Electric Warrior remains the landmark album that transformed T. Rex into one of the defining acts of the glam rock era. Originally released in 1971, the album established Marc Bolan as one of Britain's most influential songwriters and performers. This 2023 edition was issued by A&M Records and Universal Music Recordings as a limited-edition Sky Blue vinyl reissue, bringing the classic album back to vinyl collectors in a coloured pressing format. RECORDING The album was recorded at Wally Heider Recording Studio, Los Angeles, Trident Studios, Advision Studios and Mediasound. The sessions featured Marc Bolan alongside core T. Rex members Steve Currie, Bill Legend and Mickey Finn, with additional backing vocals contributed by Howard Kaylan and Mark Volman. Production was handled by Tony Visconti, with engineering contributions from Malcolm Cecil, Martin Rushent, Rik Pekkonen and Roy Thomas Baker. STYLE & THEMES Electric Warrior combines glam rock, hard rock, acoustic folk and boogie influences into a highly distinctive sound that helped define the early 1970s. The album balances infectious singles with atmospheric ballads and experimental arrangements. Songs such as Get It On, Jeepster and Cosmic Dancer became cornerstones of the T. Rex catalogue while helping establish the sound and imagery associated with glam rock. TRACK-BY-TRACK NOTES • Mambo Sun — Opening track introducing the album's groove-oriented sound. • Cosmic Dancer — One of Marc Bolan's most admired compositions. • Jeepster — Classic single and enduring fan favourite. • Monolith — Expands the album's mystical themes. • Lean Woman Blues — Blues-influenced performance. • Get It On — The breakthrough international hit. • Planet Queen — Swaggering glam rock classic. • Girl — Reflective acoustic-based composition. • The Motivator — Driving rock performance. • Life's A Gas — One of the album's most celebrated ballads. • Rip Off — Energetic closing track. RELEASE HISTORY Originally released in 1971, Electric Warrior became T. Rex's breakthrough album and remains one of the defining releases of the glam rock movement. This limited-edition Sky Blue vinyl reissue was released throughout Europe on October 13, 2023 by A&M Records and Universal Music Recordings. PERSONNEL Marc Bolan — vocals, guitar, written by, composed by Steve Currie — bass Bill Legend — drums Mickey Finn — percussion, vocals Howard Kaylan — backing vocals Mark Volman — backing vocals Ian McDonald — saxophone Burt Collins — flugelhorn PRODUCTION Produced by Tony Visconti Engineered by Malcolm Cecil Engineered by Martin Rushent Engineered by Rik Pekkonen Engineered by Roy Thomas Baker Photography by Spud Murphy Layout by Hipgnosis Inner Sleeve by George Underwood Concept by June Child Lacquer Cut by Barry Grint Label: A&M Records / Universal Music Recordings Catalogue Number: 551 971-4 / 00602455197146 Barcode: 602455197146 Recorded At: Wally Heider Recording Studio, Los Angeles • Trident Studios • Advision Studios • Mediasound NOTES • Limited-edition reissue. • Pressed on Sky Blue vinyl. • Released throughout Europe. • Licensed from Straight Ahead Productions Ltd. • Lacquer cut at Alchemy Mastering. • Pressed by Optimal Media GmbH. • Sleeve states "Made in the EU". • Sticker states "Made in Germany". RELATED RELEASES • Electric Warrior • The Slider • Tanx • Get It On • Jeepster RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Electric Warrior A&M Records / Universal Music Recordings Europe 551 971-4 / 00602455197146 October 13, 2023 LP, Album, Limited Edition, Reissue, Sky Blue Vinyl TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP Sky Blue Vinyl 551 971-4 / 00602455197146 Side One: Mambo Sun • Cosmic Dancer • Jeepster • Monolith • Lean Woman Blues Side Two: Get It On • Planet Queen • Girl • The Motivator • Life's A Gas • Rip Off SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Zinc Alloy And The Hidden Riders Of Tomorrow was released digitally on August 21, 2015, by Spirit Music Group as a remastered edition of the classic 1974 T. Rex album. Originally issued during a period of transition for Marc Bolan and T. Rex, the album showcased a broader musical palette, blending glam rock with soul, funk and pop influences. The release reflected Bolan's desire to expand the T. Rex sound beyond the formula that had brought international success during the early 1970s.. RECORDING The album featured Marc Bolan working alongside a larger group of musicians and vocalists than on previous T. Rex releases. Backing vocals were provided by Gloria Jones, Sister Pat Hall and Richard Jones, while the Cosmic Choir added layered vocal arrangements throughout the album. Additional contributions came from Danny Thompson, Lonnie Jordan, B.J. Cole and Jack Green. STYLE & THEMES Zinc Alloy And The Hidden Riders Of Tomorrow combines glam rock with elements of soul, rhythm and blues and pop. The album introduced more elaborate vocal arrangements and a richer production style while retaining Marc Bolan's distinctive songwriting and vocal approach. Songs such as "Teenage Dream" and "The Avengers (Superbad)" demonstrated a more expansive musical direction than earlier T. Rex releases. TRACK-BY-TRACK NOTES • Venus Loon — Opening album track. • Sound Pit — Glam-inspired groove. • Explosive Mouth — Fast-paced rocker. • Galaxy — Short atmospheric piece. • Change — Melodic mid-period Bolan composition. • Nameless Wildness — Rhythm-driven album cut. • Teenage Dream — One of the album's best-known tracks. • Liquid Gang — Soul-influenced recording. • Carsmile Smith & The Old One — Character-driven Bolan composition. • You've Got To Jive To Stay Alive - Spanish Midnight — Up-tempo rocker. • Interstellar Soul — Cosmic-themed recording. • Painless Persuasion & The Meathawk Immaculate — Experimental album track. • The Avengers (Superbad) — One of the album's centrepieces. • The Leopards Featuring Gardenia & The Mighty Slug — Closing track. BONUS TRACKS — RELEASE HISTORY Released in the United States on August 21, 2015, as a remastered digital edition distributed by Spirit Music Group. The release made the complete fourteen-track album available as high-quality 320 kbps MP3 files. PERSONNEL Marc Bolan — vocals Steve Currie — bass Bill Legend — drums Gloria Jones — backing vocals Sister Pat Hall — backing vocals Richard Jones — backing vocals The Cosmic Choir — choir Danny Thompson — double bass Lonnie Jordan — keyboards Jack Green — performer B.J. Cole — steel guitar PRODUCTION Label: Spirit Music Group Format: 14 × File, MP3, Album, Reissue, Remastered, 320 kbps Country: US Art Direction: Kosh Design: Kosh NOTES • Digital remastered edition. • Released August 21, 2015. • Distributed as 320 kbps MP3 files. • Issued by Spirit Music Group. • Features the complete original fourteen-track album. • Includes contributions from Gloria Jones and the Cosmic Choir. RELATED RELEASES • Tanx • Bolan's Zip Gun • Futuristic Dragon • Dandy In The Underworld • The Slider RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format T. Rex Zinc Alloy And The Hidden Riders Of Tomorrow Spirit Music Group US None August 21, 2015 14 × File, MP3, Album, Reissue, Remastered, 320 kbps TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting Digital None 1. Venus Loon 2. Sound Pit 3. Explosive Mouth 4. Galaxy 5. Change 6. Nameless Wildness 7. Teenage Dream 8. Liquid Gang 9. Carsmile Smith & The Old One 10. You've Got To Jive To Stay Alive - Spanish Midnight 11. Interstellar Soul 12. Painless Persuasion & The Meathawk Immaculate 13. The Avengers (Superbad) 14. The Leopards Featuring Gardenia & The Mighty Slug SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A local newspaper report documents Tyrannosaurus Rex's unexpected appearance at the University of East Anglia after the last‑minute cancellation of the Spencer Davis Group. The article captures an early chapter in the group's rise, with Marc Bolan and Steve Peregrin Took stepping in to save the event at short notice. Publication: The Eastern Evening News Publication Date: October 14, 1968 Country: United Kingdom Event Date: October 12, 1968 This report appeared following a University of East Anglia concert that was originally scheduled to feature the Spencer Davis Group. According to the article, the headline act cancelled at the last minute, prompting organisers to secure Tyrannosaurus Rex as a replacement. The article quotes Nick Perren, Social Secretary of the UEA Students' Union, who expressed frustration over the cancellation. Despite the disruption, he noted that he had managed to secure Tyrannosaurus Rex, adding that they were actually the act he would have preferred to book. Writer Charles Catchpole reports that the replacement booking helped rescue the event, although university organisers were still considering possible action over the circumstances surrounding the cancellation. Accompanying the article is a photograph of Marc Bolan and Steve Peregrin Took, with a caption noting that Tyrannosaurus Rex had played the university following the short‑notice withdrawal of the Spencer Davis Group. CONTEXT AND NOTES October 1968 found Tyrannosaurus Rex in the midst of their breakthrough year. The duo had already attracted attention through appearances on television programmes such as Colour Me Pop and were rapidly building a loyal following through university and club appearances across Britain. The University of East Anglia concert is notable because it was not originally intended to feature Tyrannosaurus Rex. Their involvement was the direct result of a late cancellation, creating an unexpected opportunity for local audiences to see Marc Bolan and Steve Took during one of the most important periods of the group's development. The article also provides a valuable contemporary photograph of the duo during the Prophets, Seers & Sages era. FEATURE HIGHLIGHTS Event: University of East Anglia concert Era: 1968 – Early Tyrannosaurus Rex period Tone: News report and concert coverage Photography: Black‑and‑white photograph of Marc Bolan and Steve Peregrin Took WHAT THE CLIPPING SHOWS Tyrannosaurus Rex replacing the Spencer Davis Group at short notice University of East Anglia concert on October 12, 1968 Comments from UEA Students' Union Social Secretary Nick Perren Discussion surrounding the Spencer Davis Group cancellation Contemporary photograph of Marc Bolan and Steve Peregrin Took Coverage of Tyrannosaurus Rex during their breakthrough year SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

T. Rex In Concert is a live album released in the United Kingdom on August 28, 1981 by Marc Records. Issued under catalogue number ABOLAN 1, the album documents performances recorded during the 1971 Electric Warrior tour and presents live recordings taken from a number of British concert appearances. The release was issued as a gatefold LP and later appeared in several international editions. The album combines performances recorded during 1971 with additional recordings sourced from 1972. RECORDING The album was recorded live during the Electric Warrior tour. Recording locations supplied for the release include: • May 19, 1971 – Wolverhampton • July 9, 1971 – Lewisham Odeon • August 12, 1971 – Royal Ballrooms, Bournemouth • August 26, 1971 – Trentham Gardens, Stoke-On-Trent • August 28, 1971 – Clifton Park, Rotherham Additional tracks were recorded during 1972. Original engineering was credited to Micky O'Halloran. The album was mastered at Tape One. STYLE & THEMES The album captures T. Rex during the peak of the Electric Warrior period and showcases the band's live interpretation of key recordings from both the Tyrannosaurus Rex and T. Rex catalogues. The performances combine early material such as "Debora" and "One Inch Rock" with major chart hits including "Hot Love", "Get It On", "Telegram Sam" and "Metal Guru". TRACK-BY-TRACK NOTES • Bob Harris Intro — Spoken introduction by Bob Harris. • Ride A White Swan — Recorded at Lewisham Odeon on July 9, 1971. • Extracts From Rip-Off — Recorded at Trentham Gardens, Stoke-On-Trent on August 26, 1971. • Debora — Recorded at Trentham Gardens, Stoke-On-Trent on August 26, 1971. • Hot Love — Recorded at Clifton Park, Rotherham on August 28, 1971. • Get It On — Recorded at Lewisham Odeon on July 9, 1971. • Spaceball Ricochet — Recorded at the Royal Ballrooms, Bournemouth on August 12, 1971. • One Inch Rock — Recorded in Wolverhampton on May 19, 1971. • Metal Guru — Recorded during 1972. • Telegram Sam — Recorded during 1972. • Beltane Walk — Recorded at Trentham Gardens, Stoke-On-Trent on August 26, 1971. • Summertime Blues — Recorded at Lewisham Odeon on July 9, 1971. RELEASE HISTORY The album was released by Marc Records in August 1981. It was issued as a gatefold LP in the United Kingdom and subsequently appeared in Germany, Japan and later CD editions in Japan. A promotional edition of the LP was also released. CHARTS & CERTIFICATIONS EUROPE UK Albums Chart — No. 35 PERSONNEL Marc Bolan — lead guitar, vocals Steve Currie — bass guitar Bill Legend — drums Mickey Finn — percussion, vocals Bob Harris — introduction PRODUCTION Produced by Tony Visconti Original Engineer: Micky O'Halloran Mastered by: BilBo Mastered At: Tape One Design, Illustration: Mike Higgs Black & White Photography: M. Putland Colour Photography: Robert Ellis Label: Marc Records Catalogue Number: ABOLAN 1 Recorded At: Wolverhampton, Lewisham Odeon, Royal Ballrooms Bournemouth, Trentham Gardens Stoke-On-Trent, Clifton Park Rotherham NOTES • Gatefold sleeve. • Price guide value listed in the supplied source: £20. • Recorded live on the Electric Warrior Tour 1971. • Promotional LP copies were issued without audience noise. • Matrix inscription on Side A includes: "TEN YEARS ON - STILL GOIN' STRONG." • Matrix inscription on Side B includes: "LIFES A GAS JOHN & SHAN." RELATED RELEASES • Electric Warrior • T. Rex In Concert (Japan) • Ride A White Swan • Hot Love • Get It On • Metal Guru RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex T. Rex In Concert Marc Records UK ABOLAN 1 August 28, 1981 LP, Gatefold T. Rex T. Rex In Concert Marc Records UK ABOLAN 1P 1981 LP, Picture Disc T. Rex T. Rex In Concert Marc Records UK ABOLAN 1 1981 LP, Promo T. Rex T. Rex In Concert Avon Germany INT 146.541 1981 LP T. Rex In Concert Trash / Trio Records Japan AW-25012 1982 LP T. Rex In Concert Trash / Trio Records Japan PTC-25007 1982 Cassette T. Rex T. Rex In Concert Marc On Wax Japan 20CP-4 1989 CD T. Rex T. Rex In Concert T. Rex Japan TECW-20510 1997 CD T. Rex T. Rex In Concert T. Rex Japan TECW-20408 1997 CD TRACKLIST TABLE Format Catalogue Tracklisting LP ABOLAN 1 Side One: Bob Harris Intro • Ride A White Swan • Extracts From Rip-Off • Debora • Hot Love • Get It On Side Two: Spaceball Ricochet • One Inch Rock • Metal Guru • Telegram Sam • Beltane Walk • Summertime Blues LP ABOLAN 1P Side One: Bob Harris Intro • Ride A White Swan • Extracts From Rip-Off • Debora • Hot Love • Get It On Side Two: Spaceball Ricochet • One Inch Rock • Metal Guru • Telegram Sam • Beltane Walk • Summertime Blues CD 20CP-4 Bob Harris Intro • Ride A White Swan • Extracts From Rip-Off • Debora • Hot Love • Get It On • Spaceball Ricochet • One Inch Rock • Metal Guru • Telegram Sam • Beltane Walk • Summertime Blues SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

You Scare Me To Death is a posthumous album credited to Marc Bolan and released by Cherry Red Records in October 1981. It was the first LP of previously unreleased Marc Bolan material to appear following his death in 1977. The album is built around demos and outtakes originally recorded during 1966, many of which would later be revisited in different forms during the Tyrannosaurus Rex period. RECORDING The original vocal and acoustic guitar recordings were made during 1966 at De Lane Lea Studios. In 1981 additional backing instrumentals were recorded at Radio Luxembourg Studios and The Townhouse and added to Bolan's original recordings. The project was supervised by Simon Napier-Bell. STYLE & THEMES The album captures Marc Bolan during his pre-Tyrannosaurus Rex period, presenting intimate acoustic performances driven by vocals and guitar. The material showcases early versions of songs and ideas that would later become associated with Bolan's developing songwriting style. The 1981 overdubs combined contemporary instrumentation with the original 1966 recordings. TRACK-BY-TRACK NOTES • You Scare Me To Death — Opening track of the album. Originally titled "Horrible Breath". • You've Got The Power — Early Marc Bolan composition from the 1966 sessions. • Eastern Spell — Drawn from the original demo recordings. • Charlie — Features Bolan's early acoustic style. • I'm Weird — Included from the 1966 recordings. • Hippy Gumbo — Early version of a song later associated with Bolan's developing catalogue. • Mustang Ford — One of Bolan's best-known early compositions. • Observations — Recorded during the original demo sessions. • Jasmine '49 — Included among the surviving 1966 recordings. • Cat Black — Early Bolan composition. • Black And White Incident — Acoustic recording from the session archive. • The Perfumed Garden Of Gulliver Smith — Closes the album. RELEASE HISTORY The album was released by Cherry Red Records in 1981. Many of the recordings had previously appeared in original form on The Beginning Of Doves (1974). For this release, newly recorded backing tracks were added to the original recordings. The album reached No. 88 on the UK Albums Chart. The UK edition was issued as a gatefold LP and included a 24-page booklet entitled The Marc Bolan Story. CHARTS & CERTIFICATIONS EUROPE UK Albums Chart — Peak: No. 88 PERSONNEL Marc Bolan — vocals, acoustic guitar Brian Odgers — bass guitar Graham Jarvis — drums Bernie Holland — guitar Graham Todd — piano Dyan Birch — backing vocals Frank Collins — backing vocals Paddy McHugh — backing vocals PRODUCTION Produced by Simon Napier-Bell Label: Cherry Red NOTES The album came with a 24-page booklet titled The Marc Bolan Story. The title track was originally known as "Horrible Breath" and was written as a proposed television jingle for Amplex tablets. The album consists of 1966 recordings enhanced with newly recorded 1981 backing tracks. Running Time: 31:41 Recorded: 1966 at De Lane Lea Studios; 1981 at Radio Luxembourg Studios and The Townhouse. RELEASE VARIANTS TABLE Artist Album Label Country Catalogue Date Format Marc Bolan You Scare Me To Death Cherry Red UK ERED 20 1981 LP, Gatefold Marc Bolan You Scare Me To Death Cherry Red UK PERED 20 1981 LP, Picture Disc Marc Bolan You Scare Me To Death Cherry Red UK E Red 20 1981 LP, White Label Marc Bolan You Scare Me To Death Cherry Red Germany INT 148.201 / ERED 20 1981 LP Marc Bolan You Scare Me To Death Cherry Red Greece ERED 20 1981 LP Marc Bolan You Scare Me To Death Cherry Red Ireland ERED 20 1981 LP Marc Bolan You Scare Me To Death Cherry Red / Planet Records Sweden ERED 20 1981 LP Marc Bolan You Scare Me To Death Victor Japan VIP-6809 1981 LP, Promo Marc Bolan You Scare Me To Death Rio Records Canada RIO 1024 1981 LP, Gatefold Marc Bolan You Scare Me To Death Disc'AZ France AZ/2 395 1981 LP Marc Bolan You Scare Me To Death Cherry Red Australia EMC 2752 1981 LP Marc Bolan You Scare Me To Death EMI Australia TC-EMC-2752 1981 Cassette Marc Bolan You Scare Me To Death EMI / Cherry Red Australia EMC 2752 1981 LP, Promo Marc Bolan You Scare Me To Death Plexus US KMH 709229 1981 LP TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP ERED 20 Side One A1. You Scare Me To Death A2. You've Got The Power A3. Eastern Spell A4. Charlie A5. I'm Weird A6. Hippy Gumbo Side Two B1. Mustang Ford B2. Observations B3. Jasmine '49 B4. Cat Black B5. Black And White Incident B6. The Perfumed Garden Of Gulliver Smith Cassette TC-EMC-2752 Side One 1. You Scare Me To Death 2. You've Got The Power 3. Eastern Spell 4. Charlie 5. I'm Weird 6. Hippy Gumbo Side Two 1. Mustang Ford 2. Observations 3. Jasmine '49 4. Cat Black 5. Black And White Incident 6. The Perfumed Garden Of Gulliver Smith Released on 11 September 1981, this Cherry Red 7" single presents Marc Bolan’s posthumous track You Scare Me To Death, drawn from 1966 demos later enhanced with newly recorded backing instrumentals. Issued four years after Bolan’s passing, the single formed part of Cherry Red’s album project of the same name, compiling early outtakes and songwriting experiments from Bolan’s pre‑Tyrannosaurus Rex period. The single reached number 51 on the UK chart and early pressings included an interview flexidisc. Both tracks originate from Bolan’s 1966 demo recordings. In 1981, producer Simon Napier‑Bell added new instrumentation and arrangements to Bolan’s original vocals and acoustic guitar. The B‑side, The Perfumed Garden Of Gulliver Smith, also stems from these early sessions. STYLE & THEMES The A‑side blends Bolan’s youthful, quirky vocal delivery with a newly constructed 1981 backing track. The B‑side retains the same era’s lyrical eccentricity and acoustic roots, expanded with added production. TRACK‑BY‑TRACK NOTES • You Scare Me To Death — A 1966 demo rebuilt with 1981 instrumentation, showcasing Bolan’s early songwriting tone. • The Perfumed Garden Of Gulliver Smith — Another 1966 composition, later enhanced with new production for Cherry Red’s posthumous release. Initial pressings included an interview flexidisc. The single reached number 51 on the UK chart. Issued as part of the You Scare Me To Death posthumous album campaign. PERSONNEL Marc Bolan — vocals, acoustic guitar Simon Napier‑Bell — production, arrangement Artist: Marc Bolan Title: You Scare Me To Death Label: Cherry Red Country: United Kingdom Catalogue: CHERRY 29 Date: September 11, 1981 Format: 7" Single Tracklist (7"): A — You Scare Me To Death B — The Perfumed Garden Of Gulliver Smith Notes: Initial pressing included interview flexidisc. Posthumous release based on 1966 demos with 1981 overdubs. RECORDS LTD 53, KENSINGTON GARDENS SQUARE, LONDON W2 4BA. Tel: 01229 8854/5.. MARO POLANA NEW SINGLE, ALBUM AND BIOGRAPHY There was never anyone more sure of himself or directly to the point than Mare Bolan. In 1966 he got hold of my home number and called me up. "I'm a singer and I'm going to be the biggest British rockstar ever, so I need a good manager to make all the arrangements." I told him to send a tape to the office, but he said he just happened to be near where I lived. Could he drop it in? Ten minutes later he rang the bell and walked through the door with a guitar around his neck. He said, "To tell the truth, I don't have a tape, but I could sing for you right now." He was dressed in Dickensian street-urchin clothes, about five-foot-two with a mop of black curly hair, and unlike most mall people he was delighted with his sise. He played down to it. To further diminish himself he chose the biggest armchair and sat in it cross-legged. He put a capo on the neck of his guitar and said, "I don't play guitar too well but the songs are fantastic. You're going to love them." He wasn't boasting or being immodest. To him the songs really were amazing and exciting. The fact that he'd found them inside himself rather than lying around lost in the street was no reason to lessen the praise he gave them. He didn't think of them as specifically his. He just happened to have come across them and he wanted to share them with everyone. But he never did Because, one way or another, although I did become his manager and recorded all those early songs just as he'd played them to me, they never got properly finished, and they spent the next fifteen years in a cellar full of mildewing tapes. Then, ten weeks ago, I suddenly decided to make the album with Maro that I'd always wanted to make, so I searched out the tape of those original songs and went off to the recording studios. I tried to imagine myself in exactly the creative state of mind that Maro would be in if he were still alive today. He'd be contemporary. He'd be a perfectionist, but he'd still want that rough edge of vitality in everything. He'd know recording techniques from the past and would want to make use of them, but not to the detriment of natural atmosphere and spontaneity During the time I was making this new album, I listened a lot to his other albums, and by the time I'd finished, there was so much Bolan swirling around in my head that I decided I should finish off the project by coupling the record with a book. So I got together with music-business journalist Chris Welch, and together we are producing a definitive biography. Not one of those quickly knocked-out sulogies of top-ten stars, but a properly researched story of Marc's life, both private and public, and an appraisal of his importance in the history of popular music. SIMON NAPIER-BELL, August 1981 The single "You Soare Me To Death" is now released on Cherry Red Records (Cherry 29), and the first 20,000 copies come with a limited edition flexi-disc featuring Marc talking about famous people. The album and book will follow together as a package in October P.R. by Connie Filippello, Connie Filippello Ltd. 45/53 Sinclair Rd. London W14 Director: Lain McNay SOURCES Discogs, 45 World, Wikipedia. BBC Official Charts Prince Vault, Sleeveographia2 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Recorded at Long Beach Arena during T. Rex's October 1974 American tour, this Don Kirshner's Rock Concert appearance captured Marc Bolan and T. Rex at a crucial moment in their campaign to establish a stronger foothold in the United States. The performance took place just days before newspaper coverage in California highlighted both the band's enormous British success and their continuing struggle for American recognition. Publication: Don Kirshner's Rock Concert Date: October 8, 1974 (Recording) / January 1975 (Broadcast) Country: USA Television recordings for Don Kirshner's Rock Concert took place at Long Beach Arena, California, on October 8, 1974. T. Rex performed a complete concert set, all of which was filmed for possible inclusion in the programme. Despite the full performance being recorded, only four songs were ultimately selected for television broadcast: Jeepster Zip Gun Boogie Token Of My Love Get It On All four songs appeared in extended performance versions. The recording formed part of T. Rex's October 1974 American tour, a period when Marc Bolan was actively promoting Light Of Love and attempting to strengthen the band's profile in the United States. During the same week, Bolan gave newspaper interviews discussing the contrast between T. Rex's enormous popularity in Britain and their more modest commercial success in America. Contemporary coverage in California described the group as a band whose British popularity had once reached "Beatlemania proportions", while Bolan himself remained optimistic about winning over American audiences through touring, television exposure and a revised live presentation. CONTEXT AND NOTES This performance is frequently misdated online because many surviving video uploads use the January 1975 broadcast date rather than the actual October 8, 1974 recording date. The chronology surrounding the appearance can now be established with confidence: October 4, 1974 – Marc Bolan interviewed on Scott Muni's WNEW‑FM programme in New York while promoting Light Of Love. October 8, 1974 – T. Rex recorded a complete set for Don Kirshner's Rock Concert at Long Beach Arena. October 11, 1974 – The Daily Breeze published Joseph Bensoua's feature “Bolan's Lament: T. Rex Unknown”, covering Bolan's American ambitions and frustrations. October 12, 1974 – A scheduled Long Beach Arena support appearance with Blue Öyster Cult was advertised but later cancelled due to Marc Bolan's throat problems. January 1975 – The Long Beach television recording was transmitted as part of Don Kirshner's Rock Concert. An additional point of interest is that while the television programme featured performances from Ross and Lisi, the actual Long Beach concert also included appearances by Eric Carmen and The Raspberries and Roger McGuinn. FEATURE HIGHLIGHTS Event: Don Kirshner's Rock Concert television recording Era: 1974–75 American touring and television period Tone: Historic, promotional, transitional Photography: Television footage from Long Beach Arena and contemporary concert photography from the October 1974 U.S. tour WHAT THE CLIPPING SHOWS Complete T. Rex concert filmed on October 8, 1974 Recording for Don Kirshner's Rock Concert Four songs selected for national television broadcast Marc Bolan's continuing push for greater American success A key moment within the October 1974 U.S. tour chronology Broadcast transmitted in January 1975 All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Caroline Boucher takes a personal and wide‑ranging look at Marc Bolan, tracing his journey from Tooting Mod to flower child, then electric rock star, while examining the pressures, criticisms and expectations that came with being Britain’s biggest pop phenomenon. Publication: Disc Date: December 9, 1972 Country: United Kingdom Written by Caroline Boucher, this major feature presents Marc Bolan at the height of Bolanmania, yet surprisingly reflective about his career and public image. Boucher follows Bolan from his early days in Hackney through his transformation into the figurehead of T. Rex, portraying a musician constantly adapting to changing times and public expectations. The article finds Bolan discussing criticism surrounding T. Rex’s recent American touring experiences and the suggestion that his popularity was beginning to fade. He firmly rejects the idea, pointing instead to continuing record sales and chart success. Bolan argues that many critics had already decided what they wanted to believe and were reluctant to acknowledge the group's achievements. Throughout the interview he reflects on songwriting, success, image and artistic growth. He speaks candidly about becoming associated with boogie music, his desire to keep moving forward creatively, and the difficulties of maintaining momentum once an artist reaches the highest level of fame. References are made to David Bowie, the American market, his changing audience and the challenge of avoiding repetition. The feature also captures Bolan's thoughts on future projects, his continuing ambition, and his determination not to become trapped by expectations. Rather than dwelling on past triumphs, he consistently talks about change, development and finding new directions for his music. CONTEXT AND NOTES Published just weeks before T. Rex's Christmas concerts and at the close of another hugely successful year, this article captures a less defensive and more thoughtful side of Marc Bolan. While newspaper headlines often focused on chart positions and Bolanmania, Caroline Boucher's feature concentrates on the person behind the phenomenon. The article appeared during the continuing success of The Slider period and documents Bolan’s determination to evolve musically rather than simply repeat the formula that had brought him fame. It remains one of the more revealing interviews from late 1972. FEATURE HIGHLIGHTS Event: Major Marc Bolan interview Era: 1972 – Peak Bolanmania period Tone: Reflective, candid and analytical Photography: Large black‑and‑white performance photograph of Marc Bolan with additional editorial photographs accompanying the feature WHAT THE CLIPPING SHOWS Caroline Boucher interview with Marc Bolan Discussion of image, credibility and success Reflections on the American tour and press criticism Bolan discussing change and future musical direction Coverage of T. Rex during the height of Bolanmania All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on January 16, 1970, By The Light Of A Magical Moon was the first Tyrannosaurus Rex single to feature Mickey Finn following the departure of Steve Peregrin Took. Issued on Regal Zonophone under catalogue number RZ 3025, the single marked the beginning of a new chapter in the group's history. Although the release failed to chart in the UK, it remains a significant recording in the Tyrannosaurus Rex catalogue, documenting the first officially released recordings featuring the Bolan and Finn partnership that would continue through the remainder of the Tyrannosaurus Rex era and into the early T. Rex years. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both sides were issued in stereo. An AdVision single-sided acetate of the A-side is known to exist and survives as one of the more desirable pre-release variants associated with the single. STYLE & THEMES "By The Light Of A Magical Moon" retains the fantasy imagery, mystical atmosphere and poetic lyricism associated with Tyrannosaurus Rex while hinting at the more focused songwriting that would soon emerge on later releases. "Find A Little Wood" complements the A-side with the whimsical and pastoral qualities that remained central to Marc Bolan's writing during this period. Together the two tracks capture the transitional phase between the original Tyrannosaurus Rex sound and the more streamlined direction that followed. TRACK-BY-TRACK NOTES • By The Light Of A Magical Moon – The first Tyrannosaurus Rex single featuring Mickey Finn and one of the final Regal Zonophone releases before the group's transformation into T. Rex. • Find A Little Wood – A companion piece reflecting the band's trademark blend of fantasy, folk and lyrical imagination. RELEASE HISTORY The single was released by Regal Zonophone on January 16, 1970 under catalogue number RZ 3025. Most copies were mistakenly issued with the title printed as "By The Light Of The Magical Moon" rather than the correct title "By The Light Of A Magical Moon". Correctly titled copies are considerably scarcer than the misprinted version. Commercial copies were issued with Regal Zonophone's red centre labels and were available in both push-out and solid-centre formats. CHARTS Chart Peak Position UK Singles Chart Did Not Chart PERSONNEL Marc Bolan — vocals, guitar Mickey Finn — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Stereo Catalogue Number: RZ 3025 Publisher: Essex International NOTES • Released on January 16, 1970. • First Tyrannosaurus Rex single to feature Mickey Finn. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in stereo. • The single failed to chart in the UK. • The correct title is "By The Light Of A Magical Moon". • Most copies were mistakenly pressed with the title "By The Light Of The Magical Moon". • Correctly titled copies are significantly more difficult to locate than the common misprinted version. • Promotional copies were also issued bearing the incorrect title. • Both push-out and solid-centre commercial variants were manufactured. • A solid-centre version exists with the correct title. • An AdVision single-sided acetate of the A-side is known. • No original picture sleeve was issued with the UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The Paul Johnson sleeve is not an original 1970 issue. Melody Maker Jan 17, 1970 RELATED RELEASES • Tyrannosaurus Rex (July 25, 1969) – King Of The Rumbling Spires / Do You Remember Single UK: 7" • Tyrannosaurus Rex (1970) – A Beard Of Stars Album UK: LP • T. Rex (1970) – Ride A White Swan Single UK: 7" RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 16, 1970 7" Single, Push-Out Centre RZ 3025 UK January 16, 1970 7" Single, Solid Centre RZ 3025 UK 1970 Promo Single RZ 3025 UK 1970 AdVision Single-Sided Acetate Unknown INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1970 Stateside 2C 006-91133 M Germany 1970 Polydor 200 1011 / 2001 011 Germany 1970 Polydor Promo 200 1011 / 2001 011 Netherlands 1970 Stateside 5C 006-91133 M Scandinavia 1970 Polydor 200 1011 / 2001 011 Australia 1970 Festival Records FK-3521 New Zealand 1970 Festival Records FK-3521 Canada 1972 Blue Thumb Records BTA 212X USA 1972 Blue Thumb Records BTA 212 UK 2014 A&M Records Reissue 376 713-4 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3025 Side One • By The Light Of A Magical Moon Side Two • Find A Little Wood RUN-OUT ETCHINGS Side Matrix / Runout Side One 7YCAR 6975-1U / 1 I M Side Two 7YCAR 6976-1U / 1 KT P SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Usually carries incorrect title Push-Out Centre Standard UK issue Solid Centre Standard UK issue Correct Title Variant Scarcer pressing with "A Magical Moon" Misprinted Variant Uses "The Magical Moon" AdVision Acetate Single-sided acetate of the A-side 1990s Fan Club Sleeve Produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on July 25, 1969, King Of The Rumbling Spires was the final Tyrannosaurus Rex single to feature the partnership of Marc Bolan and Steve Peregrin Took. Issued on Regal Zonophone under catalogue number RZ 3022, the record marked the closing chapter of the original Tyrannosaurus Rex line-up before Took's departure from the group. The single represented a noticeable departure from the duo's earlier acoustic folk-based recordings and hinted at the harder-edged direction Bolan would eventually pursue in T. Rex. Although only a minor chart success, it remains one of the most significant releases in the Tyrannosaurus Rex catalogue. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Unlike earlier Tyrannosaurus Rex singles such as Debora(h) and Pewter Suitor, both sides were issued in stereo. The recordings featured experimentation with electric instrumentation and a fuller studio sound than the duo's earlier releases. STYLE & THEMES "King Of The Rumbling Spires" stands apart from much of the group's earlier work through its prominent electric guitar sound. The recording retained Bolan's fantasy-inspired lyrical imagery while introducing a more aggressive musical approach. "Do You Remember" provided a contrasting B-side and maintained many of the melodic and lyrical qualities that had characterised the group's previous recordings. Together the two tracks document Tyrannosaurus Rex at a crossroads between psychedelic folk and the more electric style that would eventually evolve into T. Rex. TRACK-BY-TRACK NOTES SIDE ONE • King Of The Rumbling Spires – Tyrannosaurus Rex's most overtly electric single to date and their final charting release before the transition toward T. Rex. SIDE TWO • Do You Remember – Companion B-side showcasing the melodic and poetic qualities of Bolan's songwriting. RELEASE HISTORY The single was released on July 25, 1969 by Regal Zonophone. Issued under catalogue number RZ 3022, it became the last Tyrannosaurus Rex single to feature Steve Peregrin Took. The record reached No. 44 on the UK Singles Chart and remained on the chart for one week. Promotional copies were distributed ahead of release, with some examples carrying date stamps of August 21, 1969 on both the sleeve and record. CHARTS Chart Peak Position UK Singles Chart No. 44 CHART RUN Date Position August 9, 1969 44 PERSONNEL Marc Bolan — vocals, electric guitars Steve Peregrin Took — drum kit, percussion Tony Visconti — bass guitar, electric organ, producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Stereo Catalogue Number: RZ 3022 Publisher: Essex International / Lupus Music NOTES • Released on July 25, 1969. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in stereo. • Reached No. 44 on the UK Singles Chart. • Entered the chart on August 9, 1969. • Last Tyrannosaurus Rex single to feature Steve Peregrin Took. • Commercial copies were issued with red Regal Zonophone centre labels. • Promotional copies and sleeves are known carrying August 21, 1969 date stamps. • The single is regarded as a major stylistic departure from the duo's earlier acoustic recordings. T REX - KING OF THE RUMBLING SPIRES 7" TEST PRESSING (JOHN PEEL WRITING ON LABEL - 7YCAR 6969-1). A rare to see single-sided 7" test pressing of 1969 T Rex track King Of The Rumbling Spires by T Rex (7YCAR 6969-1, 1969 UK single-sided test pressing. Hand-written labels. John has written the track timing on the 4-prong centre. • Marc Bolan played electric guitar on the recording. • Tony Visconti contributed bass guitar and electric organ. • Steve Peregrin Took performed drum kit and percussion. • The release was originally issued as a stand-alone single. • It was later added as a bonus track on reissues of Unicorn. • A test pressing owned by John Peel is documented in the supplied source. • Original UK copies were available as both four-prong push-out and solid-centre pressings. • A sleeve commonly seen with the record was produced during the 1990s by Paul Johnson for the Marc Bolan fan club and is not an original 1969 sleeve. RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK July 25, 1969 7" Single, 4-Prong Centre RZ 3022 UK 1969 7" Single, Solid Centre RZ 3022 UK 1969 Promo Single RZ 3022 UK 1969 Test Pressing RZ 3022 INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1969 Stateside 2C006 90531 Germany 1969 Polydor 59 331 Norway 1969 Polydor 59331 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3022 Side One • King Of The Rumbling Spires Side Two • Do You Remember RUN-OUT ETCHINGS Side Matrix / Runout Side One 7YCAR 6969-1 / 1 KT O Side Two 7YCAR 6970-1 / 1 KT O SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Date-stamped August 21, 1969 examples documented Test Pressing Example owned by John Peel Four-Prong Centre Standard UK commercial pressing Solid Centre Alternative UK pressing 1990s Fan Club Sleeve Produced by Paul Johnson, not an original sleeve Licensing Credit Variant Different credit order on push-out labels SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on January 17, 1969, Pewter Suitor was the fourth UK single by Tyrannosaurus Rex and followed the group's growing success on Regal Zonophone. Issued during the prolific period between the release of the band's first two albums, the single showcased Marc Bolan's continuing development as a songwriter and lyricist. Although the record did not enter the UK Singles Chart, it remains a key release from the duo's early period and is regarded as one of the more distinctive non-album singles from the Tyrannosaurus Rex catalogue. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both the A-side and B-side were issued in mono. The recordings reflect the continuing creative partnership between Marc Bolan, Steve Peregrin Took and Tony Visconti during the group's most productive early period. STYLE & THEMES "Pewter Suitor" combines the whimsical imagery, acoustic instrumentation and mystical atmosphere that had become Tyrannosaurus Rex trademarks by early 1969. The B-side, "War Lord Of The Royal Crocodiles", continues Bolan's fascination with fantasy, mythology and surreal storytelling, themes that featured prominently throughout the group's early recordings. Together, the two songs capture the unique blend of folk, poetry and imagination that separated Tyrannosaurus Rex from their contemporaries. T REX - PEWTER SUITOR 7" ACETATE (HAND WRITTEN LABEL BY MARC BOLAN). An incredible to see 7" acetate pressing of T Rex's 1969 single Pewter Suitor, labels feature hand-written notes about the release for John Peel written by Marc Bolan (London Disc-Cutting labels are bright and clean. Track names written in blue biro. Notes by Marc Bolan for John written in red felt pen. Lacquer playing surface is Ex, displays a couple of hairline/ wispy paper marks). One of a number of records sent to John Peel with personal handwritten messages from Marc Bolan on the label TRACK-BY-TRACK NOTES SIDE ONE • Pewter Suitor (3:09) – A melodic Tyrannosaurus Rex composition featuring Bolan's distinctive lyrical imagery and acoustic style. SIDE TWO • War Lord Of The Royal Crocodiles – A fantasy-inspired recording reflecting the whimsical storytelling that characterised the group's early work. RELEASE HISTORY The single was released by Regal Zonophone on January 17, 1969 under catalogue number RZ 3016. Commercial copies were issued with Regal Zonophone's standard red centre labels. Despite failing to chart, the release became a favourite among collectors and remains an important part of the duo's recorded legacy. The single also received releases in additional territories including France and the Netherlands. PERSONNEL Marc Bolan — vocals, guitar Steve Peregrin Took — percussion, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Mono Catalogue Number: RZ 3016 Publisher: Essex International / Lupus Music Ltd. NOTES • Released on January 17, 1969. • Recorded at Trident Studios, St. Anne's Court, Soho, London. • Produced by Tony Visconti. • Both tracks were issued in mono. • Commercial copies featured Regal Zonophone's standard red centre labels. • The single failed to chart in the UK. • The promotional issue used the title "Warlord Of The Royal Crocodiles" as a single word. Dorset Echo Dorset Evening Echo Weymouth, Dorset, England · Tuesday, January 21, 1969 • Standard commercial copies used the title "War Lord Of The Royal Crocodiles" as two words. • The release is one of the last Tyrannosaurus Rex singles before the group's sound began evolving towards later developments. • No authentic picture sleeve was issued with the original UK release. • The commonly encountered picture sleeve was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • The fan-club sleeve is not an original 1969 issue. RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK January 17, 1969 7" Single RZ 3016 UK 1969 7" Promo Single RZ 3016 INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1969 Stateside 2C 006 90026 Netherlands 1969 Stateside HSS 1339 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single RZ 3016 Side One • Pewter Suitor (3:09) Side Two • War Lord Of The Royal Crocodiles RUN-OUT ETCHINGS Side Matrix / Runout Side One 7XCAR 6956-2 / 1 KT A Side Two 7XCAR 6957-2 / 1 KT A SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy B-side listed as "Warlord Of The Royal Crocodiles" Commercial Issue B-side listed as "War Lord Of The Royal Crocodiles" Standard Red Label Issue Original UK commercial pressing 1990s Fan Club Sleeve Unofficial commemorative sleeve produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on August 23, 1968, "One Inch Rock" became Tyrannosaurus Rex's first UK chart hit and helped introduce Marc Bolan and Steve Peregrin Took to a wider audience. Issued on Regal Zonophone, the single captured the group's distinctive blend of acoustic folk, fantasy imagery and unconventional song structures that set them apart from other British acts of the period. The release climbed to No. 28 on the UK Singles Chart and remained on the chart for seven weeks. Its success provided an early commercial breakthrough for the duo and strengthened the momentum generated by their debut album. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. The recordings featured Marc Bolan on vocals and guitar, with Steve Peregrin Took contributing bongos and percussion. Both sides were issued in mono. STYLE & THEMES "One Inch Rock" combines whimsical storytelling, acoustic instrumentation and Bolan's uniquely imaginative lyrical style. "Salamanda Palaganda" further explores the mystical and fantasy-inspired themes that became a hallmark of early Tyrannosaurus Rex recordings, supported by the atmospheric interplay between acoustic guitar and percussion. TRACK-BY-TRACK NOTES • One Inch Rock (1:45) — The group's breakthrough chart single and one of the defining tracks of the early Tyrannosaurus Rex era. • Salamanda Palaganda (2:14) — An imaginative companion piece that showcases the duo's distinctive psychedelic folk approach. RELEASE HISTORY The single was released in the United Kingdom on August 23, 1968 through Regal Zonophone under catalogue number RZ 3011. It was subsequently issued in a number of overseas territories including France, Germany, Japan, the Netherlands, Scandinavia, Singapore and South Africa. The release reached No. 28 on the UK Singles Chart, becoming the first Tyrannosaurus Rex single to achieve notable commercial success. CHARTS & CERTIFICATIONS UNITED KINGDOM Chart Peak Position Weeks on Chart UK Singles Chart 28 7 CERTIFICATIONS No certifications recorded. AWARDS No awards recorded. PERSONNEL Marc Bolan — vocals, guitar, songwriter Steve Peregrin Took — bongos, percussion Tony Visconti — producer PRODUCTION Recorded at: Trident Studios, St. Anne's Court, Soho, London Produced by: Tony Visconti Label: Regal Zonophone Catalogue Number: RZ 3011 Format: Mono Notice the abbreviation of Tyrannosaurus Rex (1968). NOTES • Released on August 23, 1968 as Tyrannosaurus Rex's breakthrough UK single. • The record reached No. 28 on the UK Singles Chart. • Both tracks were issued in mono. • The single represented one of the earliest commercial successes for Marc Bolan and Steve Peregrin Took. • This release is generally regarded as the final Tyrannosaurus Rex single to use the blue-centre Regal Zonophone label design. • Later Regal Zonophone releases were expected to carry the red-centre label format. • Collectors have identified an unusual pressing error in which both labels display the title "Salamanda Palaganda" despite each side containing the correct recording and corresponding matrix information. • Promotional copies were produced ahead of the commercial release. • Test pressings are known to exist with date stamps approximately two weeks earlier than the official release date. • Single-sided test pressings also survive and are believed to have featured handwritten notes prepared around late July 1968. • A specially produced promotional bag was reportedly created for a very small quantity of copies and dedicated by Marc Bolan to a radio-industry friend. • Reproduction sleeves were later produced during the 1990s for members of the Marc Bolan fan club. • Original UK copies carry the following matrix information: • Side 1: 7XCAR 6846-1 • Side 2: 7XCAR 6847-1 • Run-out markings include the KT purchase tax code used during the period. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format Tyrannosaurus Rex One Inch Rock Regal Zonophone UK RZ 3011 August 23, 1968 7" Single Tyrannosaurus Rex One Inch Rock Regal Zonophone UK RZ 3011 1968 7" Promo Tyrannosaurus Rex One Inch Rock Stateside France FSS 601 1968 7" Single Tyrannosaurus Rex One Inch Rock Polydor Germany 59 236 1968 7" Single Tyrannosaurus Rex One Inch Rock Polydor Germany 59 236 1968 7" Promo Tyrannosaurus Rex One Inch Rock Polydor Japan DP-1617 1968 7" Single Tyrannosaurus Rex One Inch Rock Stateside Netherlands HSS 1298 1968 7" Single Tyrannosaurus Rex One Inch Rock Polydor Scandinavia 59236 1968 7" Single Tyrannosaurus Rex One Inch Rock Regal Zonophone Singapore RZ 3011 1968 7" Single Tyrannosaurus Rex One Inch Rock Continental Records South Africa PD.9426 1968 7" Single Tyrannosaurus Rex One Inch Rock Not On Label UK None 1968 Single-Sided Acetate TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 7" Single RZ 3011 Side 1: One Inch Rock (1:45) Side 2: Salamanda Palaganda (2:14) SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on April 19, 1968, Debora(h) was the debut single by Tyrannosaurus Rex and marked the first official release by Marc Bolan's new duo project with Steve Peregrin Took. Issued on Regal Zonophone, the record introduced listeners to the distinctive acoustic sound, whimsical lyrics and mystical imagery that would soon become synonymous with Tyrannosaurus Rex. The single represented a dramatic departure from Bolan's earlier solo recordings, establishing a unique musical identity that blended folk influences, poetic storytelling and unconventional instrumentation. Although it reached only No. 34 on the UK Singles Chart, the record laid the foundation for the group's growing cult following. Both tracks were recorded at Trident Studios, St. Anne's Court, Soho, London. Production was handled by Tony Visconti for Straight Ahead Productions. Both sides of the single were issued in mono. The recordings captured the early Tyrannosaurus Rex line-up and showcased the developing partnership between Marc Bolan and Steve Peregrin Took. STYLE & THEMES "Debora(h)" introduced the lyrical fantasy, wordplay and mystical atmosphere that would define Tyrannosaurus Rex's early recordings. Combining acoustic instrumentation with imaginative storytelling, the track immediately distinguished the group from contemporary folk and pop acts. "Child Star" complements the A-side with a gentler and more introspective mood, reflecting the whimsical and intimate qualities that characterised the duo's earliest work. Together, the recordings established the blueprint for Tyrannosaurus Rex's unique late-1960s sound. TRACK-BY-TRACK NOTES SIDE ONE • Debora(h) (3:07) – The debut Tyrannosaurus Rex single and the group's first chart success. SIDE TWO • Child Star (2:50) – A non-album B-side that highlights the duo's delicate acoustic style and poetic approach. RELEASE HISTORY The single was released by Regal Zonophone on April 19, 1968 under catalogue number RZ 3008. Issued with the label's standard blue design, it became Tyrannosaurus Rex's first charting release and reached No. 34 in the UK. Promotional copies were distributed in a dedicated picture sleeve. Commercial copies were available with both four-prong push-out and solid-centre configurations. The single also received international releases in several territories including France, Germany, Japan, the Netherlands, South Africa and the United States. CHARTS Chart Peak Position UK Singles Chart No. 34 CHART RUN Date Position May 14, 1968 47 May 21, 1968 36 May 28, 1968 34 June 4, 1968 37 June 11, 1968 38 June 18, 1968 49 June 25, 1968 49 PERSONNEL Marc Bolan — vocals, guitar Steve Peregrin Took — bongos, vocals Tony Visconti — producer PRODUCTION Producer: Tony Visconti Production Company: Straight Ahead Productions Studio: Trident Studios, St. Anne's Court, Soho, London Label: Regal Zonophone Country: UK Format: 7" Single, 45 RPM, Mono Catalogue Number: RZ 3008 Publisher: Cromwell Music NOTES • Released on April 19, 1968. • Debut Tyrannosaurus Rex single. • Recorded at Trident Studios, Soho, London. • Produced by Tony Visconti. • Both sides were issued in mono. • Reached No. 34 on the UK Singles Chart. • Remained on the chart for seven weeks. • Standard commercial copies were issued on Regal Zonophone's blue label. • Promotional copies were distributed with a picture sleeve. • Available in both four-prong push-out and solid-centre pressings. • The title appears as "Deborah" on some promotional material and picture sleeves. • A known label error exists with Side A and Side B labels placed on opposite sides of the record. • Another known variation exists with the "B" side label appearing on both sides. • One documented copy exists without Sales Tax stamp embossings. • A green-tinted promotional sleeve is regarded as the original sleeve design. • A black-and-white sleeve version was produced during the 1990s by Paul Johnson for the Marc Bolan fan club. • According to the supplied source, only 99 copies of the original sleeve were produced for use with promotional discs. • The single introduced the acoustic folk-rock style that would become synonymous with early Tyrannosaurus Rex. RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK April 19, 1968 7" Single RZ 3008 UK 1968 7" Promo RZ 3008 UK 1968 7" Solid Centre RZ 3008 UK 1968 7" Four-Prong Centre RZ 3008 INTERNATIONAL VARIANTS Country Year Label Catalogue Number France 1968 Stateside FSS 571 Germany 1968 Polydor 59 207 Germany 1968 Polydor Promo 59 207 Japan 1968 Polydor DP-1598 Netherlands 1968 Stateside HSS 1276 South Africa 1968 Continental Records PD.9355 USA 1968 A&M Records Promo 955 Japan 2023 Universal Music Reissue UIKY-75116 TRACKLIST TABLE Format Catalogue Number Tracklisting 7" Single RZ 3008 Side One • Debora(h) – 3:07 Side Two • Child Star – 2:50 RUN-OUT ETCHINGS Side Matrix / Runout Side One 7XCAR 6940-1 / 1 KT 11 Side Two 7XCAR 6941-1 / 1 KT P SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Issued in picture sleeve Four-Prong Centre Standard UK commercial pressing Solid Centre Alternate UK pressing Label Error Copy Labels switched between sides Double B-Side Label Copy "Child Star" label on both sides Original Green Sleeve Promotional issue 1990s Fan Club Sleeve Produced by Paul Johnson SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This single by John's Children appeared in the United Kingdom during July 1967 on the Track Record label under catalogue number 604005. One source lists the release date as the fourteenth of that month while another places it on the twenty-first. The disc was issued in a hurry following the withdrawal of an earlier Marc Bolan-composed track titled Midsummer Nights Scene. Musically the A-side amounts to little more than a reworking of a previous John's Children B-side called Remember Thomas A'Beckett. The resulting limited commercial performance has left the single among the more difficult John's Children 45s to locate, even in standard form. Certain copies were housed in a particularly scarce picture sleeve. Marc Bolan is noted as having taken no part in the creation of the A-side. Run-out etchings on the UK pressing read 604005A▼2111 on the first side and 604005B//1121 on the second. The tracks were captured at Spot Studios, located on South Molton Street in London. TRACK‑BY‑TRACK NOTES • Come And Play With Me In The Garden This side represents a reworking of the earlier John's Children recording • Sara, Crazy Child — Songwriting credit is assigned to Bolan. RELEASE HISTORY The United Kingdom edition appeared on Track Record as catalogue 604005 in July 1967, with sources citing either the fourteenth or the twenty-first of the month. German pressings followed the same year on Polydor under catalogue 59 116, including both a standard mono single and a promotional version. An advance white-label edition was also prepared in the United Kingdom on the Snb label as catalogue 001. Some UK copies are known to have been supplied with a very rare picture sleeve. The single's hurried appearance after the withdrawal of Midsummer Nights Scene, combined with its status as a rewrite of an earlier B-side and subsequent weak sales, has made even ordinary copies comparatively scarce. PERSONNEL John's Children — performers PRODUCTION Produced by Simon Napier Bell Label: Track Record (UK); Polydor (Germany); Snb (UK advance) NOTES Some copies of the UK edition were issued in a very rare picture sleeve. The single was rushed into release after the withdrawal of the Marc Bolan-penned Midsummer Nights Scene. Its character as a rewrite of the earlier B-side Remember Thomas A'Beckett, together with poor sales, has left it one of the hardest John's Children 45s to obtain even without the picture sleeve. Run-out etchings on the Track Record pressing are Side 1: 604005A▼2111 and Side 2: 604005B//1121. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format John's Children Come And Play With Me In The Garden Track Record UK 604005 July 14, 1967 7" Single John's Children Come And Play With Me In The Garden Track Record UK 604005 July 21, 1967 7" Single John's Children Come And Play With Me In The Garden Polydor Germany 59 116 1967 7" Single, 45 RPM John's Children Come And Play With Me In The Garden Polydor Germany 59 116 1967 7", 45 RPM, Single, Mono John's Children Come And Play With Me In The Garden Snb (2) UK 001 1967 7", 45 RPM, Advance, Single, White Label John's Children Come And Play With Me In The Garden / Sara, Crazy Child Polydor Germany 59 116 1967 7", 45 RPM, Promo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 7" 604005 A. Come And Play With Me In The Garden B. Sara, Crazy Child 7" 59 116 A. Come And Play With Me In The Garden B. Sara, Crazy Child 7" 001 A. Come And Play With Me In The Garden B. Sara, Crazy Child SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This single stands as one of the rarest United Kingdom 45 rpm releases ever produced. After Marc Bolan departed the group the record was withdrawn from circulation. Estimates indicate that only approximately fifty copies ultimately survived. Between twenty-five and fifty pressings were distributed free of charge at the band’s club venue in Leatherhead. A further limited number were supplied to radio disc jockeys for promotional purposes, while the remaining stock was destroyed. Contemporary collector data records eight owners and twenty-five individuals seeking the item, with a price guide value listed at six thousand three hundred and thirty-two pounds. Visual documentation distinguishes authentic original copies from later forgeries and reproductions; one counterfeit example changed hands on an online auction platform on the first of June two thousand nine for one hundred and seventy-seven dollars, equivalent to one hundred and seven pounds at the time. A subsequent British reproduction appeared in two thousand thirteen as a limited run of five hundred units, each packaged in a distinctive Japanese-influenced psychedelic sleeve. The tracks were committed to tape at Spot Studios, located on South Molton Street in London. TRACK-BY-TRACK NOTES • Midsummer Night’s Scene — Credited to Bolan and assigned a community rating of seven point four. • Sara, Crazy Child — Likewise credited to Bolan and carrying an identical community rating of seven point four. RELEASE HISTORY The single was prepared for release on Track Record under catalogue number 604005 in June of nineteen sixty-seven, with one source noting a date of the seventh of July nineteen sixty-seven. It was never granted an official commercial issue. Subsequent unofficial reissues appeared in Europe in two thousand twelve (solid centre) and in the United Kingdom in both two thousand thirteen (jukebox centre) and two thousand fourteen (solid centre). NOTES Authentic original pressings are distinguished from later forgeries and reproductions. One documented counterfeit sold via online auction on the first of June two thousand nine. The two-thousand-thirteen British reproduction was issued as a limited edition of five hundred copies complete with a unique Japanese-style psychedelic sleeve. Both sides of the original single received community ratings of seven point four. The record remains one of the rarest United Kingdom forty-fives of its era, withdrawn following Marc Bolan’s exit from the group, with roughly fifty surviving examples. SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

In the late autumn of 1966, a young Marc Bolan released his third and final solo single before forming Tyrannosaurus Rex. “Hippy Gumbo” was a quirky, upbeat pop track with a strong beat-group feel and a touch of the whimsical, poetic style that would soon define his work with Tyrannosaurus Rex. Backed with “Misfit,” this Parlophone 7" single marked the end of Bolan’s early solo period and the beginning of his journey into the acoustic folk-rock sound that would lead to glam stardom. Released on November 25, 1966, Hippy Gumbo was Marc Bolan's first single for Parlophone Records following his earlier Decca releases. Issued during the transitional period before the formation of Tyrannosaurus Rex, the single captured Bolan moving towards the more whimsical and imaginative songwriting style that would become a hallmark of his later work. Written by Bolan and produced by Simon Napier Bell, the release paired the upbeat and quirky "Hippy Gumbo" with the reflective B-side "Misfit". Although the record did not achieve commercial chart success, it remains one of the most important recordings from Bolan's pre-Tyrannosaurus Rex years. RECORDING The single was produced by Simon Napier Bell. "Hippy Gumbo" was recorded alongside thirteen additional songs during sessions held at De Lane Lea Studios, Kingsway, London, sometime during September and October 1966. The companion recordings from these sessions were: • The Perfumed Garden Of Gulliver Smith • Pictures Of Purple People • Charlie • I'm Weird • Mustang Ford • Horrible Breath • Hot Rod Mama • Jasmine 49 • Eastern Spell • Black And White Incident • You Got The Power • Observations • Cat Black STYLE & THEMES "Hippy Gumbo" demonstrates Bolan's fascination with surreal imagery, eccentric characters and playful wordplay. The recording points towards the whimsical songwriting approach that would flourish during the Tyrannosaurus Rex years. "Misfit" presents a more introspective counterpart, highlighting Bolan's ability to combine unusual lyrical ideas with memorable melodies. Together the recordings reveal an artist rapidly developing an individual style distinct from the British pop and beat music scene of the period. TRACK-BY-TRACK NOTES SIDE ONE • Hippy Gumbo – One of Bolan's best-known pre-Tyrannosaurus Rex recordings and an early example of the fantastical lyrical style that would later define much of his work. SIDE TWO • Misfit – A contrasting B-side that presents a more reflective and personal side of Bolan's songwriting. RELEASE HISTORY The single was released on November 25, 1966 by Parlophone Records. Issued under catalogue number R.5539, it marked Bolan's first release for the label. Promotional copies were distributed prior to release and have since become highly sought-after collector's items. Commercial pressings were manufactured in Great Britain and distributed in standard Parlophone company sleeves. PERSONNEL Marc Bolan — vocals, songwriter Simon Napier Bell — producer PRODUCTION Producer: Simon Napier Bell Studio: De Lane Lea Studios, Kingsway, London Label: Parlophone Country: UK Format: 7" Single, 45 RPM Catalogue Number: R.5539 Publisher (Side One): Robbins Music Ltd. Publisher (Side Two): Nomis Recordings NOTES • Released on November 25, 1966. • First Parlophone single by Marc Bolan. • Produced by Simon Napier Bell. • "Hippy Gumbo" was recorded during September/October 1966 sessions at De Lane Lea Studios. • Thirteen additional recordings were completed during the same sessions. • Original UK copies were issued with Parlophone labels and catalogue number R.5539. • Promotional copies were also issued. • A promotional copy sold on eBay on November 22, 2015 for £1,019.99. • A known manufacturing variation exists with the labels placed on the wrong sides of the record. • Thanks for images of the label variation were credited to Mark Edwards in the supplied source material. • The matrix information visible in the run-out grooves has been confirmed as stamped. • Additional run-out markings may exist but were not confirmed in the supplied source. • The single remains one of the key recordings from Bolan's pre-Tyrannosaurus Rex period. RELATED RELEASES • Marc Bolan (June 3, 1966) – The Third Degree Single UK: 7" • Marc Bolan (January 14, 1966) – The Wizard Single UK: 7" RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK November 25, 1966 7" Single R.5539 UK 1966 7" Promo Single R.5539 UK 1966 7" Label Error Variant R.5539 UK 1966 Single-Sided Acetate Unknown TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single R.5539 Side One • Hippy Gumbo Side Two • Misfit RUN-OUT ETCHINGS Side Matrix / Runout Side One 7XCE 20515-1 Side Two 7XCE 20516-1 SPECIAL PRESSINGS & VARIANTS Variant Notes Promo Copy Distributed prior to commercial release Label Error Copy Labels positioned on incorrect sides Single-Sided Acetate Known acetate variant Commercial Pressing Standard Parlophone issue SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Rockfilesuk. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on June 3, 1966, The Third Degree was Marc Bolan's second solo single for Decca Records, following the earlier release of The Wizard. Issued during Bolan's pre-Tyrannosaurus Rex period, the single captures a young songwriter refining the distinctive lyrical and musical approach that would later define his career. Written by Bolan, both sides of the record showcase his growing confidence as a composer and performer during the mid-1960s. The release remains an important document of his artistic development before the formation of Tyrannosaurus Rex and his subsequent success with T. Rex. The single was produced by Jim Economides under the Economides Recording banner. Recording took place at De Lane Lea Studios, Kingsway, London. The sessions featured bassist John Paul Jones, years before achieving international fame as a member of Led Zeppelin. Compared with some of Bolan's earlier recordings, the production displays a more energetic and direct approach, hinting at the creative progression that would become increasingly evident over the next few years. STYLE & THEMES "The Third Degree" combines rhythmic energy with Bolan's emerging songwriting personality and distinctive vocal delivery. The accompanying B-side, "San Francisco Poet", reflects the beat poetry and countercultural influences that fascinated many young artists during the mid-1960s. Together, the two songs demonstrate Bolan's ability to blend folk, beat and early rock influences while developing a musical identity that was already recognisably his own. TRACK-BY-TRACK NOTES SIDE ONE • The Third Degree – A lively and confident recording that demonstrates Bolan's growing maturity as a songwriter and performer. SIDE TWO • San Francisco Poet – A more reflective composition inspired by the literary and cultural influences popular within the emerging counterculture. RELEASE HISTORY The single was released by Decca Records on June 3, 1966. Issued under catalogue number F.12413, it followed The Wizard and became Bolan's second commercially released solo Decca single. Although neither side charted upon release, the record has become a highly regarded piece of Bolan's early catalogue and an important milestone in his artistic development. PERSONNEL Marc Bolan — vocals, songwriter John Paul Jones — bass Jim Economides — producer PRODUCTION Producer: Jim Economides Recording Company: Economides Recording Studio: De Lane Lea Studios, Kingsway, London Label: Decca Records Country: UK Format: 7" Single, 45 RPM Catalogue Number: F.12413 NOTES • Released on June 3, 1966. • Second solo Decca single by Marc Bolan. • Followed the release of The Wizard. • Both tracks were written by Marc Bolan. • Recorded at De Lane Lea Studios, Kingsway, London. • Produced by Jim Economides. • John Paul Jones performed bass on the recording. • Commercial copies were issued with black Decca labels. • Promotional demonstration copies featured distinctive blue labels marked "Not For Sale". • Original UK copies were housed in Decca's red-and-white striped company sleeve with ffrr branding. • Original pressings featured a four-prong push-out centre. • Publishing credits were divided between Gauntlet Music and Pall Mall Music. • A highly accurate reproduction edition was manufactured during 2007. • The 2007 reproduction lacks a genuine push-out centre and contains altered publishing credits. • Additional unofficial reproductions have appeared since. • The recording later gained renewed attention through inclusion in the Apple TV+ series Star City. • Despite failing to chart, the single is regarded as an important early step in Bolan's artistic evolution. RELEASE VARIANTS TABLE Country Date Format Catalogue Number UK June 3, 1966 7" Single F.12413 UK 1966 7" Promo Single F.12413 UK 2007 7" Repress F.12413 UK 2020 7" Unofficial Lathe Cut F.12413 TRACKLIST TABLE (ALL FORMATS) Format Catalogue Number Tracklisting 7" Single F.12413 Side One • The Third Degree (Bolan) Side Two • San Francisco Poet (Bolan) RUN-OUT ETCHINGS Side Matrix / Runout Side One XDRF-38233-T1-1C Side Two XDRF-38234-T1-1C SPECIAL PRESSINGS & VARIANTS Variant Notes Demonstration Copy Blue "Not For Sale" label Commercial Pressing Black Decca label 2007 Reproduction Lacks genuine push-out centre 2020 Lathe Cut Unofficial release SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Rockfilesuk All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Released on November 19, 1965 by Decca Records, "The Wizard" was Marc Bolan's debut commercial single and one of the earliest releases issued under his adopted stage name. Arriving during his pre-Tyrannosaurus Rex years, the record showcased Bolan's emerging songwriting style, blending folk, fantasy and mystical imagery that would later become central to his work. The single paired "The Wizard" with "Beyond The Risin' Sun", both written by Bolan. Although the release was not a commercial success at the time, it has since become one of the most sought-after records in his catalogue and a key document of his artistic beginnings. Both tracks were recorded at Decca Studios, Broadhurst Gardens, West Hampstead, London. The session took place on September 14, 1965 under the supervision of producer Jim Economides. A third song from the session, "That's The Bag I'm In", was also recorded but remained unreleased at the time. Arrangements were handled by Mike Leander. STYLE & THEMES "The Wizard" presents a whimsical and imaginative narrative built around magical characters and fantasy themes, reflecting Bolan's fascination with mythology and storytelling. "Beyond The Risin' Sun" continues the folk-influenced direction of his early recordings while hinting at the lyrical style that would later define his Tyrannosaurus Rex period. TRACK-BY-TRACK NOTES • The Wizard — Marc Bolan's debut single A-side and his first widely distributed commercial recording. • Beyond The Risin' Sun — Companion B-side written during the same creative period and recorded at the September 1965 session. RELEASE HISTORY The single was released in the United Kingdom on November 19, 1965 through Decca Records under catalogue number F.12288. In addition to the standard commercial issue, promotional copies were produced and distributed. Over the years, several reproduction and reissue versions have also appeared, leading collectors to closely examine labels, centres and matrix details when identifying original pressings. PERSONNEL Marc Bolan — vocals, songwriter Jim Economides — producer Mike Leander — arranger, music director PRODUCTION Recorded at: Decca Studios, Broadhurst Gardens, West Hampstead, London Producer: Jim Economides Arranger: Mike Leander Label: Decca Records Catalogue Number: F.12288 NOTES • Released on November 19, 1965 as Marc Bolan's debut commercial single. • Both songs were recorded during a September 14, 1965 studio session at Decca Studios. • An additional recording from the session, "That's The Bag I'm In", remained unreleased. • Around this period Bolan had begun using an umlaut over the "O" in his surname. • During the production stage he requested that the umlauts be added to the record labels. • Because some labels had already been printed, copies exist both with and without the umlaut variation. • Collectors have identified copies where the umlaut appears on only one side of the record. • Copies with umlauts on both sides are believed possible, although they are rarely encountered. • Original matrix numbers were: • Side 1: DR 36707 • Side 2: DR 36708 • Commercial run-out inscriptions include: • Side 1: DRF-36707-T1-1C • Side 2: DRF-36708-T1-1C • Demonstration copies were issued in several label variations, including examples missing track information on one or both sides. • Original UK copies are among the most valuable and collectible releases associated with Marc Bolan's early career. • A solid-centre reproduction appeared in the early 1980s. These copies can usually be identified by small paired nicks appearing in the label area and were produced in black, orange and clear vinyl variants. • Another reproduction was manufactured in 2008 as part of a box set. Although visually similar to the original, it can be distinguished by altered typography and the absence of a true push-out centre. • Because of the rarity and value of original copies, collectors are advised to examine centre construction, label details and matrix information carefully when purchasing examples. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format Marc Bolan The Wizard Decca UK F.12288 November 19, 1965 7" Single Marc Bolan The Wizard Decca UK F.12288 1965 7" Promo Marc Bolan The Wizard Decca UK None 1965 Demonstration Sample Marc Bolan The Wizard Decca UK F.12288 2008 7" Reissue, Remastered Marc Bolan The Wizard Decca UK F.12288 Unknown Date 7" Unofficial Reissue TRACKLIST TABLE Format Catalogue Number Tracklisting 7" Single F.12288 Side 1: The Wizard Side 2: Beyond The Risin' Sun 7" Promo F.12288 Side 1: The Wizard Side 2: Beyond The Risin' Sun SOURCES Discos, 45 World, Wikipedia, BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied

Released on October 6, 1967 by Track Record, "Go Go Girl" was the final single issued by John's Children and is notable for featuring an A-side written by Marc Bolan after his departure from the group.Although Bolan had already left John's Children by the time of release, his influence remained significant. "Go Go Girl" was adapted from a Bolan composition that he would later revisit under the title "Mustang Ford" on Tyrannosaurus Rex's debut album My People Were Fair And Had Sky In Their Hair... But Now They're Content To Wear Stars On Their Brows. The single represents an important transitional moment between Bolan's brief period with John's Children and the beginning of his Tyrannosaurus Rex career. Both tracks were recorded at Spot Studios, South Molton Street, London. Production was handled by Simon Napier-Bell. While Marc Bolan wrote the A-side, it remains unconfirmed whether he actually performed on the released recording, although it is generally considered highly likely by collectors and researchers. No evidence has emerged to indicate Bolan's involvement in the recording of the B-side, "Jagged Time Lapse". STYLE & THEMES "Go Go Girl" combines psychedelic pop and mod-era rock influences that characterised much of John's Children's output during 1967. "Jagged Time Lapse" reflects the band's heavier late-period sound and provides a contrast to Bolan's more melodic songwriting style on the A-side. TRACK-BY-TRACK NOTES • Go Go Girl — Marc Bolan composition later reworked as "Mustang Ford" for Tyrannosaurus Rex. • Jagged Time Lapse — Original composition credited to John Hewlett and Geoff McClelland. RELEASE HISTORY The single was released in the United Kingdom on October 6, 1967 under catalogue number 604010. German releases appeared on Polydor, while a Greek edition was issued by International Polydor Production. The release marked the final John's Children 45 rpm single. PERSONNEL John's Children — performers Marc Bolan — songwriter ("Go Go Girl") John Hewlett — songwriter ("Jagged Time Lapse") Geoff McClelland — songwriter ("Jagged Time Lapse") Simon Napier-Bell — producer PRODUCTION Recorded at: Spot Studios, South Molton Street, London Produced by: Simon Napier-Bell Label: Track Record Catalogue Number: 604010 Country: Germany Catalogue: 59 160 Date: 1 Dec 1967 NOTES • Final single released by John's Children. • The A-side was written by Marc Bolan despite his having already left the group. • "Go Go Girl" later reappeared in a revised form as "Mustang Ford" on Tyrannosaurus Rex's debut album. • It remains unconfirmed whether Marc Bolan performed on the released recording of "Go Go Girl", although many researchers believe he likely contributed guitar. • Marc Bolan is not believed to have contributed to "Jagged Time Lapse". • The B-side composer credit contains a printing error, with Geoff McClelland's surname appearing as "McCleland". • Both tracks were recorded at Spot Studios in London. • Produced by Simon Napier-Bell, who also managed both Marc Bolan and John's Children during this period. • The single serves as one of the final recorded links between Bolan's John's Children period and the beginning of Tyrannosaurus Rex. • Original UK copies were issued on Track Record with catalogue number 604010. • UK run-out inscriptions read: • Side 1: 604010 A//1 1 1 1 • Side 2: 604010 B//1 1 2 1 • The release remains one of the most collected John's Children singles because of its direct connection to Marc Bolan's early songwriting catalogue. RELEASE VARIANTS TABLE Artist Title Label Country Catalogue Date Format John's Children Go Go Girl Track Record UK 604010 October 6, 1967 7" Single John's Children Go Go Girl Track Record UK 604010 1967 7" Solid Centre Single John's Children Go Go Girl Polydor Germany 59 160 1967 7" Single John's Children Go Go Girl Polydor Germany 59 160 1967 7" Promo John's Children Go Go Girl International Polydor Production Greece NHH 244 1967 7" Single TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting 7" Single 604010 Side 1: Go Go Girl Side 2: Jagged Time Lapse SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A rare 1967 German 7" single by John's Children featuring the provocative A-side “Come And Play With Me In The Garden” and the Marc Bolan-penned B-side “Sara, Crazy Child.” RELEASE DETAILS Artist: John's Children Label: Polydor Date: September 1967 Catalogue: 59 116 Format: 7" Vinyl Single Country: Germany A-Side: “Come And Play With Me In The Garden” Written by: Ellison, Hewlett B-Side: “Sara, Crazy Child” Written by: Marc Bolan TRACK LIST Germany 7" Commercial Single (59 116) A. Come And Play With Me In The Garden B. Sara, Crazy Child THE STORY This 1967 single captures John's Children during their brief but influential period. The B-side “Sara, Crazy Child” was written by a young Marc Bolan, who would soon form Tyrannosaurus Rex. The band’s provocative image and sound made them a cult favourite in the late 1960s underground scene. CONTEXT & NOTES John's Children were known for their wild stage antics and mod/psychedelic sound. This German Polydor release features striking cover art with the band in a garden setting. The Bolan connection is a significant early link between the two acts. RELATED MATERIAL John's Children other singles and releases Marc Bolan / Tyrannosaurus Rex early work SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, All single artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Unicorn – Album Overview Tyrannosaurus Rex’s third studio album, Unicorn, arrived in May 1969 as their most intricate and mystical work to date — a dense tapestry of psychedelic folk, mythic storytelling and increasingly ambitious arrangements. Recorded at Trident Studios, the album captured Marc Bolan and Steve Peregrin Took at the height of their acoustic, otherworldly partnership, just before their creative split later that year. Released on 16 May 1969 by Regal Zonophone (LRZ 1007), it marked the duo’s final collaboration before Took’s departure. Produced by Tony Visconti, the album showcased a richer, more experimental sound, blending Bolan’s poetic lyricism with Took’s percussive inventiveness. It generated strong underground acclaim and became their highest‑charting album to date. Label: Regal Zonophone Catalogue Number: LRZ 1007 Format: LP (Mono/Stereo) Release Date: 16 May 1969 (UK) Track Listing — UK LP (LRZ 1007) Side A Chariots Of Silk ’Pon A Hill The Seal Of Seasons The Throat Of Winter Catblack (The Wizard’s Hat) Stones For Avalon She Was Born To Be My Unicorn Like A White Star, Tangled And Far, Tulip That’s What You Are Side B Warlord Of The Royal Crocodiles Evenings Of Damask The Sea Beasts Iscariot Nijinsky Hind The Pilgrim’s Tale The Misty Coast Of Albany Romany Soup Writing Credits: Marc Bolan — all tracks Production: Tony Visconti Recorded: 1968–1969, Trident Studios The Story By 1969, Tyrannosaurus Rex had become fixtures of the UK underground scene, performing at major festivals and cultivating a devoted cult following. Despite modest mainstream chart success, Bolan remained committed to acoustic psychedelic folk even as the wider musical landscape shifted. Seeking to expand their sound, Bolan and Took entered Trident Studios at the end of 1968. The resulting album, Unicorn, broadened their sonic palette with harmonium, phonofiddle, African drums and layered vocal textures. Tony Visconti’s production added clarity and depth, while John Peel contributed a spoken‑word coda to “Romany Soup.” The album’s artwork — photographed in John Peel’s kitchen — reflected the duo’s literary and mystical influences, featuring Blake volumes, Children’s Shakespeare and Cottingley Fairies imagery. The gatefold presented a unicorn painting, monochrome in the UK and colourised for the US edition. Unicorn became their highest‑charting album, reaching #12 in the UK. It was also the final collaboration between Bolan and Took; tensions during their US tour led to Took’s departure later in 1969. Personnel Marc Bolan — vocals, acoustic & electric guitars, harmonium, organ, phonofiddle Steve Peregrin Took — drums, bongos, African talking drum, percussion, pixiphone, bass, piano, gong, backing vocals Tony Visconti — production, piano (A5) John Peel — narration (B8) Malcolm Toft — engineering Rob Cabel — engineering Pete Sanders — photography Chart Performance UK Official Albums Chart Peak Position: 12 First Chart Date: 1969 Discography Sequence Prophets, Seers & Sages — 1968 Unicorn — 1969 A Beard of Stars — 1970 Related Material T.Rex – Glam Slam Guide My People Were Fair… – Album: Mono/Stereo Jul. 1968 Pewter Suitor – Single: Jan. 1969 Mini‑Timeline 1968 — Recording begins 16 May 1969 — Album released 1969 — UK chart peak (#12) Late 1969 — Took departs UK Variants LP, Stereo (Red Labels) — Regal Zonophone – SLRZ 1007 — 1969 LP, Stereo (Blue Labels) — Regal Zonophone – SLRZ 1007 — 1969 Issued in gatefold sleeve Sleeve Notes Primary sleeve photography by Pete Sanders, shot in John Peel’s kitchen. Back cover includes literary references, Blake volumes and Cottingley Fairies imagery. UK gatefold monochrome; US Blue Thumb edition features colour artwork. Context & Notes • Peak psychedelic folk era • No singles released • Final Took collaboration • Reissued in 1972 as part of the Cube Records double‑album with A Beard of Stars (#44 UK) Sources Discogs 45cat Wikipedia Regal Zonophone label documentation Original UK LP sleeve and gatefold notes Chart archives Session and studio notes Key Highlights • Released 16 May 1969 • No lead singles • UK Chart Peak: #12 • Final album with Steve Peregrin Took • Recorded at Trident Studios • Notable collaborators: Tony Visconti, John Peel All album artwork, photographs and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.