Cover / Pin-Up Feature THE STORY The colourful cover prominently displays a close-up portrait of Marc Bolan and teases an exclusive meeting with “the new Marc,” alongside other pop star content including Donny Osmond, David Essex, and a super David pin-up. CONTEXT AND NOTES By late 1973 Marc Bolan was still a huge teen idol. Teen magazines like Music Star continued to capitalise on his popularity with cover stories and pin-ups, even as his musical direction evolved into the Zinc Alloy era. FEATURE HIGHLIGHTS Event: Magazine cover story Era: 1973 (T. Rex Glam Rock / Zinc Alloy transition) Tone: Exciting, fan-oriented, colourful Photography: Large, vibrant close-up portrait of Marc Bolan WHAT THE CLIPPING SHOWS Bold cover title “Music Star” with Marc Bolan’s face dominating the design Prominent headline “WE MEET THE NEW MARC AT LAST!!” Colourful teaser boxes about Donny Osmond, Marty, and other stars Typical 1970s teen pop magazine layout with bright graphics and 7p price RELATED MATERIAL September 1, 1973 Melody Maker “Why Marc won’t be giving up” September 8, 1973 Diana Marc Bolan pin-up October 27, 1973 Disc “Great Hits” advertisement November 17, 1973 Melody Maker “Truck On (Tyke)” single advert December 22, 1973 Melody Maker “Truck Off” tour advertisement For other relevant posts, see the tags at the foot of the page. SOURCES Music Star, November 24, 1973 All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. =

This full-page advertisement celebrates the success of T. Rex's hit single "Children Of The Revolution". Published in New Musical Express, the advert thanks fans for helping Marc Bolan and T. Rex achieve their seventh Silver Disc, marking another milestone during the height of Bolanmania. Publication: New Musical Express (NME) Date: October 21, 1972 Country: United Kingdom This striking full-page advertisement was placed to celebrate the commercial success of "Children Of The Revolution", one of T. Rex's biggest singles of 1972. The design is dominated by a dramatic silhouette image of Marc Bolan wearing his trademark top hat, creating an instantly recognisable visual statement. At the centre of the page appears the message: "MARC BOLAN AND T. REX THANK ALL THE 'CHILDREN OF THE REVOLUTION' FOR GIVING THEM THEIR 7th SILVER DISC" The advert serves as a public thank-you to the fans whose support had helped propel the single to major sales success. Rather than promoting a forthcoming release, the page celebrates an achievement that further reinforced T. Rex's position as one of Britain's leading rock acts. An inset image of The Slider album appears in the upper section of the page alongside a portrait photograph of Marc Bolan. The inclusion of the album artwork links the single's success with the wider T. Rex campaign of 1972 and highlights the group's continued dominance of the British charts. The minimalist black-and-white presentation relies on strong imagery and bold typography, allowing the message of appreciation to stand out clearly while reinforcing Bolan's iconic visual identity. CONTEXT AND NOTES Published during the peak of Bolanmania, the advertisement reflects the extraordinary commercial success enjoyed by T. Rex during the early 1970s. By October 1972, Marc Bolan had established an unmatched run of hit singles and had become one of the most recognisable figures in British popular music. The award of a seventh Silver Disc underlined both the popularity of "Children Of The Revolution" and the loyalty of T. Rex's audience. The advert also demonstrates how music papers were frequently used not only to promote releases but also to celebrate sales achievements and strengthen the connection between artists and their fans. FEATURE HIGHLIGHTS Event: Celebration of T. Rex's seventh Silver Disc Era: 1972 Bolanmania era Tone: Celebratory and promotional Photography: Silhouette image of Marc Bolan with inset portrait and The Slider album artwork WHAT THE CLIPPING SHOWS • Full-page thank-you advertisement from Marc Bolan and T. Rex • Celebration of the success of "Children Of The Revolution" • Announcement of T. Rex's seventh Silver Disc • Inset image of The Slider album • Iconic silhouette image of Marc Bolan wearing a top hat All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This small but eye-catching Daily Mirror advertisement promotes the latest issue of Sounds, drawing attention to a free colour poster of Marc Bolan. Published at the height of the Electric Warrior era, the advert reflects Bolan's rapidly growing popularity and his status as one of the most in-demand stars in British music. Publication: Daily Mirror Date: October 21, 1971 Country: United Kingdom This newspaper advertisement promotes the current issue of Sounds by highlighting one of its main attractions: a free colour poster of Marc Bolan. The simple black-and-white design is built around the bold headline: "FREE! COLOUR POSTER OF MARC BOLAN" Beneath this, readers are informed that the issue also contains a Leonard Cohen interview, providing a second major selling point for prospective buyers. The advertisement concludes with the details: "In SOUNDS" "On sale now. 6p" By placing Marc Bolan's name in the largest lettering on the page, the promotion clearly demonstrates the commercial appeal he held during late 1971. At this point, the success of Hot Love, Get It On, and the recently released Electric Warrior had transformed Bolan into one of Britain's biggest music stars, making his image a powerful circulation booster for the music press. CONTEXT AND NOTES Published in October 1971, the advertisement appeared during the period when Bolanmania was beginning to establish itself across Britain. Music papers increasingly used Marc Bolan's image and name as headline attractions to drive sales. The advert is also a useful reminder of the fierce competition among the weekly music newspapers of the era. Exclusive interviews, posters and promotional giveaways were frequently used to attract readers, with Bolan among the most marketable artists of the period. The cover price of 6p reflects the affordability of the British music press during the early 1970s. FEATURE HIGHLIGHTS Event: Promotion of a free Marc Bolan colour poster Era: Electric Warrior era Tone: Promotional Photography: Advertisement for a free colour poster rather than the poster image itself WHAT THE CLIPPING SHOWS • Advertisement for Sounds magazine • Free colour poster of Marc Bolan • Promotion of a Leonard Cohen interview • Issue on sale for 6p • Evidence of Marc Bolan's growing importance as a music press attraction All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Liverpool Echo feature highlights the unexpected chart revival of T. Rex during 1991 following the renewed success of “Get It On.” Triggered by its use in a popular television advertising campaign, the article examines how a new generation was discovering Marc Bolan's music and promotes a competition offering copies of the latest T. Rex compilation album and video. Publication: Liverpool Echo Date: October 21, 1991 Country: United Kingdom Appearing in Penny Kiley's Chart-Busters column, the feature celebrates the continuing popularity of T. Rex more than a decade after Marc Bolan's passing. The article notes that “20th Century Boy” had already demonstrated the enduring appeal of the group and predicts similar success for a follow-up reissue campaign. The writer points out that a jeans advertisement had once again brought T. Rex music to public attention, helping introduce Marc Bolan's recordings to a younger audience. Recognising that the connection between jeans advertising and glam rock might appear unusual, the article turns to John Bramley, who ran the T. Rex fan club and the Marc On Wax record label. Bramley explains that Marc Bolan regularly wore jeans and argues that the image is not as surprising as some people might think. “People think of the glitter and the glam, but he was in step with the punk era.” The article also notes that if viewers looked closely at footage from Marc, the television series, Bolan could frequently be seen wearing torn jeans years before such fashions became commonplace. The feature then turns to the T. Rex revival itself. Bramley explains that the renewed interest extended beyond the hit singles and had helped inspire the release of a new retrospective collection. The article promotes Marc Bolan & T. Rex: The Ultimate Collection, describing it as a compilation bringing together singles recorded between 1968 and 1976, including the band's four number one hits. A companion video release is also highlighted, featuring interviews and rare footage of the band. To coincide with the feature, readers are invited to enter a competition to win copies of the album or video by answering a T. Rex-related question. Alongside the article is a large black-and-white photograph of Marc Bolan playing guitar, accompanied by the caption: “The legend lives on ... Marc Bolan” CONTEXT AND NOTES The feature captures one of the many revivals of interest in T. Rex during the years following Marc Bolan's passing. Television advertising had become a particularly effective way of introducing classic recordings to new audiences, and the renewed success of “Get It On” helped place T. Rex back in the public spotlight during 1991. The article is especially notable for its comments from John Bramley, who had become one of the key figures involved in preserving and promoting Bolan's legacy through both the fan club and Marc On Wax. The competition itself reflects the growing demand for archival releases, compilations and video material as interest in glam rock experienced a resurgence during the early 1990s. FEATURE HIGHLIGHTS Event: T. Rex revival feature and competition Era: 1991 T. Rex revival Tone: Celebratory and nostalgic Photography: Large concert photograph of Marc Bolan playing guitar WHAT THE CLIPPING SHOWS • T. Rex's continued popularity during 1991 • Discussion of the chart revival sparked by a jeans advertisement • Comments from T. Rex fan club leader John Bramley • Promotion of Marc Bolan & T. Rex: The Ultimate Collection • Reference to a companion video featuring interviews and rare footage • Competition offering copies of the album and video • Photograph captioned “The legend lives on ... Marc Bolan” All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Marc was a British pop‑music television series presented by Marc Bolan and produced in Manchester by Granada Television for the ITV network. Broadcast Date: September 28, 1977 The sixth and final edition of Marc, broadcast on 28 September 1977, featured an eclectic mix of established stars, emerging new-wave acts, dance performances and appearances by Marc Bolan and T. Rex. The programme is particularly remembered for featuring David Bowie's appearance performing "Heroes" and the celebrated Bowie and Bolan jam session that concluded the show. SHOW CONTENTS Show Credits "Debora" – Marc Bolan with T. Rex "Your Generation" – Generation X "I'm a Fighter" – Lip Service Heart Throb's Dance Segment – "Ain't It Strange" "Groove A Little" – Marc Bolan with T. Rex "Ride A White Swan" – Marc Bolan with T. Rex Heart Throb's Dance Segment – "I Haven't Stopped Dancing Yet" – Gonzalez "Do Anything You Want to Do" – Eddie and the Hot Rods "Heroes" – David Bowie Instrumental Jam – "Sleeping Next To You" featuring David Bowie, Marc Bolan and T. Rex HIGHLIGHTS The programme brought together artists from across the contemporary rock and punk scenes, including Generation X and Eddie and the Hot Rods, reflecting the changing musical landscape of 1977. Marc Bolan's performances of "Debora", "Groove A Little" and the classic "Ride A White Swan" provided a link between the glam-rock era and the emerging generation of artists appearing on the series. David Bowie's appearance performing "Heroes" remains one of the most notable moments from the programme, while the closing instrumental jam with Bowie, Bolan and T. Rex has become one of the most discussed performances associated with the series. SIGNIFICANCE As the final broadcast of Marc, Show 6 occupies a unique place in British television and rock history. The combination of Marc Bolan, David Bowie, Generation X and Eddie and the Hot Rods captured several generations of contemporary music on a single programme and helped cement the series' reputation as one of the most important music television productions of 1977. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Marc - Songs From The Granada TV Series Label: Edsel Country: UK Date: 1998 The first episode of Marc, the ITV pop‑music series hosted by Marc Bolan, was broadcast on 24 August 1977. Produced by Muriel Young and directed by Nicholas Ferguson, the show featured T. Rex performing alongside emerging punk and pop acts. Bolan’s critical rehabilitation was in full swing by the summer of 1977, spurred by the punk and new‑wave boom. Having completed a successful spring tour supported by The Damned, Bolan appeared revitalised and eager to connect with a younger audience. Setlist : • Sing Me a Song – Marc Bolan with T. Rex • All Around the World – The Jam • I Love to Boogie – Marc Bolan with T. Rex • Cool Wind from the North – Stephanie de Sykes • Celebrate Summer – Marc Bolan with T. Rex • You Got What It Takes – Showaddywaddy • Jeepster – Marc Bolan with T. Rex Promotional stills from the broadcast show Bolan performing in leopard‑print attire. The episode reflected his renewed energy and connection to the punk generation, with Record Mirror columns published that summer defending punk’s freshness and vitality. Surrounding Dates: • Spring 1977 – UK tour supported by The Damned • 4 June 1977 – Bolan’s first Record Mirror  column published • 24 August 1977 –  Episode 1 broadcast on ITV Chronicle Note: By mid‑1977, Bolan’s Dandy in the Underworld album had not matched earlier commercial heights, yet signs of a new audience were emerging. His embrace of punk’s energy and his commentary in Record Mirror positioned him as a bridge between glam and the new wave. Marc One captured this transition — Bolan’s enthusiasm for the young scene, his self‑awareness, and his determination to remain relevant. His statement, “I’m not a punk and I don’t profess to be one. I’m not 18 and living on a council estate, I’ve done that, that’s why I can understand it,” summed up his empathy for the movement while maintaining his own identity. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Marc: The Words And Music Of Marc Bolan: 1947-1977 was a posthumous retrospective released by Cube Records in 1978, one year after the death of Marc Bolan. Compiled as a career-spanning anthology, the collection traces Bolan's musical development from his early recordings with John's Children through the Tyrannosaurus Rex years and into the commercial success of T. Rex. Rather than functioning as a conventional greatest hits package, the set was conceived as a tribute to Bolan's life and artistic legacy, combining key recordings from different stages of his career with archive material and a bonus interview record. The compilation was assembled by Tony Visconti, Paul Jones and Stevie Dixon and remains one of the earliest major retrospective collections issued following Bolan's passing. The collection draws material from multiple periods of Bolan's recording career. Selections range from the psychedelic and folk-influenced Tyrannosaurus Rex era through to major glam rock recordings released under the T. Rex name. The anthology includes important early recordings such as Desdemona, Debora, Eastern Spell, Salamanda Palaganda and King Of The Rumbling Spires, alongside chart successes including Ride A White Swan, Hot Love, Get It On and Jeepster. A notable inclusion is The Children Of Rarn Suite, presented as a previously unreleased recording featuring light accompaniment by Tony Visconti. STYLE & THEMES The collection highlights the remarkable stylistic evolution of Marc Bolan's songwriting. Early recordings demonstrate his fascination with fantasy imagery, mythology, mysticism and acoustic arrangements, while later material illustrates the transition toward the electric glam rock sound that transformed T. Rex into one of the defining acts of the early 1970s. Taken as a whole, the compilation serves as a musical biography, documenting Bolan's journey from underground psychedelic poet to mainstream chart star. RELEASE HISTORY Issued in the United Kingdom in 1978 by Cube Records. The release was packaged as a deluxe two-LP set and included an exclusive bonus 7-inch interview disc. The compilation was intended as both a memorial tribute and a career overview, bringing together significant recordings from across Bolan's catalogue. PERSONNEL Marc Bolan — vocals, guitar, songwriting Tony Visconti — producer, compiler Paul Jones — compiler Stevie Dixon — compiler Jennifer Sharp — interview participant Steve Harley — interview participant John Peel — interview participant PRODUCTION Produced by Tony Visconti (all tracks except Desdemona) Album Compiled by Tony Visconti, Paul Jones and Stevie Dixon Sleeve Design and Artwork — Chess Creative Services Printed by Howards Printers (Slough) Ltd., England Label: Cube Records Country: UK Catalogue Number: HI FLD1 Format: 2LP + Bonus 7" NOTES • Marc: The Words And Music Of Marc Bolan: 1947-1977 was issued by Cube Records in 1978 as a major posthumous retrospective marking the life, music and influence of Marc Bolan following his death in September 1977. • The release was presented as a deluxe anthology package consisting of two LPs accompanied by an exclusive bonus 7-inch interview record. • The set was compiled by Tony Visconti, Paul Jones and Stevie Dixon with the intention of documenting Bolan's artistic journey across the different phases of his career. • Unlike many later compilations that concentrated primarily on the T. Rex hit years, this collection devoted substantial space to Bolan's Tyrannosaurus Rex recordings, highlighting the importance of his early acoustic and psychedelic work. • The anthology begins with Desdemona, recorded with John's Children, providing a rare look at Bolan's earliest recognised recordings before the formation of Tyrannosaurus Rex. • Tracks from the Tyrannosaurus Rex era include Debora, Strange Orchestras, Child Star, Afghan Woman, Eastern Spell, Salamanda Palaganda, Cat Black The Wizard's Hat and King Of The Rumbling Spires, illustrating the mystical and fantasy-driven songwriting that characterised Bolan's late-1960s work. • The compilation also documents Bolan's transition into the T. Rex era with important recordings including Ride A White Swan, Hot Love, Get It On, Jeepster and Cosmic Dancer. • One of the principal attractions of the set was the inclusion of The Children Of Rarn Suite, described on the release as a previously unreleased recording. The track was presented as a demo featuring light accompaniment by Tony Visconti. • The bonus 7-inch disc added a documentary dimension to the package, featuring a 1973 interview between Marc Bolan and Stevie Dixon. • Additional interview content on the reverse side included contributions from Jennifer Sharp, Steve Harley, John Peel and Stevie Dixon, expanding the release beyond a standard music compilation. • According to the sleeve notes, all recordings were produced by Tony Visconti with the exception of Desdemona. • The release was designed and packaged as a celebration of Bolan's songwriting legacy rather than merely a collection of chart successes. • Sleeve design and artwork were produced by Chess Creative Services. • Printing was carried out by Howards Printers (Slough) Ltd., England. • Original copies were issued under catalogue number HI FLD1 on the Cube Records label. • The set remains one of the earliest substantial attempts to present Marc Bolan's complete artistic story in a single package, spanning the John's Children, Tyrannosaurus Rex and T. Rex periods. • Because of its broad career coverage, inclusion of archive material and bonus interview disc, the release is regarded as one of the most significant posthumous Marc Bolan compilations of the late 1970s. RELATED RELEASES • Desdemona • My People Were Fair And Had Sky In Their Hair... But Now They're Cont... RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format Marc Bolan Marc: The Words And Music Of Marc Bolan: 1947-1977 Cube UK HI FLD1 1978 2LP + Bonus 7" Interview Disc TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 2LP + Bonus 7" HI FLD1 LP1 SIDE ONE: • Desdemona • Debora • Strange Orchestras • Child Star • Afghan Woman • One Inch Rock • Stacey Grove • Eastern Spell • Salamanda Palaganda LP1 SIDE TWO: • Cat Black The Wizard's Hat • She Was Born To Be My Unicorn • Warlord Of The Royal Crocodiles • Woodland Bop • By The Light Of The Magical Moon • Great Horse • Elemental Child • Cosmic Dancer LP2 SIDE ONE: • King Of The Rumbling Spires • Beltane Walk • Ride A White Swan • Hot Love • Get It On • Jeepster LP2 SIDE TWO: • Frowning Atahuallpa (My Inca Love) • The Children Of Rarn Suite (Previously Unreleased) BONUS 7" SIDE ONE: • Marc Bolan Talking To Stevie Dixon, 1973 BONUS 7" SIDE TWO: • Interview (Jennifer Sharp, Steve Harley, John Peel, Stevie Dixon) SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The second episode of Marc, broadcast on 30/31 August 1977, continued Marc Bolan’s six‑part ITV music series produced by Muriel Young and directed by Nicholas Ferguson. Granada TV had carved out a niche producing tea‑time pop shows such as Get It Together, The Arrows, and Bay City Rollers, and now gave Bolan the opportunity to create a programme in his own image. The concept originated with Johnny Hamp, who, along with Young, had known Bolan since the 1960s. They saw him as the ideal figure to bridge the generational gap between parents and their children watching the show. Setlist : • Celebrate Summer – Marc Bolan with T. Rex • Roots Rock – Desmond Dekker ( Heart Throb) • If I Can Just Get Through Tonight – Alfalfa • You Made Me Believe in Magic – Bay City Rollers (danced by Heart Throb) • New York City – Marc Bolan with T. Rex • Ride a White Swan – Marc Bolan with T. Rex • Just Try a Little Tenderness – Mud • People in Love – 10cc (on video) • Endless Sleep – Marc Bolan with T. Rex Coventry Evening Telegraph Coventry, West Midlands, England · Tuesday, August 30, 1977 Press coverage on 1 August 1977 announced Bolan’s new television venture. Granada TV granted him creative freedom to feature both established and new‑wave acts, alongside the regular dance troupe Heart Throb. Promotional stills from the broadcast show Bolan performing in glittering stage attire, with close‑ups of his silver boots featured in episode imagery. Bolan described his vision for Marc as “a sort of cross between Rudolf Valentino and Joan Crawford,” promising viewers “a new Bolan.” He aimed to include “as many genuinely talented new‑wave bands as possible,” giving them valuable television exposure. Each episode featured three T. Rex performances, one established act, one new band, and a dance routine. Bolan’s willingness to showcase emerging punk and new‑wave artists such as The Jam, Boomtown Rats, and Generation X demonstrated his openness to the evolving music scene and his role as a bridge between glam and the next generation. Surrounding Dates: • Spring 1977 – UK tour supported by The Damned • 4 June 1977 – Bolan’s first Record Mirror  column published • 24 August 1977 –  Episode 1 broadcast on ITV Chronicle Note: By mid‑1977, Bolan’s Dandy in the Underworld album had not matched earlier commercial heights, yet signs of a new audience were emerging. His embrace of punk’s energy and his commentary in Record Mirror positioned him as a bridge between glam and the new wave. Marc One captured this transition — Bolan’s enthusiasm for the young scene, his self‑awareness, and his determination to remain relevant. His statement, “I’m not a punk and I don’t profess to be one. I’m not 18 and living on a council estate, I’ve done that, that’s why I can understand it,” summed up his empathy for the movement while maintaining his own identity. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Dandy In The Underworld was the final studio album released during Marc Bolan's lifetime and represented the closing chapter of the original T. Rex story. The album arrived following a renewed commercial resurgence that had seen the band return to the charts with successful singles including I Love To Boogie. This Japanese edition was released by Toshiba EMI on June 20, 1977 and features the original album configuration. The release included Japanese liner notes by Masa Itoh and lyric translations by Yasumi Yamamoto. By the time of its release, T. Rex had successfully adapted to changing musical trends while retaining the distinctive style that had made Marc Bolan one of Britain's most recognisable rock performers. RECORDING The album was recorded during 1976 and 1977 and continued Marc Bolan's partnership with a wide range of musicians and guest performers. The recordings combined classic T. Rex glam-rock elements with contemporary production approaches, reflecting Bolan's ongoing efforts to modernise the band's sound while retaining its identity. This Japanese release was manufactured by Toshiba EMI Ltd. STYLE & THEMES The album blends glam rock, rock and pop with a more contemporary late-1970s approach. Many of the songs combine energetic rock and roll with reflective lyrical themes. The album balances upbeat commercial material such as I Love To Boogie with more atmospheric and introspective tracks including Crimson Moon, Universe and The Soul Of My Suit. The record displays Bolan's continued interest in evolving the T. Rex sound while maintaining the melodic and stylistic characteristics associated with the band's most successful releases. TRACK-BY-TRACK NOTES • Dandy In The Underworld — Title track and one of the key singles from the album. • Crimson Moon — Atmospheric composition later issued as a single. • Universe — Reflective album recording. • I'm A Fool For You Girl — Melodic studio performance from the album sessions. • I Love To Boogie — Major hit single and one of Bolan's best-known late-period recordings. • Visions Of Domino — Included in the original album running order. • Jason B. Sad — Opening track of side two. • Groove A Little — Up-tempo recording from the album. • The Soul Of My Suit — Later released as a single. • Hang Ups — Featured on side two. • Pain And Love — One of the album's reflective compositions. • Teen Riot Structure — Closing track of the album. RELEASE HISTORY Released in the United Kingdom in March 1977. Issued in Japan on June 20, 1977 by Toshiba EMI. The album was subsequently reissued in multiple formats including expanded CD editions and vinyl reissues. PERSONNEL Marc Bolan — vocals, guitar T. Rex — performances Masa Itoh — liner notes Yasumi Yamamoto — lyric translations PRODUCTION Manufactured by Toshiba EMI Ltd. Liner Notes by Masa Itoh Lyrics Translation by Yasumi Yamamoto Label: T. Rex RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex Dandy In The Underworld T. Rex Japan EMS-80828 June 20, 1977 LP T. Rex Dandy In The Underworld T. Rex UK BLN 5005 March 1977 LP TRACKLIST TABLE Format Catalogue Tracklisting LP NOTES • Japanese LP edition. • Manufactured by Toshiba EMI Ltd. • Includes Japanese liner notes. • Includes Japanese lyric translations. • Original album configuration. • Released during Marc Bolan's lifetime. RELATED RELEASES • Futuristic Dragon • I Love To Boogie • The Soul Of My Suit • Celebrate Summer EMS-80828 Side One: • Dandy In The Underworld • Crimson Moon • Universe • I'm A Fool For You Girl • I Love To Boogie • Visions Of Domino Side Two: • Jason B. Sad • Groove A Little • The Soul Of My Suit • Hang Ups • Pain And Love • Teen Riot Structure SOURCES Discogs, Wikipedia, Official Charts, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Live 1977 is a live archive release credited to Marc Bolan & T. Rex and issued by Edsel Records in June 1997. Released as a limited edition remastered double CD, the set compiles performances from Marc Bolan's final British tour appearances during March 1977 together with a bonus disc drawn from an earlier American performance recorded in Cleveland, Ohio during 1974. The release brought together material from concerts at London's Rainbow Theatre, Portsmouth Locarno and the Agora Club in Cleveland. Issued with extensive packaging and liner notes, the collection documented T. Rex in concert during the final years of the band's career. RECORDING Disc One was recorded at the Rainbow Theatre, London on March 18, 1977 and at the Portsmouth Locarno on March 20, 1977. Disc Two was recorded at the Agora Club, Cleveland, Ohio on November 11, 1974. The release was mastered specifically for CD issue by Don Walker at Crossfade Mastering. STYLE & THEMES The collection captures the concert sound of the final T. Rex touring line-up, featuring performances of classic hits, contemporary material and fan favourites. The recordings span two distinct periods, presenting both the 1977 stage repertoire and selections from a 1974 American performance. The set documents Marc Bolan's return to live performance during 1977 while preserving concert recordings from one of the final phases of his career. TRACK-BY-TRACK NOTES • Jeepster — Opening performance from the 1977 concerts. • Visions Of Domino — Drawn from the Rainbow Theatre and Portsmouth recordings. • New York City — Live version of the T. Rex single. • Soul Of My Suit — Concert performance from the 1977 tour. • Groove A Little — Live performance featured on Disc One. • Telegram Sam — Extended live rendition. • Hang Ups — Included from the 1977 recordings. • Debora — Classic Tyrannosaurus Rex-era composition performed live. • I Love To Boogie — One of the final period concert highlights. • Teen Riot Structure — Performed during the 1977 shows. • Dandy In The Underworld — Title track from the band's final studio album. • Hot Love — Live version of the chart-topping single. • Get It On (Bang A Gong) — Features an appearance by The Damned. BONUS TRACKS • Jeepster — Live at the Agora Club, Cleveland, Ohio, November 11, 1974. • Telegram Sam — Live at the Agora Club. • Token Of My Love — Archive concert recording. • Teenage Dream — Live performance from the Cleveland show. • Zip Gun Boogie — Extended live version closing the bonus disc. RELEASE HISTORY The album was released by Edsel Records in June 1997 as a limited edition remastered double CD. Disc One contains recordings from the Rainbow Theatre, London and Portsmouth Locarno performances given during March 1977. Disc Two contains previously issued concert recordings from the Agora Club, Cleveland, Ohio recorded on November 11, 1974. PERSONNEL Marc Bolan — guitar, vocals, songwriter Herbie Flowers — bass Tony Newman — drums Miller Anderson — guitar Dino Dines — keyboards The Damned — ensemble appearance on "Get It On (Bang A Gong)" Ros Davies — compilation, liner notes Anne-Louise Falson — design PRODUCTION Compiled by Ros Davies Mastered by Don Walker Mastered At: Crossfade Mastering Design by Anne-Louise Falson Label: Edsel Records Catalogue Number: EDCD 530 Barcode: 740155153021 Recorded At: Rainbow Theatre London Recorded At: Portsmouth Locarno Recorded At: Agora Club, Cleveland, Ohio NOTES • Limited edition release. • Remastered edition. • Stickered as "Limited Edition with Bonus Disc". • Slim double jewel case. • Includes a 16-page fold-out booklet. • Rear sleeve states: Manufactured in Germany. • Disc One contains recordings from the Rainbow Theatre and Portsmouth Locarno concerts of March 1977. • Disc Two contains recordings from the Agora Club, Cleveland, Ohio concert of November 11, 1974. RELATED RELEASES • T. Rex In Concert (1981) • Dance In The Midnight (1983) • Billy Super Duper (1982) • RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format Marc Bolan & T. Rex Live 1977 Edsel Records UK EDCD 530 June 1997 2CD, Limited Edition, Remastered TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 2CD EDCD 530 DISC 1: Jeepster • Visions Of Domino • New York City • Soul Of My Suit • Groove A Little • Telegram Sam • Hang Ups • Debora • I Love To Boogie • Teen Riot Structure • Dandy In The Underworld • Hot Love • Get It On (Bang A Gong) [with The Damned] DISC 2: Jeepster • Telegram Sam • Token Of My Love • Teenage Dream • Zip Gun Boogie All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Bravo magazine feature from July 1977 promotes Marc Bolan’s comeback album Dandy in the Underworld, celebrating his return to the charts with the headline “The Boogie‑Man Is Back Again.” The piece positions Bolan as a revitalised star, once again commanding attention with his signature T. Rex sound. Publication: Bravo Magazine Date: July 21 1977 Country: Germany THE STORY The article highlights Bolan’s new LP Dandy in the Underworld and its lead single Soul of My Suit, describing them as “brand‑new productions” already climbing the English charts. The layout features the album cover — a circular portrait of Bolan’s face — alongside the tagline “LP der Woche” (“Album of the Week”), marking it as an Ariola recommendation for Bravo readers. The text praises Bolan’s enduring success and his ability to reinvent himself while maintaining the distinctive T. Rex sound that defined his earlier hits. A smaller caption, “Bolan Rocks On!”, reinforces the sense of triumphant return CONTEXT AND NOTES By mid‑1977, Bolan was experiencing a creative resurgence after several quieter years. Dandy in the Underworld was widely regarded as his strongest work since the early 1970s, blending maturity with the glam‑rock flair that made him famous. This Bravo feature reflects the renewed enthusiasm for Bolan’s music in Europe, just months before his untimely death later that year. FEATURE HIGHLIGHTS Event: Release of Dandy in the Underworld album Era: 1977 – Late T. Rex Revival Period Tone: Promotional, celebratory, and nostalgic Photography: Album artwork featuring Marc Bolan’s portrait in monochrome WHAT THE CLIPPING SHOWS Headline: “The Boogie‑Man Is Back Again – Marc Bolan” Album cover and cassette artwork for Dandy in the Underworld Circular “LP der Woche” graphic with song title Soul of My Suit German text praising Bolan’s chart success and musical return All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The August 1, 1977 edition carries a Sun exclusive by Tim Ewbank announcing that Marc Bolan is being given his own television series which will feature punk and new-wave bands. Publication: The Sun Date: August 1, 1977 Country: United Kingdom The article reports that pop idol Marc Bolan is to host a six-part television series called Marc, starting at the end of the month. Bolan plans to introduce genuinely talented new-wave bands and says people have been clamouring for him to do a television series for years. The show will be a really exciting, totally electronic rock show, with Bolan and T. Rex performing three numbers each week and introducing two guests per programme. Groups such as The Stranglers and The Jam have agreed to appear. Bolan also comments on his past problems with drink and drugs, his current life with Gloria Jones and their son Rolan, and describes himself in a way as an elder statesman of punk. CONTEXT AND NOTES The piece presents Bolan’s return to the pop scene via television after a period away, linking his glam-rock past with the emerging punk movement and noting the freedom Granada is giving him on the show. FEATURE HIGHLIGHTS Event: Television series announcement Era: 1977 (late career / punk crossover) Tone: Promotional, conversational Photography: Small portrait of Marc Bolan and a photo of The Stranglers WHAT THE CLIPPING SHOWS Large headline “BOLAN PUTS PUNK IN THE PICTURE” Announcement of the six-part series Marc featuring new-wave bands Quotes from Bolan about the show, his past and personal life Photos of Bolan and The Stranglers All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Publication: Record Mirror Date: Saturday, July 2, 1977 Marc Bolan’s Monthly Column Personal column written by Marc Bolan for Record Mirror, offering his thoughts on music, punk rock, the music industry, and his own views as a veteran glam rock star. Key Content Notable Mentions Bolan discusses the rise of punk, defending its energy while expressing concern about its violence and nihilism. He reflects on his own career, the changing music scene, and shares opinions on various artists and trends of the time. He mentions topics such as “The real louts are always in a minority,” his thoughts on “National Rock Theatre,” and observations about the current state of rock music. The column includes witty and opinionated commentary, with Bolan positioning himself as both an observer and participant in the evolving rock landscape of 1977. He touches on subjects ranging from punk bands to broader cultural shifts in the music industry. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The T. Rex live performance of Dandy in the Underworld (recorded on June 22 at Granada TV studios) was broadcast as part of the Get It Together TV show on June 29, 1977.

The March 25, 1977 edition of the North Norfolk News reports that Marc Bolan and T. Rex drew a crowd of 900 fans to West Runton Pavilion on Saturday night, delivering a strong performance alongside support act The Damned. Publication: North Norfolk News (The Norfolk Chronicle and Journal) Date: March 25, 1977 Country: United Kingdom Location: West Runton, Norfolk Section: Music / Concert Review THE STORY The review notes the enthusiastic reception for Pat Travers and the Doctors of Madness on Friday, followed by a 900-strong crowd for Marc Bolan and T. Rex on Saturday. The Damned performed well as support, and T. Rex delivered as expected with their streamlined lineup. Special mention is made of Sidewinder standing in for the Tyla Gang. CONTEXT AND NOTES This concert review captures T. Rex in the later stage of their career. Although past their commercial peak, they still attracted solid crowds in regional venues like West Runton Pavilion. The Damned as support highlights the crossover between glam and the emerging punk scene in 1977. FEATURE HIGHLIGHTS Event: Concert review Era: 1977 (Late T. Rex era) Tone: Positive, appreciative Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Bold headline “900 crowd for Bolan and T. Rex” Positive comments on the crowd size and performance All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Released on March 11, 1977 on the T. Rex Wax Co. label as catalogue number MARC 16, The Soul Of My Suit was the second single issued from Dandy In The Underworld, the final studio album released during Marc Bolan's lifetime. The single was issued at a time when T. Rex were enjoying a significant resurgence in popularity. Following the success of "I Love To Boogie" and "Dandy In The Underworld", the release continued the momentum generated by the band's late-career revival.. Although it did not become a major hit, the single reached No. 42 on the UK Singles Chart and remained in the chart for three weeks. "The Soul Of My Suit" was recorded during the Dandy In The Underworld sessions. The recording was made either at AIR Studios, 214 Oxford Street, London, or at Abbey Road Studios, London. The single was cut at Abbey Road Studios. "All Alone" originated from earlier sessions recorded at Music Recorders Inc., Hollywood, California and was taken from the Futuristic Dragon period. Both tracks were written and produced by Marc Bolan. STYLE & THEMES "The Soul Of My Suit" is one of the most memorable compositions from Dandy In The Underworld. The song combines the melodic accessibility of classic T. Rex with the more reflective lyrical approach that characterised Bolan's final studio work. The recording balances glam rock energy with a mature sense of songwriting, demonstrating the creative confidence Marc Bolan had regained during 1976 and 1977. "All Alone" provides a contrasting and more introspective companion piece, reflecting the broader stylistic range of Bolan's later recordings. Country: France Catalogue: 2C 006-99.038 B All Alone TRACK-BY-TRACK NOTES • The Soul Of My Suit – Taken from Dandy In The Underworld and selected as the album's second UK single. • All Alone – Originally recorded during the Futuristic Dragon era and chosen as the single's B-side. RELEASE HISTORY The single was released on March 11, 1977. Issued through EMI and T. Rex Wax Co., it became the final T. Rex single to chart before Marc Bolan's passing later that year. The release entered the UK Singles Chart on April 2, 1977 and reached a peak position of No. 42 one week later. The single remained on the chart for three weeks. CHARTS Chart Peak Position UK Singles Chart No. 42 UK CHART RUN Date Position April 2, 1977 50 April 9, 1977 42 April 16, 1977 46 Country: Japan Catalogue: EMR-20218 Date: 20 May 197 PERSONNEL Marc Bolan — vocals, guitar, songwriter, producer PRODUCTION Producer: Marc Bolan Lacquer Cut: Melvyn Abrahams ("MELYS") Studio: AIR Studios and/or Abbey Road Studios, London B-Side Studio: Music Recorders Inc., Hollywood Label: T. Rex Wax Co. Distributor: EMI Catalogue Number: MARC 16 Release Date: March 11, 1977 B-side: All Alone NOTES • Released on March 11, 1977. • Reached No. 42 on the UK Singles Chart. • Charted for three weeks. • Issued from Dandy In The Underworld. • Produced entirely by Marc Bolan. • Cut at Abbey Road Studios. • "All Alone" originated from sessions recorded at Music Recorders Inc., Hollywood. • Lacquer cutting was carried out by Melvyn Abrahams, identified by the "MELYS" inscription in the run-out grooves. • The A-side represented the continuing creative revival that Marc Bolan had enjoyed throughout 1976 and 1977. • Remains one of the key singles from Bolan's final studio album. • A rare single-sided acetate survives bearing an Abbey Road label. • International issues were released in Australia, France, Germany and Japan. • The single became the final UK charting T. Rex release before Marc Bolan's passing on September 16, 1977. RELEASE VARIANTS TABLE Country Label Catalogue Number Format Year UK T. Rex MARC 16 7", 45 RPM Single 1977 UK T. Rex MARC 16 7", 45 RPM Promo 1977 UK T. Rex MARC 16 7", Stereo, Solid Centre 1977 Australia EMI T.REX-11417 7", 45 RPM Single 1977 Australia EMI T.REX-11417 7", Promo 1977 France T. Rex 2C 006 99038 7", 45 RPM Single 1977 Germany Ariola 17 855 AT 7", 45 RPM Single 1977 Japan EMI EMR-20218 7" Single 1977 Japan EMI EMR-20218 Promo 1977 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting UK Single MARC 16 Side 1 • The Soul Of My Suit Side 2 • All Alone International Editions Various Side 1 • The Soul Of My Suit Side 2 • All Alone SOURCE ALBUMS Track Original Album The Soul Of My Suit Dandy In The Underworld (BLN 5005) All Alone Futuristic Dragon (BLN 5004) RUN-OUT ETCHINGS Standard UK Pressing Side Matrix Side A YMARC 16 A-1U / 1 G / MELYS Side B YMARC 16 B-1U / 1 T / MELYS Alternative Pressing Side Matrix Side A YMARC 16 A-1U / MELYS Side B YMARC 16 B-1U / MELYS SPECIAL PRESSINGS & VARIANTS Variant Notes EMI Promo Copy Promotional pressing issued to radio and media Solid Centre Version Commercial solid-centre pressing Single-Sided Acetate Known Abbey Road acetate exists Possible Irish Pressing Copy exists without mothers and stampers, suggesting possible Irish manufacture SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Rockfiles, Official Marc Bolan archives, All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

A prominent feature in the Daily Record (March 11, 1977) announcing Marc Bolan’s revamped T. Rex line-up, upcoming British tour, new album Dandy In The Underworld, and single “Soul Of My Suit,” highlighting his continued evolution as a glam rock pioneer. Publication: Daily Record Date: March 11, 1977 Country: United Kingdom Section: Friday Rock / Music Feature THE STORY WHAT THE CLIPPING SHOWS The article focuses on Marc Bolan’s new T. Rex line-up and their plans to “make their Marc” again. It covers his recent changes, upcoming tour dates, and fresh material including the album Dandy In The Underworld and the single “Soul Of My Suit.” Bolan is portrayed as a chameleon of pop who has reinvented himself once more. Bold headline “New T. Rex will make their Marc” with a large photo of Marc Bolan. Text columns detail the new band, tour, and releases. Classic 1977 Daily Record “Friday Rock” section layout with strong visual emphasis on Bolan. CONTEXT AND NOTES FEATURE HIGHLIGHTS Published on March 11, 1977, this feature arrives during Marc Bolan’s Dandy In The Underworld era as he worked to rebuild T. Rex after previous line-up changes. It reflects his enduring charisma and determination to stay relevant in the evolving British rock scene of the late 1970s. Event: New line-up & release announcement Era: 1977 (Dandy In The Underworld period) Tone: Optimistic, promotional Photography: Striking portrait of Marc Bolan RELATED MATERIAL: For other related posts, see the tags at the foot of the page. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Dandy In The Underworld was the twelfth and final studio album by T. Rex and was released by EMI on March 11, 1977. It became the band's highest-charting album since Zinc Alloy And The Hidden Riders Of Tomorrow, reaching number 26 in the UK Albums Chart. The album followed Futuristic Dragon and was widely viewed as a creative revival for Marc Bolan. Critics praised both the songwriting and Bolan's vocal performances, while fans welcomed a return to a more direct rock-based sound. Tragically, the album would become T. Rex's final studio release issued during Marc Bolan's lifetime, preceding his death in September 1977. RECORDING Recording began in May 1976 at Decibel Studios, London, with sessions for the hit single I Love To Boogie. Additional recordings took place at MRI Studios in Los Angeles, Decibel Studios, AIR Studios and Trident Studios in London between 1976 and early 1977. The sessions featured contributions from Steve Currie, Dino Dines, Tony Newman, Herbie Flowers, Davey Lutton, Paul Fenton, Gloria Jones and several guest musicians. Marc Bolan produced the album himself. STYLE & THEMES The album marked a move away from the soul and disco influences that had dominated some of T. Rex's previous recordings. Bolan returned to a more straightforward glam rock and rock and roll approach, combining strong melodies with stripped-back production and energetic performances. Songs such as Dandy In The Underworld, Crimson Moon and Jason B. Sad demonstrated renewed confidence in both songwriting and performance, helping establish the album's reputation as one of Bolan's strongest late-career works. TRACK-BY-TRACK NOTES • Dandy In The Underworld — Dramatic title track opening the album. • Crimson Moon — One of the album's most celebrated recordings. • Universe — Glam rock track with expansive lyrical themes. • I'm A Fool For You Girl — Soul-influenced ballad. • I Love To Boogie — Hit single that helped revive T. Rex's chart fortunes. • Visions Of Domino — Reworking of the earlier unreleased composition Funky London Childhood. • Jason B. Sad — One of the album's standout performances. • Groove A Little — Direct rock and roll track. • The Soul Of My Suit — Later issued as a single. • Hang-Ups — Mid-tempo album track. • Pain And Love — Reflective composition. • Teen Riot Structure — Closing track of the original album. BONUS TRACKS • To Know You Is To Love You — Phil Spector composition included on the 1994 remaster. • City Port — Bonus recording from the reissue campaign. • Dandy In The Underworld (Single Version) — Alternate single mix. • Tame My Tiger — Non-album recording. • Celebrate Summer — Standalone 1977 single. RELEASE HISTORY Released on March 11, 1977, Dandy In The Underworld reached number 26 on the UK Albums Chart. The album was supported by the singles I Love To Boogie, The Soul Of My Suit, Dandy In The Underworld and Crimson Moon. Edsel Records remastered the album for CD release in 1994, adding bonus tracks. A companion collection, Prince Of Players (The Alternative Dandy In The Underworld), followed in 1998 and featured alternative versions, rough mixes and archive material. A combined digipak edition was released in 2002, while the archive collection Final Cuts followed in 2006. CHARTS & CERTIFICATIONS EUROPE UK Albums Chart — No. 26 PRODUCTION Produced by Marc Bolan Engineer — Mike Stavrou Engineer — Jon Walls Engineer — Jennifer Maidman Photography by Allan Ballard Design by EMI Design Lacquer Cut by Melvyn Abrahams PERSONNEL Marc Bolan — vocals, guitar, bass guitar, percussion, maracas, tambourine Steve Harley — backing vocals Alfalpha — backing vocals Nick Laird-Clowes — backing vocals Andy Harley — backing vocals Sam Harley — backing vocals Gloria Jones — backing vocals Colin Jacas — backing vocals Dino Dines — keyboards Tony Newman — drums Herbie Flowers — bass guitar Scott Edwards — bass guitar Paul Humphrey — drums Miller Anderson — guitar Steve Currie — bass guitar Davey Lutton — drums Paul Fenton — drums Bernie Casey — backing vocals Chris Mercer — saxophone Bud Beadle — saxophone, flute J. Long — violin Label: T. Rex / EMI Catalogue Number: BLN 5005 / OC 062-98 783 Length: 37:52 Recorded At: MRI Studios, Los Angeles • Decibel Studios, London • AIR Studios, London • Trident Studios, London RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Dandy In The Underworld T. Rex / EMI UK BLN 5005 / OC 062-98 783 March 11, 1977 LP, Stereo T. Rex Dandy In The Underworld (Remastered Edition) Edsel Records UK — 1994 CD T. Rex Prince Of Players (The Alternative Dandy In The Underworld) Edsel Records UK — 1998 CD T. Rex Dandy In The Underworld / Prince Of Players Edsel Records UK — 2002 Digipak CD TRACKLIST TABLE Format Catalogue Tracklisting LP NOTES • Final studio album released during Marc Bolan's lifetime. • Reached No. 26 on the UK Albums Chart. • Highest-charting T. Rex album since Zinc Alloy And The Hidden Riders Of Tomorrow. • Original release issued in a matt die-cut sleeve with circular front cut-out. • Included lyric, credits and portrait inner sleeve. • Supported by the hit single I Love To Boogie. • Widely regarded as a creative comeback album. RELATED RELEASES • Futuristic Dragon • Prince Of Players (The Alternative Dandy In The Underworld) • Final Cuts • I Love To Boogie • Crimson Moon BLN 5005 / OC 062-98 783 SIDE ONE: • Dandy In The Underworld • Crimson Moon • Universe • I'm A Fool For You Girl • I Love To Boogie • Visions Of Domino SIDE TWO: • Jason B. Sad • Groove A Little • The Soul Of My Suit • Hang-Ups • Pain And Love • Teen Riot Structure CD (1994 Remaster) — TRACK LISTING: • Dandy In The Underworld • Crimson Moon • Universe • I'm A Fool For You Girl • I Love To Boogie • Visions Of Domino • Jason B. Sad • Groove A Little • The Soul Of My Suit • Hang-Ups • Pain And Love • Teen Riot Structure • To Know You Is To Love You • City Port • Dandy In The Underworld (Single Version) • Tame My Tiger • Celebrate Summer CD (Prince Of Players) — TRACK LISTING: • Dandy In The Underworld (Live) • Crimson Moon • I'm A Fool For You Girl • I Love To Boogie • Funky London Childhood • Jason B. Sad • Groove A Little (Live) • The Soul Of My Suit • Hang Ups (Live) • Pain And Love • Teen Riot Structure • To Know You Is To Love You • City Port (1973) • Tame My Tiger • Celebrate Summer • I Love To Boogie • Soul Of My Suit • Pain And Love • Teen Riot Structure • Celebrate Summer • Weird Strings SOURCES Discogs, Wikipedia, Official Charts, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The May 5, 1977 edition of the Swindon Advertiser publishes a highly critical review of T. Rex’s album Dandy in the Underworld, dismissing it as repetitive and boring. Publication: Swindon Advertiser Date: May 5, 1977 Country: United Kingdom Location: Swindon The reviewer sarcastically questions whether Marc Bolan fans still exist or if they “died with the tyrannosaurus”. He describes the album as a “waste of vinyl”, criticising the repetitive lyrics (noting one line chanted eight times) and suggesting Bolan is “saving energy” by not writing many new lines. CONTEXT AND NOTES By 1977, T. Rex’s commercial peak had long passed. This harsh local review reflects the declining popularity and changing musical tastes of the era, as punk and new wave were rising while glam rock’s star was fading. FEATURE HIGHLIGHTS Event: Negative album review Era: 1977 Tone: Sarcastic, dismissive Photography: Text-based review (no photo in clipping) WHAT THE CLIPPING SHOWS Bold headline “T. REX — Dandy in the Underworld” Sarcastic commentary on Bolan’s fanbase and songwriting Criticism of repetitive lyrics and lack of originality Typical local newspaper album review layout All magazine scans, newspaper cuttings, scrapbook items, photographs and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Item: Original tour poster Date: 1977 Size: Approx. 72 cm Format: Circular poster MEMORABILIA An original circular 1977 T. Rex promotional poster advertising Dandy In The Underworld LP and the March tour dates. The black-and-white design features a large central portrait surrounded by the wording: “T. REX · DANDY IN THE UNDERWORLD · LP” The poster lists March tour dates for Newcastle City Hall, Manchester Apollo, Glasgow Apollo, Hamley Victoria Hall, Bristol Colston Hall, Birmingham Odeon, London Rainbow, West Runton Pavilion and Portsmouth Locarno. The supplied auction description notes some wear, tears and creasing. The poster sold through Omega Auctions for £166.40 on July 1, 2025. All poster artwork, photographs and original text referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.