RELEASE / PUBLICATION DETAILS Artist: Various Artists Title: Revelations: A Musical Anthology for Glastonbury Fayre Date: June 28, 1972 Label: Revelation Enterprises (REV) Format / Type: 3xLP Triple Vinyl Album with Booklet & Inserts Country: United Kingdom Catalogue: REV 1/2/3 TRACK LIST Record One – Side 1 Grateful Dead – Dark Star....bury (excerpt) Record One – Side 2 Brinsley Schwarz, Mighty Baby, others Record Two – Side 3 Marc Bolan (Tyrannosaurus Rex) – Sunken Rags Pete Townshend – Classified David Bowie – Supermen Hawkwind – Silver Machine / Welcome to the Future Record Two – Side 4 Skin Alley, Daevid Allen & Gong, etc. Record Three Pink Fairies, Edgar Broughton Band, additional festival performances THE STORY Released on June 28, 1972, Revelations was produced as a musical document and souvenir of the historic 1971 Glastonbury Fayre free festival. It brings together live recordings, demos, and specially contributed tracks from the artists who performed, with many donating their music freely in keeping with the event’s communal ethos. CONTEXT & NOTES The Glastonbury Fayre (June 20–24, 1971) was a pivotal free festival on Worthy Farm that helped shape the modern festival movement. This triple LP serves as a time capsule of the psychedelic, counterculture music scene. Standout contributions include Marc Bolan’s “Sunken Rags,” David Bowie’s “Supermen,” and a Hawkwind medley. The set includes a detailed 32-page booklet emphasizing that “All this music was given freely.” PERSONNEL Marc Bolan – vocals, guitar (Tyrannosaurus Rex) David Bowie – vocals Pete Townshend – guitar, vocals Grateful Dead, Hawkwind, Gong, Pink Fairies, Brinsley Schwarz, Mighty Baby, Skin Alley, Edgar Broughton Band, Daevid Allen & many others PRODUCTION Produced by: Various (Revelation Enterprises) Engineered by: Various CHARTS N/A – Niche festival compilation PACKAGING / ARTWORK HIGHLIGHTS Iconic pyramid cover art with glowing green/teal gradient Dramatic black-and-white inner psychedelic illustration 32-page booklet with festival photographs and cannabis-leaf border Green flaming “Revelation” labels on all three vinyls Original price £3.99 for the triple record set WHAT THE SLEEVE SHOWS The front cover features a surreal glowing white pyramid rising from a textured green mist. The inner spread displays a large swirling black-and-white illustration with text announcing the artists and price. The extensive booklet is filled with black-and-white photos from the 1971 festival, artist portraits, crowd scenes, and text. The three black vinyls feature vibrant green labels with orange flame graphics. RELATED MATERIAL See tags at foot of page. SOURCES Heritage Auctions, Discogs, Glastonbury Festival archives, 1970s counterculture documentation All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

UK first‑pressing of The Slider (BLN 5001 / 1E 062 ◦ 93596), with red lyric inner sleeve, 1972. Released on July 21, 1972, by EMI in the UK and August 1972 by Reprise in the US, it featured two number-one singles, “Telegram Sam” and “Metal Guru.” Arriving at the peak of T. Rextasy, The Slider followed the chart‑topping Electric Warrior (1971) and cemented Marc Bolan’s reputation as the “King of Glam.” Written mostly while on tour in late 1971, the album blends hard‑hitting “Zep Rex” riffs with tender, confessional ballads. It reached #4 in the UK and #17 in the US, and over time has earned recognition as one of glam rock’s defining records. Track Listing — Side A Metal Guru Mystic Lady Rock On The Slider Baby Boomerang Spaceball Ricochet Buick MacKane — Side B Telegram Sam Rabbit Fighter Baby Strange Ballrooms of Mars Chariot Choogle Main Man The sleeve credits Ringo Starr (although Tony Visconti has stated he took the images) with the front and back cover photographs, taken at John Lennon’s Tittenhurst Park during filming of the Born to Boogie movie. The iconic grainy black‑and‑white portrait of Bolan in top hat was accidentally over‑processed in the darkroom, giving it its distinctive texture. Issued in a single sleeve slip in sleeve in the UK , with a red thick paper inner sleeve carrying full lyrics and credits. Labels T. Rex – BLN 5001 / 1E 062 ◦ 93596, with one version noted for omitting “T. REX” under the track listing on the labels. UK first‑pressing of The Slider (BLN 5001 / 1E 062 ◦ 93596), with red lyric inner sleeve, 1972. Test pressings of the album suggest Marc considered releasing it under a pseudonym. A two single-sided test pressing dated June 29, 1972, indicates he may have been experimenting with his band’s name. He tried out two names: 1) Total Wrecks and the Space Cadets, 2) The Locomotivehead Dress Sneaker Rhino Eared Rollerskated Shop Band. Marc handwrote all the text on the covers but left the labels blank. An accompanying info sheet also mentioned that Chariot Choogle will be released as a single in the UK next month. Advertisement for T. Rex's album "The Slider," featured in Melody Maker on July 22, 1972, highlighting its availability on multiple formats. Full-page advertisement for T. Rex in Melody Maker, August 19, 1972, featuring an energetic and stylish image of the band with the bold headline "SLIDE 'ER." Personnel T. Rex Marc Bolan — vocals, guitar Steve Currie — bass guitar Mickey Finn — percussion, congas, hand percussion, vocals Bill Legend — drums Additional Personnel Mark Volman (“Flo”) — backing vocals Howard Kaylan (“Eddie”) — backing vocals Tony Visconti — producer, string arrangements, backing vocals Technical Dominique “Freddy” Hansson — engineering David Katz — orchestra master Ringo Starr — sleeve photography Mick O’Halloran — front‑of‑house technician / lead road manager Steve Little — stage manager / PA to Marc / roadie Micky Marmalade — roadie / drive Recording Notes Most songs were written and demoed in late 1971 while touring the UK. Early sessions (November 1-3 1971) at Rosenberg Studios, Copenhagen produced “Telegram Sam”, “Baby Strange”, “Cadilac”, “Thunderwing” and an early “Spaceball Ricochet”, with overdubs at Trident Studios in London. On Elton John’s recommendation, the bulk of the album was recorded at Strawberry Studios, Château d'Hérouville near Paris. Sessions from February 3 and 8–12 March 8–12 1972 yielded “The Slider”, “Rock On”, “Metal Guru”, “Mystic Lady”, “Spaceball Ricochet” (remake), “Rabbit Fighter”, “Main Man”, plus B‑sides “Lady” and “Sunken Rags” and the outtake “Buick MacKane and the Babe Shadow”. Further recording (March 31 –April 2) back at Rosenberg produced “Buick MacKane”, “Baby Boomerang” and “Chariot Choogle”, along with a 12‑minute rehearsal of “Children of the Revolution” for the Born to Boogie film. Final backing vocals by Flo & Eddie and mixing were completed at Elektra Sound Recorders, Los Angeles in early April UK Variants LP, Album (Stereo / Standard labels) T. Rex — BLN 5001 / 1E 062 ◦ 93596 — UK, 1972 (red lyric inner, regular cover) T. Rex — BLN 5001 — UK, 1972 (label text variations) T. REX — BLN 5001 / 1E 062 ◦ 93596 — UK, 1972 (capitalised artist credit) LP, Album, Mispress, Stereo — T. Rex — BLN 5001 / 1E 062‑93596 — UK, 1972 LP, Album, White Label T. Rex — BLN 5001 — UK, 1972 (white label promo/test) Cassette, Album His Master’s Voice — TC‑BLN 5001 / 1E 244 ◦ 93936 — UK, 1972 His Master’s Voice — TC‑BLN 5001 / 1E 244 ◦ 93596 — UK, 1972 (green label variant) 8‑Track Cartridge, Album, Stereo EMI — 8X‑BLN 5001 / 1E 346 ◦ 93596 — UK, 1972 International Variants (Selective) In the US and Canada, the album released by Reprise Records featured a gatefold sleeve, with the red lyric insert from the UK release used as the two interior spreads. In Japan, the album was also released in a gatefold sleeve, initial pressings came with an obi, a large folded black-and-white live poster, an insert with color drawings, and a 12-page color booklet, with printed signatures and lyrics, liner notes, a history of T. Rex, and photos. Albums Chronology Electric Warrior — 1971 The Slider — 1972 Tanx — 1973 Singles Telegram Sam (January 21, 1972) Metal Guru (May 5, 1972) Both singles reached #1 in the UK, forming the commercial spearhead for The Slider and defining the peak of T. Rextasy. SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts and RockfilesUK. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A popular 1972 budget compilation on the Music For Pleasure label featuring key tracks from Tyrannosaurus Rex and early T. Rex, promoted as available now in the July 22, 1972 issue of Sounds magazine. The Best Of T. Rex was a compilation album released by Cube Records in Germany on July 22, 1972. Issued as a club edition, the album gathered ten tracks spanning the transition from the group's earlier folk-inspired recordings through to the breakthrough glam rock period that established T. Rex as one of the leading acts of the early 1970s. The release combined major hit singles with key album tracks, presenting a concise overview of the band's most commercially successful and influential recordings up to that point. RECORDING The compilation contained previously released recordings by T. Rex produced by Tony Visconti. The material represented recordings made during the band's rise from the closing Tyrannosaurus Rex era through the early T. Rex chart-success period. No new recordings were made for the album. The release compiled existing studio masters originally produced for earlier T. Rex releases. STYLE & THEMES The album traces the evolution of T. Rex from acoustic folk-rock into the electric glam rock sound that defined the group's commercial peak. Songs such as Ride A White Swan, Hot Love, Get It On and Jeepster showcase the Bolan-Visconti partnership that became synonymous with the glam rock movement. The inclusion of tracks such as One Inch Rock, Deborah and Life's A Gas also reflects Marc Bolan's melodic songwriting and the band's progression from underground favourites to chart-topping stars. TRACK-BY-TRACK NOTES • Hot Love — One of T. Rex's breakthrough hit singles. • Summertime Blues — The group's interpretation of the Eddie Cochran classic. • One Inch Rock — Included from the transition period between Tyrannosaurus Rex and T. Rex. • Ride A White Swan — Landmark single that launched the T. Rex commercial breakthrough. • Raw Ramp — Fan favourite originally associated with the Get It On era. • Get It On — One of the band's signature recordings and biggest international hits. • Life's A Gas — A well-known Marc Bolan composition from the Electric Warrior period. • Deborah — Early Bolan composition originating from the Tyrannosaurus Rex repertoire. • Woodland Rock — Album track representing the band's electric glam-rock style. • Jeepster — Major UK hit single from the Electric Warrior era. BONUS TRACKS None. RELEASE HISTORY The album was issued by Cube Records as a German compilation LP on July 22, 1972. It was released as a special club edition through Bertelsmann Club and was marketed as a "Club-Sonderauflage" (club special edition). The compilation remained exclusive to the German market and presented a selected overview of T. Rex recordings available through Cube Records. NOTES • German-only compilation release. • Issued by Cube Records. • Released as a Bertelsmann Club exclusive edition. • Marketed as a Club-Sonderauflage (club special edition). • Features material from both the Tyrannosaurus Rex and T. Rex periods. • Includes key T. Rex hit singles including Ride A White Swan, Hot Love, Get It On and Jeepster. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex The Best Of T. Rex Cube Records Germany 28 664-1 July 22, 1972 LP, Compilation, Club Edition TRACKLIST TABLE Format Catalogue Tracklisting LP 28 664-1 Side One: Hot Love • Summertime Blues • One Inch Rock • Ride A White Swan • Raw Ramp Side Two: Get It On • Life's A Gas • Deborah • Woodland Rock • Jeepster SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts, Prince Vault, Sleeveographia2, Marc Bolan ‘There Was A Time’ by Cliff McLenehan All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

A popular 1972 budget compilation on the Music For Pleasure label featuring key tracks from Tyrannosaurus Rex and early T. Rex, promoted as available now in the July 22, 1972 issue of Sounds magazine. RELEASE / PUBLICATION DETAILS Artist: T. Rex Title: Ride A White Swan Date: July 22, 1972 Label: Music For Pleasure Format / Type: LP Vinyl Compilation Country: United Kingdom Catalogue: MFP 5214 TRACK LIST Side A Ride A White Swan Debora Child Star Cat Black (The Wizard’s Hat) Conesuela Strange Orchestras Side B One Inch Rock Salamanda Palaganda Lofty Skies Stacey Grove King Of The Rumbling Spires Elemental Child THE STORY This budget-price compilation brought together early Tyrannosaurus Rex and T. Rex material, highlighting the band’s transition from psychedelic folk to glam rock. It was heavily promoted in the music press as part of Music For Pleasure’s summer releases. CONTEXT & NOTES Commonly known as the “purple album” due to its distinctive cover, this release was a strong seller in the budget market. The July 22, 1972 Sounds advertisement promoted it alongside six other LPs as available now at major retailers. PERSONNEL Marc Bolan – vocals, guitar Steve Peregrin Took / Mickey Finn – percussion, vocals PRODUCTION Produced by: Tony Visconti (original tracks) CHARTS N/A – Budget compilation (strong sales in the UK) PACKAGING / ARTWORK HIGHLIGHTS Iconic purple cover with radiating pattern and bold “T•REX” logo Full-page Sounds magazine advertisement WHAT THE SLEEVE SHOWS The front cover has a vibrant purple background with a radiating dot pattern and the stylized “t•rex” logo. The back cover includes track listings and liner notes. The Sounds ad highlights the album as part of a seven-LP promotion. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Sounds magazine (July 22, 1972) All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

T. Rex is the first album released under the shortened band name and the fifth overall since their debut as Tyrannosaurus Rex in 1968. Issued in December 1970 by Fly Records, the album continued the stylistic shift away from the duo’s earlier folk‑based sound toward a more minimal electric rock approach, balancing acoustic and electric textures. The previous album A Beard of Stars had charted moderately, but Marc Bolan remained frustrated at not breaking beyond cult status. Touring extensively with Mickey Finn throughout 1970 helped introduce audiences to their evolving electric sound, while Bolan’s decision to shorten the group’s name coincided with signing to Fly Records and the release of “Ride a White Swan.” Although credited to T. Rex, all recordings and the cover photography were completed while still known as Tyrannosaurus Rex, with Bolan and Finn as the core duo and Tony Visconti contributing bass and recorder. Bolan considered several titles, including The Wizard and The Children of Rarn, before choosing a self‑titled album. Track Listing All songs written by Marc Bolan. Side one • The Children Of Rarn — Marc Bolan — 0:53 • Jewel — Marc Bolan — 2:46 • The Visit — Marc Bolan — 1:55 • Childe — Marc Bolan — 1:41 • The Time Of Love Is Now — Marc Bolan — 2:42 • Diamond Meadows — Marc Bolan — 1:58 • Root Of Star — Marc Bolan — 2:31 • Beltane Walk — Marc Bolan — 2:38 Side two • Is It Love? — Marc Bolan — 2:34 • One Inch Rock — Marc Bolan — 2:28 • Summer Deep — Marc Bolan — 1:43 • Seagull Woman — Marc Bolan — 2:18 • Suneye — Marc Bolan — 2:06 • The Wizard — Marc Bolan — 8:50 • The Children Of Rarn (Reprise) — Marc Bolan — 0:36 Total length: 37:41 Album Details Released: 18 December 1970 Recorded: 14 May – 31 August 1970 Studios: Trident Studios, London Length: 37:41 Labels: Fly (UK); Reprise (US) Producer: Tony Visconti Chronology: A Beard of Stars (1970) → T. Rex (1970) → Electric Warrior (1971) Packaging Semi‑gatefold sleeve. Photograph by Peter Sanders. Design by Graphreaks. Manufactured for Fly Records, London. Printed and made by the E. J. Day Group, London and Bedford. Songs and recording Although the album was credited to T. Rex, all of the recording work — along with the cover photography — was completed while the duo were still operating under the name Tyrannosaurus Rex. The sessions featured Marc Bolan on vocals and guitar and Mickey Finn on percussion, with Tony Visconti contributing bass and recorder on selected tracks. Bolan considered naming the album The Wizard or The Children of Rarn before settling on a self‑titled release. Musically, the record followed the direction set by A Beard of Stars, pushing further into electric rock while incorporating string arrangements written by Visconti. Some pieces, such as “The Time of Love Is Now,” “Suneye,” and “Root of Star,” retained elements of the duo’s earlier folk style, while tracks like “Jewel,” “Childe,” “Beltane Walk,” “Diamond Meadows,” “Is It Love,” and “One Inch Rock” integrated electric guitar and bass more fully, hinting at the sound of the next album. As on previous releases, Bolan’s lyrics drew inspiration from Tolkien, weaving imagery of wizards, Druids, and a “Liquid Poetess in a buckskin dress.” Journalist Tom Everett noted Bolan’s fascination with mysticism and the sonic qualities of language, marking the last time this thematic focus would dominate his writing. Other songs explored different ideas: “The Visit” describes a UFO encounter, while “Diamond Meadows” and “Suneye” function as more traditional love songs that anticipate later ballads. The album also included electric reworkings of two earlier Tyrannosaurus Rex songs. “The Wizard” had originally appeared as the A‑side of Bolan’s first solo single in 1965, and “One Inch Rock” was the second Tyrannosaurus Rex single, now presented with a scat‑sung introduction that Bolan and Finn had been using in live acoustic performances. The remaining tracks were newly written. “The Children of Rarn” and its reprise, which bookend the UK album, represented Bolan’s attempt at a symphonic rock concept he hoped to expand into a full‑length project; a 16‑minute demo suite was recorded in 1971. Additional material from the sessions included a cover of “Summertime Blues” and the instrumental outtake “Deep Summer.” Recording began at Trident Studios on 14 May 1970 with “Jewel” and “Is It Love,” the former already familiar from live shows. This session established the electric pop/rock direction of the album. On 1 June, “Diamond Meadows,” “The Visit,” and “Ride a White Swan” were recorded, though some sources place “Swan” on 1 July. The instrumental “Deep Summer” was attempted on 16 June but left unreleased. On 24 June, Howard Kaylan of Flo & Eddie joined the session for “Seagull Woman” to provide backing vocals — the first time he appeared on a T. Rex track — although Mark Volman’s credit on the sleeve is not confirmed by session notes. The pair would later contribute to many of the group’s hits. “Summer Deep” and “The Time of Love Is Now” followed on 26 June, while “Beltane Walk” and an early version of “King of the Mountain Cometh” were attempted on 1 July. Remakes of “One Inch Rock” and “The Wizard” were recorded on 6 July along with “The Children of Rarn.” The final sessions on 5 and 31 August produced “Root of Star.” Documentation for the recording of “Childe” and “Suneye” has not survived. Reception On release, Rolling Stone responded enthusiastically, noting that the album made it hard to single out specific tracks as standouts. Reviewer Todd Everett highlighted the group’s unusual blend of vocal and instrumental textures, pointing out moments where the voices mimic feedback‑style guitar tones — a technique he felt few bands could pull off convincingly. UK critics were similarly impressed. Ray Hollingworth of Melody Maker described the record as vigorous and full of drive, carried by Bolan’s imaginative and poetic vocal style. Nick Logan of New Musical Express called the album highly enjoyable, observing that the electric approach strengthened both the rhythmic and melodic aspects of Bolan’s writing, and remarking that after several albums it must have been gratifying to produce material of such quality. Disc & Music Echo also praised the album, noting that the sweeping strings and rich arrangements suited the duo better than expected, while Penny Valentine of Sounds commented that although some listeners might feel the group’s sound was no longer mystical or pure, she welcomed the change, saying Bolan’s work now carried greater rhythmic appeal and a more assured presence. Retrospective commentary has remained positive. Mark Deming of AllMusic described the album as a calm moment before the arrival of Electric Warrior, retaining a playful energy and charm that make it one of Bolan’s key works. Writing for The Guardian, Alexis Petridis noted that the record brought Bolan’s instincts forward — more electric guitar, tighter rhythms, vocals treated with slapback echo, and string parts that emphasized the descending chord patterns later associated with early glam. Ultimate Classic Rock likewise praised the album, calling it an immediate classic filled with tracks such as “Childe,” “Beltane Walk,” and “One Inch Rock,” describing them as ’50s‑style rockers reimagined with early ’70s flair. The review added that Bolan, Finn, and producer Tony Visconti shaped a sound that, with only slight refinement, would soon carry T. Rex to major chart success in the UK. COUNTRY VARIANTS • LP, Album, Stereo — Fly Records — HIFLY 2 — UK — 1970 • LP, Album, Cover Variant — Fly Records — HIFLY 2 — UK — 1970 • Cassette, Album, Stereo — Fly Records — ZCFLY 2 — UK — 1970 • 8‑Track Cartridge, Album, Stereo — Fly Records — Y8FLY 2 — UK — 1970 Personnel T. Rex Marc Bolan — vocals, guitar, bass, organ Mickey Finn — drums, bass, Pixiphone, vocals Additional Personnel Tony Visconti — bass, piano, recorder, string arrangements, production Howard Kaylan — backing vocals Mark Volman — backing vocals Roy Thomas Baker — engineering Technical Recorded at Trident Studios, London Produced by Tony Visconti Engineered by Roy T. Baker Charts Chart (1971–1971) — Peak Position UK Albums Chart — 7 Certifications Singles from T. Rex Ride a White Swan — Released October 9, 1970 B-side "Is It Love?" "Summertime Blues" Label Fly Songwriter Marc Bolan Producer Tony Visconti 20 weeks on BBC Singles Chart - 24/10/1970 to 06/03/1971 Peak Position - 2 OVERSEAS VARIANTS — US In the United States, the album did not appear until 20 March 1971, as listed in BB New LP / Tape Releases. The American edition used the same semi‑gatefold sleeve as the UK pressing, but the final track was replaced with “Ride a White Swan.” This substitution was notable because “Ride a White Swan” had already been distributed as a free single with the band’s previous US release, A Beard of Stars. OVERSEAS VARIANTS — GERMANY In Germany, the album was also issued in 1971, released by Ariola under catalogue number 85 070 IT. This edition was retitled Ride a White Swan and came in a full gatefold sleeve. The interior featured the familiar photograph of Marc and Mickey, with the lyrics printed along the lower edge, echoing the layout of the UK and US fold‑over flap versions. This German release carried a completely unique front and back sleeve, distinguishing it from all other international variants. As with the US edition, the final track was replaced, in this case with the title track “Ride a White Swan.” SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

T. Rex’s classic glam rock album The Slider, released in the United States on August 19, 1972, featuring the hits “Metal Guru,” “Telegram Sam,” and “The Slider,” housed in a distinctive gatefold sleeve, un like the UK release RELEASE / PUBLICATION DETAILS Artist: T. Rex Title: The Slider Date: August 19, 1972 (US Release) Label: Reprise Records Format / Type: LP Vinyl Album (Gatefold) Country: United States Catalogue: MS 2095 TRACK LIST Side A Metal Guru Mystic Lady Rock On The Slider Baby Boomerang Spaceball Ricochet Buick Mackane Side B Telegram Sam Rabbit Fighter Baby Strange Ballrooms Of Mars Chariot Choogle Main Man THE STORY The Slider continued T. Rex’s meteoric rise in the glam rock era, showcasing Marc Bolan’s infectious boogie riffs, playful lyrics, and star power. Recorded with producer Tony Visconti, it delivered a string of hits and solidified the band’s sound with Mickey Finn on percussion. CONTEXT & NOTES The US release on August 19, 1972, came in a gatefold sleeve (unlike the UK version). A notable copy from the collection of Terry Southern features the gatefold signed and inscribed by both Marc Bolan and Ringo Starr. The album was a major commercial success and remains one of T. Rex’s most beloved releases. PERSONNEL Marc Bolan – vocals, guitar Mickey Finn – percussion, vocals Steve Currie – bass Bill Legend – drums Tony Visconti – production and arrangements PRODUCTION Produced by: Tony Visconti PACKAGING / ARTWORK HIGHLIGHTS Gatefold sleeve Iconic cover photography WHAT THE SLEEVE SHOWS The front cover features a striking black-and-white portrait of Marc Bolan. The gatefold interior includes full track listings and credits. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Heritage Auctions. All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

This Bravo feature reports on the discovery and forthcoming release of previously unheard Marc Bolan recordings. Published four years after Bolan's death, the article highlights the excitement surrounding newly uncovered material and the possibility of hearing rare recordings from the T. Rex leader's early career. Publication: Bravo Date: October 23, 1981 Country: Germany Appearing in the "Neue Singles" section under the headline "Songs von Bolan entdeckt" ("Songs by Bolan Discovered"), the article reports the unexpected discovery of previously unreleased Marc Bolan recordings. According to the feature, the material had been found by former Simon Napier-Bell employee Brian Dishes, who uncovered demonstration tapes and recordings dating from the early years of T. Rex. The article explains that the recordings had remained unheard for years before being rediscovered and prepared for release. The feature notes that one of the songs, "Saxon Child", was scheduled for release as a single. The discovery is presented as a significant event for T. Rex fans, offering new material from an artist whose recording career had been abruptly ended by his death in September 1977. Accompanying the article is a portrait photograph of Marc Bolan. Positioned within Bravo's weekly singles review pages, the feature stands out because it is not a conventional review but rather a news report concerning newly found recordings and their planned release. The tone of the article reflects continuing interest in Bolan throughout Europe and demonstrates that demand for previously unheard T. Rex material remained strong several years after his death. CONTEXT AND NOTES Published in 1981, the article forms part of the continuing reassessment of Marc Bolan's legacy. The discovery of unreleased recordings generated considerable interest among collectors and long-time fans eager to hear previously unavailable material. The feature also illustrates the enduring commercial appeal of Bolan's archive. Even after his death, record companies and collectors continued searching for unreleased performances, demos and studio recordings that could provide new insights into his work. The report is significant because it documents one of the earliest major posthumous discoveries associated with Bolan's catalogue and reflects the strength of his fanbase during the early 1980s. FEATURE HIGHLIGHTS Event: Discovery of previously unreleased Marc Bolan recordings Era: 1981 posthumous T. Rex period Tone: Informative and celebratory Photography: Portrait photograph of Marc Bolan accompanying the report WHAT THE CLIPPING SHOWS • Feature titled "Songs von Bolan entdeckt" • Report on the discovery of previously unheard recordings • Reference to the single "Saxon Child" • Portrait photograph of Marc Bolan • Evidence of continuing interest in T. Rex following Bolan's death All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This Evening Standard feature announces the birth of Marc Bolan's son, Rolan Bolan. Accompanied by a photograph of Marc Bolan, Gloria Jones and their newborn child, the article captures a significant personal moment in the T. Rex leader's life. Publication: Evening Standard Date: October 1, 1975 Country: United Kingdom Under the headline "Rockin' Rolan Bolan!", the article reports the arrival of Marc Bolan's son, Rolan. The feature notes that the child was born at the Avenue Clinic in St John's Wood and presents photographs of the proud parents alongside their newborn baby. The article explains that Rolan was born just days before Marc Bolan's twenty-eighth birthday and weighed six and a half pounds at birth. Quoted in the feature, Bolan describes the experience as exhilarating and expresses excitement about watching his son grow up. The report also highlights Gloria Jones, the Californian singer who appears alongside Bolan in the photograph. The article notes that the couple had met two years earlier when Jones worked as a backing singer on one of Bolan's tours. A large photograph dominates the page, showing Marc Bolan and Gloria Jones holding their son shortly after his birth. The image places the focus on family life rather than Bolan's musical career and provides a rare glimpse into a private moment away from the concert stage. CONTEXT AND NOTES Published during a transitional period in Bolan's career, the feature shifts attention away from records and touring to focus on an important personal milestone. While Marc Bolan remained a major figure in British popular music, the article presents him in his role as a new father. The birth of Rolan Bolan became one of the most significant events in Bolan's personal life. As a result, the article serves as an important contemporary record of the occasion and captures a side of Marc Bolan rarely seen in the music press. FEATURE HIGHLIGHTS Event: Birth of Rolan Bolan Era: 1975 T. Rex era Tone: Personal and celebratory Photography: Photograph of Marc Bolan and Gloria Jones with their newborn son, Rolan Bolan WHAT THE CLIPPING SHOWS • Announcement of the birth of Rolan Bolan • Marc Bolan discussing becoming a father • Photograph of Marc Bolan, Gloria Jones and their newborn son • Coverage of a significant moment in Bolan's personal life All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

On 1 October 1971, T. Rex travelled to Radio Bremen Studios in Bremen, West Germany, to record performances for the German television programme Beat Club. Unlike the previous day's filming commitments, this session featured the group performing live in the studio. According to the source text, one complete take of the band performing was filmed, followed by a second take featuring Marc Bolan adding vocal parts and additional guitar overdubs. The two performances were subsequently edited together for broadcast. RECORDING SESSION During the session, T. Rex recorded three songs for Beat Club, although only two performances were ultimately completed and transmitted. The production process involved filming the songs live before supplementing selected material with additional vocal and guitar contributions from Marc Bolan. The completed footage was then assembled into the final broadcast versions. BROADCAST PERFORMANCES The two songs completed and transmitted by West German television on 13 November 1971 were: • "Jeepster"• "Life's a Gas" The source notes that "Jeepster" was presented in a concise format, while "Life's a Gas" differed noticeably from the version later released on Electric Warrior, with Marc Bolan choosing to perform the song on electric guitar rather than acoustic guitar. UNBROADCAST PERFORMANCE A version of "Baby Strange" was also filmed during the session. The performance reportedly featured an arrangement that differed slightly from the familiar studio recording. However, no additional take was filmed featuring Marc Bolan supplying a second vocal and further guitar parts. As a result, the recording remained incomplete and was not broadcast. SOURCES Discogs, 45 World, Wikipedia, Marc Bolan ‘There Was A Time’ by Cliff McLenehan All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

This feature presents T. Rex through a question-and-answer format, offering readers a rare glimpse into the group during their rapid rise to international popularity. Accompanied by a large colour photograph of Marc Bolan and Mickey Finn, the article explores the band's background, success, ambitions and public image. Publication: Muziek Expres Date: October 1, 1971 Country: Netherlands Presented under the title "Zwölf ehrliche Antworten zu T. Rex" ("Twelve Honest Answers About T. Rex"), the feature introduces readers to Marc Bolan and Mickey Finn at a time when T. Rex were becoming one of the most talked-about groups in Europe. The article is structured as a series of questions and answers covering the band's origins, musical direction and rising popularity. Marc Bolan discusses the development of T. Rex and addresses subjects that were attracting increasing interest from fans as the group's profile continued to grow. A large colour photograph dominates the feature, showing Marc Bolan and Mickey Finn seated together indoors. The image reflects the group's evolving style during the period, with both musicians presented in a more relaxed setting away from the concert stage. The questions focus on the band itself rather than individual controversy, allowing T. Rex to explain their success and ambitions in their own words. Throughout the feature, Bolan emerges as confident and determined while remaining focused on the music that was bringing the group international attention. CONTEXT AND NOTES Published shortly after the breakthrough success of "Get It On" and during the release period of Electric Warrior, the feature captures T. Rex at a pivotal point in their career. Interest in Marc Bolan was growing rapidly across Europe, and publications increasingly sought to introduce the group to new audiences. The question-and-answer format makes the article particularly valuable as a contemporary portrait of T. Rex during the emergence of Bolanmania. It presents the group directly to readers and reflects the fascination surrounding one of the era's fastest-rising acts. FEATURE HIGHLIGHTS Event: T. Rex answer twelve questions about the band and its success Era: 1971 Electric Warrior era Tone: Informative and conversational Photography: Large colour photograph of Marc Bolan and Mickey Finn WHAT THE CLIPPING SHOWS • Feature titled "Zwölf ehrliche Antworten zu T. Rex" • Question-and-answer format discussing the group • Large colour photograph of Marc Bolan and Mickey Finn • Early European coverage during T. Rex's breakthrough period All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

The Best Of T. Rex Vol. II is a compilation album released by Karussell in 1972 as part of the label's Gold-Serie series. Issued in Germany, the collection brings together material from both the Tyrannosaurus Rex and early T. Rex periods, combining psychedelic folk recordings with the group's emerging glam-rock sound.. The compilation was assembled from recordings originally produced for Cube Records and serves as a companion volume to the earlier The Best Of T. Rex release issued by Karussell. This was released in 1973 as the pic was taken at concert in Hamburg “Messe Halle 7“ on 17.02.1973. The recordings featured on the album originated from sessions recorded for Tarantula Records in London and released through Cube Records. All tracks were written and composed by Marc Bolan. The compilation was produced by Tony Visconti and sourced from recordings made during the formative Tyrannosaurus Rex and early T. Rex years. Lacquers were cut at the Deutsche Grammophon Gesellschaft Pressing Plant. The album was printed in Germany by Gerhard Kaiser GmbH, Essen. STYLE & THEMES Unlike the first Best Of compilation, which concentrated largely on Tyrannosaurus Rex material, The Best Of T. Rex Vol. II mixes acoustic-era recordings with key breakthrough singles from the early glam-rock period. The collection includes major hits such as Hot Love, Ride A White Swan, Get It On and Jeepster, while retaining connections to the band's psychedelic origins through tracks including A Beard Of Stars and By The Light Of A Magical Moon. The album captures the musical transition from Tyrannosaurus Rex to T. Rex during one of the most commercially successful periods of Marc Bolan's career. TRACK-BY-TRACK NOTES • Hot Love — One of T. Rex's breakthrough chart singles. • Ride A White Swan — Landmark recording marking the transition into the T. Rex era. • She Was Born To Be My Unicorn — Early fan favourite. • A Beard Of Stars — Tyrannosaurus Rex recording from the final acoustic-era period. • Monolith — Album track from the early T. Rex catalogue. • Get It On — International hit and one of Marc Bolan's signature recordings. • Jeepster — Major glam-rock single. • Seagull Woman — Included from the Cube Records catalogue. • By The Light Of A Magical Moon — Retains the group's psychedelic folk influences. • The Children Of Rarn — Brief album excerpt. • Root Of Star — Acoustic-era composition. • Life's A Gas — One of Marc Bolan's best-known early 1970s recordings. BONUS TRACKS None. RELEASE HISTORY Released in Germany during 1972 by Karussell as part of the Gold-Serie collection. Additional editions were issued in New Zealand and Germany. The compilation remained part of Karussell's catalogue across multiple formats including LP, cassette and 8-track cartridge. PERSONNEL Marc Bolan — vocals, guitar, songwriter Tony Visconti — producer PRODUCTION Produced by Tony Visconti Recorded By Tarantula Records Ltd. Printed by Gerhard Kaiser GmbH Label: Karussell Series: Gold-Serie Catalogue Number: 2345 033 Recorded At: Tarantula Records, London NOTES • Released during 1972. • German compilation issued by Karussell. • Part of the Karussell Gold-Serie series. • Catalogue number 2345 033. • Features material spanning both Tyrannosaurus Rex and T. Rex eras. • Includes several of Marc Bolan's most important early hit recordings. • Contains Hot Love, Ride A White Swan, Get It On and Jeepster. • Produced from Cube Records source material. • Produced by Tony Visconti. • Recorded by Tarantula Records, London. • Track A4 (A Beard Of Stars) carries a 1970 copyright date. • Remaining tracks carry 1971 copyright dates. • Printed in Germany by Gerhard Kaiser GmbH, Essen. • Lacquers cut at the Deutsche Grammophon Gesellschaft Pressing Plant. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex The Best Of T. Rex Vol. II Karussell Germany 2345 033 1972 LP, Compilation T. Rex The Best Of T. Rex Vol. II Karussell New Zealand 239 1972 LP, Compilation T. Rex The Best Of T. Rex Vol. II Karussell Germany 3147 047 1972 Cassette, Compilation T. Rex The Best Of T. Rex Karussell Germany 3843 132 1972 8-Track Cartridge, Compilation, Stereo TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP 2345 033 SIDE ONE: • Hot Love (4:55) • Ride A White Swan (2:13) • She Was Born To Be My Unicorn (2:32) • A Beard Of Stars (1:36) • Monolith (3:45) • Get It On (4:25) SIDE TWO: • Jeepster (4:08) • Seagull Woman (2:17) • By The Light Of A Magical Moon (2:46) • The Children Of Rarn (0:35) • Root Of Star (2:30) • Life's A Gas (2:22) Cassette 3147 047 SIDE ONE: • Hot Love (4:55) • Ride A White Swan (2:13) • She Was Born To Be My Unicorn (2:32) • A Beard Of Stars (1:36) • Monolith (3:45) • Get It On (4:25) SIDE TWO: • Jeepster (4:08) • Seagull Woman (2:17) • By The Light Of A Magical Moon (2:46) • The Children Of Rarn (0:35) • Root Of Star (2:30) • Life's A Gas (2:22) LP 239 SIDE ONE: • Hot Love (4:55) • Ride A White Swan (2:13) • She Was Born To Be My Unicorn (2:32) • A Beard Of Stars (1:36) • Monolith (3:45) • Get It On (4:25) SIDE TWO: • Jeepster (4:08) • Seagull Woman (2:17) • By The Light Of A Magical Moon (2:46) • The Children Of Rarn (0:35) • Root Of Star (2:30) • Life's A Gas (2:22) 8-Track Cartridge 3843 132 TRACK LISTING: • Hot Love (4:55) • Ride A White Swan (2:13) • She Was Born To Be My Unicorn (2:32) • A Beard Of Stars (1:36) • Monolith (3:45) • Get It On (4:25) • Jeepster (4:08) • Seagull Woman (2:17) • By The Light Of A Magical Moon (2:46) • The Children Of Rarn (0:35) • Root Of Star (2:30) • Life's A Gas (2:22) SOURCES ES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Flyback 2: The Best Of T. Rex was released by Fly Records on March 26, 1971 as part of the FlyBack series. The compilation assembled recordings from Marc Bolan's Fly Records period and presented a retrospective selection spanning the years immediately before T. Rex became one of the defining acts of the glam rock era. Fly Records – TON 2 Vinyl, LP, Album, Compilation, Stereo, Mono Country: UK The album collected key recordings originally issued between 1968 and 1970, capturing the transition from the psychedelic folk sound of Tyrannosaurus Rex toward the more direct rock approach that would soon propel Marc Bolan to international success. Released at a crucial point in the group's career, the compilation served as both an introduction to earlier material and a celebration of the catalogue that laid the foundation for the commercial breakthrough of Ride A White Swan and Electric Warrior. Fly Records – TON 2 Vinyl, LP, Album, Compilation, Stereo, Mono Country: UK RECORDING All tracks on the compilation were written by Marc Bolan and were originally recorded during the Fly Records era. Production was overseen by Tony Visconti for Straight Ahead Productions, whose work was instrumental in shaping the sound of Tyrannosaurus Rex and early T. Rex releases. The sleeve was designed by Graphreaks and featured photography by Peter Sanders. The original LP combined mono and stereo recordings, with Debora appearing in mono and all remaining selections presented in stereo. Fly Records – TON 2 Vinyl, LP, Album, Compilation, Stereo, Mono Country: UK STYLE & THEMES The compilation reflects Marc Bolan's early songwriting style, combining psychedelic folk, poetic imagery, fantasy themes and acoustic-based arrangements. Songs such as Debora, Salamanda Palaganda and One Inch Rock showcase Bolan's fascination with mythology and surreal storytelling, while recordings such as King Of The Rumbling Spires reveal the increasingly accessible songwriting style that would later define T. Rex. As a collection, the album provides an overview of one of the most creative periods in Bolan's career and documents the artistic development that bridged the Tyrannosaurus Rex and T. Rex eras. Fly Records – TON 2 Vinyl, LP, Album, Compilation, Stereo, Mono Country: UK TRACK-BY-TRACK NOTES • Debora — Opening track and the only mono recording included on the compilation. • Child Star — Early Marc Bolan composition from the Fly catalogue. • Cat Black (The Wizard's Hat) — Psychedelic folk recording featuring characteristic Bolan imagery. • Conesuela — Acoustic-era recording drawn from the late-1960s catalogue. • King Of The Rumbling Spires — Transitional recording that anticipated the later T. Rex sound. Label:Fly Records – ZCFLB 2 Format: Tape Cassette • Blessed Wild Apple Girl — Archive recording later highlighted on reissues. • Once Upon The Seas Of Abyssinia — Recording later noted as an outtake from the Unicorn sessions. • One Inch Rock — One of Marc Bolan's best-known early compositions. • Salamanda Palaganda — Fantasy-inspired recording representative of the Tyrannosaurus Rex era. • Lofty Skies — Acoustic folk-rock composition. • Stacey Grove — Included from the early Fly catalogue. • Strange Orchestras — One of Bolan's most admired early songs. • Find A Little Wood — Recording reflecting the • Elemental Child — Extended closing track and the longest recording on the album. Label:Fly Records – ZCFLB 2 Format: Tape Cassette RELEASE HISTORY The album was originally released in the United Kingdom on March 26, 1971 by Fly Records. Additional editions followed on cassette and 8-track cartridge during the early 1970s. In 1998, A&M Records issued the first CD reissue of the original compilation, bringing the album back into circulation for a new audience. PERSONNEL Marc Bolan — composer Tony Visconti — producer Peter Sanders — photography Graphreaks — design PRODUCTION Produced by Tony Visconti Produced for Straight Ahead Productions Photography by Peter Sanders Label:Fly Records Y8FLB 2 Format: 8-Track Cartridge, Compilation Design by Graphreaks Label: Fly Records Catalogue Number: TON 2 Recorded At: Fly Records-era recordings NOTES • The original UK LP was issued in a matt sleeve with pinched spine endings and white Fly Records labels. • Three separate title variations appeared on the original package. The front cover used Flyback T•Rex, the rear cover and spine used The Best Of T•Rex, while the record labels identified the release as Flyback 2 - The Best Of T. Rex. • The compilation formed part of the FlyBack series and was designed to showcase Marc Bolan's earlier recordings at a time when interest in T. Rex was rapidly increasing. • Debora appears in mono while every remaining track on the original LP is presented in stereo. • The album gathers recordings originally published between 1968 and 1970 and provides a concise overview of Bolan's pre-glam period. • All songs were written by Marc Bolan. • The original LP was manufactured for Fly Records and pressed by The Gramophone Co. Ltd. • Sleeve design was handled by Graphreaks, while photography was supplied by Peter Sanders. • The sleeve was printed and manufactured by the E.J. Day Group of London and Bedford. • Publishing credits were divided between Essex Music International Ltd. and Lupus Music depending on the individual titles. • The cassette version was issued under catalogue number ZCFLB 2. • The 8-track cartridge edition was released under catalogue number Y8FLB 2 and manufactured by Precision Tapes Ltd. • The 1998 A&M Records compact disc reissue represented the first CD appearance of the original compilation. UK CHART TABLE Country Chart Entry Date Peak Position Weeks In Chart UK UK Albums Chart March 27, 1971 21 8 RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Flyback 2: The Best Of T. Rex Fly Records UK TON 2 March 26, 1971 LP T. Rex Flyback: The Best Of T. Rex Fly Records UK ZCFLB 2 1971 Cassette T. Rex The Best Of T. Rex Fly Records UK Y8FLB 2 1971 8-Track Cartridge T. Rex The Best Of T. Rex A&M Records UK 541 005-2 1998 CD Reissue TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP TON 2 SIDE ONE: • Debora • Child Star • Cat Black (The Wizard's Hat) • Conesuela • King Of The Rumbling Spires • Blessed Wild Apple Girl • Once Upon The Seas Of Abyssinia SIDE TWO: • One Inch Rock • Salamanda Palaganda • Lofty Skies • Stacey Grove • Strange Orchestras • Find A Little Wood • Elemental Child Cassette ZCFLB 2 SIDE ONE: • Debora • Child Star • Cat Black (The Wizard's Hat) • Conesuela • King Of The Rumbling Spires • Blessed Wild Apple Girl • Once Upon The Seas Of Abyssinia SIDE TWO: • One Inch Rock • Salamanda Palaganda • Lofty Skies • Stacey Grove • Strange Orchestras • Find A Little Wood • Elemental Child 8-Track Cartridge Y8FLB 2 TRACK LISTING: • Debora • Child Star • Cat Black (The Wizard's Hat) • Conesuela • King Of The Rumbling Spires • Blessed Wild Apple Girl • Once Upon The Seas Of Abyssinia • One Inch Rock • Salamanda Palaganda • Lofty Skies • Find A Little Wood • Strange Orchestras • Stacey Grove • Elemental Child CD 541 005-2 TRACK LISTING: • Debora • Child Star • Cat Black (The Wizard's Hat) • Conesuala • Strange Orchestras • Find A Little Wood • Once Upon The Seas Of Abyssinia • One Inch Rock • Salamanda Palaganda • Lofty Skies • Stacey Grove • King Of The Rumbling Spires • Blessed Wild Apple Girl • Elemental Child SOURCES Discogs, 45 World, Wikipedia, BBC Official Charts All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Published less than two weeks after Marc Bolan's passing, this feature from the German youth magazine Bravo examines the circumstances surrounding the fatal car crash that claimed the life of the T. Rex star. The article combines photographs, reporting and retrospective commentary to document the tragic event and its impact on fans across Europe. Publication: Bravo Date: September 29, 1977 Country: Germany The feature appears under the headline "Die Todesfahrt des Glitzer-Stars Marc Bolan" ("The Fatal Journey of Glam Rock Star Marc Bolan"). The article focuses on the events of 16 September 1977, when Bolan was killed in a road accident shortly before his thirtieth birthday. A large full-length photograph of Marc Bolan performing with his guitar dominates the page, reminding readers of the image that made him one of the leading figures of glam rock. Alongside the performance photograph are images connected to the accident investigation, including photographs of the car involved and the crash scene. The article recounts the final journey and details the circumstances reported following the accident. Additional photographs show Bolan at different points in his career and include images connected with those close to him. Throughout the feature, the emphasis remains on the shock created by the tragedy and the sudden loss of one of the most recognisable stars of the 1970s. CONTEXT AND NOTES Published shortly after Bolan's death, the feature captures the immediate reaction of the European music press and youth media. Bravo had regularly covered Marc Bolan and T. Rex during the group's most successful years, making the article both a news report and a retrospective look at his career. The combination of performance photography and accident-related imagery reflects the contrast between Bolan's glamorous public image and the tragic circumstances of his death. The article serves as a contemporary record of how the loss was reported to a generation of fans who had followed T. Rex throughout the glam rock era. FEATURE HIGHLIGHTS Event: Bravo report on the death of Marc Bolan Era: 1977 post-T. Rex era Tone: Serious and retrospective Photography: Large performance photograph of Marc Bolan together with accident-related photographs and contemporary images WHAT THE CLIPPING SHOWS • Feature examining the circumstances of Marc Bolan's fatal car accident • Large performance photograph of Marc Bolan with guitar • Crash-scene and vehicle photographs accompanying the report All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non-commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Broadcast Date: August 24, 1977 The debut episode of Marc aired on 24 August 1977 and introduced viewers to Marc Bolan's new ITV music series. The programme combined performances by established chart acts, emerging artists and appearances from Marc Bolan and T. Rex, reflecting the diversity of the British music scene during the late 1970s. SHOW CONTENTS "Sing Me a Song" – Marc Bolan with T. Rex "All Around the World" – The Jam "I Love to Boogie" – Marc Bolan with T. Rex "Cool Wind From the North" – Stephanie de Sykes "No Russians in Russia" – Radio Stars Heart Throb's Dance Segment – "You Made Me Believe in Magic" – Bay City Rollers "Celebrate Summer" – Marc Bolan with T. Rex "You Got What It Takes" – Showaddywaddy "Jeepster" – Marc Bolan with T. Rex HIGHLIGHTS The opening programme showcased Marc Bolan both as host and performer, with T. Rex appearing throughout the broadcast. Performances of "Sing Me a Song", "I Love to Boogie", "Celebrate Summer" and the classic "Jeepster" offered viewers a broad overview of Bolan's contemporary and earlier material. The programme also featured a performance by The Jam, one of the most significant emerging bands of the new wave movement, alongside appearances by Stephanie de Sykes, Radio Stars and Showaddywaddy. The inclusion of artists from different musical backgrounds helped establish the format that would define the series during its six-episode run. SIGNIFICANCE As the first episode of Marc, Show 1 set the tone for the entire series by bringing together glam rock, pop, rock and new wave artists on a single programme. The broadcast demonstrated Marc Bolan's enthusiasm for championing both established performers and newer acts, creating a platform that reflected the rapidly changing musical landscape of 1977. Marc was a British pop‑music television series presented by Marc Bolan and produced in Manchester by Granada Television for the ITV network. Running for six weekly episodes in the autumn of 1977, it was produced by Muriel Young and directed by Nicholas Ferguson. The show offered Bolan a platform to showcase emerging punk and new‑wave acts including Generation X, The Jam, Radio Stars, Eddie and the Hot Rods, and others. Each episode featured multiple T. Rex lip‑sync performances — typically three per show — mixing new versions of older hits with fresh tracks. The programme also featured a dance troupe called Heart Throb, identified in 1977 press images as Isobelle Skullnice, June Griffiths, Alison Basham, and Kirsty Hayes. Bolan introduced their single “Ain’t It Strange” in Show 6, referring to them as “my dancers.” A second series was planned, but Bolan passed in a car crash on 16 September 1977, shortly after filming concluded. The final episode, recorded on 7 September 1977, was broadcast posthumously on 28 September 1977, eight days after the funeral. Artist: Marc Bolan And T. Rex Title: Marc - Songs From The Granada TV Series Label: Edsel Country: UK Date: 1998 Catalogue: EDCD 545 The series was filmed at Granada Television using a multi‑camera setup and a limited production budget. Heart Throb dancers appeared in promotional stills dated 10 August 1977. A highlights DVD featuring only T. Rex performances was released in the UK in 2005, reissued in 2017 with additional T. Rex TV appearances. A full six‑episode DVD set was released in Japan in 2007. Surrounding Dates: • 24 August 1977 – Episode 1 broadcast • 7 September 1977 – Final episode recorded • 28 September 1977 – Final episode broadcast posthumously Marc captured the final weeks of Marc Bolan’s life and showcased his enthusiasm for new musical movements. Despite low production values, the series remains historically significant for its blend of glam, punk, and pop, and for Bolan’s final televised collaboration with David Bowie, including Bowie’s performance of “Heroes” and the aborted duet on “Sleeping Next To You.” The show stands as Bolan’s last major project, reflecting his continued influence and curiosity about emerging artists in 1977. All magazine scans, photographs, and original text excerpts referenced in this entry remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Marc Bolan’s Bolan’s Zip Gun, released on February 7, 1975, was T. Rex’s tenth studio album and the only one in their catalogue that failed to chart in the UK, representing a raw, stripped-down return to rock ‘n’ roll roots amid lineup changes and shifting musical trends. Artist: T. Rex Title: Bolan's Zip Gun Date: February 7, 1975 Label: T.REX (distributed by EMI) Format / Type: LP Vinyl Album (Die-cut Gatefold), Cassette Album Country: United Kingdom Catalogue: LP: BLNA 7752 / 0C 064 ○ 96222 Cassette (TC): TC-BLNA7752 / OC 244 96222 Variants include repress, white label promo/stamped copies TRACK LIST Side A Light Of Love Solid Baby Precious Star Token Of My Love Space Boss Think Zinc Side B Till Dawn Girl In The Thunderbolt Suit I Really Love You Babe Golden Belt Zip Gun Boogie THE STORY Following the ambitious but critically mixed Zinc Alloy and the Hidden Riders of Tomorrow, Bolan shifted to a leaner, more direct sound with simpler lyrics. Many tracks had already appeared on the 1974 US-only Light of Love album. Produced by Bolan himself, the album features an evolving lineup including new drummer Davy Lutton and Gloria Jones on clavinet and backing vocals. It was Mickey Finn’s final album with the band. CONTEXT & NOTES Bolan’s Zip Gun marked a transitional and challenging period for T. Rex. Despite strong individual tracks like “Light Of Love” (UK #22) and “Zip Gun Boogie” (#41), the album failed to chart in the UK — the only T. Rex studio album to do so. The futuristic sci-fi themes in songs like “Space Boss,” “Think Zinc,” and “Golden Belt” reflected Bolan’s interests, while the stripped-down production contrasted with previous orchestral excess. The die-cut cover and inner sleeve added visual flair. PERSONNEL Marc Bolan – vocals, guitar, synthesizers Mickey Finn – percussion (final album) Dino Dines – keyboards Gloria Jones – clavinet, backing vocals Steve Currie – bass Davy Lutton – drums Paul Fenton – additional drums (“Solid Baby”) Bill Legend – drums (“Till Dawn”) Additional: Harry Nilsson (backing vocals) PRODUCTION Produced by: Marc Bolan Recorded at: Scorpio Sound (London), Musicland Studios (Munich), MRI Studios (Hollywood) CHARTS UK Albums Chart: Did not chart PACKAGING / ARTWORK HIGHLIGHTS Die-cut front cover Gatefold sleeve Inner sleeve with lyrics and credits Label Variants Note: There are two sets of labels. The 1st is the older EMI design with “Made In Gt. Britain” at the 6 o'clock position and “The Gramophone Co. Ltd.” at the 8 o'clock position. The 2nd is the newer EMI design with “Made In Gt. Britain” at the 4 o'clock position and “The Gramophone Co. Ltd.” replaced by “EMI Records Ltd.” at the 8 o'clock position. WHAT THE SLEEVE SHOWS The distinctive die-cut front cover reveals part of the inner artwork when opened. The gatefold and inner sleeve feature bold 1970s glam styling, full track listings, production credits, and photography. Cassette versions use adapted J-card artwork based on the LP design. RELATED MATERIAL See tags at foot of page. SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, T.REX / EMI Records All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

The Slider was originally released in July 1972 following a remarkable run of three chart-topping T. Rex albums. Arriving at the height of the phenomenon known as "T. Rextasy", the album captured Marc Bolan and T. Rex at the peak of their commercial and creative success. The record provided a defining snapshot of the period and demonstrated the enduring appeal of T. Rex across generations. It included two UK number one singles, Telegram Sam and Metal Guru, and was the first album to carry the T. Rex Wax Co. imprint. The label was created under EMI's support of Marc Bolan's growing stature, reflecting his significance within the British music industry. This edition presents the complete album newly remastered by Tony Visconti and Ted Jensen and pressed on 180g clear vinyl for the first time. RECORDING The album was recorded during T. Rex's most successful commercial period and features the classic T. Rex line-up alongside contributions from Howard Kaylan and Mark Volman. For this reissue, the complete album was remastered by Tony Visconti and Ted Jensen. TRACK-BY-TRACK NOTES • Metal Guru — UK number one single and opening track. • Mystic Lady — Featured on the original album. • Rock On — Included on the original running order. • The Slider — Title track of the album. STYLE & THEMES The Slider continued the glam-rock sound developed on earlier T. Rex releases while expanding the group's musical ambitions. The album combines infectious rock-and-roll rhythms, melodic songwriting and rich arrangements, resulting in one of the most recognisable releases of the glam-rock era. Tracks such as Metal Guru, Telegram Sam, Ballrooms Of Mars and The Slider demonstrate Marc Bolan's ability to merge chart-friendly hooks with distinctive lyrical and musical ideas. • Baby Boomerang — One of the key recordings from the album sessions. • Spaceball Ricochet — A major album track and concert favourite. • Buick MacKane — Included on the album's first side. • Telegram Sam — UK number one single and one of T. Rex's signature recordings. • Rabbit Fighter — Featured on the second side of the album. • Baby Strange — One of the best-known tracks from the album. • Ballrooms Of Mars — Among the album's most celebrated songs. • Chariot Choogle — Included in the original sequence. • Main Man — Closing track on the album. RELEASE HISTORY The Slider was originally released in July 1972 during the height of T. Rex's chart dominance. Demon Records reissued the album on February 7, 2020 as a remastered edition pressed on 180g clear vinyl. The release features the complete original album remastered by Tony Visconti and Ted Jensen and includes a printed inner sleeve. PERSONNEL Marc Bolan — vocals, guitar, written by, composed by Steve Currie — bass Bill Legend — drums Mickey Finn — hand percussion, congas, vocals Howard Kaylan — backing vocals Mark Volman — backing vocals PRODUCTION Produced by Tony Visconti String arrangements by Tony Visconti Engineered by Freddy Hansson Remastered by Tony Visconti Remastered by Ted Jensen Photography by Ringo Starr Label: Demon Records Catalogue Number: DEMREC636 Licensed from Spirit Services Holdings s.a.r.l. RELEASE TABLE Artist Album Label Country Catalogue Date Format T. Rex The Slider Demon Records UK DEMREC636 February 7, 2020 LP, Reissue, Remastered, Stereo, 180g Clear Vinyl TRACKLIST TABLE Format Catalogue Tracklisting LP 180g Clear Vinyl NOTES • Pressed on 180g clear vinyl. • Complete album remastered by Tony Visconti and Ted Jensen. • Includes printed inner sleeve. • First clear vinyl edition of the album. • Manufactured in the European Union. • Inner sleeve printed in the European Union. • Licensed from Spirit Services Holdings s.a.r.l. • Pressed by GZ Media. RELATED RELEASES • Metal Guru • Telegram Sam • The Slider • Baby Strange • Ballrooms Of Mars DEMREC636 A1. Metal Guru A2. Mystic Lady A3. Rock On A4. The Slider A5. Baby Boomerang A6. Spaceball Ricochet A7. Buick MacKane B1. Telegram Sam B2. Rabbit Fighter B3. Baby Strange B4. Ballrooms Of Mars B5. Chariot Choogle B6. Main Man SOURCES ES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

Light of Love is a US‑ and Canada‑only studio album originally released in 1974. It combines three tracks previously issued in the UK on  Zinc Alloy  and  the Hidden Riders of Tomorrow  with eight newly recorded songs from 1974 sessions at  Music  Recorders  Inc. Studios in Hollywood. The album was engineered by Gary Ulmer and produced by Marc Bolan himself, marking his first productionwithout Tony Visconti.  “Till Dawn” was later re‑recorded for Bolan’s Zip Gun under Bolan’s own direction. TRACK LISTING All songs written by Marc Bolan. • Light of Love — 3:16 • Solid Baby — 2:37 • Precious Star — 2:51 • Token of My Love — 3:39 • Space Boss — 2:47 • Think Zinc — 3:21 • Till Dawn — 3:01 • Teenage Dream — 4:58 • Girl in the Thunderbolt Suit — 2:19 • Explosive Mouth — 2:25 • Venus Loon — 3:02 Total length: 34:36 ALBUM DETAILS Released: August 1974 Recorded: 1973–1974 Studios: Music Recorders Inc., Hollywood Genre: Psychedelic Soul / Funk / Rock Length: 34:36 Label: Casablanca Producer: Marc Bolan Chronology: Zinc Alloy and the Hidden Riders of  Tomorrow (1974)  → Light of Love (1974)  → Bolan’s Zip Gun (1975) PACKAGING Original US and Canada release on Casablanca Records. Later UK CD reissue by Edsel Records (1995). 50th Anniversary Edition issued on orange vinyl by Demon Records (2024). LP CATALOGUE NUMBERS UK 2024 reissue: Demon — DEMREC1258 PERSONNEL Marc Bolan — guitar; vocals; composer Steve Currie — bass Mickey Finn — percussion; conga; vocals; hand percussion Gloria Jones — clavinet; backing vocals Davey Lutton — drums Bill Legend — drums on “Till Dawn,” “Teenage Dream,” “Explosive Mouth,” “Venus Loon” Paul Fenton — additional drums on “Solid Baby” Tony Visconti — string arrangements; orchestra David Katz — strings; orchestra TECHNICAL Engineered by Gary Ulmer Produced by Marc Bolan CHARTS Did not chart in the US or Canada SOURCES Discogs; Wikipedia; Edsel Records; Casablanca Records All magazine scans, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference.

Truck Off Tour Rehearsals presents rehearsal recordings connected with the T. Rex touring period surrounding Truck On (Tyke) and the band's mid-1970s live activities. Issued by the Official Marc Bolan Merchandise Company, the collection offers a rare glimpse into the working arrangements and preparation sessions undertaken by Marc Bolan and his touring band. Agora documents a live T. Rex performance recorded for broadcast at the Agora Ballroom in Cleveland, Ohio, on November 11, 1974. Captured during the group's mid-1970s touring period, the recording features Marc Bolan and the contemporary touring line-up performing a selection of classic hits alongside newer material. Issued by Solid Gold Records in 2024, the album presents highlights from the broadcast recording and offers a snapshot of T. Rex on stage during a period of transition and reinvention. The performances showcase the band's energetic live sound while illustrating the continued popularity of Bolan's catalogue during the latter half of the 1970s. RECORDING The material was recorded live at the Agora Ballroom, Cleveland, Ohio, on November 11, 1974 for radio broadcast. The concert featured Marc Bolan alongside Steve Currie, Gloria Jones, Dino Dines, Mickey Finn and Davy Lutton, capturing the expanded T. Rex line-up in a live environment. The recordings were later mastered by Anders Peterson and prepared for release as part of the ongoing programme of Marc Bolan archival releases. STYLE & THEMES The album combines glam rock with elements of hard rock, soul and rhythm-and-blues that characterised T. Rex's mid-1970s live performances. The setlist balances major chart hits such as Get It On, Telegram Sam and Jeepster with material from Bolan's contemporary releases including Token Of My Love and Zip Gun Boogie. The performances reflect the heavier and more expansive live arrangements used by the band during this era. TRACK-BY-TRACK NOTES • Jeepster — Extended live performance of one of T. Rex's signature hits. • Telegram Sam — Concert version of the chart-topping single. • Token Of My Love — Performance drawn from Bolan's later repertoire. • Teenage Dream — One of the major centrepieces of the set. • Zip Gun Boogie — Extended live interpretation of the mid-1970s single. • Get It On — Concert finale built around the band's best-known hit. RELEASE HISTORY Agora was released by Solid Gold Records in November 2024. The album was issued as a limited-edition orange vinyl pressing and made available through mail-order channels. A deluxe bundle edition was also released containing a CD, four postcards and a sticker. The release forms part of a wider archival programme documenting live recordings from the Marc Bolan and T. Rex catalogue. PERSONNEL Marc Bolan — guitar, vocals, songwriter Steve Currie — bass Gloria Jones — clavinet, vocals Dino Dines — keyboards Davy Lutton — drums Mickey Finn — hand percussion PRODUCTION Mastered by Anders Peterson Project Co-Ordinated by Carlton P. Sandercock Musical Assistance by Andrew James Gardner Design by Les Clark Label: Solid Gold Records Catalogue Number: SG009 Recorded at: Agora Ballroom, Cleveland, Ohio NOTES • Limited to 300 copies. • Pressed on orange vinyl. • Recorded live at the Agora Ballroom, Cleveland, Ohio. • Performance recorded on November 11, 1974. • Originally recorded for broadcast. • Mail-order exclusive release. • Bundle edition included CD, four postcards and a sticker. RELEASE VARIANTS TABLE Artist Title Label Country Cat No. Date Format T. Rex Agora Solid Gold Records UK SG009 November 2024 LP, Limited Edition, Stereo, Orange Vinyl TRACKLIST TABLE (ALL FORMATS) TRACKLIST TABLE (ALL FORMATS) Format Catalogue Tracklisting LP Orange Vinyl SG009 Side One: Jeepster • Telegram Sam • Token Of My Love • Teenage Dream Side Two: Zip Gun Boogie • Get It On SOURCES ES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.

T. Rex Gold is a double-vinyl retrospective issued by Demon Records that brings together some of the most celebrated recordings from Marc Bolan and T. Rex. Spanning the group's most successful years, the collection traces Bolan's journey from the breakthrough success of Ride A White Swan through the peak years of glam rock and beyond. Across twenty-four recordings, the compilation highlights the singles and album tracks that established T. Rex as one of the defining acts of the 1970s. The set includes many of Bolan's best-known recordings, among them Get It On, Hot Love, Metal Guru, Telegram Sam, Children Of The Revolution, Ride A White Swan and 20th Century Boy. Presented using the original artwork and pressed across two heavyweight records, the release serves as an accessible overview of Bolan's recording career under the T. Rex name. RECORDING The compilation gathers previously released recordings from across Marc Bolan and T. Rex's career. STYLE & THEMES The collection showcases the breadth of Marc Bolan's songwriting and recording career. Included are early transitional recordings, glam-rock anthems, chart-topping singles, reflective ballads and later-period studio recordings. Together they illustrate the evolution of T. Rex from the group's earliest successes through to Bolan's final years as an active recording artist. The album balances commercial hit singles with key catalogue recordings, providing a broad survey of Bolan's work. TRACK-BY-TRACK NOTES DISC ONE • Debora — Early recording included in the collection. • One Inch Rock — Featured from Bolan's earlier catalogue. • Ride A White Swan — Breakthrough hit that introduced the new T. Rex sound. • Cosmic Dancer — One of the most celebrated recordings from Electric Warrior. • Life's A Gas — Included from the classic early-1970s period. • Hot Love — Major chart success and key recording in the T. Rex story. • Get It On — One of Bolan's defining singles. • Jeepster — Classic glam-era recording. • Telegram Sam — Number one hit from the height of T. Rex popularity. • Metal Guru — Another of Bolan's chart-topping singles. • Children Of The Revolution — Stand-alone hit single. • Solid Gold Easy Action — Included among the period's major recordings. DISC TWO • 20th Century Boy — One of the most enduring T. Rex recordings. • The Groover — Non-album hit single. • Truck On (Tyke) — Included from the mid-1970s period. • Teenage Dream — Key recording from Bolan's evolving catalogue. • Till Dawn — Included from the group's later recordings. • Light Of Love — Mid-1970s studio recording. • New York City — Hit single from the Futuristic Dragon era. • Dreamy Lady — Popular late-period single. • London Boys — Included from the same recording period. • I Love To Boogie — One of Bolan's best-known later hits. • The Soul Of My Suit — Featured from Bolan's final studio period. • Celebrate Summer — Closing track in the collection. RELEASE HISTORY Released by Demon Records on September 7, 2018, T. Rex Gold was issued as a double LP compilation. The set was pressed on 180g heavyweight vinyl and presented using original artwork. The collection was designed as a definitive overview of Marc Bolan and T. Rex's most celebrated recordings. RELEASE TABLE Artist Album Label Country Catalogue Date Format T. Rex Gold Demon Records UK DEMREC284 September 7, 2018 2LP (180g Heavyweight Vinyl) TRACKLIST TABLE Format Catalogue Tracklisting 2LP (180g Heavyweight Vinyl) NOTES • Double LP compilation. • Pressed on 180g heavyweight vinyl. • Reproduced using the original artwork. • Contains twenty-four recordings spanning Marc Bolan and T. Rex's career. • Includes Get It On, Metal Guru, Hot Love, Children Of The Revolution, Ride A White Swan, Telegram Sam, 20th Century Boy and Cosmic Dancer. RELATED RELEASES • Electric Warrior • The Slider • Futuristic Dragon • Ride A White Swan • Get It On • 20th Century Boy DEMREC284 Disc 1: 1. Debora 2. One Inch Rock 3. Ride A White Swan 4. Cosmic Dancer 5. Life's A Gas 6. Hot Love 7. Get It On 8. Jeepster 9. Telegram Sam 10. Metal Guru 11. Children Of The Revolution 12. Solid Gold Easy Action Disc 2: 1. 20th Century Boy 2. The Groover 3. Truck On (Tyke) 4. Teenage Dream 5. Till Dawn 6. Light Of Love 7. New York City 8. Dreamy Lady 9. London Boys 10. I Love To Boogie 11. The Soul Of My Suit 12. Celebrate Summer SOURCES Discogs; 45 World; Wikipedia; BBC Official Charts; Sleeveographia2 All magazine scans, photographs, and original text excerpts remain the property of their respective copyright holders. This Chronicle entry is a transformative, non‑commercial archival summary created for historical documentation and educational reference. No ownership of the original material is claimed or implied.

Shadowhead is a compilation bringing together session recordings, working versions, master takes and alternate mixes drawn from Marc Bolan and T. Rex recordings made between 1972 and 1976. The collection was designed to provide a deeper look into Bolan's creative process while retaining the essential character of the finished recordings. Marc Bolan's musical interests extended far beyond glam rock alone. Throughout the material included on Shadowhead, his enthusiasm for blues, soul, rock 'n' roll, hard rock and disco-soul can be heard. The collection explores these influences through a mixture of familiar recordings, alternate versions and previously unavailable material. Recorded across a five-year period in seven studios and five countries, the album presents an overview of Bolan's creative evolution during one of the most productive periods of his career. While influences associated with Jimi Hendrix, Eric Clapton and Cream, and Bob Dylan can occasionally be detected, the recordings remain firmly rooted in Bolan's individual musical vision. RECORDING The material collected on Shadowhead was recorded between 1972 and 1976. The recordings originate from seven different studios spread across five countries and bring together master versions, session takes, working versions and alternate mixes created during the development of numerous T. Rex recordings. The compilation was assembled to demonstrate how songs evolved from initial concepts through to their final released forms and provides insight into Bolan's songwriting and recording methods. STYLE & THEMES The collection showcases the broad range of styles explored by Marc Bolan during the mid-1970s. Blues, soul, hard rock, disco-soul and traditional rock 'n' roll influences appear throughout the album. Rather than simply presenting finished recordings, Shadowhead illustrates the journey from working versions and studio experimentation to completed masters. Particular attention is given to revealing individual instrumental parts, arrangements and production ideas that were often less obvious within the final released recordings. TRACK-BY-TRACK NOTES • Midnight (Master Version) — Presented in its completed master form. • Rapids (Working Version) — Demonstrates the development of the later recording. • Hang-Ups (Master Version) — Final master recording. • Do You Wanna Dance (Master Version) — Master take showing Bolan's affection for classic rock and roll. • Baby Boomerang (Master Version) — Featured in its completed form. • Truck On (Tyke) (Master Version) — Master version from the period. • Blues Jam (Dreamy Lady Session) (Jam) — Introduced publicly on the CD release before appearing on this collection. • London Boys (Master Version) — Presented as a finished master recording. • Lady (Master Version) — Album master recording. • Buick Mackane (Master Version) — Classic T. Rex recording included in final form. • Stand By Me (Working Version) — Offers insight into song construction and arrangement. • Precious Star (Working Version) — Demonstrates the evolution of one of Bolan's compositions. • Fast Blues (Easy Action) (Master Version) — Included as a final master recording. • Dreamy Lady (Master Version) — One of the key recordings represented in finished form. • All My Love (Working Version) — Working session recording included to illustrate the creative process. RELEASE HISTORY Released by Demon Records on February 5, 2021, Shadowhead was issued as a single LP compilation. The collection was designed to present an alternative view of Marc Bolan's catalogue by focusing on the development of songs rather than simply reproducing familiar master recordings. The album combines completed masters with developing arrangements and studio work-in-progress recordings, creating a portrait of Bolan's working methods between 1972 and 1976. RELEASE TABLE Artist Album Label Country Catalogue Date Format Marc Bolan & T. Rex Shadowhead Demon Records UK DEMREC873 February 5, 2021 1LP 180g Black Vinyl TRACKLIST TABLE Format Catalogue Tracklisting LP 180g Black Vinyl NOTES • Collection of session takes, working recordings, master versions and alternate mixes.• Material recorded between 1972 and 1976. • Recordings sourced from seven studios across five countries .• Includes Blues Jam (Dreamy Lady Session), which previously made its public debut on CD. • Highlights the development of tracks such as Precious Star and Groove A Little. • Provides insight into Marc Bolan's songwriting and recording methods. • Pressed on 180g black vinyl. • Issued with outer and inner sleeves. RELATED RELEASES • Dreamy Lady • Precious Star • London Boys • Buick Mackane • Truck On (Tyke) DEMREC873 A1. Midnight (Master Version) A2. Rapids (Working Version) A3. Hang-Ups (Master Version) A4. Do You Wanna Dance (Master Version) A5. Baby Boomerang (Master Version) A6. Truck On (Tyke) (Master Version) A7. Blues Jam (Dreamy Lady Session) (Jam) B1. London Boys (Master Version) B2. Lady (Master Version) B3. Buick Mackane (Master Version) B4. Stand By Me (Working Version) B5. Precious Star (Working Version) B6. Fast Blues (Easy Action) (Master Version) B7. Dreamy Lady (Master Version) B8. All My Love (Working Version) SOURCES Discogs, 45 Worlds, Wikipedia, BBC Official Charts, Demon Records, Official Marc Bolan archives All album artwork, photographs, labels, and original text excerpts remain the property of their respective copyright holders. This entry is a transformative, non-commercial archival summary created for historical documentation and educational reference.